Fair Game (1995)
| Theatrical Performance | ||
| Domestic Box Office | $11,497,497 | Details |
| International Box Office | $14,600,000 | |
| Worldwide Box Office | $26,097,497 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,072,625 | |
| Blu-ray Sales (estimated) | $284,673 | |
| Total | $3,357,298 | |
| OpusData ID: 34980100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,946,332 (43.0% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 1,949 opening theaters/1,949 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,880,579 |
Movie Details
| Domestic Releases: | November 3rd, 1995 (Wide) by Warner Bros. |
| Video Release: | March 30th, 1999 by Warner Home Video |
| MPA Rating: | R for intermittent strong violence, language and scene of sexuality |
| Running Time: | 91 minutes |
| Geographical setting: | Miami |
| Plot point: | KGB, Kidnap, Lawyers, Police Detective, Rescue, Romance, Russian Mafia |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Silver Pictures |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 1995 | 4 | $4,946,332 | 1,949 | $2,538 | $4,946,332 | 1 | |
| Nov 10, 1995 | 7 | $2,560,195 | -48% | 1,949 | $1,314 | $8,953,765 | 2 |
| Nov 17, 1995 | 12 | $698,209 | -73% | 1,114 | $627 | $10,423,555 | 3 |
| Nov 24, 1995 | 24 | $199,384 | -71% | 203 | $982 | $10,999,276 | 4 |
| Dec 1, 1995 | 37 | $61,228 | -69% | 70 | $875 | $11,106,616 | 5 |
| Dec 8, 1995 | 38 | $33,296 | -46% | 48 | $694 | $11,156,050 | 6 |
| Dec 15, 1995 | 49 | $19,606 | -41% | 35 | $560 | $11,184,039 | 7 |
| Jan 5, 1996 | 31 | $147,022 | 394 | $373 | $11,335,799 | 10 | |
| Jan 12, 1996 | 49 | $85,052 | -42% | 62 | $1,372 | $11,497,497 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 1995 | 4 | $6,393,570 | 1,949 | $3,280 | $6,393,570 | 1 | |
| Nov 10, 1995 | 5 | $3,331,776 | -48% | 1,949 | $1,709 | $9,725,346 | 2 |
| Nov 17, 1995 | 12 | $1,074,546 | -68% | 1,114 | $965 | $10,799,892 | 3 |
| Nov 24, 1995 | 25 | $245,496 | -77% | 203 | $1,209 | $11,045,388 | 4 |
| Dec 1, 1995 | 34 | $77,366 | -68% | 70 | $1,105 | $11,122,754 | 5 |
| Dec 8, 1995 | 38 | $41,679 | -46% | 48 | $868 | $11,164,433 | 6 |
| Jan 5, 1996 | 31 | $223,668 | 394 | $568 | $11,412,445 | 10 |
| Salma Hayek | Rita | |
| William Baldwin | Max Kilpatric | |
| Dan Hedaya | Walter Hollenbach | |
| Steven Berkoff | Col. Ilya Kazak | |
| Cindy Crawford | Kate McQueen | |
| Christopher McDonald | Lieutenant Meyerson |
Production and Technical Credits
| Andrew Sipes | Director | |
| Charlie Fletcher | Screenwriter | |
| Mark Mancina | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,946,332 (43.0% of total gross) |
| Legs: | 2.32 (domestic box office/biggest weekend) |
| Domestic Share: | 44.1% (domestic box office/worldwide) |
| Production Budget: | $50,000,000 (worldwide box office is 0.5 times production budget) |
| Theater counts: | 1,949 opening theaters/1,949 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,880,579 |
Movie Details
| Domestic Releases: | November 3rd, 1995 (Wide) by Warner Bros. |
| Video Release: | March 30th, 1999 by Warner Home Video |
| MPA Rating: | R for intermittent strong violence, language and scene of sexuality |
| Running Time: | 91 minutes |
| Geographical setting: | Miami |
| Plot point: | KGB, Kidnap, Lawyers, Police Detective, Rescue, Romance, Russian Mafia |
| Social setting: | Organized Crime |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Silver Pictures |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 1995 | 4 | $4,946,332 | 1,949 | $2,538 | $4,946,332 | 1 | |
| Nov 10, 1995 | 7 | $2,560,195 | -48% | 1,949 | $1,314 | $8,953,765 | 2 |
| Nov 17, 1995 | 12 | $698,209 | -73% | 1,114 | $627 | $10,423,555 | 3 |
| Nov 24, 1995 | 24 | $199,384 | -71% | 203 | $982 | $10,999,276 | 4 |
| Dec 1, 1995 | 37 | $61,228 | -69% | 70 | $875 | $11,106,616 | 5 |
| Dec 8, 1995 | 38 | $33,296 | -46% | 48 | $694 | $11,156,050 | 6 |
| Dec 15, 1995 | 49 | $19,606 | -41% | 35 | $560 | $11,184,039 | 7 |
| Jan 5, 1996 | 31 | $147,022 | 394 | $373 | $11,335,799 | 10 | |
| Jan 12, 1996 | 49 | $85,052 | -42% | 62 | $1,372 | $11,497,497 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 3, 1995 | 4 | $6,393,570 | 1,949 | $3,280 | $6,393,570 | 1 | |
| Nov 10, 1995 | 5 | $3,331,776 | -48% | 1,949 | $1,709 | $9,725,346 | 2 |
| Nov 17, 1995 | 12 | $1,074,546 | -68% | 1,114 | $965 | $10,799,892 | 3 |
| Nov 24, 1995 | 25 | $245,496 | -77% | 203 | $1,209 | $11,045,388 | 4 |
| Dec 1, 1995 | 34 | $77,366 | -68% | 70 | $1,105 | $11,122,754 | 5 |
| Dec 8, 1995 | 38 | $41,679 | -46% | 48 | $868 | $11,164,433 | 6 |
| Jan 5, 1996 | 31 | $223,668 | 394 | $568 | $11,412,445 | 10 |
| Salma Hayek | Rita | |
| William Baldwin | Max Kilpatric | |
| Dan Hedaya | Walter Hollenbach | |
| Steven Berkoff | Col. Ilya Kazak | |
| Cindy Crawford | Kate McQueen | |
| Christopher McDonald | Lieutenant Meyerson |
Production and Technical Credits
| Andrew Sipes | Director | |
| Charlie Fletcher | Screenwriter | |
| Mark Mancina | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.