Ema (2019)
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| Theatrical Performance | ||
| Domestic Box Office | $53,437 | Details |
| International Box Office | $317,948 | Details |
| Worldwide Box Office | $371,385 | |
| OpusData ID: 441860100 More info... | ||
| Further financial details... | ||
Synopsis
After a shocking incident upends her family life and marriage to a tempestuous choreographer, Ema, a reggaeton dancer, sets out on an odyssey of personal liberation in this incendiary story of art, desire, and the modern family.
Metrics
| Opening Weekend: | $10,422 (19.5% of total gross) |
| Legs: | 5.08 (domestic box office/biggest weekend) |
| Domestic Share: | 14.4% (domestic box office/worldwide) |
| Theater counts: | 11 opening theaters/27 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,838 |
Movie Details
| Domestic Releases: | August 13th, 2021 (Limited) by Music Box Films |
| International Releases: | December 20th, 2019 (Wide) (Turkey)
January 24th, 2020 (Wide) (Spain) February 20th, 2020 (Wide), released as Эма: Танец страсти (Russia (CIS)) March 13th, 2020 (Wide) (Mexico) June 19th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | January 11th, 2022 by Music Box Films Video |
| MPA Rating: | R for strong sexual content, nudity and language. (Rating bulletin 2639 (Cert #52819), 7/22/2020) |
| Running Time: | 102 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fabula |
| Production Countries: | Chile |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 13, 2021 | - | $10,422 | 11 | $947 | $10,422 | 1 | |
| Aug 20, 2021 | - | $10,519 | +1% | 27 | $390 | $28,710 | 2 |
| Aug 27, 2021 | - | $4,516 | -57% | 18 | $251 | $41,698 | 3 |
| Sep 3, 2021 | - | $3,259 | -28% | 11 | $296 | $47,783 | 4 |
| Sep 10, 2021 | - | $547 | -83% | 2 | $274 | $50,949 | 5 |
| Sep 17, 2021 | - | $120 | -78% | 1 | $120 | $51,676 | 6 |
| Sep 24, 2021 | - | $269 | +124% | 2 | $135 | $52,029 | 7 |
| Oct 1, 2021 | - | $48 | -82% | 1 | $48 | $52,814 | 8 |
| Oct 8, 2021 | - | $63 | +31% | 1 | $63 | $52,983 | 9 |
| Oct 15, 2021 | - | $216 | +243% | 1 | $216 | $53,199 | 10 |
| Oct 22, 2021 | - | $84 | -61% | 1 | $84 | $53,283 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 13, 2021 | - | $18,191 | 11 | $1,654 | $18,191 | 1 | |
| Aug 20, 2021 | - | $18,991 | +4% | 27 | $703 | $37,182 | 2 |
| Aug 27, 2021 | - | $7,342 | -61% | 18 | $408 | $44,524 | 3 |
| Sep 3, 2021 | - | $5,878 | -20% | 11 | $534 | $50,402 | 4 |
| Sep 10, 2021 | - | $1,154 | -80% | 3 | $385 | $51,556 | 5 |
| Sep 17, 2021 | - | $204 | -82% | 1 | $204 | $51,760 | 6 |
| Sep 24, 2021 | - | $1,006 | +393% | 2 | $503 | $52,766 | 7 |
| Oct 1, 2021 | - | $154 | -85% | 1 | $154 | $52,920 | 8 |
| Oct 8, 2021 | - | $63 | -59% | 1 | $63 | $52,983 | 9 |
| Oct 15, 2021 | - | $216 | +243% | 1 | $216 | $53,199 | 10 |
| Oct 22, 2021 | - | $94 | -56% | 1 | $94 | $53,293 | 11 |
| Oct 29, 2021 | - | $52 | -45% | 1 | $52 | $53,345 | 12 |
| Nov 5, 2021 | - | $92 | +77% | 1 | $92 | $53,437 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/13/2021 | $21,385 | 12 | 18 | 86 | $123,818 | 10/20/2022 | |||
| Italy | 9/2/2020 | $12,920 | 0 | 0 | 0 | $23,253 | 10/19/2022 | |||
| Netherlands | 6/19/2020 | $22,236 | 36 | 38 | 111 | $94,950 | 10/19/2022 | |||
| Poland | 9/11/2020 | $7,534 | 32 | 32 | 32 | $11,901 | 10/19/2022 | |||
| Portugal | 11/7/2020 | $464 | 2 | 2 | 2 | $464 | 10/19/2022 | |||
| Russia (CIS) | 2/20/2020 | $0 | 0 | 60 | 73 | $14,298 | 10/19/2022 | |||
| Spain | 1/24/2020 | $34,588 | 42 | 42 | 42 | $34,588 | 4/4/2026 | |||
| Turkey | 12/20/2019 | $4,119 | 24 | 24 | 29 | $14,676 | 10/19/2022 | |||
| International Total | $317,948 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mariana Di Girolamo | Ema | |
| Gael Garcia Bernal | Gastón |
Supporting
| Paola Giannini | Raquel | |
| Santiago Cabrera | Aníbal | |
| Cristián Suárez | Polo |
Production and Technical Credits
| Pablo Larrain | Director | |
| Guillermo Calderon | Screenwriter | |
| Pablo Larrain | Screenwriter | |
| Alejandro Moreno | Screenwriter | |
| Sergio Armstrong | Director of Photography | |
| Sebastian Sepulveda | Editor | |
| Nicolas Jaar | Composer | |
| Estefania Larrain | Production Designer | |
| José Vidal | Choreography | |
| Muriel Parra | Costume Designer | |
| Felipe Criado | Costume Designer | |
| Roberto Espinoza | Sound Designer | |
| Rocio Jadue | Executive Producer | |
| Mariane Hartard | Executive Producer | |
| Paula Kraushaar | Associate Producer | |
| Catalina Adoni | Associate Producer | |
| Alfredo Adoni | Associate Producer | |
| Juan De Dios Larrain | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a shocking incident upends her family life and marriage to a tempestuous choreographer, Ema, a reggaeton dancer, sets out on an odyssey of personal liberation in this incendiary story of art, desire, and the modern family.
Metrics
| Opening Weekend: | $10,422 (19.5% of total gross) |
| Legs: | 5.08 (domestic box office/biggest weekend) |
| Domestic Share: | 14.4% (domestic box office/worldwide) |
| Theater counts: | 11 opening theaters/27 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $62,838 |
Movie Details
| Domestic Releases: | August 13th, 2021 (Limited) by Music Box Films |
| International Releases: | December 20th, 2019 (Wide) (Turkey)
January 24th, 2020 (Wide) (Spain) February 20th, 2020 (Wide), released as Эма: Танец страсти (Russia (CIS)) March 13th, 2020 (Wide) (Mexico) June 19th, 2020 (Wide) (Netherlands) ... Show all releases |
| Video Release: | January 11th, 2022 by Music Box Films Video |
| MPA Rating: | R for strong sexual content, nudity and language. (Rating bulletin 2639 (Cert #52819), 7/22/2020) |
| Running Time: | 102 minutes |
| Film festival: | Sundance Film Festival 2020 |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fabula |
| Production Countries: | Chile |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 13, 2021 | - | $10,422 | 11 | $947 | $10,422 | 1 | |
| Aug 20, 2021 | - | $10,519 | +1% | 27 | $390 | $28,710 | 2 |
| Aug 27, 2021 | - | $4,516 | -57% | 18 | $251 | $41,698 | 3 |
| Sep 3, 2021 | - | $3,259 | -28% | 11 | $296 | $47,783 | 4 |
| Sep 10, 2021 | - | $547 | -83% | 2 | $274 | $50,949 | 5 |
| Sep 17, 2021 | - | $120 | -78% | 1 | $120 | $51,676 | 6 |
| Sep 24, 2021 | - | $269 | +124% | 2 | $135 | $52,029 | 7 |
| Oct 1, 2021 | - | $48 | -82% | 1 | $48 | $52,814 | 8 |
| Oct 8, 2021 | - | $63 | +31% | 1 | $63 | $52,983 | 9 |
| Oct 15, 2021 | - | $216 | +243% | 1 | $216 | $53,199 | 10 |
| Oct 22, 2021 | - | $84 | -61% | 1 | $84 | $53,283 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 13, 2021 | - | $18,191 | 11 | $1,654 | $18,191 | 1 | |
| Aug 20, 2021 | - | $18,991 | +4% | 27 | $703 | $37,182 | 2 |
| Aug 27, 2021 | - | $7,342 | -61% | 18 | $408 | $44,524 | 3 |
| Sep 3, 2021 | - | $5,878 | -20% | 11 | $534 | $50,402 | 4 |
| Sep 10, 2021 | - | $1,154 | -80% | 3 | $385 | $51,556 | 5 |
| Sep 17, 2021 | - | $204 | -82% | 1 | $204 | $51,760 | 6 |
| Sep 24, 2021 | - | $1,006 | +393% | 2 | $503 | $52,766 | 7 |
| Oct 1, 2021 | - | $154 | -85% | 1 | $154 | $52,920 | 8 |
| Oct 8, 2021 | - | $63 | -59% | 1 | $63 | $52,983 | 9 |
| Oct 15, 2021 | - | $216 | +243% | 1 | $216 | $53,199 | 10 |
| Oct 22, 2021 | - | $94 | -56% | 1 | $94 | $53,293 | 11 |
| Oct 29, 2021 | - | $52 | -45% | 1 | $52 | $53,345 | 12 |
| Nov 5, 2021 | - | $92 | +77% | 1 | $92 | $53,437 | 13 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/13/2021 | $21,385 | 12 | 18 | 86 | $123,818 | 10/20/2022 | |||
| Italy | 9/2/2020 | $12,920 | 0 | 0 | 0 | $23,253 | 10/19/2022 | |||
| Netherlands | 6/19/2020 | $22,236 | 36 | 38 | 111 | $94,950 | 10/19/2022 | |||
| Poland | 9/11/2020 | $7,534 | 32 | 32 | 32 | $11,901 | 10/19/2022 | |||
| Portugal | 11/7/2020 | $464 | 2 | 2 | 2 | $464 | 10/19/2022 | |||
| Russia (CIS) | 2/20/2020 | $0 | 0 | 60 | 73 | $14,298 | 10/19/2022 | |||
| Spain | 1/24/2020 | $34,588 | 42 | 42 | 42 | $34,588 | 4/4/2026 | |||
| Turkey | 12/20/2019 | $4,119 | 24 | 24 | 29 | $14,676 | 10/19/2022 | |||
| International Total | $317,948 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Mariana Di Girolamo | Ema | |
| Gael Garcia Bernal | Gastón |
Supporting
| Paola Giannini | Raquel | |
| Santiago Cabrera | Aníbal | |
| Cristián Suárez | Polo |
Production and Technical Credits
| Pablo Larrain | Director | |
| Guillermo Calderon | Screenwriter | |
| Pablo Larrain | Screenwriter | |
| Alejandro Moreno | Screenwriter | |
| Sergio Armstrong | Director of Photography | |
| Sebastian Sepulveda | Editor | |
| Nicolas Jaar | Composer | |
| Estefania Larrain | Production Designer | |
| José Vidal | Choreography | |
| Muriel Parra | Costume Designer | |
| Felipe Criado | Costume Designer | |
| Roberto Espinoza | Sound Designer | |
| Rocio Jadue | Executive Producer | |
| Mariane Hartard | Executive Producer | |
| Paula Kraushaar | Associate Producer | |
| Catalina Adoni | Associate Producer | |
| Alfredo Adoni | Associate Producer | |
| Juan De Dios Larrain | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.