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Extraction (2015)

Extraction poster
Theatrical Performance
Domestic Box Office $16,775Details
International Box Office $959,051Details
Worldwide Box Office $975,826
Home Market Performance
Est. Domestic DVD Sales $2,014,786 Details
Est. Domestic Blu-ray Sales $1,100,015 Details
Total Est. Domestic Video Sales $3,114,801
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


When a terrorist group kidnaps retired CIA field operative Leonard Turner, his son Harry Turner, a government analyst who has been repeatedly turned down for field service, launches his own unsanctioned rescue operation. While evading highly skilled operatives, deadly assassins, and international terrorists, Harry finally puts his combat training to the test in a high stakes mission to find his father and to stop a terrorist plot.


Latest Ranking on Cumulative Box Office Lists

Movie Details

Domestic Releases: December 18th, 2015 (Limited) by Lionsgate
International Releases: December 31st, 2015 (Wide) (Kuwait)
December 31st, 2015 (Wide) (Lebanon)
December 31st, 2015 (Wide) (Oman)
December 31st, 2015 (Wide) (United Arab Emirates)
January 8th, 2016 (Wide) (Vietnam)
... Show all releases
Video Release: December 18th, 2015 by Lionsgate Home Entertainment
MPAA Rating: R for violence, language throughout and brief sexual content/nudity.
(Rating bulletin 2390, 9/9/2015)
Running Time: 83 minutes
Comparisons: vs. Die Hard
Create your own comparison chart…
Keywords: Terrorism, Kidnap, Retirement, C.I.A., Rescue, Secret Agent
Source:Original Screenplay
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Lionsgate Premiere, Grindstone Entertainment Group, Emmett Furla Oasis Films, The Fyzz Facility, Twirly Films Limited, Aperture Entertainment
Production Countries: Canada

Leading Cast


Supporting Cast

D.B. Sweeney    Robertson
Dan Bilzerian    Higgins
Olga Valentina    Katya
Lydia Hull    Kris
Tyler J. Olson    Darryl
Joshua Mikel    Drake
Steve Coulter    Sitterson
Heather Johansen    Agent Stevens
Roman Mitichyan    Dmitri
Christopher Rob Bowen    Purvis
Rob Steinberg    Ivan
David Gordon    Sean
Nick Loeb    Vinn
Sierra Love    Sally
Nathan Varnson    Young Harry
Richard Chance    Aide John
John Dauer    Scott
Nikki Breanne Wells*    Biker Bartender
Nicole Gomez    Mandi
Linda Lind    Sarah
Jeffery Patterson    Jack
Sydney Fine    Vanessa
Jillian Sheen    Jessica
Jacques L Devore    Steve
Summer Altice    Denise
Hwan Tran    DJ
Lindsey Pelas    Stephanie
Jenna Kelly    Trisha
Martin Blencowe    Frank

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Umair Aleem    Screenwriter
Max Adams    Screenwriter
Randall Emmett    Producer
George Furla    Producer
Mark Stewart    Producer
Adam Goldworm    Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
David Gilbery    Executive Producer
Barry Brooker    Executive Producer
Stan Wertlieb    Executive Producer
Martin Blencowe    Executive Producer
Kirk Shaw    Executive Producer
Anthony Jabre    Executive Producer
Vance Owen    Executive Producer
Steven Saxton    Executive Producer
Ted Fox    Executive Producer
Corey Large    Executive Producer
Arnaud Lannic    Co-Executive Producer
Christophe Lannic    Co-Executive Producer
Ryan Black    Co-Executive Producer
Tim Sullivan    Co-Producer
Anthony Callie    Co-Producer
Max Adams    Co-Producer
William B. Steakley    Line Producer
Brandon Cox    Director of Photography
Nate Jones    Production Designer
Vincent Trabaillon    Editor
Bonnie Stauch    Costume Designer
Ryan Dodson    Composer
Mike Burns    Music Supervisor
Anne McCarthy    Casting Director
Kellie Roy    Casting Director
Mary C Russell    Unit Production Manager
Jonathan Southard    First Assistant Director
Karla Strum    Second Assistant Director
Simon Rhee    Stunt Coordinator
Michael J Urann    Post-Production Supervisor
Beau J Genot    Post-Production Supervisor
Nick Dirosa    Script Supervisor
B.J. Lehn    Sound Mixer
Brad Johnson    Set Decorator
Michelle Jones    Art Director
Tiffanie Hudson    Make up
Lauren Kelley    Hairstylist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 23rd, 2016

February 23rd, 2016

The Big Sleep

It's not a great week on the home market. The Good Dinosaur is the biggest release this week, but it is the only wide release of note. Spotlight started out in limited release, but while it expanded significantly, it never expanded truly wide. As for the Pick of the Week, I'm going with the Bogart / Bacall Blu-ray Double-Shot: The Big Sleep and Key Largo.

On a side note, it is another short list this week, because Amazon continues to be run by morons. I tried to get help from chat, but that wasn't very successful. I "talked" to four people without getting an answer. Two of which logged in and then logged out without saying a thing. One logged in, introduced themselves, then logged out when I asked a question. I tried through e-mail, but a week later and no reply. I have a phone number for press and I will try that once the Oscars are over and I'm not overwhelmed with work. More...

Theater Averages: Star Wars Set Another Records with $59,982

December 22nd, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens led the way on the theater average chart and broke the record for highest theater average for a wide release. Its average was $59,982, which is the fifth best opening theater average this year. This is just ahead of Ex Machina and just behind Carol. The Big Short fell 46% to $47,286. A 46% drop-off is bad news for a limited release most of the time, but The Force Awakens hurt all of the holdovers and I'm still bullish on its box office chances for its Wednesday expansion. Carol remained in the $10,000 for the fifth week in a row, this time earning an average of $14,446 in 16 theaters. Mojin: The Lost Legend opened with an average of $12,726 in 22 theaters, while Son of Saul was right behind with an average of $12,643. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/12/18 49 $10,948   13 $842   $10,948 1

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/12/18 51 $16,775   13 $1,290   $16,775 1

Box Office Summary Per Territory

Territory Release
Box Office
Kuwait 12/31/2015 $0 0 7 10 $363,105 1/20/2016
Lebanon 12/31/2015 $24,772 4 4 7 $81,817 1/20/2016
Oman 12/31/2015 $6,375 1 1 2 $10,250 1/13/2016
Portugal 3/31/2016 $19,956 10 12 32 $46,251 6/9/2016
Taiwan 1/15/2016 $81,721 53 53 53 $81,721 6/9/2016
Thailand 2/4/2016 $10,521 16 16 17 $15,952 6/9/2016
Turkey 8/5/2016 $20,910 73 73 104 $44,925 8/19/2016
United Arab Emirates 12/31/2015 $144,900 24 24 44 $300,409 4/5/2016
Vietnam 1/8/2016 $0 0 8 8 $14,621 1/20/2016
International Total$959,051 8/19/2016

International Cumulative Box Office Records

Worldwide Cumulative Box Office Records

Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/28/2016453,889 53,889$700,018$700,01811
3/6/20162714,400-73% 68,289$187,056$887,07412

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
2/28/2016624,976 24,976$461,803$461,80311

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at