The End of Oak Street (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $2,500,000 | Details |
| International Box Office | $4,000,000 | |
| Worldwide Box Office | $6,500,000 | |
| OpusData ID: 675090100 More info... | ||
| Further financial details... | ||
Synopsis
After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.
Metrics
| Domestic Share: | 38.5% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.1 times production budget) |
| Infl. Adj. Dom. BO | $2,500,000 |
Movie Details
| Domestic Releases: | August 14th, 2026 (Wide) by Warner Bros. August 14th, 2026 (IMAX) by Warner Bros. |
| International Releases: | August 12th, 2026 (Wide), released as Flowervale Street (France)
August 12th, 2026 (Wide), released as El Final de la calle Oak (Mexico) August 12th, 2026 (Wide), released as La Fine di Oak Street (Italy) August 12th, 2026 (Wide), released as Flowervale Street (Belgium) August 13th, 2026 (Wide) (Australia) |
| MPA Rating: | PG-13 for some strong violent content, bloody images, some strong language and suggestive material. (Rating bulletin 2944 (cert #55341), 7/8/2026) |
| Running Time: | 100 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Georgia, United States |
| Plot point: | Dinosaurs, Dinosaurs in the Modern World |
| Subgenre: | Survival Thriller |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., Bad Robot, Jackson Pictures, Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 13, 2026 | P | $2,500,000 | 3,000 | $833 | $2,500,000 |
Leading
| Anne Hathaway | Denise Platt | |
| Ewan McGregor | Greg Platt |
Supporting
| Maisy Stella | Audrey Platt | |
| Christian Convery | Brian Platt | |
| Jordan Alexa Davis | Jeannette Christianson | |
| P.J. Byrne | Mel Jacobs | |
| Hudson Meek | Kaden Tucker | |
| Anne Gee Byrd | Mrs. Huddleston | |
| Emily Kuroda | Mrs. Valcourt | |
| Simms May | Zachary | |
| Grayson Kilpatrick | Buddy #1 | |
| Pilot Bunch | Buddy #2 | |
| Walker Russell | Mason | |
| Hugo Silver | Fergus | |
| Michael-Christian Moore | Ashton | |
| David Alexander Kaplan | Charles Tucker | |
| Christopher A. Martin | Leon | |
| Denitra Isler | Mrs. Rey | |
| Isabella Aparicio | Young Family Girl | |
| Marian Green | Neighbor Woman | |
| Scott Deal | Older Neighbor | |
| Callie McClincy | Katie | |
| Andrea Frankle | Female Neighbor |
Production and Technical Credits
| David Robert Mitchell | Director | |
| David Robert Mitchell | Screenwriter | |
| David Robert Mitchell | Producer | |
| J.J. Abrams | Producer | |
| Hannah Minghella | Producer | |
| Matt Jackson | Producer | |
| Tommy Harper | Producer | |
| Jon Cohen | Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Chris Bender | Executive Producer | |
| Jake Weiner | Executive Producer | |
| Joanne Lee | Executive Producer | |
| LeeAnn Stonebreaker | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Michael Gioulakis | Director of Photography | |
| Maya Shimoguchi | Production Designer | |
| John Axelrad | Editor | |
| Michael Giacchino | Composer | |
| George Drakoulias | Music Supervisor | |
| Jay Cooper | Visual Effects Supervisor | |
| Erin Benach | Costume Designer | |
| Jennifer Meislohn | Visual Effects Producer | |
| Mark Bennett | Casting Director | |
| LeeAnn Stonebreaker | Unit Production Manager | |
| Tommy Harper | Unit Production Manager | |
| Michael Salven | First Assistant Director | |
| Michael Salven | Co-Producer | |
| Robert E. Kay | Second Assistant Director | |
| Z. Taylor Bynum | Additional Editor | |
| Kim Khoo | Production Supervisor | |
| Lauren Abiouness | Supervising Art Director | |
| Kevin Houlihan | Art Director | |
| Elizabeth Wedding | Art Director | |
| Kaylee Alvarez | Set Designer | |
| Luis G. Hoyos | Set Designer | |
| Nathan Krochmal | Set Designer | |
| Kevin Vickery | Set Designer | |
| Robert Woodruff | Set Designer | |
| Aron Siegel | Sound Mixer | |
| Melissa Yount | Script Supervisor | |
| Fady Hadid | Post-Production Supervisor | |
| Abigail Callahan | Post-Production Supervisor | |
| Z. Taylor Bynum | First Assistant Editor | |
| Dane Maddock | First Assistant Editor | |
| Sushant Chaudhary | Assistant Editor | |
| Paul Apelgren | Music Editor | |
| Tim LeBlanc | Re-recording Mixer | |
| Michael Keller | Re-recording Mixer | |
| Robert Stambler | Supervising Sound Editor | |
| Bill R. Dean | Supervising Sound Editor | |
| Paula Fairfield | Sound Designer | |
| Chase Keehn | Dialogue Editor | |
| Karyn Foster | Dialogue Editor | |
| Arielle McGrail | Dialogue Editor | |
| Mitch Osias | Sound Effects Editor | |
| Christopher S. Aud | Sound Effects Editor | |
| Amy Barber | Foley Editor | |
| Jonathan Bruce | Foley Editor | |
| Amy Barber | Foley Mixer | |
| Ellen Arden | Make up | |
| Jessica Craig | Make up | |
| John Tarro | Hairstylist | |
| Levura Geuka-Ross | Hairstylist | |
| Ian MacGregor | Location Manager | |
| Missy Parker | Set Decorator | |
| J.D. Schwalm | Special Effects Supervisor | |
| Lee Alan McConnell | Special Effects Coordinator | |
| Mike Massa | Stunt Coordinator | |
| Randy Beckman | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.
Metrics
| Domestic Share: | 38.5% (domestic box office/worldwide) |
| Production Budget: | $85,000,000 (worldwide box office is 0.1 times production budget) |
| Infl. Adj. Dom. BO | $2,500,000 |
Movie Details
| Domestic Releases: | August 14th, 2026 (Wide) by Warner Bros. August 14th, 2026 (IMAX) by Warner Bros. |
| International Releases: | August 12th, 2026 (Wide), released as Flowervale Street (France)
August 12th, 2026 (Wide), released as El Final de la calle Oak (Mexico) August 12th, 2026 (Wide), released as La Fine di Oak Street (Italy) August 12th, 2026 (Wide), released as Flowervale Street (Belgium) August 13th, 2026 (Wide) (Australia) |
| MPA Rating: | PG-13 for some strong violent content, bloody images, some strong language and suggestive material. (Rating bulletin 2944 (cert #55341), 7/8/2026) |
| Running Time: | 100 minutes |
| Filming location (country): | United States |
| Filming location (state or county): | Georgia, United States |
| Plot point: | Dinosaurs, Dinosaurs in the Modern World |
| Subgenre: | Survival Thriller |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Warner Bros., Bad Robot, Jackson Pictures, Domain Entertainment |
| Production Countries: | United States |
| Languages: | English |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Aug 13, 2026 | P | $2,500,000 | 3,000 | $833 | $2,500,000 |
Leading
| Anne Hathaway | Denise Platt | |
| Ewan McGregor | Greg Platt |
Supporting
| Maisy Stella | Audrey Platt | |
| Christian Convery | Brian Platt | |
| Jordan Alexa Davis | Jeannette Christianson | |
| P.J. Byrne | Mel Jacobs | |
| Hudson Meek | Kaden Tucker | |
| Anne Gee Byrd | Mrs. Huddleston | |
| Emily Kuroda | Mrs. Valcourt | |
| Simms May | Zachary | |
| Grayson Kilpatrick | Buddy #1 | |
| Pilot Bunch | Buddy #2 | |
| Walker Russell | Mason | |
| Hugo Silver | Fergus | |
| Michael-Christian Moore | Ashton | |
| David Alexander Kaplan | Charles Tucker | |
| Christopher A. Martin | Leon | |
| Denitra Isler | Mrs. Rey | |
| Isabella Aparicio | Young Family Girl | |
| Marian Green | Neighbor Woman | |
| Scott Deal | Older Neighbor | |
| Callie McClincy | Katie | |
| Andrea Frankle | Female Neighbor |
Production and Technical Credits
| David Robert Mitchell | Director | |
| David Robert Mitchell | Screenwriter | |
| David Robert Mitchell | Producer | |
| J.J. Abrams | Producer | |
| Hannah Minghella | Producer | |
| Matt Jackson | Producer | |
| Tommy Harper | Producer | |
| Jon Cohen | Producer | |
| Andrew Lary | Executive Producer | |
| Anthony Tittanegro | Executive Producer | |
| Chris Bender | Executive Producer | |
| Jake Weiner | Executive Producer | |
| Joanne Lee | Executive Producer | |
| LeeAnn Stonebreaker | Executive Producer | |
| Pete Chiappetta | Executive Producer | |
| Michael Gioulakis | Director of Photography | |
| Maya Shimoguchi | Production Designer | |
| John Axelrad | Editor | |
| Michael Giacchino | Composer | |
| George Drakoulias | Music Supervisor | |
| Jay Cooper | Visual Effects Supervisor | |
| Erin Benach | Costume Designer | |
| Jennifer Meislohn | Visual Effects Producer | |
| Mark Bennett | Casting Director | |
| LeeAnn Stonebreaker | Unit Production Manager | |
| Tommy Harper | Unit Production Manager | |
| Michael Salven | First Assistant Director | |
| Michael Salven | Co-Producer | |
| Robert E. Kay | Second Assistant Director | |
| Z. Taylor Bynum | Additional Editor | |
| Kim Khoo | Production Supervisor | |
| Lauren Abiouness | Supervising Art Director | |
| Kevin Houlihan | Art Director | |
| Elizabeth Wedding | Art Director | |
| Kaylee Alvarez | Set Designer | |
| Luis G. Hoyos | Set Designer | |
| Nathan Krochmal | Set Designer | |
| Kevin Vickery | Set Designer | |
| Robert Woodruff | Set Designer | |
| Aron Siegel | Sound Mixer | |
| Melissa Yount | Script Supervisor | |
| Fady Hadid | Post-Production Supervisor | |
| Abigail Callahan | Post-Production Supervisor | |
| Z. Taylor Bynum | First Assistant Editor | |
| Dane Maddock | First Assistant Editor | |
| Sushant Chaudhary | Assistant Editor | |
| Paul Apelgren | Music Editor | |
| Tim LeBlanc | Re-recording Mixer | |
| Michael Keller | Re-recording Mixer | |
| Robert Stambler | Supervising Sound Editor | |
| Bill R. Dean | Supervising Sound Editor | |
| Paula Fairfield | Sound Designer | |
| Chase Keehn | Dialogue Editor | |
| Karyn Foster | Dialogue Editor | |
| Arielle McGrail | Dialogue Editor | |
| Mitch Osias | Sound Effects Editor | |
| Christopher S. Aud | Sound Effects Editor | |
| Amy Barber | Foley Editor | |
| Jonathan Bruce | Foley Editor | |
| Amy Barber | Foley Mixer | |
| Ellen Arden | Make up | |
| Jessica Craig | Make up | |
| John Tarro | Hairstylist | |
| Levura Geuka-Ross | Hairstylist | |
| Ian MacGregor | Location Manager | |
| Missy Parker | Set Decorator | |
| J.D. Schwalm | Special Effects Supervisor | |
| Lee Alan McConnell | Special Effects Coordinator | |
| Mike Massa | Stunt Coordinator | |
| Randy Beckman | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.