Exit to Eden (1994)
| Theatrical Performance | ||
| Domestic Box Office | $6,813,570 | Details |
| OpusData ID: 42790100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $3,012,695 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,670 opening theaters/1,670 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,887,610 |
Movie Details
| Domestic Releases: | October 14th, 1994 (Wide) by Savoy |
| MPA Rating: | R for nudity and sex-related scenes |
| Running Time: | 114 minutes |
| Plot point: | Police Detective, Sexual Awakening, Sexual Fetishism, Smuggler, Undercover |
| Subgenre: | Crime Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 1994 | 8 | $3,012,695 | 1,670 | $1,804 | $3,012,695 | 1 | |
| Oct 28, 1994 | 22 | $353,739 | 621 | $570 | $6,316,099 | 3 | |
| Dec 9, 1994 | 31 | $97,656 | 312 | $313 | $6,757,231 | 9 | |
| Dec 16, 1994 | 49 | $24,444 | -75% | 3 | $8,148 | $6,813,570 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 1994 | 31 | $129,551 | 312 | $415 | $6,789,126 | 9 |
| Rosie O'Donnell | Sheila Kingston | |
| Dan Aykroyd | Fred Lavery | |
| Hector Elizondo | Dr. Martin Halifax | |
| Stuart Wilson | Omar | |
| Garry Marshall | Voice of Priscilla's Client | |
| Donna Dixon | Bonnie | |
| Dana Delany | Lisa Emerson | |
| Paul Mercurio | Elliot Slater | |
| Iman | Nina Blackstone | |
| Laura Harring | M.C. Kindra | |
| John Schneider | Prof. Collins |
Production and Technical Credits
| Garry Marshall | Director | |
| Deborah Amelon | Screenwriter | |
| Patrick Doyle | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $3,012,695 (44.2% of total gross) |
| Legs: | 2.26 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,670 opening theaters/1,670 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $18,887,610 |
Movie Details
| Domestic Releases: | October 14th, 1994 (Wide) by Savoy |
| MPA Rating: | R for nudity and sex-related scenes |
| Running Time: | 114 minutes |
| Plot point: | Police Detective, Sexual Awakening, Sexual Fetishism, Smuggler, Undercover |
| Subgenre: | Crime Comedy |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 14, 1994 | 8 | $3,012,695 | 1,670 | $1,804 | $3,012,695 | 1 | |
| Oct 28, 1994 | 22 | $353,739 | 621 | $570 | $6,316,099 | 3 | |
| Dec 9, 1994 | 31 | $97,656 | 312 | $313 | $6,757,231 | 9 | |
| Dec 16, 1994 | 49 | $24,444 | -75% | 3 | $8,148 | $6,813,570 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 9, 1994 | 31 | $129,551 | 312 | $415 | $6,789,126 | 9 |
| Rosie O'Donnell | Sheila Kingston | |
| Dan Aykroyd | Fred Lavery | |
| Hector Elizondo | Dr. Martin Halifax | |
| Stuart Wilson | Omar | |
| Garry Marshall | Voice of Priscilla's Client | |
| Donna Dixon | Bonnie | |
| Dana Delany | Lisa Emerson | |
| Paul Mercurio | Elliot Slater | |
| Iman | Nina Blackstone | |
| Laura Harring | M.C. Kindra | |
| John Schneider | Prof. Collins |
Production and Technical Credits
| Garry Marshall | Director | |
| Deborah Amelon | Screenwriter | |
| Patrick Doyle | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.