Everyone Says I Love You (1996)
| Theatrical Performance | ||
| Domestic Box Office | $9,725,847 | Details |
| International Box Office | $24,874,153 | |
| Worldwide Box Office | $34,600,000 | |
| OpusData ID: 37850100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $131,678 (1.4% of total gross) |
| Legs: | 5.55 (domestic box office/biggest weekend) |
| Domestic Share: | 28.1% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 3 opening theaters/276 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,991,948 |
Movie Details
| Domestic Releases: | December 6th, 1996 (Wide) by Miramax |
| Video Release: | August 17th, 1999 by Miramax Video |
| MPA Rating: | R for one use of strong language |
| Running Time: | 101 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Relationships Gone Wrong, Romance, Step-Family |
| Subgenre: | Comedy Musical |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1996 | 22 | $131,678 | 3 | $43,893 | $131,678 | 1 | |
| Jan 3, 1997 | 46 | $57,186 | 3 | $19,062 | $273,122 | 5 | |
| Jan 10, 1997 | 38 | $96,907 | +69% | 4 | $24,227 | $398,800 | 6 |
| Jan 17, 1997 | 16 | $1,751,352 | +1,707% | 268 | $6,535 | $2,200,552 | 7 |
| Jan 24, 1997 | 18 | $1,107,180 | -37% | 270 | $4,101 | $3,660,871 | 8 |
| Jan 31, 1997 | 18 | $1,309,391 | +18% | 275 | $4,761 | $5,362,364 | 9 |
| Feb 7, 1997 | 16 | $1,001,154 | -24% | 276 | $3,627 | $6,742,818 | 10 |
| Feb 14, 1997 | 21 | $740,497 | -26% | 223 | $3,321 | $7,753,317 | 11 |
| Feb 21, 1997 | 24 | $383,886 | -48% | 182 | $2,109 | $8,296,665 | 12 |
| Feb 28, 1997 | 24 | $294,655 | -23% | 126 | $2,339 | $8,716,229 | 13 |
| Mar 7, 1997 | 28 | $240,427 | -18% | 103 | $2,334 | $9,047,742 | 14 |
| Mar 14, 1997 | 33 | $164,041 | -32% | 99 | $1,657 | $9,291,297 | 15 |
| Mar 21, 1997 | 43 | $81,684 | -50% | 64 | $1,276 | $9,434,256 | 16 |
| Mar 28, 1997 | 50 | $55,946 | -32% | 44 | $1,272 | $9,527,148 | 17 |
| Apr 4, 1997 | 60 | $36,188 | -35% | 44 | $822 | $9,589,821 | 18 |
| Apr 25, 1997 | 52 | $50,732 | 62 | $818 | $9,714,482 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 1997 | 45 | $85,957 | 3 | $28,652 | $301,893 | 5 | |
| Jan 10, 1997 | 36 | $147,307 | +71% | 4 | $36,827 | $449,200 | 6 |
| Jan 17, 1997 | 16 | $2,104,491 | +1,329% | 268 | $7,853 | $2,553,691 | 7 |
| Jan 24, 1997 | 16 | $1,499,282 | -29% | 270 | $5,553 | $4,052,973 | 8 |
| Jan 31, 1997 | 18 | $1,688,691 | +13% | 275 | $6,141 | $5,741,664 | 9 |
| Feb 7, 1997 | 16 | $1,271,156 | -25% | 276 | $4,606 | $7,012,820 | 10 |
| Feb 14, 1997 | 19 | $899,959 | -29% | 223 | $4,036 | $7,912,779 | 11 |
| Feb 21, 1997 | 23 | $508,795 | -43% | 182 | $2,796 | $8,421,574 | 12 |
| Feb 28, 1997 | 24 | $385,741 | -24% | 126 | $3,061 | $8,807,315 | 13 |
| Mar 7, 1997 | 26 | $319,941 | -17% | 103 | $3,106 | $9,127,256 | 14 |
| Mar 14, 1997 | 34 | $225,316 | -30% | 99 | $2,276 | $9,352,572 | 15 |
| Mar 21, 1997 | 44 | $118,630 | -47% | 64 | $1,854 | $9,471,202 | 16 |
| Mar 28, 1997 | 50 | $82,431 | -31% | 44 | $1,873 | $9,553,633 | 17 |
| Tim Roth | Charles Ferry | |
| Edward Norton | Holden Spence | |
| Billy Crudup | Ken |
Leading
| Drew Barrymore | Skylar |
Supporting
| Goldie Hawn | Steffi | |
| Julia Roberts | Von | |
| Natalie Portman | Laura |
| Natasha Lyonne | DJ | |
| Lukas Haas | Scott | |
| Woody Allen | Joe | |
| Alan Alda | Bob Dandridge | |
| David Ogden Stiers | Arnold Spence, Holden's Father |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $131,678 (1.4% of total gross) |
| Legs: | 5.55 (domestic box office/biggest weekend) |
| Domestic Share: | 28.1% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.7 times production budget) |
| Theater counts: | 3 opening theaters/276 max. theaters, 7.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $23,991,948 |
Movie Details
| Domestic Releases: | December 6th, 1996 (Wide) by Miramax |
| Video Release: | August 17th, 1999 by Miramax Video |
| MPA Rating: | R for one use of strong language |
| Running Time: | 101 minutes |
| Geographical setting: | New York, New York City |
| Plot point: | Relationships Gone Wrong, Romance, Step-Family |
| Subgenre: | Comedy Musical |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 6, 1996 | 22 | $131,678 | 3 | $43,893 | $131,678 | 1 | |
| Jan 3, 1997 | 46 | $57,186 | 3 | $19,062 | $273,122 | 5 | |
| Jan 10, 1997 | 38 | $96,907 | +69% | 4 | $24,227 | $398,800 | 6 |
| Jan 17, 1997 | 16 | $1,751,352 | +1,707% | 268 | $6,535 | $2,200,552 | 7 |
| Jan 24, 1997 | 18 | $1,107,180 | -37% | 270 | $4,101 | $3,660,871 | 8 |
| Jan 31, 1997 | 18 | $1,309,391 | +18% | 275 | $4,761 | $5,362,364 | 9 |
| Feb 7, 1997 | 16 | $1,001,154 | -24% | 276 | $3,627 | $6,742,818 | 10 |
| Feb 14, 1997 | 21 | $740,497 | -26% | 223 | $3,321 | $7,753,317 | 11 |
| Feb 21, 1997 | 24 | $383,886 | -48% | 182 | $2,109 | $8,296,665 | 12 |
| Feb 28, 1997 | 24 | $294,655 | -23% | 126 | $2,339 | $8,716,229 | 13 |
| Mar 7, 1997 | 28 | $240,427 | -18% | 103 | $2,334 | $9,047,742 | 14 |
| Mar 14, 1997 | 33 | $164,041 | -32% | 99 | $1,657 | $9,291,297 | 15 |
| Mar 21, 1997 | 43 | $81,684 | -50% | 64 | $1,276 | $9,434,256 | 16 |
| Mar 28, 1997 | 50 | $55,946 | -32% | 44 | $1,272 | $9,527,148 | 17 |
| Apr 4, 1997 | 60 | $36,188 | -35% | 44 | $822 | $9,589,821 | 18 |
| Apr 25, 1997 | 52 | $50,732 | 62 | $818 | $9,714,482 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 3, 1997 | 45 | $85,957 | 3 | $28,652 | $301,893 | 5 | |
| Jan 10, 1997 | 36 | $147,307 | +71% | 4 | $36,827 | $449,200 | 6 |
| Jan 17, 1997 | 16 | $2,104,491 | +1,329% | 268 | $7,853 | $2,553,691 | 7 |
| Jan 24, 1997 | 16 | $1,499,282 | -29% | 270 | $5,553 | $4,052,973 | 8 |
| Jan 31, 1997 | 18 | $1,688,691 | +13% | 275 | $6,141 | $5,741,664 | 9 |
| Feb 7, 1997 | 16 | $1,271,156 | -25% | 276 | $4,606 | $7,012,820 | 10 |
| Feb 14, 1997 | 19 | $899,959 | -29% | 223 | $4,036 | $7,912,779 | 11 |
| Feb 21, 1997 | 23 | $508,795 | -43% | 182 | $2,796 | $8,421,574 | 12 |
| Feb 28, 1997 | 24 | $385,741 | -24% | 126 | $3,061 | $8,807,315 | 13 |
| Mar 7, 1997 | 26 | $319,941 | -17% | 103 | $3,106 | $9,127,256 | 14 |
| Mar 14, 1997 | 34 | $225,316 | -30% | 99 | $2,276 | $9,352,572 | 15 |
| Mar 21, 1997 | 44 | $118,630 | -47% | 64 | $1,854 | $9,471,202 | 16 |
| Mar 28, 1997 | 50 | $82,431 | -31% | 44 | $1,873 | $9,553,633 | 17 |
| Tim Roth | Charles Ferry | |
| Edward Norton | Holden Spence | |
| Billy Crudup | Ken |
Leading
| Drew Barrymore | Skylar |
Supporting
| Goldie Hawn | Steffi | |
| Julia Roberts | Von | |
| Natalie Portman | Laura |
| Natasha Lyonne | DJ | |
| Lukas Haas | Scott | |
| Woody Allen | Joe | |
| Alan Alda | Bob Dandridge | |
| David Ogden Stiers | Arnold Spence, Holden's Father |
Production and Technical Credits
| Woody Allen | Director | |
| Woody Allen | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.