Elli and the Ghostly Ghost Train (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $18,111 | Details |
| International Box Office | $1,221,614 | Details |
| Worldwide Box Office | $1,239,725 | |
| OpusData ID: 697310100 More info... | ||
| Further financial details... | ||
Synopsis
Elli isn’t like other ghosts. She would rather play games and lend a helping hand than scare. But when humans start capturing ghosts across town, she must team up with a lovable crew of misfit monsters to rescue her family and save all of monster-kind. Soaring through the skies and unlocking her ghostly gifts, Elli learns that her greatest power isn’t scaring people—it’s showing them kindness.
Metrics
| Opening Weekend: | $18,111 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 155 opening theaters/155 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,111 |
Movie Details
| Domestic Releases: | September 12th, 2025 (Limited) by Viva Pictures, released as Elli and Her Monster Team |
| International Releases: | August 22nd, 2024 (Limited), released as Elli a parta příšeráků (Czech Republic)
August 23rd, 2024 (Limited), released as Elli a parta příšeráků (Slovakia) September 26th, 2024 (Limited), released as Elli and the Ghostly Ghost Train (Команда монстров) (Russia (CIS)) October 24th, 2024 (Limited), released as O Gangue dos Monstros (Portugal) October 31st, 2024 (Limited), released as Elli y el equipo de monstruos (Spain) ... Show all releases |
| MPA Rating: | PG for some action. (Rating bulletin 2897 (cert #55618), 8/6/2025) |
| Running Time: | 87 minutes |
| Plot point: | Friendly Ghost |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Dreamin Dolphin Film, Eagle Eye Filmproduktion, TRAUMHAUS Studios, GER, Carpe Diem |
| Production Countries: | Germany, Canada |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2025 | - | $18,111 | 155 | $117 | $18,111 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 12, 2025 | - | $2,868 | 155 | $19 | $2,868 | 1 | |
| Sep 13, 2025 | - | $8,332 | +191% | 155 | $54 | $11,200 | 2 |
| Sep 14, 2025 | - | $6,911 | -17% | 155 | $45 | $18,111 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 8/22/2024 | $29,320 | 113 | 113 | 219 | $70,722 | 9/18/2024 | |||
| Portugal | 10/24/2024 | $28,357 | 60 | 60 | 169 | $78,436 | 11/26/2024 | |||
| Russia (CIS) | 9/26/2024 | $265,511 | 1,970 | 1,970 | 3,905 | $409,073 | 10/9/2024 | |||
| Slovakia | 8/23/2024 | $21,365 | 72 | 72 | 134 | $54,143 | 9/18/2024 | |||
| South Korea | 2/14/2025 | $95,557 | 345 | 345 | 226 | $295,637 | 4/6/2026 | |||
| Spain | 10/31/2024 | $155,215 | 210 | 210 | 583 | $294,999 | 12/2/2024 | |||
| Turkey | 6/6/2025 | $9,105 | 106 | 106 | 121 | $18,604 | 4/4/2026 | |||
| International Total | $1,221,614 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dalia Schmidt-Foß | Elli |
Production and Technical Credits
| Piet De Rycker | Director | |
| Jens Møller | Director | |
| Jesper Møller | Director | |
| Piet De Rycker | Screenwriter | |
| Jesper Møller | Screenwriter | |
| Klaus Baumgart | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Elli isn’t like other ghosts. She would rather play games and lend a helping hand than scare. But when humans start capturing ghosts across town, she must team up with a lovable crew of misfit monsters to rescue her family and save all of monster-kind. Soaring through the skies and unlocking her ghostly gifts, Elli learns that her greatest power isn’t scaring people—it’s showing them kindness.
Metrics
| Opening Weekend: | $18,111 (100.0% of total gross) |
| Legs: | 1.00 (domestic box office/biggest weekend) |
| Domestic Share: | 1.5% (domestic box office/worldwide) |
| Theater counts: | 155 opening theaters/155 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,111 |
Movie Details
| Domestic Releases: | September 12th, 2025 (Limited) by Viva Pictures, released as Elli and Her Monster Team |
| International Releases: | August 22nd, 2024 (Limited), released as Elli a parta příšeráků (Czech Republic)
August 23rd, 2024 (Limited), released as Elli a parta příšeráků (Slovakia) September 26th, 2024 (Limited), released as Elli and the Ghostly Ghost Train (Команда монстров) (Russia (CIS)) October 24th, 2024 (Limited), released as O Gangue dos Monstros (Portugal) October 31st, 2024 (Limited), released as Elli y el equipo de monstruos (Spain) ... Show all releases |
| MPA Rating: | PG for some action. (Rating bulletin 2897 (cert #55618), 8/6/2025) |
| Running Time: | 87 minutes |
| Plot point: | Friendly Ghost |
| Subgenre: | Family Adventure |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Dreamin Dolphin Film, Eagle Eye Filmproduktion, TRAUMHAUS Studios, GER, Carpe Diem |
| Production Countries: | Germany, Canada |
| Languages: | German |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 2025 | - | $18,111 | 155 | $117 | $18,111 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Sep 12, 2025 | - | $2,868 | 155 | $19 | $2,868 | 1 | |
| Sep 13, 2025 | - | $8,332 | +191% | 155 | $54 | $11,200 | 2 |
| Sep 14, 2025 | - | $6,911 | -17% | 155 | $45 | $18,111 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Czech Republic | 8/22/2024 | $29,320 | 113 | 113 | 219 | $70,722 | 9/18/2024 | |||
| Portugal | 10/24/2024 | $28,357 | 60 | 60 | 169 | $78,436 | 11/26/2024 | |||
| Russia (CIS) | 9/26/2024 | $265,511 | 1,970 | 1,970 | 3,905 | $409,073 | 10/9/2024 | |||
| Slovakia | 8/23/2024 | $21,365 | 72 | 72 | 134 | $54,143 | 9/18/2024 | |||
| South Korea | 2/14/2025 | $95,557 | 345 | 345 | 226 | $295,637 | 4/6/2026 | |||
| Spain | 10/31/2024 | $155,215 | 210 | 210 | 583 | $294,999 | 12/2/2024 | |||
| Turkey | 6/6/2025 | $9,105 | 106 | 106 | 121 | $18,604 | 4/4/2026 | |||
| International Total | $1,221,614 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dalia Schmidt-Foß | Elli |
Production and Technical Credits
| Piet De Rycker | Director | |
| Jens Møller | Director | |
| Jesper Møller | Director | |
| Piet De Rycker | Screenwriter | |
| Jesper Møller | Screenwriter | |
| Klaus Baumgart | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.