Enough (2002)
| Theatrical Performance | ||
| Domestic Box Office | $39,177,215 | Details |
| International Box Office | $11,793,445 | |
| Worldwide Box Office | $50,970,660 | |
| OpusData ID: 14340100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $14,009,653 (35.8% of total gross) |
| Legs: | 2.80 (domestic box office/biggest weekend) |
| Domestic Share: | 76.9% (domestic box office/worldwide) |
| Production Budget: | $38,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,623 opening theaters/2,623 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,647,069 |
Movie Details
| Domestic Releases: | May 24th, 2002 (Wide) by Sony Pictures |
| Video Release: | October 8th, 2002 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for intense scenes of domestic violence, some sensuality and language |
| Plot point: | Domestic Abuse, Fugitive / On the Run, Relationships Gone Wrong, Revenge, Secret Identity |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $14,009,653 | 2,623 | $5,341 | $14,009,653 | 1 | |
| May 31, 2002 | 7 | $6,808,026 | -51% | 2,623 | $2,596 | $27,148,463 | 2 |
| Jun 7, 2002 | 9 | $3,782,592 | -44% | 2,388 | $1,584 | $33,813,043 | 3 |
| Jun 14, 2002 | 13 | $1,685,518 | -55% | 1,509 | $1,117 | $37,152,920 | 4 |
| Jun 21, 2002 | 18 | $585,840 | -65% | 618 | $948 | $38,518,101 | 5 |
| Jun 28, 2002 | 23 | $230,202 | -61% | 246 | $936 | $39,031,912 | 6 |
| Jul 5, 2002 | 42 | $61,458 | -73% | 85 | $723 | $39,177,215 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $4,512,000 | 2,623 | $1,720 | $4,512,000 | 1 | ||
| May 25, 2002 | 5 | $5,047,000 | +12% | 2,623 | $1,924 | $9,559,000 | 2 | |
| May 26, 2002 | 5 | $4,300,000 | -15% | 2,623 | $1,639 | $13,859,000 | 3 | |
| May 27, 2002 | 5 | $3,203,484 | -26% | 2,623 | $1,221 | $17,213,137 | 4 | |
| May 28, 2002 | 5 | $1,145,000 | -64% | 2,623 | $437 | $18,358,000 | 5 | |
| May 29, 2002 | 5 | $989,000 | -14% | 2,623 | $377 | $19,347,000 | 6 | |
| May 30, 2002 | 5 | $993,000 | n/c | 2,623 | $379 | $20,340,000 | 7 | |
| May 31, 2002 | 7 | $2,042,000 | +106% | -55% | 2,623 | $778 | $22,382,000 | 8 |
| Jun 1, 2002 | 7 | $3,116,000 | +53% | -38% | 2,623 | $1,188 | $25,498,000 | 9 |
| Jun 2, 2002 | 7 | $1,792,090 | -42% | -58% | 2,623 | $683 | $27,148,463 | 10 |
| Jun 3, 2002 | 7 | $695,000 | -61% | -78% | 2,623 | $265 | $27,843,000 | 11 |
| Jun 4, 2002 | 7 | $802,000 | +15% | -30% | 2,623 | $306 | $28,645,000 | 12 |
| Jun 5, 2002 | 7 | $682,000 | -15% | -31% | 2,623 | $260 | $29,327,000 | 13 |
| Jun 6, 2002 | 7 | $703,584 | +3% | -29% | 2,623 | $268 | $30,030,451 | 14 |
| Jun 7, 2002 | 9 | $1,293,000 | +84% | -37% | 2,388 | $541 | $31,323,000 | 15 |
| Jun 8, 2002 | 9 | $1,501,000 | +16% | -52% | 2,388 | $629 | $32,824,000 | 16 |
| Jun 9, 2002 | 9 | $1,074,573 | -28% | -40% | 2,388 | $450 | $33,813,043 | 17 |
| Jun 10, 2002 | 9 | $408,719 | -62% | -41% | 2,388 | $171 | $34,221,762 | 18 |
| Jun 11, 2002 | 9 | $451,772 | +11% | -44% | 2,388 | $189 | $34,673,534 | 19 |
| Jun 12, 2002 | 9 | $390,399 | -14% | -43% | 2,388 | $163 | $35,063,933 | 20 |
| Jun 13, 2002 | 9 | $403,469 | +3% | -43% | 2,388 | $169 | $35,467,402 | 21 |
| Jun 14, 2002 | 12 | $555,365 | +38% | -57% | 1,509 | $368 | $36,022,767 | 22 |
| Jun 15, 2002 | 12 | $694,812 | +25% | -54% | 1,509 | $460 | $36,717,579 | 23 |
| Jun 16, 2002 | 12 | $435,341 | -37% | -59% | 1,509 | $288 | $37,152,920 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $20,340,437 | 2,623 | $7,755 | $20,340,437 | 1 | |
| May 31, 2002 | 7 | $9,690,014 | -52% | 2,623 | $3,694 | $30,030,451 | 2 |
| Jun 7, 2002 | 9 | $5,436,951 | -44% | 2,388 | $2,277 | $35,467,402 | 3 |
| Jun 14, 2002 | 13 | $2,464,859 | -55% | 1,509 | $1,633 | $37,932,261 | 4 |
| Jun 21, 2002 | 18 | $869,449 | -65% | 618 | $1,407 | $38,801,710 | 5 |
| Jun 28, 2002 | 29 | $314,047 | -64% | 246 | $1,277 | $39,115,757 | 6 |
| Jul 5, 2002 | 46 | $61,458 | -80% | 85 | $723 | $39,177,215 | 7 |
| Russell Milton | Alex | |
| Bill Campbell | Mitch | |
| Tessa Allen | Gracie | |
| Juliette Lewis | Ginny | |
| Dan Futterman | Joe | |
| Chris Maher | Phil | |
| Noah Wyle | Robbie | |
| Ruben Madera | Teddy | |
| Fred Ward | Jupiter | |
| Bruce A. Young | Instructor | |
| Bill Cobbs | Jim Toller |
Leading
| Jennifer Lopez | Slim |
Production and Technical Credits
| Michael Apted | Director | |
| David Arnold | Composer | |
| Mildred Iatrou Morgan* | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $14,009,653 (35.8% of total gross) |
| Legs: | 2.80 (domestic box office/biggest weekend) |
| Domestic Share: | 76.9% (domestic box office/worldwide) |
| Production Budget: | $38,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,623 opening theaters/2,623 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,647,069 |
Movie Details
| Domestic Releases: | May 24th, 2002 (Wide) by Sony Pictures |
| Video Release: | October 8th, 2002 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for intense scenes of domestic violence, some sensuality and language |
| Plot point: | Domestic Abuse, Fugitive / On the Run, Relationships Gone Wrong, Revenge, Secret Identity |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $14,009,653 | 2,623 | $5,341 | $14,009,653 | 1 | |
| May 31, 2002 | 7 | $6,808,026 | -51% | 2,623 | $2,596 | $27,148,463 | 2 |
| Jun 7, 2002 | 9 | $3,782,592 | -44% | 2,388 | $1,584 | $33,813,043 | 3 |
| Jun 14, 2002 | 13 | $1,685,518 | -55% | 1,509 | $1,117 | $37,152,920 | 4 |
| Jun 21, 2002 | 18 | $585,840 | -65% | 618 | $948 | $38,518,101 | 5 |
| Jun 28, 2002 | 23 | $230,202 | -61% | 246 | $936 | $39,031,912 | 6 |
| Jul 5, 2002 | 42 | $61,458 | -73% | 85 | $723 | $39,177,215 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $4,512,000 | 2,623 | $1,720 | $4,512,000 | 1 | ||
| May 25, 2002 | 5 | $5,047,000 | +12% | 2,623 | $1,924 | $9,559,000 | 2 | |
| May 26, 2002 | 5 | $4,300,000 | -15% | 2,623 | $1,639 | $13,859,000 | 3 | |
| May 27, 2002 | 5 | $3,203,484 | -26% | 2,623 | $1,221 | $17,213,137 | 4 | |
| May 28, 2002 | 5 | $1,145,000 | -64% | 2,623 | $437 | $18,358,000 | 5 | |
| May 29, 2002 | 5 | $989,000 | -14% | 2,623 | $377 | $19,347,000 | 6 | |
| May 30, 2002 | 5 | $993,000 | n/c | 2,623 | $379 | $20,340,000 | 7 | |
| May 31, 2002 | 7 | $2,042,000 | +106% | -55% | 2,623 | $778 | $22,382,000 | 8 |
| Jun 1, 2002 | 7 | $3,116,000 | +53% | -38% | 2,623 | $1,188 | $25,498,000 | 9 |
| Jun 2, 2002 | 7 | $1,792,090 | -42% | -58% | 2,623 | $683 | $27,148,463 | 10 |
| Jun 3, 2002 | 7 | $695,000 | -61% | -78% | 2,623 | $265 | $27,843,000 | 11 |
| Jun 4, 2002 | 7 | $802,000 | +15% | -30% | 2,623 | $306 | $28,645,000 | 12 |
| Jun 5, 2002 | 7 | $682,000 | -15% | -31% | 2,623 | $260 | $29,327,000 | 13 |
| Jun 6, 2002 | 7 | $703,584 | +3% | -29% | 2,623 | $268 | $30,030,451 | 14 |
| Jun 7, 2002 | 9 | $1,293,000 | +84% | -37% | 2,388 | $541 | $31,323,000 | 15 |
| Jun 8, 2002 | 9 | $1,501,000 | +16% | -52% | 2,388 | $629 | $32,824,000 | 16 |
| Jun 9, 2002 | 9 | $1,074,573 | -28% | -40% | 2,388 | $450 | $33,813,043 | 17 |
| Jun 10, 2002 | 9 | $408,719 | -62% | -41% | 2,388 | $171 | $34,221,762 | 18 |
| Jun 11, 2002 | 9 | $451,772 | +11% | -44% | 2,388 | $189 | $34,673,534 | 19 |
| Jun 12, 2002 | 9 | $390,399 | -14% | -43% | 2,388 | $163 | $35,063,933 | 20 |
| Jun 13, 2002 | 9 | $403,469 | +3% | -43% | 2,388 | $169 | $35,467,402 | 21 |
| Jun 14, 2002 | 12 | $555,365 | +38% | -57% | 1,509 | $368 | $36,022,767 | 22 |
| Jun 15, 2002 | 12 | $694,812 | +25% | -54% | 1,509 | $460 | $36,717,579 | 23 |
| Jun 16, 2002 | 12 | $435,341 | -37% | -59% | 1,509 | $288 | $37,152,920 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 24, 2002 | 5 | $20,340,437 | 2,623 | $7,755 | $20,340,437 | 1 | |
| May 31, 2002 | 7 | $9,690,014 | -52% | 2,623 | $3,694 | $30,030,451 | 2 |
| Jun 7, 2002 | 9 | $5,436,951 | -44% | 2,388 | $2,277 | $35,467,402 | 3 |
| Jun 14, 2002 | 13 | $2,464,859 | -55% | 1,509 | $1,633 | $37,932,261 | 4 |
| Jun 21, 2002 | 18 | $869,449 | -65% | 618 | $1,407 | $38,801,710 | 5 |
| Jun 28, 2002 | 29 | $314,047 | -64% | 246 | $1,277 | $39,115,757 | 6 |
| Jul 5, 2002 | 46 | $61,458 | -80% | 85 | $723 | $39,177,215 | 7 |
| Russell Milton | Alex | |
| Bill Campbell | Mitch | |
| Tessa Allen | Gracie | |
| Juliette Lewis | Ginny | |
| Dan Futterman | Joe | |
| Chris Maher | Phil | |
| Noah Wyle | Robbie | |
| Ruben Madera | Teddy | |
| Fred Ward | Jupiter | |
| Bruce A. Young | Instructor | |
| Bill Cobbs | Jim Toller |
Leading
| Jennifer Lopez | Slim |
Production and Technical Credits
| Michael Apted | Director | |
| David Arnold | Composer | |
| Mildred Iatrou Morgan* | Dialogue Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.