The Exit 8 (8番出口) (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $3,735,090 | Details |
| International Box Office | $7,508,799 | Details |
| Worldwide Box Office | $11,243,889 | |
| OpusData ID: 747160100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $1,435,789 (38.4% of total gross) |
| Legs: | 2.60 (domestic box office/biggest weekend) |
| Domestic Share: | 33.2% (domestic box office/worldwide) |
| Theater counts: | 495 opening theaters/510 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,735,090 |
Movie Details
| Domestic Releases: | April 10th, 2026 (Limited) by Neon, released as The Exit 8 |
| International Releases: | August 28th, 2025 (Limited), released as The Exit 8 (Выход 8) (Russia (CIS))
August 29th, 2025 (Limited) (Japan) August 29th, 2025 (Limited), released as Çıkış 8 (Turkey) September 3rd, 2025 (Limited), released as Exit 8 (France) October 9th, 2025 (Limited), released as The Exit 8 (Czech Republic) ... Show all releases |
| Video Release: | May 8th, 2026 by Neon, released as The Exit 8 |
| MPA Rating: | PG-13 for some bloody images and terror. (Rating bulletin 2928 (cert #55948), 3/18/2026) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Unnamed Character |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Underground |
| Plot point: | Trapped |
| Social setting: | Surrealism / Absurdism |
| Subgenre: | Psychological Horror |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 8 | $1,435,789 | 495 | $2,901 | $1,435,789 | 1 | |
| Apr 17, 2026 | - | $720,519 | -50% | 510 | $1,413 | $2,874,459 | 2 |
| Apr 24, 2026 | - | $252,776 | -65% | 250 | $1,011 | $3,515,119 | 3 |
| May 1, 2026 | - | $56,739 | -78% | 60 | $946 | $3,700,321 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 7 | $569,022 | 495 | $1,150 | $569,022 | 1 | ||
| Apr 11, 2026 | 7 | $483,669 | -15% | 495 | $977 | $1,052,691 | 2 | |
| Apr 12, 2026 | 7 | $383,098 | -21% | 495 | $774 | $1,435,789 | 3 | |
| Apr 13, 2026 | 7 | $172,394 | -55% | 495 | $348 | $1,608,183 | 4 | |
| Apr 14, 2026 | 7 | $227,560 | +32% | 495 | $460 | $1,835,743 | 5 | |
| Apr 15, 2026 | 7 | $179,773 | -21% | 495 | $363 | $2,015,516 | 6 | |
| Apr 16, 2026 | 7 | $138,425 | -23% | 495 | $280 | $2,153,940 | 7 | |
| Apr 17, 2026 | - | $207,178 | +50% | -64% | 510 | $406 | $2,361,118 | 8 |
| Apr 18, 2026 | - | $291,671 | +41% | -40% | 510 | $572 | $2,652,789 | 9 |
| Apr 19, 2026 | - | $221,670 | -24% | -42% | 510 | $435 | $2,874,459 | 10 |
| Apr 20, 2026 | 8 | $90,885 | -59% | -47% | 510 | $178 | $2,965,344 | 11 |
| Apr 21, 2026 | - | $135,418 | +49% | -40% | 510 | $266 | $3,100,762 | 12 |
| Apr 22, 2026 | - | $102,918 | -24% | -43% | 510 | $202 | $3,203,680 | 13 |
| Apr 23, 2026 | 9 | $58,663 | -43% | -58% | 510 | $115 | $3,262,343 | 14 |
| Apr 24, 2026 | - | $73,430 | +25% | -65% | 250 | $294 | $3,335,773 | 15 |
| Apr 25, 2026 | - | $104,271 | +42% | -64% | 250 | $417 | $3,440,044 | 16 |
| Apr 26, 2026 | - | $75,075 | -28% | -66% | 250 | $300 | $3,515,119 | 17 |
| Apr 27, 2026 | - | $30,030 | -60% | -67% | 250 | $120 | $3,545,149 | 18 |
| Apr 28, 2026 | - | $45,946 | +53% | -66% | 250 | $184 | $3,591,095 | 19 |
| Apr 29, 2026 | - | $38,594 | -16% | -63% | 250 | $154 | $3,629,689 | 20 |
| Apr 30, 2026 | - | $13,894 | -64% | -76% | 250 | $56 | $3,643,583 | 21 |
| May 1, 2026 | - | $15,567 | +12% | -79% | 60 | $259 | $3,659,150 | 22 |
| May 2, 2026 | - | $23,662 | +52% | -77% | 60 | $394 | $3,682,812 | 23 |
| May 3, 2026 | - | $17,510 | -26% | -77% | 60 | $292 | $3,700,322 | 24 |
| May 4, 2026 | - | $8,602 | -51% | -71% | 60 | $143 | $3,708,924 | 25 |
| May 5, 2026 | - | $11,613 | +35% | -75% | 60 | $194 | $3,720,537 | 26 |
| May 6, 2026 | - | $9,639 | -17% | -75% | 60 | $161 | $3,730,176 | 27 |
| May 7, 2026 | - | $4,916 | -49% | -65% | 60 | $82 | $3,735,090 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 7 | $2,153,941 | 495 | $4,351 | $2,153,940 | 1 | |
| Apr 17, 2026 | 9 | $1,108,403 | -49% | 510 | $2,173 | $3,262,343 | 2 |
| Apr 24, 2026 | 17 | $381,240 | -66% | 250 | $1,525 | $3,643,583 | 3 |
| May 1, 2026 | 22 | $91,507 | -76% | 60 | $1,525 | $3,735,090 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/23/2026 | $101,837 | 46 | 46 | 0 | $324,019 | 6/23/2026 | |||
| Czech Republic | 10/9/2025 | $9,215 | 39 | 39 | 39 | $9,572 | 4/4/2026 | |||
| Finland | 10/24/2025 | $27,949 | 45 | 45 | 78 | $62,275 | 4/21/2026 | |||
| Mexico | 4/23/2026 | $136,322 | 0 | 0 | 0 | $1,484,012 | 4/29/2026 | |||
| Netherlands | 4/9/2026 | $41,805 | 56 | 59 | 156 | $169,801 | 4/28/2026 | |||
| New Zealand | 4/23/2026 | $17,559 | 26 | 26 | 0 | $41,262 | 5/18/2026 | |||
| Portugal | 3/26/2026 | $1,203 | 1 | 1 | 0 | $1,203 | 4/6/2026 | |||
| Romania | 2/6/2026 | $12,477 | 24 | 24 | 0 | $38,171 | 4/16/2026 | |||
| Russia (CIS) | 8/28/2025 | $533,203 | 569 | 569 | 2,179 | $1,904,498 | 4/4/2026 | |||
| Slovakia | 10/16/2025 | $3,579 | 14 | 14 | 14 | $3,691 | 4/4/2026 | |||
| South Korea | 10/22/2025 | $983,817 | 781 | 781 | 0 | $3,002,517 | 4/6/2026 | |||
| Turkey | 8/29/2025 | $34,178 | 114 | 114 | 208 | $91,209 | 4/4/2026 | |||
| United Kingdom | 4/24/2026 | $189,599 | 216 | 216 | 359 | $371,200 | 5/7/2026 | |||
| Rest of World | $5,369 | |||||||||
| International Total | $7,508,799 | 6/23/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kazunari Ninomiya | The Lost Man |
Production and Technical Credits
| Genki Kawamura | Director | |
| Kentaro Hirase | Screenwriter | |
| Genki Kawamura | Screenwriter | |
| Kotake Create | Story Creator | |
| Yuto Sakata | Producer | |
| Kenji Yamada | Producer | |
| Akito Yamamoto | Producer | |
| Taichi Ito | Producer | |
| Yoshihiro Furusawa | Producer | |
| Minami Ichikawa | Producer | |
| Genki Kawamura | Producer | |
| Taichi Ueda | Producer | |
| Hisashi Usui | Executive Producer | |
| Wakana Okamura | Executive Producer | |
| Keisuke Imamura | Cinematographer | |
| Sakura Seya | Editor | |
| Shouhei Amimori | Composer | |
| Yasutaka Nakata | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $1,435,789 (38.4% of total gross) |
| Legs: | 2.60 (domestic box office/biggest weekend) |
| Domestic Share: | 33.2% (domestic box office/worldwide) |
| Theater counts: | 495 opening theaters/510 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,735,090 |
Movie Details
| Domestic Releases: | April 10th, 2026 (Limited) by Neon, released as The Exit 8 |
| International Releases: | August 28th, 2025 (Limited), released as The Exit 8 (Выход 8) (Russia (CIS))
August 29th, 2025 (Limited) (Japan) August 29th, 2025 (Limited), released as Çıkış 8 (Turkey) September 3rd, 2025 (Limited), released as Exit 8 (France) October 9th, 2025 (Limited), released as The Exit 8 (Czech Republic) ... Show all releases |
| Video Release: | May 8th, 2026 by Neon, released as The Exit 8 |
| MPA Rating: | PG-13 for some bloody images and terror. (Rating bulletin 2928 (cert #55948), 3/18/2026) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Unnamed Character |
| Film festival: | Cannes Film Festival 2025 |
| Geographical setting: | Underground |
| Plot point: | Trapped |
| Social setting: | Surrealism / Absurdism |
| Subgenre: | Psychological Horror |
| Source: | Based on Game |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 8 | $1,435,789 | 495 | $2,901 | $1,435,789 | 1 | |
| Apr 17, 2026 | - | $720,519 | -50% | 510 | $1,413 | $2,874,459 | 2 |
| Apr 24, 2026 | - | $252,776 | -65% | 250 | $1,011 | $3,515,119 | 3 |
| May 1, 2026 | - | $56,739 | -78% | 60 | $946 | $3,700,321 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 7 | $569,022 | 495 | $1,150 | $569,022 | 1 | ||
| Apr 11, 2026 | 7 | $483,669 | -15% | 495 | $977 | $1,052,691 | 2 | |
| Apr 12, 2026 | 7 | $383,098 | -21% | 495 | $774 | $1,435,789 | 3 | |
| Apr 13, 2026 | 7 | $172,394 | -55% | 495 | $348 | $1,608,183 | 4 | |
| Apr 14, 2026 | 7 | $227,560 | +32% | 495 | $460 | $1,835,743 | 5 | |
| Apr 15, 2026 | 7 | $179,773 | -21% | 495 | $363 | $2,015,516 | 6 | |
| Apr 16, 2026 | 7 | $138,425 | -23% | 495 | $280 | $2,153,940 | 7 | |
| Apr 17, 2026 | - | $207,178 | +50% | -64% | 510 | $406 | $2,361,118 | 8 |
| Apr 18, 2026 | - | $291,671 | +41% | -40% | 510 | $572 | $2,652,789 | 9 |
| Apr 19, 2026 | - | $221,670 | -24% | -42% | 510 | $435 | $2,874,459 | 10 |
| Apr 20, 2026 | 8 | $90,885 | -59% | -47% | 510 | $178 | $2,965,344 | 11 |
| Apr 21, 2026 | - | $135,418 | +49% | -40% | 510 | $266 | $3,100,762 | 12 |
| Apr 22, 2026 | - | $102,918 | -24% | -43% | 510 | $202 | $3,203,680 | 13 |
| Apr 23, 2026 | 9 | $58,663 | -43% | -58% | 510 | $115 | $3,262,343 | 14 |
| Apr 24, 2026 | - | $73,430 | +25% | -65% | 250 | $294 | $3,335,773 | 15 |
| Apr 25, 2026 | - | $104,271 | +42% | -64% | 250 | $417 | $3,440,044 | 16 |
| Apr 26, 2026 | - | $75,075 | -28% | -66% | 250 | $300 | $3,515,119 | 17 |
| Apr 27, 2026 | - | $30,030 | -60% | -67% | 250 | $120 | $3,545,149 | 18 |
| Apr 28, 2026 | - | $45,946 | +53% | -66% | 250 | $184 | $3,591,095 | 19 |
| Apr 29, 2026 | - | $38,594 | -16% | -63% | 250 | $154 | $3,629,689 | 20 |
| Apr 30, 2026 | - | $13,894 | -64% | -76% | 250 | $56 | $3,643,583 | 21 |
| May 1, 2026 | - | $15,567 | +12% | -79% | 60 | $259 | $3,659,150 | 22 |
| May 2, 2026 | - | $23,662 | +52% | -77% | 60 | $394 | $3,682,812 | 23 |
| May 3, 2026 | - | $17,510 | -26% | -77% | 60 | $292 | $3,700,322 | 24 |
| May 4, 2026 | - | $8,602 | -51% | -71% | 60 | $143 | $3,708,924 | 25 |
| May 5, 2026 | - | $11,613 | +35% | -75% | 60 | $194 | $3,720,537 | 26 |
| May 6, 2026 | - | $9,639 | -17% | -75% | 60 | $161 | $3,730,176 | 27 |
| May 7, 2026 | - | $4,916 | -49% | -65% | 60 | $82 | $3,735,090 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 10, 2026 | 7 | $2,153,941 | 495 | $4,351 | $2,153,940 | 1 | |
| Apr 17, 2026 | 9 | $1,108,403 | -49% | 510 | $2,173 | $3,262,343 | 2 |
| Apr 24, 2026 | 17 | $381,240 | -66% | 250 | $1,525 | $3,643,583 | 3 |
| May 1, 2026 | 22 | $91,507 | -76% | 60 | $1,525 | $3,735,090 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/23/2026 | $101,837 | 46 | 46 | 0 | $324,019 | 6/23/2026 | |||
| Czech Republic | 10/9/2025 | $9,215 | 39 | 39 | 39 | $9,572 | 4/4/2026 | |||
| Finland | 10/24/2025 | $27,949 | 45 | 45 | 78 | $62,275 | 4/21/2026 | |||
| Mexico | 4/23/2026 | $136,322 | 0 | 0 | 0 | $1,484,012 | 4/29/2026 | |||
| Netherlands | 4/9/2026 | $41,805 | 56 | 59 | 156 | $169,801 | 4/28/2026 | |||
| New Zealand | 4/23/2026 | $17,559 | 26 | 26 | 0 | $41,262 | 5/18/2026 | |||
| Portugal | 3/26/2026 | $1,203 | 1 | 1 | 0 | $1,203 | 4/6/2026 | |||
| Romania | 2/6/2026 | $12,477 | 24 | 24 | 0 | $38,171 | 4/16/2026 | |||
| Russia (CIS) | 8/28/2025 | $533,203 | 569 | 569 | 2,179 | $1,904,498 | 4/4/2026 | |||
| Slovakia | 10/16/2025 | $3,579 | 14 | 14 | 14 | $3,691 | 4/4/2026 | |||
| South Korea | 10/22/2025 | $983,817 | 781 | 781 | 0 | $3,002,517 | 4/6/2026 | |||
| Turkey | 8/29/2025 | $34,178 | 114 | 114 | 208 | $91,209 | 4/4/2026 | |||
| United Kingdom | 4/24/2026 | $189,599 | 216 | 216 | 359 | $371,200 | 5/7/2026 | |||
| Rest of World | $5,369 | |||||||||
| International Total | $7,508,799 | 6/23/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Kazunari Ninomiya | The Lost Man |
Production and Technical Credits
| Genki Kawamura | Director | |
| Kentaro Hirase | Screenwriter | |
| Genki Kawamura | Screenwriter | |
| Kotake Create | Story Creator | |
| Yuto Sakata | Producer | |
| Kenji Yamada | Producer | |
| Akito Yamamoto | Producer | |
| Taichi Ito | Producer | |
| Yoshihiro Furusawa | Producer | |
| Minami Ichikawa | Producer | |
| Genki Kawamura | Producer | |
| Taichi Ueda | Producer | |
| Hisashi Usui | Executive Producer | |
| Wakana Okamura | Executive Producer | |
| Keisuke Imamura | Cinematographer | |
| Sakura Seya | Editor | |
| Shouhei Amimori | Composer | |
| Yasutaka Nakata | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.