The Escape (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $14,018 | Details |
| International Box Office | $377,045 | Details |
| Worldwide Box Office | $391,063 | |
| OpusData ID: 329180100 More info... | ||
| Further financial details... | ||
Synopsis
A woman sets out to reclaim her life in this stirring, emotionally rich look at what it means to start over. Tara, a housewife and mother in suburban London, is living a life that is no longer hers: it belongs to her loving but overworked, self-absorbed husband, her young son and daughter and the numbing routine of housework and childcare. In desperate need of a change, Tara one day makes a bold decision. Armed with a one-way ticket to Paris, she leaves everything behind to rediscover herself in a new city—but walking out on your life isn’t so simple.
Metrics
| Legs: | 2.81 (domestic box office/biggest weekend) |
| Domestic Share: | 3.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $18,406 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by IFC Films |
| International Releases: | April 27th, 2018 (Wide) (France)
July 6th, 2018 (Wide), released as Escape, The (New Zealand) August 3rd, 2018 (Limited) (United Kingdom) November 30th, 2018 (Wide), released as Um Bilhete Para Longe Daqui (Portugal) December 14th, 2018 (Wide), released as La Busqueda de la felicidad (Spain) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Geographical setting: | London, Paris |
| Plot point: | Dysfunctional Family, Mid-Life Crisis |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lorton Entertainment, Shoebox Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 18, 2018 | 72 | $4,992 | 29 | $172 | $8,901 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 18, 2018 | 65 | $12,074 | 28 | $431 | $12,074 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 4/27/2018 | $71,046 | 0 | 0 | 0 | $71,046 | 6/12/2018 | |||
| New Zealand | 7/6/2018 | $4,431 | 10 | 15 | 57 | $23,775 | 8/9/2018 | |||
| Portugal | 11/30/2018 | $8,010 | 11 | 11 | 22 | $17,710 | 1/24/2019 | |||
| Spain | 12/14/2018 | $27,485 | 30 | 30 | 54 | $50,073 | 1/9/2019 | |||
| United Kingdom | 8/3/2018 | $28,382 | 24 | 35 | 108 | $214,441 | 4/4/2026 | |||
| International Total | $377,045 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Tara |
Supporting
| Dominic Cooper | Mark | |
| Jalil Lespert | Phillipe | |
| Frances Barber | Alison | |
| Marthe Keller | Anna | |
| Teddy Pender | Teddy | |
| Florrie Pender | Florrie | |
| Jean Pierre Lorit | Hotel Receptionist | |
| Cyril Guei | Paris Waiter | |
| Laura Donoghue | London Waitress |
Production and Technical Credits
| Dominic Savage | Director | |
| Dominic Savage | Screenwriter | |
| Guy Heeley | Producer | |
| Gemma Atherton | Executive Producer | |
| Paul Webster | Executive Producer | |
| Julian Bird | Executive Producer | |
| Joseph Berry Jr | Executive Producer | |
| Laurie Rose | Director of Photography | |
| David Charap | Editor | |
| Alexandra Harwood | Composer | |
| John Anthony | Composer | |
| Daniel Toland | Co-Producer | |
| Liza Bracey | Costume Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A woman sets out to reclaim her life in this stirring, emotionally rich look at what it means to start over. Tara, a housewife and mother in suburban London, is living a life that is no longer hers: it belongs to her loving but overworked, self-absorbed husband, her young son and daughter and the numbing routine of housework and childcare. In desperate need of a change, Tara one day makes a bold decision. Armed with a one-way ticket to Paris, she leaves everything behind to rediscover herself in a new city—but walking out on your life isn’t so simple.
Metrics
| Legs: | 2.81 (domestic box office/biggest weekend) |
| Domestic Share: | 3.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $18,406 |
Movie Details
| Domestic Releases: | May 11th, 2018 (Limited) by IFC Films |
| International Releases: | April 27th, 2018 (Wide) (France)
July 6th, 2018 (Wide), released as Escape, The (New Zealand) August 3rd, 2018 (Limited) (United Kingdom) November 30th, 2018 (Wide), released as Um Bilhete Para Longe Daqui (Portugal) December 14th, 2018 (Wide), released as La Busqueda de la felicidad (Spain) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 102 minutes |
| Geographical setting: | London, Paris |
| Plot point: | Dysfunctional Family, Mid-Life Crisis |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lorton Entertainment, Shoebox Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 18, 2018 | 72 | $4,992 | 29 | $172 | $8,901 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 18, 2018 | 65 | $12,074 | 28 | $431 | $12,074 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 4/27/2018 | $71,046 | 0 | 0 | 0 | $71,046 | 6/12/2018 | |||
| New Zealand | 7/6/2018 | $4,431 | 10 | 15 | 57 | $23,775 | 8/9/2018 | |||
| Portugal | 11/30/2018 | $8,010 | 11 | 11 | 22 | $17,710 | 1/24/2019 | |||
| Spain | 12/14/2018 | $27,485 | 30 | 30 | 54 | $50,073 | 1/9/2019 | |||
| United Kingdom | 8/3/2018 | $28,382 | 24 | 35 | 108 | $214,441 | 4/4/2026 | |||
| International Total | $377,045 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gemma Arterton | Tara |
Supporting
| Dominic Cooper | Mark | |
| Jalil Lespert | Phillipe | |
| Frances Barber | Alison | |
| Marthe Keller | Anna | |
| Teddy Pender | Teddy | |
| Florrie Pender | Florrie | |
| Jean Pierre Lorit | Hotel Receptionist | |
| Cyril Guei | Paris Waiter | |
| Laura Donoghue | London Waitress |
Production and Technical Credits
| Dominic Savage | Director | |
| Dominic Savage | Screenwriter | |
| Guy Heeley | Producer | |
| Gemma Atherton | Executive Producer | |
| Paul Webster | Executive Producer | |
| Julian Bird | Executive Producer | |
| Joseph Berry Jr | Executive Producer | |
| Laurie Rose | Director of Photography | |
| David Charap | Editor | |
| Alexandra Harwood | Composer | |
| John Anthony | Composer | |
| Daniel Toland | Co-Producer | |
| Liza Bracey | Costume Designer | |
| Shaheen Baig | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.