Evangelion: 3.0+1.01 Thrice Upon a Time (シン・エヴァンゲリオン劇場版) (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $826,140 | Details |
| International Box Office | $95,386,933 | Details |
| Worldwide Box Office | $96,213,073 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $2,101,144 | |
| Total | $2,101,144 | |
| OpusData ID: 457900100 More info... | ||
| Further financial details... | ||
Synopsis
Misato and her anti-NERV group Wille arrive at Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of NERV Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei (Provisional Name) wander about Japan.
Metrics
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $938,334 |
Movie Details
| Domestic Releases: | November 30th, 2022 (IMAX) by GKIDS, released as Evangelion: 3.0+1.0 Thrice Upon a Time December 6th, 2022 (Special Engagement) by GKIDS, released as Evangelion: 3.0+1.01 Thrice Upon a Time |
| International Releases: | March 8th, 2021 (Wide), released as Shin Evangelion Gekijôban (Japan)
September 12th, 2022 (Wide), released as Evangelion 3.0 + 1.0 - Thrice Upon a Time (Italy) September 23rd, 2022 (Limited), released as EVANGELION:3.0+1.01 TRIPLE (Mexico) October 5th, 2022 (Wide), released as Evangelion: 3.0＋1.01 Thrice Upon a Time (South Korea) October 13th, 2022 (Limited), released as Evangelion: 3.0+1.01 Thrice Upon a Time (Australia) ... Show all releases |
| Video Release: | August 15th, 2021 by Prime Video, released as Evangelion: 3.0+1.01 Thrice Upon a Time |
| Running Time: | 154 minutes |
| Franchise: | Evangelion |
| Cast, crew, or production detail: | Anime, Breaking the Fourth Wall |
| Plot point: | Dysfunctional Family, Mecha, Robot |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Studio Khara |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | - | $351,423 | 745 | $472 | $826,140 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 6, 2022 | 6 | $309,192 | 726 | $426 | $309,192 | 7 | ||
| Dec 8, 2022 | 6 | $165,525 | 726 | $228 | $474,717 | 9 | ||
| Dec 11, 2022 | 7 | $336,027 | 745 | $451 | $810,744 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2022 | 15 | $474,717 | 726 | $654 | $474,717 | 2 | |
| Dec 9, 2022 | 15 | $336,027 | -29% | 745 | $451 | $810,744 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/13/2022 | $44,363 | 76 | 76 | 102 | $61,530 | 11/28/2022 | |||
| China | 10/31/2025 | $3,619,554 | 0 | 0 | 0 | $5,667,551 | 4/6/2026 | |||
| Japan | 3/8/2021 | $0 | 0 | 0 | 0 | $89,259,356 | 12/30/2024 | |||
| New Zealand | 10/13/2022 | $4,588 | 8 | 8 | 10 | $5,790 | 10/25/2022 | |||
| South Korea | 10/5/2022 | $71,833 | 93 | 22 | 161 | $341,327 | 4/4/2026 | |||
| Spain | 1/19/2023 | $21,947 | 94 | 94 | 94 | $51,379 | 2/16/2023 | |||
| International Total | $95,386,933 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Hideaki Anno | Chief Director | |
| Kazuya Tsurumaki | Director | |
| Katsuichi Nakayama | Director | |
| Mahiro Maeda | Director | |
| Hideaki Anno | Screenwriter | |
| Hideaki Anno | Story by | |
| Hideaki Anno | Producer | |
| Emi Tsujita | Editor | |
| Shiro Sagisu | Composer | |
| Toru Fukushi | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Misato and her anti-NERV group Wille arrive at Paris, a city now red from core-ization. Crew from the flagship Wunder land on a containment tower. They only have 720 seconds to restore the city. When a horde of NERV Evas appear, Mari’s improved Eva Unit 8 must intercept. Meanwhile, Shinji, Asuka, and Rei (Provisional Name) wander about Japan.
Metrics
| Legs: | 2.35 (domestic box office/biggest weekend) |
| Domestic Share: | 0.9% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $938,334 |
Movie Details
| Domestic Releases: | November 30th, 2022 (IMAX) by GKIDS, released as Evangelion: 3.0+1.0 Thrice Upon a Time December 6th, 2022 (Special Engagement) by GKIDS, released as Evangelion: 3.0+1.01 Thrice Upon a Time |
| International Releases: | March 8th, 2021 (Wide), released as Shin Evangelion Gekijôban (Japan)
September 12th, 2022 (Wide), released as Evangelion 3.0 + 1.0 - Thrice Upon a Time (Italy) September 23rd, 2022 (Limited), released as EVANGELION:3.0+1.01 TRIPLE (Mexico) October 5th, 2022 (Wide), released as Evangelion: 3.0＋1.01 Thrice Upon a Time (South Korea) October 13th, 2022 (Limited), released as Evangelion: 3.0+1.01 Thrice Upon a Time (Australia) ... Show all releases |
| Video Release: | August 15th, 2021 by Prime Video, released as Evangelion: 3.0+1.01 Thrice Upon a Time |
| Running Time: | 154 minutes |
| Franchise: | Evangelion |
| Cast, crew, or production detail: | Anime, Breaking the Fourth Wall |
| Plot point: | Dysfunctional Family, Mecha, Robot |
| Social setting: | Post Apocalypse |
| Subgenre: | Action Adventure |
| Source: | Based on TV |
| Genre: | Action |
| Production Method: | Digital Animation |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Studio Khara |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 2022 | - | $351,423 | 745 | $472 | $826,140 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 6, 2022 | 6 | $309,192 | 726 | $426 | $309,192 | 7 | ||
| Dec 8, 2022 | 6 | $165,525 | 726 | $228 | $474,717 | 9 | ||
| Dec 11, 2022 | 7 | $336,027 | 745 | $451 | $810,744 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 2, 2022 | 15 | $474,717 | 726 | $654 | $474,717 | 2 | |
| Dec 9, 2022 | 15 | $336,027 | -29% | 745 | $451 | $810,744 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 10/13/2022 | $44,363 | 76 | 76 | 102 | $61,530 | 11/28/2022 | |||
| China | 10/31/2025 | $3,619,554 | 0 | 0 | 0 | $5,667,551 | 4/6/2026 | |||
| Japan | 3/8/2021 | $0 | 0 | 0 | 0 | $89,259,356 | 12/30/2024 | |||
| New Zealand | 10/13/2022 | $4,588 | 8 | 8 | 10 | $5,790 | 10/25/2022 | |||
| South Korea | 10/5/2022 | $71,833 | 93 | 22 | 161 | $341,327 | 4/4/2026 | |||
| Spain | 1/19/2023 | $21,947 | 94 | 94 | 94 | $51,379 | 2/16/2023 | |||
| International Total | $95,386,933 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Hideaki Anno | Chief Director | |
| Kazuya Tsurumaki | Director | |
| Katsuichi Nakayama | Director | |
| Mahiro Maeda | Director | |
| Hideaki Anno | Screenwriter | |
| Hideaki Anno | Story by | |
| Hideaki Anno | Producer | |
| Emi Tsujita | Editor | |
| Shiro Sagisu | Composer | |
| Toru Fukushi | Director of Photography |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.