Fairyland (2025)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $19,547 | Details |
| Worldwide Box Office | $19,547 | |
| OpusData ID: 549650100 More info... | ||
| Further financial details... | ||
Synopsis
A coming-of-age story set against the backdrop of San Francisco’s vibrant cultural scene in the 1970s and ‘80s. The film chronicles a father and daughter relationship as it evolves through an era of bohemian decadence to the sober and heartbreaking era of the AIDS crisis.
Metrics
Movie Details
| Domestic Releases: | October 3rd, 2025 (Limited) by Lionsgate |
| International Releases: | May 29th, 2026 (Limited) (United Kingdom) |
| MPA Rating: | R for drug use. (Rating bulletin 2904 (cert #55622), 9/24/2025) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Geographical setting: | San Francisco |
| Plot point: | AIDS, Biography, LBGTQ, Single Parent, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | American Zoetrope, Ouroboros Entertainment, Black Magic, Artemis, Walter Films, Decentralized Pictures, Safe Space Pictures, Memo Films, 3 Marys Entertainment S.R.I., QED International, Lost Gang Films West, Lionsgate, WILLA |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/29/2026 | $6,619 | 28 | 28 | 33 | $19,547 | 6/11/2026 | |||
| International Total | $19,547 | 6/11/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emilia Jones | ||
| Cody Fern |
Supporting
| Adam Lambert | ||
| Geena Davis | ||
| Maria Bakalova | ||
| Bella Murphy | ||
| Nessa Dougherty |
Production and Technical Credits
| Andrew Durham | Director | |
| Alysia Abbott | Story based on the memoirs by | |
| Sofia Coppola | Producer | |
| Megan Carlson | Producer | |
| Laure Sudreau | Producer | |
| Siena Oberman | Producer | |
| Greg Lauritano | Producer | |
| Roman Coppola | Executive Producer | |
| Michael Musante | Executive Producer | |
| Liz Destro | Executive Producer | |
| James Mockoski | Executive Producer | |
| Alysia Abbott | Executive Producer | |
| Leo Matchett | Executive Producer | |
| Fred Roos | Executive Producer | |
| Elizabeth Woodward | Executive Producer | |
| Jeffrey Sobrato | Executive Producer | |
| Nicole Alexandria Shipley | Executive Producer | |
| Camille Floquet | Executive Producer | |
| Francesco Melzi d'Eril | Executive Producer | |
| Gabriele Moratti | Executive Producer | |
| Raffaella Viscardi | Executive Producer | |
| Sasha Shapiro | Executive Producer | |
| Rebecca Gang | Executive Producer | |
| Gale M. Harold III | Executive Producer | |
| Anton Lessine | Executive Producer | |
| Gary Hamilton | Executive Producer | |
| Ryan Hamilton | Executive Producer | |
| Jesse Ozeri | Executive Producer | |
| Susie Landau Finch* | Executive Producer | |
| Elena Baranova | Executive Producer | |
| Karen Salveson | Executive Producer | |
| Eileen Joy Spitalny | Executive Producer | |
| Brooks Price | Executive Producer | |
| Michael Spitalny | Executive Producer | |
| Greta Zozula | Cinematographer | |
| Peter Cabadahagan | Editor | |
| Lawrence Klein | Editor | |
| Michael Penn | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A coming-of-age story set against the backdrop of San Francisco’s vibrant cultural scene in the 1970s and ‘80s. The film chronicles a father and daughter relationship as it evolves through an era of bohemian decadence to the sober and heartbreaking era of the AIDS crisis.
Metrics
Movie Details
| Domestic Releases: | October 3rd, 2025 (Limited) by Lionsgate |
| International Releases: | May 29th, 2026 (Limited) (United Kingdom) |
| MPA Rating: | R for drug use. (Rating bulletin 2904 (cert #55622), 9/24/2025) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Autobiographical |
| Geographical setting: | San Francisco |
| Plot point: | AIDS, Biography, LBGTQ, Single Parent, Widow/Widower, Young Child Dealing with the Death of a Parent |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 1970s, 1980s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | American Zoetrope, Ouroboros Entertainment, Black Magic, Artemis, Walter Films, Decentralized Pictures, Safe Space Pictures, Memo Films, 3 Marys Entertainment S.R.I., QED International, Lost Gang Films West, Lionsgate, WILLA |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 5/29/2026 | $6,619 | 28 | 28 | 33 | $19,547 | 6/11/2026 | |||
| International Total | $19,547 | 6/11/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Emilia Jones | ||
| Cody Fern |
Supporting
| Adam Lambert | ||
| Geena Davis | ||
| Maria Bakalova | ||
| Bella Murphy | ||
| Nessa Dougherty |
Production and Technical Credits
| Andrew Durham | Director | |
| Alysia Abbott | Story based on the memoirs by | |
| Sofia Coppola | Producer | |
| Megan Carlson | Producer | |
| Laure Sudreau | Producer | |
| Siena Oberman | Producer | |
| Greg Lauritano | Producer | |
| Roman Coppola | Executive Producer | |
| Michael Musante | Executive Producer | |
| Liz Destro | Executive Producer | |
| James Mockoski | Executive Producer | |
| Alysia Abbott | Executive Producer | |
| Leo Matchett | Executive Producer | |
| Fred Roos | Executive Producer | |
| Elizabeth Woodward | Executive Producer | |
| Jeffrey Sobrato | Executive Producer | |
| Nicole Alexandria Shipley | Executive Producer | |
| Camille Floquet | Executive Producer | |
| Francesco Melzi d'Eril | Executive Producer | |
| Gabriele Moratti | Executive Producer | |
| Raffaella Viscardi | Executive Producer | |
| Sasha Shapiro | Executive Producer | |
| Rebecca Gang | Executive Producer | |
| Gale M. Harold III | Executive Producer | |
| Anton Lessine | Executive Producer | |
| Gary Hamilton | Executive Producer | |
| Ryan Hamilton | Executive Producer | |
| Jesse Ozeri | Executive Producer | |
| Susie Landau Finch* | Executive Producer | |
| Elena Baranova | Executive Producer | |
| Karen Salveson | Executive Producer | |
| Eileen Joy Spitalny | Executive Producer | |
| Brooks Price | Executive Producer | |
| Michael Spitalny | Executive Producer | |
| Greta Zozula | Cinematographer | |
| Peter Cabadahagan | Editor | |
| Lawrence Klein | Editor | |
| Michael Penn | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.