The End of Violence (1997)
| Theatrical Performance | ||
| Domestic Box Office | $386,673 | Details |
| OpusData ID: 69360100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $64,154 (16.6% of total gross) |
| Legs: | 6.03 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/27 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $952,777 |
Movie Details
| Domestic Releases: | September 12th, 1997 (Wide) by MGM |
| MPA Rating: | R for language. |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | 42 | $64,154 | 5 | $12,831 | $64,154 | 1 | |
| Sep 19, 1997 | 47 | $42,836 | -33% | 8 | $5,355 | $132,943 | 2 |
| Sep 26, 1997 | 40 | $63,779 | +49% | 27 | $2,362 | $216,156 | 3 |
| Oct 3, 1997 | 45 | $38,224 | -40% | 27 | $1,416 | $283,033 | 4 |
| Oct 31, 1997 | 72 | $2,332 | 11 | $212 | $346,959 | 8 | |
| Nov 7, 1997 | 71 | $5,341 | +129% | 18 | $297 | $353,773 | 9 |
| Nov 14, 1997 | 77 | $792 | -85% | 8 | $99 | $357,881 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | - | $18,963 | 5 | $3,793 | $18,963 | 1 | ||
| Sep 13, 1997 | - | $25,323 | +34% | 5 | $5,065 | $44,286 | 2 | |
| Sep 14, 1997 | - | $19,868 | -22% | 5 | $3,974 | $64,154 | 3 | |
| Sep 15, 1997 | - | $7,054 | -64% | 5 | $1,411 | $71,208 | 4 | |
| Sep 16, 1997 | - | $5,324 | -25% | 5 | $1,065 | $76,532 | 5 | |
| Sep 17, 1997 | - | $6,373 | +20% | 5 | $1,275 | $82,905 | 6 | |
| Sep 18, 1997 | - | $7,202 | +13% | 5 | $1,440 | $90,107 | 7 | |
| Sep 19, 1997 | - | $11,454 | +59% | -40% | 8 | $1,432 | $101,561 | 8 |
| Sep 20, 1997 | - | $17,671 | +54% | -30% | 8 | $2,209 | $119,232 | 9 |
| Sep 21, 1997 | - | $13,711 | -22% | -31% | 8 | $1,714 | $132,943 | 10 |
| Sep 22, 1997 | - | $4,212 | -69% | -40% | 8 | $527 | $137,155 | 11 |
| Sep 23, 1997 | - | $5,159 | +22% | -3% | 8 | $645 | $142,314 | 12 |
| Sep 24, 1997 | - | $5,538 | +7% | -13% | 8 | $692 | $147,852 | 13 |
| Sep 25, 1997 | - | $4,525 | -18% | -37% | 8 | $566 | $152,377 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | 42 | $90,107 | 5 | $18,021 | $90,107 | 1 | |
| Sep 19, 1997 | 46 | $62,270 | -31% | 8 | $7,784 | $152,377 | 2 |
| Sep 26, 1997 | 39 | $92,432 | +48% | 27 | $3,423 | $244,809 | 3 |
| Oct 31, 1997 | 67 | $3,805 | 11 | $346 | $348,432 | 8 | |
| Nov 7, 1997 | 63 | $8,657 | +128% | 18 | $481 | $357,089 | 9 |
| Bill Pullman | Mike Max | |
| Andie MacDowell | Paige Stockard | |
| Gabriel Byrne | Ray Bering | |
| Loren Dean | 'Doc' Dean Brock | |
| Peter Horton | Brian | |
| John Diehl | Lowell Lewis | |
| Frederic Forrest | Ranger MacDermot |
Production and Technical Credits
| Wim Wenders | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $64,154 (16.6% of total gross) |
| Legs: | 6.03 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/27 max. theaters, 3.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $952,777 |
Movie Details
| Domestic Releases: | September 12th, 1997 (Wide) by MGM |
| MPA Rating: | R for language. |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | 42 | $64,154 | 5 | $12,831 | $64,154 | 1 | |
| Sep 19, 1997 | 47 | $42,836 | -33% | 8 | $5,355 | $132,943 | 2 |
| Sep 26, 1997 | 40 | $63,779 | +49% | 27 | $2,362 | $216,156 | 3 |
| Oct 3, 1997 | 45 | $38,224 | -40% | 27 | $1,416 | $283,033 | 4 |
| Oct 31, 1997 | 72 | $2,332 | 11 | $212 | $346,959 | 8 | |
| Nov 7, 1997 | 71 | $5,341 | +129% | 18 | $297 | $353,773 | 9 |
| Nov 14, 1997 | 77 | $792 | -85% | 8 | $99 | $357,881 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | - | $18,963 | 5 | $3,793 | $18,963 | 1 | ||
| Sep 13, 1997 | - | $25,323 | +34% | 5 | $5,065 | $44,286 | 2 | |
| Sep 14, 1997 | - | $19,868 | -22% | 5 | $3,974 | $64,154 | 3 | |
| Sep 15, 1997 | - | $7,054 | -64% | 5 | $1,411 | $71,208 | 4 | |
| Sep 16, 1997 | - | $5,324 | -25% | 5 | $1,065 | $76,532 | 5 | |
| Sep 17, 1997 | - | $6,373 | +20% | 5 | $1,275 | $82,905 | 6 | |
| Sep 18, 1997 | - | $7,202 | +13% | 5 | $1,440 | $90,107 | 7 | |
| Sep 19, 1997 | - | $11,454 | +59% | -40% | 8 | $1,432 | $101,561 | 8 |
| Sep 20, 1997 | - | $17,671 | +54% | -30% | 8 | $2,209 | $119,232 | 9 |
| Sep 21, 1997 | - | $13,711 | -22% | -31% | 8 | $1,714 | $132,943 | 10 |
| Sep 22, 1997 | - | $4,212 | -69% | -40% | 8 | $527 | $137,155 | 11 |
| Sep 23, 1997 | - | $5,159 | +22% | -3% | 8 | $645 | $142,314 | 12 |
| Sep 24, 1997 | - | $5,538 | +7% | -13% | 8 | $692 | $147,852 | 13 |
| Sep 25, 1997 | - | $4,525 | -18% | -37% | 8 | $566 | $152,377 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 12, 1997 | 42 | $90,107 | 5 | $18,021 | $90,107 | 1 | |
| Sep 19, 1997 | 46 | $62,270 | -31% | 8 | $7,784 | $152,377 | 2 |
| Sep 26, 1997 | 39 | $92,432 | +48% | 27 | $3,423 | $244,809 | 3 |
| Oct 31, 1997 | 67 | $3,805 | 11 | $346 | $348,432 | 8 | |
| Nov 7, 1997 | 63 | $8,657 | +128% | 18 | $481 | $357,089 | 9 |
| Bill Pullman | Mike Max | |
| Andie MacDowell | Paige Stockard | |
| Gabriel Byrne | Ray Bering | |
| Loren Dean | 'Doc' Dean Brock | |
| Peter Horton | Brian | |
| John Diehl | Lowell Lewis | |
| Frederic Forrest | Ranger MacDermot |
Production and Technical Credits
| Wim Wenders | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.