Everest: The Other Side (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $1,521,968 | Details |
| International Box Office | $304,712 | Details |
| Worldwide Box Office | $1,826,680 | |
| OpusData ID: 822400100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,105,277 (72.6% of total gross) |
| Legs: | 1.38 (domestic box office/biggest weekend) |
| Domestic Share: | 83.3% (domestic box office/worldwide) |
| Theater counts: | 515 opening theaters/515 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,521,968 |
Movie Details
| Domestic Releases: | October 30th, 2026 (IMAX) by Walt Disney |
| International Releases: | October 29th, 2026 (IMAX), released as Everest: La otra cara (Chile)
October 29th, 2026 (IMAX), released as Everest: O Outro Lado (Brazil) October 29th, 2026 (IMAX) (Australia) October 29th, 2026 (IMAX) (New Zealand) October 29th, 2026 (IMAX) (Sweden) ... Show all releases |
| MPA Rating: | PG-13 for thematic material and brief strong language. (Rating bulletin 2950 (cert #56149), 8/19/2026) |
| Running Time: | 115 minutes |
| Geographical setting: | Set on Mount Everest |
| Plot point: | Mountain Climbing, Romance, Skiing |
| Subgenre: | Sports Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States, Nepal, China |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 30, 2026 | - | $1,105,277 | 515 | $2,146 | $1,105,277 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 30, 2026 | - | $394,526 | 515 | $766 | $394,526 | 1 | |
| Oct 31, 2026 | - | $305,167 | -23% | 515 | $593 | $699,693 | 2 |
| Nov 1, 2026 | - | $405,584 | +33% | 515 | $788 | $1,105,277 | 3 |
| Nov 2, 2026 | - | $169,367 | -58% | 515 | $329 | $1,274,644 | 4 |
| Nov 3, 2026 | - | $119,526 | -29% | 515 | $232 | $1,394,170 | 5 |
| Nov 4, 2026 | - | $127,798 | +7% | 515 | $248 | $1,521,968 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/29/2026 | $6,925 | 0 | 0 | 0 | $6,925 | 11/2/2026 | |||
| Australia | 10/29/2026 | $76,801 | 13 | 13 | 0 | $76,801 | 11/2/2026 | |||
| Brazil | 10/29/2026 | $2,927 | 0 | 0 | 0 | $2,927 | 11/2/2026 | |||
| Bulgaria | 10/30/2026 | $10,642 | 49 | 49 | 0 | $10,642 | 11/2/2026 | |||
| Chile | 10/29/2026 | $946 | 0 | 0 | 0 | $946 | 11/2/2026 | |||
| Colombia | 10/29/2026 | $10,272 | 0 | 0 | 0 | $10,272 | 11/2/2026 | |||
| Mexico | 10/29/2026 | $26,871 | 0 | 0 | 0 | $26,871 | 11/2/2026 | |||
| New Zealand | 10/29/2026 | $7,943 | 6 | 6 | 0 | $7,943 | 11/2/2026 | |||
| Norway | 1/29/2027 | $0 | 0 | 0 | 0 | $1,970 | 11/2/2026 | |||
| Poland | 10/30/2026 | $23,897 | 0 | 0 | 0 | $23,897 | 11/2/2026 | |||
| Sweden | 10/29/2026 | $11,398 | 0 | 0 | 0 | $11,398 | 11/2/2026 | |||
| United Kingdom | 10/30/2026 | $113,708 | 199 | 199 | 199 | $113,708 | 11/5/2026 | |||
| Rest of World | $10,412 | |||||||||
| International Total | $304,712 | 11/5/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Hilaree Nelson | Herself | |
| Jim Morrison | Himself |
Production and Technical Credits
| Elizabeth Chai Vasarhelyi | Director | |
| Jimmy Chin | Director | |
| Elizabeth Chai Vasarhelyi | Producer | |
| Jimmy Chin | Producer | |
| Shannon Dill | Producer | |
| Anna Barnes | Producer | |
| Bob Eisenhardt | Producer | |
| Janet Yang | Producer | |
| Clair Popkin | Cinematographer | |
| Jimmy Chin | Cinematographer | |
| Christopher Murphy | Cinematographer | |
| Bob Eisenhardt | Editor | |
| Simona Ferrari | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $1,105,277 (72.6% of total gross) |
| Legs: | 1.38 (domestic box office/biggest weekend) |
| Domestic Share: | 83.3% (domestic box office/worldwide) |
| Theater counts: | 515 opening theaters/515 max. theaters, 1.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,521,968 |
Movie Details
| Domestic Releases: | October 30th, 2026 (IMAX) by Walt Disney |
| International Releases: | October 29th, 2026 (IMAX), released as Everest: La otra cara (Chile)
October 29th, 2026 (IMAX), released as Everest: O Outro Lado (Brazil) October 29th, 2026 (IMAX) (Australia) October 29th, 2026 (IMAX) (New Zealand) October 29th, 2026 (IMAX) (Sweden) ... Show all releases |
| MPA Rating: | PG-13 for thematic material and brief strong language. (Rating bulletin 2950 (cert #56149), 8/19/2026) |
| Running Time: | 115 minutes |
| Geographical setting: | Set on Mount Everest |
| Plot point: | Mountain Climbing, Romance, Skiing |
| Subgenre: | Sports Documentary |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | United States, Nepal, China |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 30, 2026 | - | $1,105,277 | 515 | $2,146 | $1,105,277 | 1 |
Daily Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|
| Oct 30, 2026 | - | $394,526 | 515 | $766 | $394,526 | 1 | |
| Oct 31, 2026 | - | $305,167 | -23% | 515 | $593 | $699,693 | 2 |
| Nov 1, 2026 | - | $405,584 | +33% | 515 | $788 | $1,105,277 | 3 |
| Nov 2, 2026 | - | $169,367 | -58% | 515 | $329 | $1,274,644 | 4 |
| Nov 3, 2026 | - | $119,526 | -29% | 515 | $232 | $1,394,170 | 5 |
| Nov 4, 2026 | - | $127,798 | +7% | 515 | $248 | $1,521,968 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 10/29/2026 | $6,925 | 0 | 0 | 0 | $6,925 | 11/2/2026 | |||
| Australia | 10/29/2026 | $76,801 | 13 | 13 | 0 | $76,801 | 11/2/2026 | |||
| Brazil | 10/29/2026 | $2,927 | 0 | 0 | 0 | $2,927 | 11/2/2026 | |||
| Bulgaria | 10/30/2026 | $10,642 | 49 | 49 | 0 | $10,642 | 11/2/2026 | |||
| Chile | 10/29/2026 | $946 | 0 | 0 | 0 | $946 | 11/2/2026 | |||
| Colombia | 10/29/2026 | $10,272 | 0 | 0 | 0 | $10,272 | 11/2/2026 | |||
| Mexico | 10/29/2026 | $26,871 | 0 | 0 | 0 | $26,871 | 11/2/2026 | |||
| New Zealand | 10/29/2026 | $7,943 | 6 | 6 | 0 | $7,943 | 11/2/2026 | |||
| Norway | 1/29/2027 | $0 | 0 | 0 | 0 | $1,970 | 11/2/2026 | |||
| Poland | 10/30/2026 | $23,897 | 0 | 0 | 0 | $23,897 | 11/2/2026 | |||
| Sweden | 10/29/2026 | $11,398 | 0 | 0 | 0 | $11,398 | 11/2/2026 | |||
| United Kingdom | 10/30/2026 | $113,708 | 199 | 199 | 199 | $113,708 | 11/5/2026 | |||
| Rest of World | $10,412 | |||||||||
| International Total | $304,712 | 11/5/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Hilaree Nelson | Herself | |
| Jim Morrison | Himself |
Production and Technical Credits
| Elizabeth Chai Vasarhelyi | Director | |
| Jimmy Chin | Director | |
| Elizabeth Chai Vasarhelyi | Producer | |
| Jimmy Chin | Producer | |
| Shannon Dill | Producer | |
| Anna Barnes | Producer | |
| Bob Eisenhardt | Producer | |
| Janet Yang | Producer | |
| Clair Popkin | Cinematographer | |
| Jimmy Chin | Cinematographer | |
| Christopher Murphy | Cinematographer | |
| Bob Eisenhardt | Editor | |
| Simona Ferrari | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.