Esteros (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $8,310 | Details |
| Worldwide Box Office | $8,310 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $151,610 | |
| Total | $151,610 | |
| OpusData ID: 275410100 More info... | ||
| Further financial details... | ||
Synopsis
Childhood friends Matías and Jerónimo reunite in their hometown of Paso de los Libres, Argentina, on the banks of the Uruguay River. The summer before high school, the teens’ close friendship transformed into something deeper, but their mutual attraction never came to fruition. More than a decade later they meet again, and the chemistry between them is palpable, but now Matías has a girlfriend who has traveled to his hometown for Carnival. Seeing his old friend, now so comfortable and confident in his skin, reawakens Matías’ feelings. This unexpected opportunity forces Matías to reassess his choices and to figure out whether he can turn his back on marriage to a woman in favor of the man he’s always loved.
Metrics
Movie Details
| Domestic Releases: | November 18th, 2016 (Limited) by Breaking Glass Pictures |
| International Releases: | February 24th, 2017 (Wide) (Argentina) |
| Video Release: | November 29th, 2016 by Breaking Glass Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Geographical setting: | Argentina |
| Plot point: | First Love, LGBTQ+, Sexual Awakening |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Breaking Glass Pictures, Cinema Tropical |
| Production Countries: | Argentina, Brazil |
| Languages: | Spanish, Portuguese |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/24/2017 | $3,443 | 0 | 0 | 0 | $8,310 | 1/1/2019 | |||
| International Total | $8,310 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ignacio Rogers | Matías | |
| Estaban Masturini | Jerónimo |
Supporting
| Joaquín Parada | Young Matias | |
| Blas Finardi Niz | Young Jeronimo | |
| Renata Calmon | Rochi | |
| María Merlino | Marilu | |
| Marcelo Subiotto | Esteban | |
| Pablo Cura | Roberto | |
| Mariana Martinez | Ines | |
| Felipe Tito | Tuto |
Production and Technical Credits
| Papu Curotto | Director | |
| Andi Nachon | Screenwriter | |
| Pablo Destito | Producer | |
| Papu Curotto | Producer | |
| Luz Lopez | Editor | |
| Matthieu Chabaud | Composer | |
| Eric Elizondo | Cinematographer | |
| Augusto Latorraca | Art Director | |
| Vicente Basili | Production Manager | |
| Brown Braian | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Childhood friends Matías and Jerónimo reunite in their hometown of Paso de los Libres, Argentina, on the banks of the Uruguay River. The summer before high school, the teens’ close friendship transformed into something deeper, but their mutual attraction never came to fruition. More than a decade later they meet again, and the chemistry between them is palpable, but now Matías has a girlfriend who has traveled to his hometown for Carnival. Seeing his old friend, now so comfortable and confident in his skin, reawakens Matías’ feelings. This unexpected opportunity forces Matías to reassess his choices and to figure out whether he can turn his back on marriage to a woman in favor of the man he’s always loved.
Metrics
Movie Details
| Domestic Releases: | November 18th, 2016 (Limited) by Breaking Glass Pictures |
| International Releases: | February 24th, 2017 (Wide) (Argentina) |
| Video Release: | November 29th, 2016 by Breaking Glass Pictures |
| MPA Rating: | Not Rated |
| Running Time: | 83 minutes |
| Geographical setting: | Argentina |
| Plot point: | First Love, LGBTQ+, Sexual Awakening |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Breaking Glass Pictures, Cinema Tropical |
| Production Countries: | Argentina, Brazil |
| Languages: | Spanish, Portuguese |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/24/2017 | $3,443 | 0 | 0 | 0 | $8,310 | 1/1/2019 | |||
| International Total | $8,310 | 1/1/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ignacio Rogers | Matías | |
| Estaban Masturini | Jerónimo |
Supporting
| Joaquín Parada | Young Matias | |
| Blas Finardi Niz | Young Jeronimo | |
| Renata Calmon | Rochi | |
| María Merlino | Marilu | |
| Marcelo Subiotto | Esteban | |
| Pablo Cura | Roberto | |
| Mariana Martinez | Ines | |
| Felipe Tito | Tuto |
Production and Technical Credits
| Papu Curotto | Director | |
| Andi Nachon | Screenwriter | |
| Pablo Destito | Producer | |
| Papu Curotto | Producer | |
| Luz Lopez | Editor | |
| Matthieu Chabaud | Composer | |
| Eric Elizondo | Cinematographer | |
| Augusto Latorraca | Art Director | |
| Vicente Basili | Production Manager | |
| Brown Braian | Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.