The Eyes of Tammy Faye (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $2,404,127 | Details |
| International Box Office | $303,777 | Details |
| Worldwide Box Office | $2,707,904 | |
| OpusData ID: 411720100 More info... | ||
| Further financial details... | ||
Synopsis
In the 1970s and 80s, Tammy Faye and her husband, Jim Bakker, rose from humble beginnings to create the world’s largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing, and her eagerness to embrace people from all walks of life. However, it wasn’t long before financial improprieties, scheming rivals, and scandal toppled their carefully-constructed empire.
Metrics
| Opening Weekend: | $652,358 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 88.8% (domestic box office/worldwide) |
| Theater counts: | 450 opening theaters/1,352 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,827,272 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Limited) by Searchlight Pictures September 24th, 2021 (Expands Wide) by Searchlight Pictures |
| International Releases: | January 27th, 2022 (Wide) (Australia)
January 27th, 2022 (Wide) (New Zealand) February 3rd, 2022 (Wide) (Netherlands) February 4th, 2022 (Wide), released as Gli occhi di Tammy Faye (Italy) February 4th, 2022 (Wide), released as Los Ojos de Tammy Faye (Spain) ... Show all releases |
| Video Release: | November 2nd, 2021 by Walt Disney Home Entertainment |
| MPA Rating: | PG-13 for sexual content and drug abuse. (Rating bulletin 2670 (cert #53107), 3/3/2021) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Family Affair |
| Filming location (city or town): | Charlotte, NC |
| Filming location (state or county): | North Carolina, United States |
| Plot point: | Addiction, Biography, Religious, Scandal, White Collar Crime |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Freckle Films, Searchlight Pictures , MWM Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 10 | $652,358 | 450 | $1,450 | $652,358 | 1 | |
| Sep 24, 2021 | 10 | $622,453 | -5% | 1,352 | $460 | $1,536,373 | 2 |
| Oct 1, 2021 | - | $248,319 | -60% | 985 | $252 | $2,113,489 | 3 |
| Oct 8, 2021 | - | $46,000 | -81% | 125 | $368 | $2,312,421 | 4 |
| Oct 15, 2021 | - | $22,459 | -51% | 55 | $408 | $2,366,463 | 5 |
| Oct 22, 2021 | - | $9,560 | -57% | 25 | $382 | $2,388,551 | 6 |
| Oct 29, 2021 | - | $6,263 | -34% | 20 | $313 | $2,398,463 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 8 | $246,500 | 450 | $548 | $246,500 | 1 | ||
| Sep 18, 2021 | - | $244,880 | -1% | 450 | $544 | $491,380 | 2 | |
| Sep 19, 2021 | - | $160,978 | -34% | 450 | $358 | $652,358 | 3 | |
| Sep 20, 2021 | - | $64,311 | -60% | 450 | $143 | $716,669 | 4 | |
| Sep 21, 2021 | - | $75,855 | +18% | 450 | $169 | $792,524 | 5 | |
| Sep 22, 2021 | - | $61,207 | -19% | 450 | $136 | $853,731 | 6 | |
| Sep 23, 2021 | - | $55,844 | -9% | 450 | $124 | $909,575 | 7 | |
| Sep 24, 2021 | - | $197,655 | +254% | -20% | 1,352 | $146 | $1,107,230 | 8 |
| Sep 25, 2021 | - | $256,037 | +30% | +5% | 1,352 | $189 | $1,363,267 | 9 |
| Sep 26, 2021 | - | $173,106 | -32% | +8% | 1,352 | $128 | $1,536,373 | 10 |
| Sep 27, 2021 | - | $72,746 | -58% | +13% | 1,352 | $54 | $1,609,119 | 11 |
| Sep 28, 2021 | - | $101,217 | +39% | +33% | 1,352 | $75 | $1,710,336 | 12 |
| Sep 29, 2021 | - | $82,490 | -19% | +35% | 1,352 | $61 | $1,792,826 | 13 |
| Sep 30, 2021 | 8 | $72,344 | -12% | +30% | 1,352 | $54 | $1,865,170 | 14 |
| Oct 1, 2021 | - | $69,770 | -4% | -65% | 985 | $71 | $1,934,940 | 15 |
| Oct 2, 2021 | - | $100,396 | +44% | -61% | 985 | $102 | $2,035,336 | 16 |
| Oct 3, 2021 | - | $78,153 | -22% | -55% | 985 | $79 | $2,113,489 | 17 |
| Oct 4, 2021 | - | $35,334 | -55% | -51% | 985 | $36 | $2,148,823 | 18 |
| Oct 5, 2021 | - | $44,749 | +27% | -56% | 985 | $45 | $2,193,572 | 19 |
| Oct 6, 2021 | - | $40,214 | -10% | -51% | 985 | $41 | $2,233,786 | 20 |
| Oct 7, 2021 | - | $32,635 | -19% | -55% | 985 | $33 | $2,266,421 | 21 |
| Oct 8, 2021 | - | $11,747 | -64% | -83% | 125 | $94 | $2,278,168 | 22 |
| Oct 9, 2021 | - | $18,908 | +61% | -81% | 125 | $151 | $2,297,076 | 23 |
| Oct 10, 2021 | - | $15,345 | -19% | -80% | 125 | $123 | $2,312,421 | 24 |
| Oct 11, 2021 | - | $9,112 | -41% | -74% | 125 | $73 | $2,321,533 | 25 |
| Oct 12, 2021 | - | $7,630 | -16% | -83% | 125 | $61 | $2,329,163 | 26 |
| Oct 13, 2021 | - | $8,282 | +9% | -79% | 125 | $66 | $2,337,445 | 27 |
| Oct 14, 2021 | - | $6,559 | -21% | -80% | 125 | $52 | $2,344,004 | 28 |
| Oct 15, 2021 | - | $6,207 | -5% | -47% | 55 | $113 | $2,350,211 | 29 |
| Oct 16, 2021 | - | $9,588 | +54% | -49% | 55 | $174 | $2,359,799 | 30 |
| Oct 17, 2021 | - | $6,664 | -30% | -57% | 55 | $121 | $2,366,463 | 31 |
| Oct 18, 2021 | - | $3,491 | -48% | -62% | 55 | $63 | $2,369,954 | 32 |
| Oct 19, 2021 | - | $3,190 | -9% | -58% | 55 | $58 | $2,373,144 | 33 |
| Oct 20, 2021 | - | $2,896 | -9% | -65% | 55 | $53 | $2,376,040 | 34 |
| Oct 21, 2021 | - | $2,951 | +2% | -55% | 55 | $54 | $2,378,991 | 35 |
| Oct 22, 2021 | - | $2,877 | -3% | -54% | 25 | $115 | $2,381,868 | 36 |
| Oct 23, 2021 | - | $3,678 | +28% | -62% | 25 | $147 | $2,385,546 | 37 |
| Oct 24, 2021 | - | $3,005 | -18% | -55% | 25 | $120 | $2,388,551 | 38 |
| Oct 25, 2021 | - | $808 | -73% | -77% | 25 | $32 | $2,389,359 | 39 |
| Oct 26, 2021 | - | $1,128 | +40% | -65% | 25 | $45 | $2,390,487 | 40 |
| Oct 27, 2021 | - | $823 | -27% | -72% | 25 | $33 | $2,391,310 | 41 |
| Oct 28, 2021 | - | $890 | +8% | -70% | 25 | $36 | $2,392,200 | 42 |
| Oct 29, 2021 | - | $1,722 | +93% | -40% | 20 | $86 | $2,393,922 | 43 |
| Oct 30, 2021 | - | $2,712 | +57% | -26% | 20 | $136 | $2,396,634 | 44 |
| Oct 31, 2021 | - | $1,829 | -33% | -39% | 20 | $91 | $2,398,463 | 45 |
| Nov 1, 2021 | - | $905 | -51% | +12% | 20 | $45 | $2,399,368 | 46 |
| Nov 2, 2021 | - | $1,277 | +41% | +13% | 20 | $64 | $2,400,645 | 47 |
| Nov 3, 2021 | - | $1,796 | +41% | +118% | 20 | $90 | $2,402,441 | 48 |
| Nov 4, 2021 | - | $1,686 | -6% | +89% | 20 | $84 | $2,404,127 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 9 | $909,575 | 450 | $2,021 | $909,575 | 1 | |
| Sep 24, 2021 | 10 | $955,595 | +5% | 1,352 | $707 | $1,865,170 | 2 |
| Oct 1, 2021 | 15 | $401,251 | -58% | 985 | $407 | $2,266,421 | 3 |
| Oct 8, 2021 | - | $77,583 | -81% | 125 | $621 | $2,344,004 | 4 |
| Oct 15, 2021 | - | $34,987 | -55% | 55 | $636 | $2,378,991 | 5 |
| Oct 22, 2021 | - | $13,209 | -62% | 25 | $528 | $2,392,200 | 6 |
| Oct 29, 2021 | - | $11,927 | -10% | 20 | $596 | $2,404,127 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/27/2022 | $0 | 0 | 13 | 38 | $154,134 | 5/24/2022 | |||
| Italy | 2/4/2022 | $44,993 | 0 | 0 | 0 | $44,993 | 10/20/2022 | |||
| Netherlands | 2/3/2022 | $8,649 | 16 | 16 | 16 | $8,649 | 2/16/2022 | |||
| Spain | 2/4/2022 | $29,591 | 191 | 191 | 191 | $29,591 | 2/16/2022 | |||
| Rest of World | $66,410 | |||||||||
| International Total | $303,777 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessica Chastain | Tammy Faye Bakker |
Supporting
| Andrew Garfield | Jim Bakker | |
| Cherry Jones | Rachel | |
| Vincent D'Onofrio | Jerry Falwell | |
| Mark Wystrach | Gary Paxton | |
| Gabriel Olds | Pat Robertson | |
| Jay Huguley | Jimmy Swaggert | |
| Sam Jaeger | Roe Messner | |
| Louis Cancelmi | Richard Fletcher | |
| Fredric Lehne | Fred Grover |
Production and Technical Credits
| Michael Showalter | Director | |
| Abe Sylvia | Screenwriter | |
| Fenton Bailey | Story based upon the documentary “The Eyes of Tammy Faye” by | |
| Randy Barbato | Story based upon the documentary “The Eyes of Tammy Faye” by | |
| Jessica Chastain | Producer | |
| Kelly Carmichael | Producer | |
| Rachel Shane | Producer | |
| Gigi Pritzker | Producer | |
| Jenny Hinkey | Executive Producer | |
| Meredith Milton | Executive Producer | |
| Jordana Mollick | Executive Producer | |
| Adrian Alperovich | Executive Producer | |
| Fenton Bailey | Executive Producer | |
| Randy Barbato | Executive Producer | |
| Michael Gioulakis | Director of Photography | |
| Laura Fox | Production Designer | |
| Mary Jo Markey | Editor | |
| Andrew Weisblum | Editor | |
| Theodore Shapiro | Composer | |
| Mitchell Travers | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the 1970s and 80s, Tammy Faye and her husband, Jim Bakker, rose from humble beginnings to create the world’s largest religious broadcasting network and theme park, and were revered for their message of love, acceptance and prosperity. Tammy Faye was legendary for her indelible eyelashes, her idiosyncratic singing, and her eagerness to embrace people from all walks of life. However, it wasn’t long before financial improprieties, scheming rivals, and scandal toppled their carefully-constructed empire.
Metrics
| Opening Weekend: | $652,358 (27.1% of total gross) |
| Legs: | 3.69 (domestic box office/biggest weekend) |
| Domestic Share: | 88.8% (domestic box office/worldwide) |
| Theater counts: | 450 opening theaters/1,352 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,827,272 |
Movie Details
| Domestic Releases: | September 17th, 2021 (Limited) by Searchlight Pictures September 24th, 2021 (Expands Wide) by Searchlight Pictures |
| International Releases: | January 27th, 2022 (Wide) (Australia)
January 27th, 2022 (Wide) (New Zealand) February 3rd, 2022 (Wide) (Netherlands) February 4th, 2022 (Wide), released as Gli occhi di Tammy Faye (Italy) February 4th, 2022 (Wide), released as Los Ojos de Tammy Faye (Spain) ... Show all releases |
| Video Release: | November 2nd, 2021 by Walt Disney Home Entertainment |
| MPA Rating: | PG-13 for sexual content and drug abuse. (Rating bulletin 2670 (cert #53107), 3/3/2021) |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Family Affair |
| Filming location (city or town): | Charlotte, NC |
| Filming location (state or county): | North Carolina, United States |
| Plot point: | Addiction, Biography, Religious, Scandal, White Collar Crime |
| Subgenre: | Biographical Drama |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Freckle Films, Searchlight Pictures , MWM Studios |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 10 | $652,358 | 450 | $1,450 | $652,358 | 1 | |
| Sep 24, 2021 | 10 | $622,453 | -5% | 1,352 | $460 | $1,536,373 | 2 |
| Oct 1, 2021 | - | $248,319 | -60% | 985 | $252 | $2,113,489 | 3 |
| Oct 8, 2021 | - | $46,000 | -81% | 125 | $368 | $2,312,421 | 4 |
| Oct 15, 2021 | - | $22,459 | -51% | 55 | $408 | $2,366,463 | 5 |
| Oct 22, 2021 | - | $9,560 | -57% | 25 | $382 | $2,388,551 | 6 |
| Oct 29, 2021 | - | $6,263 | -34% | 20 | $313 | $2,398,463 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 8 | $246,500 | 450 | $548 | $246,500 | 1 | ||
| Sep 18, 2021 | - | $244,880 | -1% | 450 | $544 | $491,380 | 2 | |
| Sep 19, 2021 | - | $160,978 | -34% | 450 | $358 | $652,358 | 3 | |
| Sep 20, 2021 | - | $64,311 | -60% | 450 | $143 | $716,669 | 4 | |
| Sep 21, 2021 | - | $75,855 | +18% | 450 | $169 | $792,524 | 5 | |
| Sep 22, 2021 | - | $61,207 | -19% | 450 | $136 | $853,731 | 6 | |
| Sep 23, 2021 | - | $55,844 | -9% | 450 | $124 | $909,575 | 7 | |
| Sep 24, 2021 | - | $197,655 | +254% | -20% | 1,352 | $146 | $1,107,230 | 8 |
| Sep 25, 2021 | - | $256,037 | +30% | +5% | 1,352 | $189 | $1,363,267 | 9 |
| Sep 26, 2021 | - | $173,106 | -32% | +8% | 1,352 | $128 | $1,536,373 | 10 |
| Sep 27, 2021 | - | $72,746 | -58% | +13% | 1,352 | $54 | $1,609,119 | 11 |
| Sep 28, 2021 | - | $101,217 | +39% | +33% | 1,352 | $75 | $1,710,336 | 12 |
| Sep 29, 2021 | - | $82,490 | -19% | +35% | 1,352 | $61 | $1,792,826 | 13 |
| Sep 30, 2021 | 8 | $72,344 | -12% | +30% | 1,352 | $54 | $1,865,170 | 14 |
| Oct 1, 2021 | - | $69,770 | -4% | -65% | 985 | $71 | $1,934,940 | 15 |
| Oct 2, 2021 | - | $100,396 | +44% | -61% | 985 | $102 | $2,035,336 | 16 |
| Oct 3, 2021 | - | $78,153 | -22% | -55% | 985 | $79 | $2,113,489 | 17 |
| Oct 4, 2021 | - | $35,334 | -55% | -51% | 985 | $36 | $2,148,823 | 18 |
| Oct 5, 2021 | - | $44,749 | +27% | -56% | 985 | $45 | $2,193,572 | 19 |
| Oct 6, 2021 | - | $40,214 | -10% | -51% | 985 | $41 | $2,233,786 | 20 |
| Oct 7, 2021 | - | $32,635 | -19% | -55% | 985 | $33 | $2,266,421 | 21 |
| Oct 8, 2021 | - | $11,747 | -64% | -83% | 125 | $94 | $2,278,168 | 22 |
| Oct 9, 2021 | - | $18,908 | +61% | -81% | 125 | $151 | $2,297,076 | 23 |
| Oct 10, 2021 | - | $15,345 | -19% | -80% | 125 | $123 | $2,312,421 | 24 |
| Oct 11, 2021 | - | $9,112 | -41% | -74% | 125 | $73 | $2,321,533 | 25 |
| Oct 12, 2021 | - | $7,630 | -16% | -83% | 125 | $61 | $2,329,163 | 26 |
| Oct 13, 2021 | - | $8,282 | +9% | -79% | 125 | $66 | $2,337,445 | 27 |
| Oct 14, 2021 | - | $6,559 | -21% | -80% | 125 | $52 | $2,344,004 | 28 |
| Oct 15, 2021 | - | $6,207 | -5% | -47% | 55 | $113 | $2,350,211 | 29 |
| Oct 16, 2021 | - | $9,588 | +54% | -49% | 55 | $174 | $2,359,799 | 30 |
| Oct 17, 2021 | - | $6,664 | -30% | -57% | 55 | $121 | $2,366,463 | 31 |
| Oct 18, 2021 | - | $3,491 | -48% | -62% | 55 | $63 | $2,369,954 | 32 |
| Oct 19, 2021 | - | $3,190 | -9% | -58% | 55 | $58 | $2,373,144 | 33 |
| Oct 20, 2021 | - | $2,896 | -9% | -65% | 55 | $53 | $2,376,040 | 34 |
| Oct 21, 2021 | - | $2,951 | +2% | -55% | 55 | $54 | $2,378,991 | 35 |
| Oct 22, 2021 | - | $2,877 | -3% | -54% | 25 | $115 | $2,381,868 | 36 |
| Oct 23, 2021 | - | $3,678 | +28% | -62% | 25 | $147 | $2,385,546 | 37 |
| Oct 24, 2021 | - | $3,005 | -18% | -55% | 25 | $120 | $2,388,551 | 38 |
| Oct 25, 2021 | - | $808 | -73% | -77% | 25 | $32 | $2,389,359 | 39 |
| Oct 26, 2021 | - | $1,128 | +40% | -65% | 25 | $45 | $2,390,487 | 40 |
| Oct 27, 2021 | - | $823 | -27% | -72% | 25 | $33 | $2,391,310 | 41 |
| Oct 28, 2021 | - | $890 | +8% | -70% | 25 | $36 | $2,392,200 | 42 |
| Oct 29, 2021 | - | $1,722 | +93% | -40% | 20 | $86 | $2,393,922 | 43 |
| Oct 30, 2021 | - | $2,712 | +57% | -26% | 20 | $136 | $2,396,634 | 44 |
| Oct 31, 2021 | - | $1,829 | -33% | -39% | 20 | $91 | $2,398,463 | 45 |
| Nov 1, 2021 | - | $905 | -51% | +12% | 20 | $45 | $2,399,368 | 46 |
| Nov 2, 2021 | - | $1,277 | +41% | +13% | 20 | $64 | $2,400,645 | 47 |
| Nov 3, 2021 | - | $1,796 | +41% | +118% | 20 | $90 | $2,402,441 | 48 |
| Nov 4, 2021 | - | $1,686 | -6% | +89% | 20 | $84 | $2,404,127 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 17, 2021 | 9 | $909,575 | 450 | $2,021 | $909,575 | 1 | |
| Sep 24, 2021 | 10 | $955,595 | +5% | 1,352 | $707 | $1,865,170 | 2 |
| Oct 1, 2021 | 15 | $401,251 | -58% | 985 | $407 | $2,266,421 | 3 |
| Oct 8, 2021 | - | $77,583 | -81% | 125 | $621 | $2,344,004 | 4 |
| Oct 15, 2021 | - | $34,987 | -55% | 55 | $636 | $2,378,991 | 5 |
| Oct 22, 2021 | - | $13,209 | -62% | 25 | $528 | $2,392,200 | 6 |
| Oct 29, 2021 | - | $11,927 | -10% | 20 | $596 | $2,404,127 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 1/27/2022 | $0 | 0 | 13 | 38 | $154,134 | 5/24/2022 | |||
| Italy | 2/4/2022 | $44,993 | 0 | 0 | 0 | $44,993 | 10/20/2022 | |||
| Netherlands | 2/3/2022 | $8,649 | 16 | 16 | 16 | $8,649 | 2/16/2022 | |||
| Spain | 2/4/2022 | $29,591 | 191 | 191 | 191 | $29,591 | 2/16/2022 | |||
| Rest of World | $66,410 | |||||||||
| International Total | $303,777 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jessica Chastain | Tammy Faye Bakker |
Supporting
| Andrew Garfield | Jim Bakker | |
| Cherry Jones | Rachel | |
| Vincent D'Onofrio | Jerry Falwell | |
| Mark Wystrach | Gary Paxton | |
| Gabriel Olds | Pat Robertson | |
| Jay Huguley | Jimmy Swaggert | |
| Sam Jaeger | Roe Messner | |
| Louis Cancelmi | Richard Fletcher | |
| Fredric Lehne | Fred Grover |
Production and Technical Credits
| Michael Showalter | Director | |
| Abe Sylvia | Screenwriter | |
| Fenton Bailey | Story based upon the documentary “The Eyes of Tammy Faye” by | |
| Randy Barbato | Story based upon the documentary “The Eyes of Tammy Faye” by | |
| Jessica Chastain | Producer | |
| Kelly Carmichael | Producer | |
| Rachel Shane | Producer | |
| Gigi Pritzker | Producer | |
| Jenny Hinkey | Executive Producer | |
| Meredith Milton | Executive Producer | |
| Jordana Mollick | Executive Producer | |
| Adrian Alperovich | Executive Producer | |
| Fenton Bailey | Executive Producer | |
| Randy Barbato | Executive Producer | |
| Michael Gioulakis | Director of Photography | |
| Laura Fox | Production Designer | |
| Mary Jo Markey | Editor | |
| Andrew Weisblum | Editor | |
| Theodore Shapiro | Composer | |
| Mitchell Travers | Costume Designer | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.