Every Day (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $6,112,914 | Details |
| International Box Office | $6,713,117 | Details |
| Worldwide Box Office | $12,826,031 | |
| OpusData ID: 311080100 More info... | ||
| Further financial details... | ||
Synopsis
Rhiannon, a 16-year old girl, falls in love with a mysterious spirit named “A” who inhabits a different body every day. Feeling an unmatched connection, Rhiannon and A work each day to find each other, not knowing what or who the next day will bring. The more the two fall in love, the more the realities of loving someone who is a different person every 24 hours takes a toll, leaving Rhiannon and A to face the hardest decision either has ever had to make.
Metrics
| Opening Weekend: | $3,016,149 (49.3% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 47.7% (domestic box office/worldwide) |
| Production Budget: | $4,900,000 (worldwide box office is 2.6 times production budget) |
| Theater counts: | 1,667 opening theaters/1,669 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,025,292 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Wide) by Orion Pictures |
| International Releases: | February 23rd, 2018 (Wide) (Netherlands)
March 2nd, 2018 (Wide), released as Всеки ден (Bulgaria) March 2nd, 2018 (Wide) (Poland) April 6th, 2018 (Wide), released as Deň čo deň (Slovakia) April 6th, 2018 (Wide), released as Den co den (Czech Republic) ... Show all releases |
| Video Release: | May 22nd, 2018 by Warner Home Video |
| MPA Rating: | PG-13 for thematic content, language, teen drinking, and suggestive material. (Rating bulletin 2503 (Cert #51342), 11/22/2017) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Same Role, Multiple Actors |
| Plot point: | Body Swap, Possessed, Romance |
| Social setting: | Supernatural |
| Source material: | Young Adult Book Adaptation |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Filmwave, Orion Pictures, Silver Reel Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 9 | $3,016,149 | 1,667 | $1,809 | $3,016,149 | 1 | |
| Mar 2, 2018 | 10 | $1,553,194 | -49% | 1,667 | $932 | $5,253,998 | 2 |
| Mar 9, 2018 | 25 | $251,513 | -84% | 1,667 | $151 | $5,966,650 | 3 |
| Mar 16, 2018 | 50 | $32,378 | -87% | 110 | $294 | $6,098,781 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 7 | $1,090,043 | 1,667 | $654 | $1,090,043 | 1 | ||
| Feb 24, 2018 | 9 | $1,242,649 | +14% | 1,667 | $745 | $2,332,692 | 2 | |
| Feb 25, 2018 | 9 | $683,457 | -45% | 1,667 | $410 | $3,016,149 | 3 | |
| Feb 26, 2018 | 9 | $157,195 | -77% | 1,667 | $94 | $3,173,344 | 4 | |
| Feb 27, 2018 | 9 | $232,648 | +48% | 1,667 | $140 | $3,405,992 | 5 | |
| Feb 28, 2018 | 10 | $153,548 | -34% | 1,667 | $92 | $3,559,540 | 6 | |
| Mar 1, 2018 | 11 | $141,264 | -8% | 1,667 | $85 | $3,700,804 | 7 | |
| Mar 2, 2018 | 10 | $455,434 | +222% | -58% | 1,669 | $273 | $4,156,238 | 8 |
| Mar 3, 2018 | 11 | $728,694 | +60% | -41% | 1,669 | $437 | $4,884,932 | 9 |
| Mar 4, 2018 | 10 | $369,066 | -49% | -46% | 1,669 | $221 | $5,253,998 | 10 |
| Mar 5, 2018 | 13 | $105,785 | -71% | -33% | 1,669 | $63 | $5,359,783 | 11 |
| Mar 6, 2018 | 13 | $153,388 | +45% | -34% | 1,669 | $92 | $5,513,171 | 12 |
| Mar 7, 2018 | 13 | $118,109 | -23% | -23% | 1,669 | $71 | $5,631,280 | 13 |
| Mar 8, 2018 | 13 | $83,857 | -29% | -41% | 1,669 | $50 | $5,715,137 | 14 |
| Mar 9, 2018 | - | $73,424 | -12% | -84% | 615 | $119 | $5,788,561 | 15 |
| Mar 10, 2018 | - | $107,933 | +47% | -85% | 615 | $176 | $5,896,494 | 16 |
| Mar 11, 2018 | - | $70,156 | -35% | -81% | 615 | $114 | $5,966,650 | 17 |
| Mar 12, 2018 | - | $26,659 | -62% | -75% | 615 | $43 | $5,993,309 | 18 |
| Mar 13, 2018 | - | $31,991 | +20% | -79% | 615 | $52 | $6,025,300 | 19 |
| Mar 14, 2018 | - | $23,354 | -27% | -80% | 615 | $38 | $6,048,654 | 20 |
| Mar 15, 2018 | - | $17,749 | -24% | -79% | 615 | $29 | $6,066,403 | 21 |
| Mar 16, 2018 | - | $10,646 | -40% | -86% | 110 | $97 | $6,077,049 | 22 |
| Mar 17, 2018 | - | $13,415 | +26% | -88% | 110 | $122 | $6,090,464 | 23 |
| Mar 18, 2018 | - | $8,317 | -38% | -88% | 110 | $76 | $6,098,781 | 24 |
| Mar 19, 2018 | - | $4,075 | -51% | -85% | 110 | $37 | $6,102,856 | 25 |
| Mar 20, 2018 | - | $4,361 | +7% | -86% | 110 | $40 | $6,107,217 | 26 |
| Mar 21, 2018 | - | $2,834 | -35% | -88% | 110 | $26 | $6,110,051 | 27 |
| Mar 22, 2018 | - | $2,863 | +1% | -84% | 110 | $26 | $6,112,914 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 9 | $3,700,804 | 1,667 | $2,220 | $3,700,804 | 1 | |
| Mar 2, 2018 | 11 | $2,014,333 | -46% | 1,667 | $1,208 | $5,715,137 | 2 |
| Mar 9, 2018 | 26 | $351,266 | -83% | 1,667 | $211 | $6,066,403 | 3 |
| Mar 16, 2018 | 51 | $46,511 | -87% | 110 | $423 | $6,112,914 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/27/2018 | $14,850 | 0 | 0 | 0 | $18,367 | 1/1/2019 | |||
| Brazil | 7/27/2018 | $183,270 | 0 | 0 | 0 | $335,303 | 8/2/2018 | |||
| Bulgaria | 3/2/2018 | $12,541 | 0 | 0 | 0 | $27,293 | 2/26/2019 | |||
| Czech Republic | 4/6/2018 | $35,155 | 57 | 57 | 120 | $74,574 | 1/1/2019 | |||
| Germany | 6/1/2018 | $321,462 | 0 | 0 | 0 | $814,342 | 6/25/2018 | |||
| Italy | 6/14/2018 | $217,543 | 0 | 0 | 0 | $480,885 | 7/2/2018 | |||
| Netherlands | 2/23/2018 | $163,988 | 83 | 83 | 356 | $772,841 | 3/27/2018 | |||
| Poland | 3/2/2018 | $132,988 | 0 | 0 | 0 | $132,988 | 1/1/2019 | |||
| Portugal | 6/15/2018 | $5,473 | 15 | 17 | 32 | $11,056 | 6/27/2018 | |||
| Russia (CIS) | 4/26/2018 | $126,276 | 434 | 434 | 711 | $281,600 | 2/26/2019 | |||
| Slovakia | 4/6/2018 | $41,254 | 61 | 61 | 125 | $78,861 | 5/1/2018 | |||
| South Korea | 10/11/2018 | $117,437 | 124 | 128 | 181 | $241,153 | 4/4/2026 | |||
| Spain | 4/20/2018 | $76,943 | 103 | 103 | 183 | $133,284 | 5/4/2018 | |||
| United Kingdom | 4/20/2018 | $51,023 | 131 | 131 | 131 | $51,023 | 4/4/2026 | |||
| Rest of World | $3,259,547 | |||||||||
| International Total | $6,713,117 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Angourie Rice | Rhiannon | |
| Justice Smith | Justin |
Supporting
| Debby Ryan | Jolene | |
| Maria Bello | Lindsey | |
| Michael Cram | Nick | |
| Charles Vandervaart | Steve | |
| Owen Teague | Alexander | |
| Lucas Jade Zumann | Nathan Daldry | |
| Jacob Batalon | James | |
| Taveeta Szymanowicz | Ashley Ashton | |
| Colin Ford | Xavier | |
| Sean Jones | George | |
| Ian Alexander | Vic | |
| Jake Sim | Michael | |
| Nicole Law | Kelsea | |
| Amanda Arcuri | Rebecca | |
| Jeni Ross | Amy | |
| Katie Douglas | Megan | |
| Rohan Mead | Kev | |
| Hannah Richardson | Katie | |
| Karena Evans | Hannah |
Production and Technical Credits
| Michael Sucsy | Director | |
| Jesse Andrews | Screenwriter | |
| David Levithan | Story based on the novel “Every Day” by | |
| Christian Grass | Producer | |
| Paul Trijbits | Producer | |
| Anthony Bregman | Producer | |
| Peter Cron | Producer | |
| Marina Brackenbury | Executive Producer | |
| Stefanie Azpiazu | Executive Producer | |
| Daniel Bekerman | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Gerd Schelpers | Executive Producer | |
| Gero Bauknecht | Executive Producer | |
| Rogier Stoffers | Director of Photography | |
| Matthew Davies | Production Designer | |
| Kathryn Himoff | Editor | |
| Elliott Wheeler | Composer | |
| Stephanie Diaz-Matos | Music Supervisor | |
| Georgina Yarhi | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rhiannon, a 16-year old girl, falls in love with a mysterious spirit named “A” who inhabits a different body every day. Feeling an unmatched connection, Rhiannon and A work each day to find each other, not knowing what or who the next day will bring. The more the two fall in love, the more the realities of loving someone who is a different person every 24 hours takes a toll, leaving Rhiannon and A to face the hardest decision either has ever had to make.
Metrics
| Opening Weekend: | $3,016,149 (49.3% of total gross) |
| Legs: | 2.03 (domestic box office/biggest weekend) |
| Domestic Share: | 47.7% (domestic box office/worldwide) |
| Production Budget: | $4,900,000 (worldwide box office is 2.6 times production budget) |
| Theater counts: | 1,667 opening theaters/1,669 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,025,292 |
Movie Details
| Domestic Releases: | February 23rd, 2018 (Wide) by Orion Pictures |
| International Releases: | February 23rd, 2018 (Wide) (Netherlands)
March 2nd, 2018 (Wide), released as Всеки ден (Bulgaria) March 2nd, 2018 (Wide) (Poland) April 6th, 2018 (Wide), released as Deň čo deň (Slovakia) April 6th, 2018 (Wide), released as Den co den (Czech Republic) ... Show all releases |
| Video Release: | May 22nd, 2018 by Warner Home Video |
| MPA Rating: | PG-13 for thematic content, language, teen drinking, and suggestive material. (Rating bulletin 2503 (Cert #51342), 11/22/2017) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Same Role, Multiple Actors |
| Plot point: | Body Swap, Possessed, Romance |
| Social setting: | Supernatural |
| Source material: | Young Adult Book Adaptation |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Filmwave, Orion Pictures, Silver Reel Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 9 | $3,016,149 | 1,667 | $1,809 | $3,016,149 | 1 | |
| Mar 2, 2018 | 10 | $1,553,194 | -49% | 1,667 | $932 | $5,253,998 | 2 |
| Mar 9, 2018 | 25 | $251,513 | -84% | 1,667 | $151 | $5,966,650 | 3 |
| Mar 16, 2018 | 50 | $32,378 | -87% | 110 | $294 | $6,098,781 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 7 | $1,090,043 | 1,667 | $654 | $1,090,043 | 1 | ||
| Feb 24, 2018 | 9 | $1,242,649 | +14% | 1,667 | $745 | $2,332,692 | 2 | |
| Feb 25, 2018 | 9 | $683,457 | -45% | 1,667 | $410 | $3,016,149 | 3 | |
| Feb 26, 2018 | 9 | $157,195 | -77% | 1,667 | $94 | $3,173,344 | 4 | |
| Feb 27, 2018 | 9 | $232,648 | +48% | 1,667 | $140 | $3,405,992 | 5 | |
| Feb 28, 2018 | 10 | $153,548 | -34% | 1,667 | $92 | $3,559,540 | 6 | |
| Mar 1, 2018 | 11 | $141,264 | -8% | 1,667 | $85 | $3,700,804 | 7 | |
| Mar 2, 2018 | 10 | $455,434 | +222% | -58% | 1,669 | $273 | $4,156,238 | 8 |
| Mar 3, 2018 | 11 | $728,694 | +60% | -41% | 1,669 | $437 | $4,884,932 | 9 |
| Mar 4, 2018 | 10 | $369,066 | -49% | -46% | 1,669 | $221 | $5,253,998 | 10 |
| Mar 5, 2018 | 13 | $105,785 | -71% | -33% | 1,669 | $63 | $5,359,783 | 11 |
| Mar 6, 2018 | 13 | $153,388 | +45% | -34% | 1,669 | $92 | $5,513,171 | 12 |
| Mar 7, 2018 | 13 | $118,109 | -23% | -23% | 1,669 | $71 | $5,631,280 | 13 |
| Mar 8, 2018 | 13 | $83,857 | -29% | -41% | 1,669 | $50 | $5,715,137 | 14 |
| Mar 9, 2018 | - | $73,424 | -12% | -84% | 615 | $119 | $5,788,561 | 15 |
| Mar 10, 2018 | - | $107,933 | +47% | -85% | 615 | $176 | $5,896,494 | 16 |
| Mar 11, 2018 | - | $70,156 | -35% | -81% | 615 | $114 | $5,966,650 | 17 |
| Mar 12, 2018 | - | $26,659 | -62% | -75% | 615 | $43 | $5,993,309 | 18 |
| Mar 13, 2018 | - | $31,991 | +20% | -79% | 615 | $52 | $6,025,300 | 19 |
| Mar 14, 2018 | - | $23,354 | -27% | -80% | 615 | $38 | $6,048,654 | 20 |
| Mar 15, 2018 | - | $17,749 | -24% | -79% | 615 | $29 | $6,066,403 | 21 |
| Mar 16, 2018 | - | $10,646 | -40% | -86% | 110 | $97 | $6,077,049 | 22 |
| Mar 17, 2018 | - | $13,415 | +26% | -88% | 110 | $122 | $6,090,464 | 23 |
| Mar 18, 2018 | - | $8,317 | -38% | -88% | 110 | $76 | $6,098,781 | 24 |
| Mar 19, 2018 | - | $4,075 | -51% | -85% | 110 | $37 | $6,102,856 | 25 |
| Mar 20, 2018 | - | $4,361 | +7% | -86% | 110 | $40 | $6,107,217 | 26 |
| Mar 21, 2018 | - | $2,834 | -35% | -88% | 110 | $26 | $6,110,051 | 27 |
| Mar 22, 2018 | - | $2,863 | +1% | -84% | 110 | $26 | $6,112,914 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 23, 2018 | 9 | $3,700,804 | 1,667 | $2,220 | $3,700,804 | 1 | |
| Mar 2, 2018 | 11 | $2,014,333 | -46% | 1,667 | $1,208 | $5,715,137 | 2 |
| Mar 9, 2018 | 26 | $351,266 | -83% | 1,667 | $211 | $6,066,403 | 3 |
| Mar 16, 2018 | 51 | $46,511 | -87% | 110 | $423 | $6,112,914 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 7/27/2018 | $14,850 | 0 | 0 | 0 | $18,367 | 1/1/2019 | |||
| Brazil | 7/27/2018 | $183,270 | 0 | 0 | 0 | $335,303 | 8/2/2018 | |||
| Bulgaria | 3/2/2018 | $12,541 | 0 | 0 | 0 | $27,293 | 2/26/2019 | |||
| Czech Republic | 4/6/2018 | $35,155 | 57 | 57 | 120 | $74,574 | 1/1/2019 | |||
| Germany | 6/1/2018 | $321,462 | 0 | 0 | 0 | $814,342 | 6/25/2018 | |||
| Italy | 6/14/2018 | $217,543 | 0 | 0 | 0 | $480,885 | 7/2/2018 | |||
| Netherlands | 2/23/2018 | $163,988 | 83 | 83 | 356 | $772,841 | 3/27/2018 | |||
| Poland | 3/2/2018 | $132,988 | 0 | 0 | 0 | $132,988 | 1/1/2019 | |||
| Portugal | 6/15/2018 | $5,473 | 15 | 17 | 32 | $11,056 | 6/27/2018 | |||
| Russia (CIS) | 4/26/2018 | $126,276 | 434 | 434 | 711 | $281,600 | 2/26/2019 | |||
| Slovakia | 4/6/2018 | $41,254 | 61 | 61 | 125 | $78,861 | 5/1/2018 | |||
| South Korea | 10/11/2018 | $117,437 | 124 | 128 | 181 | $241,153 | 4/4/2026 | |||
| Spain | 4/20/2018 | $76,943 | 103 | 103 | 183 | $133,284 | 5/4/2018 | |||
| United Kingdom | 4/20/2018 | $51,023 | 131 | 131 | 131 | $51,023 | 4/4/2026 | |||
| Rest of World | $3,259,547 | |||||||||
| International Total | $6,713,117 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Angourie Rice | Rhiannon | |
| Justice Smith | Justin |
Supporting
| Debby Ryan | Jolene | |
| Maria Bello | Lindsey | |
| Michael Cram | Nick | |
| Charles Vandervaart | Steve | |
| Owen Teague | Alexander | |
| Lucas Jade Zumann | Nathan Daldry | |
| Jacob Batalon | James | |
| Taveeta Szymanowicz | Ashley Ashton | |
| Colin Ford | Xavier | |
| Sean Jones | George | |
| Ian Alexander | Vic | |
| Jake Sim | Michael | |
| Nicole Law | Kelsea | |
| Amanda Arcuri | Rebecca | |
| Jeni Ross | Amy | |
| Katie Douglas | Megan | |
| Rohan Mead | Kev | |
| Hannah Richardson | Katie | |
| Karena Evans | Hannah |
Production and Technical Credits
| Michael Sucsy | Director | |
| Jesse Andrews | Screenwriter | |
| David Levithan | Story based on the novel “Every Day” by | |
| Christian Grass | Producer | |
| Paul Trijbits | Producer | |
| Anthony Bregman | Producer | |
| Peter Cron | Producer | |
| Marina Brackenbury | Executive Producer | |
| Stefanie Azpiazu | Executive Producer | |
| Daniel Bekerman | Executive Producer | |
| Claudia Bluemhuber | Executive Producer | |
| Gerd Schelpers | Executive Producer | |
| Gero Bauknecht | Executive Producer | |
| Rogier Stoffers | Director of Photography | |
| Matthew Davies | Production Designer | |
| Kathryn Himoff | Editor | |
| Elliott Wheeler | Composer | |
| Stephanie Diaz-Matos | Music Supervisor | |
| Georgina Yarhi | Costume Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.