Todos Queremos a Alguien (2017)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $1,915,789 | Details |
| International Box Office | $4,575,596 | Details |
| Worldwide Box Office | $6,491,385 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $56,410 | |
| Total | $56,410 | |
| OpusData ID: 278160100 More info... | ||
| Further financial details... | ||
Synopsis
On the surface, the young and beautiful Clara Barron seems to have everything—a great job as an OB-GYN; a great house in LA; and a big fun-loving Mexican family. But, the one thing Clara doesn’t have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities—only to be caught by surprise when her ex-boyfriend suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities. In an adventure full of laughter, she learns that sometimes it takes the whole crazy family to help you find crazy love.
Metrics
| Opening Weekend: | $924,201 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 29.5% (domestic box office/worldwide) |
| Theater counts: | 333 opening theaters/333 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,554,381 |
Movie Details
| Domestic Releases: | February 17th, 2017 (Limited) by Lionsgate, released as Everybody Loves Somebody |
| International Releases: | February 10th, 2017 (Wide) (Mexico) |
| Video Release: | June 20th, 2017 by Lionsgate Home Entertainment, released as Everybody Loves Somebody |
| MPA Rating: | PG-13 for some sexual content and language. (Rating bulletin 2458 (Cert #50835), 1/11/2017) |
| Running Time: | 100 minutes |
| Plot point: | Doctors, Dysfunctional Family, Fake Dating, Love Triangle, Relationships Gone Wrong, Romance |
| Social setting: | Wedding Day |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Pantelion Films, Lionsgate, Ring Cine , Draco Films |
| Production Countries: | Mexico |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 15 | $924,201 | 333 | $2,775 | $924,201 | 1 | |
| Feb 24, 2017 | 25 | $368,017 | -60% | 333 | $1,105 | $1,634,969 | 2 |
| Mar 3, 2017 | 38 | $60,822 | -83% | 60 | $1,014 | $1,824,864 | 3 |
| Mar 10, 2017 | 51 | $29,016 | -52% | 33 | $879 | $1,873,253 | 4 |
| Mar 17, 2017 | 54 | $16,572 | -43% | 35 | $473 | $1,906,294 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 13 | $261,244 | 333 | $785 | $261,244 | 1 | ||
| Feb 18, 2017 | 14 | $345,821 | +32% | 333 | $1,039 | $607,065 | 2 | |
| Feb 19, 2017 | 14 | $317,136 | -8% | 333 | $952 | $924,201 | 3 | |
| Feb 20, 2017 | - | $143,314 | -55% | 333 | $430 | $1,067,515 | 4 | |
| Feb 21, 2017 | - | $88,764 | -38% | 333 | $267 | $1,156,279 | 5 | |
| Feb 22, 2017 | - | $61,474 | -31% | 333 | $185 | $1,217,753 | 6 | |
| Feb 23, 2017 | - | $49,199 | -20% | 333 | $148 | $1,266,952 | 7 | |
| Feb 24, 2017 | - | $104,065 | +112% | -60% | 333 | $313 | $1,371,017 | 8 |
| Feb 25, 2017 | - | $147,934 | +42% | -57% | 333 | $444 | $1,518,951 | 9 |
| Feb 26, 2017 | - | $116,018 | -22% | -63% | 333 | $348 | $1,634,969 | 10 |
| Feb 27, 2017 | - | $31,752 | -73% | -78% | 333 | $95 | $1,666,721 | 11 |
| Feb 28, 2017 | - | $47,447 | +49% | -47% | 333 | $142 | $1,714,168 | 12 |
| Mar 1, 2017 | - | $29,123 | -39% | -53% | 333 | $87 | $1,743,291 | 13 |
| Mar 2, 2017 | - | $20,751 | -29% | -58% | 333 | $62 | $1,764,042 | 14 |
| Mar 3, 2017 | - | $15,915 | -23% | -85% | 60 | $265 | $1,779,957 | 15 |
| Mar 4, 2017 | - | $25,953 | +63% | -82% | 60 | $433 | $1,805,910 | 16 |
| Mar 5, 2017 | - | $18,954 | -27% | -84% | 60 | $316 | $1,824,864 | 17 |
| Mar 6, 2017 | - | $4,659 | -75% | -85% | 60 | $78 | $1,829,523 | 18 |
| Mar 7, 2017 | - | $6,436 | +38% | -86% | 60 | $107 | $1,835,959 | 19 |
| Mar 8, 2017 | - | $3,874 | -40% | -87% | 60 | $65 | $1,839,833 | 20 |
| Mar 9, 2017 | - | $4,404 | +14% | -79% | 60 | $73 | $1,844,237 | 21 |
| Mar 10, 2017 | - | $6,955 | +58% | -56% | 33 | $211 | $1,851,192 | 22 |
| Mar 11, 2017 | - | $12,358 | +78% | -52% | 33 | $374 | $1,863,550 | 23 |
| Mar 12, 2017 | - | $9,703 | -21% | -49% | 33 | $294 | $1,873,253 | 24 |
| Mar 13, 2017 | - | $3,566 | -63% | -23% | 33 | $108 | $1,876,819 | 25 |
| Mar 14, 2017 | - | $5,035 | +41% | -22% | 33 | $153 | $1,881,854 | 26 |
| Mar 15, 2017 | - | $4,587 | -9% | +18% | 33 | $139 | $1,886,441 | 27 |
| Mar 16, 2017 | - | $3,281 | -28% | -25% | 33 | $99 | $1,889,722 | 28 |
| Mar 17, 2017 | - | $4,518 | +38% | -35% | 35 | $129 | $1,894,240 | 29 |
| Mar 18, 2017 | - | $6,405 | +42% | -48% | 35 | $183 | $1,900,645 | 30 |
| Mar 19, 2017 | - | $5,649 | -12% | -42% | 35 | $161 | $1,906,294 | 31 |
| Mar 20, 2017 | - | $1,685 | -70% | -53% | 35 | $48 | $1,907,979 | 32 |
| Mar 21, 2017 | - | $2,706 | +61% | -46% | 35 | $77 | $1,910,685 | 33 |
| Mar 22, 2017 | - | $2,346 | -13% | -49% | 35 | $67 | $1,913,031 | 34 |
| Mar 23, 2017 | - | $2,758 | +18% | -16% | 35 | $79 | $1,915,789 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 17 | $1,266,952 | 333 | $3,805 | $1,266,952 | 1 | |
| Feb 24, 2017 | 25 | $497,090 | -61% | 333 | $1,493 | $1,764,042 | 2 |
| Mar 3, 2017 | 43 | $80,195 | -84% | 60 | $1,337 | $1,844,237 | 3 |
| Mar 10, 2017 | 45 | $45,485 | -43% | 33 | $1,378 | $1,889,722 | 4 |
| Mar 17, 2017 | 54 | $26,067 | -43% | 35 | $745 | $1,915,789 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 2/10/2017 | $1,568,907 | 0 | 0 | 0 | $4,491,419 | 2/28/2017 | |||
| Rest of World | $84,177 | |||||||||
| International Total | $4,575,596 | 2/28/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Karla Souza | Clara Barrón | |
| Jose Maria Yazpik | Daniel | |
| Ben O'Toole | Asher | |
| Tiare Scanda | Abby | |
| KC Clyde | Max |
Supporting
| Ximena Romo | Lilly | |
| Harold Torres | Beto | |
| Luke Valenzuela | Bobby |
Cameo
| Alejandro Camacho | Francisco |
Lead Ensemble Member
| Patricia Bernal | Eva |
Production and Technical Credits
| Catalina Aguilar Mastretta | Director | |
| Catalina Aguilar Mastretta | Screenwriter | |
| Francisco Gonzalez Compean | Producer | |
| Jose Nacif | Producer | |
| Ramiro Ruiz | Producer | |
| Karla Souza | Associate Producer | |
| Jose Maria Yazpik | Associate Producer | |
| Jacobo Nazar | Associate Producer | |
| Rodrigo Trujillo | Associate Producer | |
| Monica Vertiz | Associate Producer | |
| Jon Aguirresarobe | Director of Photography | |
| Sandra Cabriada | Production Designer | |
| Aina Calleja | Editor | |
| Victor Hernandez | Composer | |
| Javier Umpierrez | Sound Designer | |
| Cyntia Navarro | Post-Production Supervisor | |
| Gilda Navarro | Costume Designer | |
| Isabel Cortazar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On the surface, the young and beautiful Clara Barron seems to have everything—a great job as an OB-GYN; a great house in LA; and a big fun-loving Mexican family. But, the one thing Clara doesn’t have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities—only to be caught by surprise when her ex-boyfriend suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities. In an adventure full of laughter, she learns that sometimes it takes the whole crazy family to help you find crazy love.
Metrics
| Opening Weekend: | $924,201 (48.2% of total gross) |
| Legs: | 2.07 (domestic box office/biggest weekend) |
| Domestic Share: | 29.5% (domestic box office/worldwide) |
| Theater counts: | 333 opening theaters/333 max. theaters, 2.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,554,381 |
Movie Details
| Domestic Releases: | February 17th, 2017 (Limited) by Lionsgate, released as Everybody Loves Somebody |
| International Releases: | February 10th, 2017 (Wide) (Mexico) |
| Video Release: | June 20th, 2017 by Lionsgate Home Entertainment, released as Everybody Loves Somebody |
| MPA Rating: | PG-13 for some sexual content and language. (Rating bulletin 2458 (Cert #50835), 1/11/2017) |
| Running Time: | 100 minutes |
| Plot point: | Doctors, Dysfunctional Family, Fake Dating, Love Triangle, Relationships Gone Wrong, Romance |
| Social setting: | Wedding Day |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Pantelion Films, Lionsgate, Ring Cine , Draco Films |
| Production Countries: | Mexico |
| Languages: | Spanish, English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 15 | $924,201 | 333 | $2,775 | $924,201 | 1 | |
| Feb 24, 2017 | 25 | $368,017 | -60% | 333 | $1,105 | $1,634,969 | 2 |
| Mar 3, 2017 | 38 | $60,822 | -83% | 60 | $1,014 | $1,824,864 | 3 |
| Mar 10, 2017 | 51 | $29,016 | -52% | 33 | $879 | $1,873,253 | 4 |
| Mar 17, 2017 | 54 | $16,572 | -43% | 35 | $473 | $1,906,294 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 13 | $261,244 | 333 | $785 | $261,244 | 1 | ||
| Feb 18, 2017 | 14 | $345,821 | +32% | 333 | $1,039 | $607,065 | 2 | |
| Feb 19, 2017 | 14 | $317,136 | -8% | 333 | $952 | $924,201 | 3 | |
| Feb 20, 2017 | - | $143,314 | -55% | 333 | $430 | $1,067,515 | 4 | |
| Feb 21, 2017 | - | $88,764 | -38% | 333 | $267 | $1,156,279 | 5 | |
| Feb 22, 2017 | - | $61,474 | -31% | 333 | $185 | $1,217,753 | 6 | |
| Feb 23, 2017 | - | $49,199 | -20% | 333 | $148 | $1,266,952 | 7 | |
| Feb 24, 2017 | - | $104,065 | +112% | -60% | 333 | $313 | $1,371,017 | 8 |
| Feb 25, 2017 | - | $147,934 | +42% | -57% | 333 | $444 | $1,518,951 | 9 |
| Feb 26, 2017 | - | $116,018 | -22% | -63% | 333 | $348 | $1,634,969 | 10 |
| Feb 27, 2017 | - | $31,752 | -73% | -78% | 333 | $95 | $1,666,721 | 11 |
| Feb 28, 2017 | - | $47,447 | +49% | -47% | 333 | $142 | $1,714,168 | 12 |
| Mar 1, 2017 | - | $29,123 | -39% | -53% | 333 | $87 | $1,743,291 | 13 |
| Mar 2, 2017 | - | $20,751 | -29% | -58% | 333 | $62 | $1,764,042 | 14 |
| Mar 3, 2017 | - | $15,915 | -23% | -85% | 60 | $265 | $1,779,957 | 15 |
| Mar 4, 2017 | - | $25,953 | +63% | -82% | 60 | $433 | $1,805,910 | 16 |
| Mar 5, 2017 | - | $18,954 | -27% | -84% | 60 | $316 | $1,824,864 | 17 |
| Mar 6, 2017 | - | $4,659 | -75% | -85% | 60 | $78 | $1,829,523 | 18 |
| Mar 7, 2017 | - | $6,436 | +38% | -86% | 60 | $107 | $1,835,959 | 19 |
| Mar 8, 2017 | - | $3,874 | -40% | -87% | 60 | $65 | $1,839,833 | 20 |
| Mar 9, 2017 | - | $4,404 | +14% | -79% | 60 | $73 | $1,844,237 | 21 |
| Mar 10, 2017 | - | $6,955 | +58% | -56% | 33 | $211 | $1,851,192 | 22 |
| Mar 11, 2017 | - | $12,358 | +78% | -52% | 33 | $374 | $1,863,550 | 23 |
| Mar 12, 2017 | - | $9,703 | -21% | -49% | 33 | $294 | $1,873,253 | 24 |
| Mar 13, 2017 | - | $3,566 | -63% | -23% | 33 | $108 | $1,876,819 | 25 |
| Mar 14, 2017 | - | $5,035 | +41% | -22% | 33 | $153 | $1,881,854 | 26 |
| Mar 15, 2017 | - | $4,587 | -9% | +18% | 33 | $139 | $1,886,441 | 27 |
| Mar 16, 2017 | - | $3,281 | -28% | -25% | 33 | $99 | $1,889,722 | 28 |
| Mar 17, 2017 | - | $4,518 | +38% | -35% | 35 | $129 | $1,894,240 | 29 |
| Mar 18, 2017 | - | $6,405 | +42% | -48% | 35 | $183 | $1,900,645 | 30 |
| Mar 19, 2017 | - | $5,649 | -12% | -42% | 35 | $161 | $1,906,294 | 31 |
| Mar 20, 2017 | - | $1,685 | -70% | -53% | 35 | $48 | $1,907,979 | 32 |
| Mar 21, 2017 | - | $2,706 | +61% | -46% | 35 | $77 | $1,910,685 | 33 |
| Mar 22, 2017 | - | $2,346 | -13% | -49% | 35 | $67 | $1,913,031 | 34 |
| Mar 23, 2017 | - | $2,758 | +18% | -16% | 35 | $79 | $1,915,789 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 17, 2017 | 17 | $1,266,952 | 333 | $3,805 | $1,266,952 | 1 | |
| Feb 24, 2017 | 25 | $497,090 | -61% | 333 | $1,493 | $1,764,042 | 2 |
| Mar 3, 2017 | 43 | $80,195 | -84% | 60 | $1,337 | $1,844,237 | 3 |
| Mar 10, 2017 | 45 | $45,485 | -43% | 33 | $1,378 | $1,889,722 | 4 |
| Mar 17, 2017 | 54 | $26,067 | -43% | 35 | $745 | $1,915,789 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Mexico | 2/10/2017 | $1,568,907 | 0 | 0 | 0 | $4,491,419 | 2/28/2017 | |||
| Rest of World | $84,177 | |||||||||
| International Total | $4,575,596 | 2/28/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Karla Souza | Clara Barrón | |
| Jose Maria Yazpik | Daniel | |
| Ben O'Toole | Asher | |
| Tiare Scanda | Abby | |
| KC Clyde | Max |
Supporting
| Ximena Romo | Lilly | |
| Harold Torres | Beto | |
| Luke Valenzuela | Bobby |
Cameo
| Alejandro Camacho | Francisco |
Lead Ensemble Member
| Patricia Bernal | Eva |
Production and Technical Credits
| Catalina Aguilar Mastretta | Director | |
| Catalina Aguilar Mastretta | Screenwriter | |
| Francisco Gonzalez Compean | Producer | |
| Jose Nacif | Producer | |
| Ramiro Ruiz | Producer | |
| Karla Souza | Associate Producer | |
| Jose Maria Yazpik | Associate Producer | |
| Jacobo Nazar | Associate Producer | |
| Rodrigo Trujillo | Associate Producer | |
| Monica Vertiz | Associate Producer | |
| Jon Aguirresarobe | Director of Photography | |
| Sandra Cabriada | Production Designer | |
| Aina Calleja | Editor | |
| Victor Hernandez | Composer | |
| Javier Umpierrez | Sound Designer | |
| Cyntia Navarro | Post-Production Supervisor | |
| Gilda Navarro | Costume Designer | |
| Isabel Cortazar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.