Fear (1996)
| Theatrical Performance | ||
| Domestic Box Office | $20,694,623 | Details |
| OpusData ID: 24660100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $6,312,240 (30.5% of total gross) |
| Legs: | 3.28 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,484 opening theaters/1,615 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,953,884 |
Movie Details
| Domestic Releases: | April 12th, 1996 (Wide) by Universal |
| Video Release: | May 6th, 2014 by Universal Home Entertainment |
| MPA Rating: | R for strong graphic violence and terror, sexuality, language and drug use |
| Running Time: | 96 minutes |
| Plot point: | Death of a Best Friend, Death of a Pet, Home Invasion, Obsession, Revenge, Sex Crimes, Stalker |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 1996 | 4 | $6,312,240 | 1,484 | $4,254 | $6,312,240 | 1 | |
| Apr 19, 1996 | 5 | $3,924,465 | -38% | 1,615 | $2,430 | $12,206,385 | 2 |
| Apr 26, 1996 | 9 | $2,349,060 | -40% | 1,598 | $1,470 | $15,757,395 | 3 |
| May 3, 1996 | 13 | $1,223,850 | -48% | 1,230 | $995 | $17,663,745 | 4 |
| May 10, 1996 | 15 | $602,565 | -51% | 867 | $695 | $18,648,835 | 5 |
| May 17, 1996 | 20 | $439,280 | -27% | 646 | $680 | $19,297,515 | 6 |
| May 24, 1996 | 24 | $284,435 | -35% | 349 | $815 | $19,709,765 | 7 |
| May 31, 1996 | 24 | $193,205 | -32% | 276 | $700 | $19,973,600 | 8 |
| Jun 7, 1996 | 22 | $194,560 | +1% | 304 | $640 | $20,257,350 | 9 |
| Jun 14, 1996 | 25 | $139,690 | -28% | 229 | $610 | $20,528,755 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 1996 | 3 | $8,281,920 | 1,484 | $5,581 | $8,281,920 | 1 | |
| Apr 19, 1996 | 4 | $5,126,415 | -38% | 1,615 | $3,174 | $13,408,335 | 2 |
| Apr 26, 1996 | 9 | $3,031,560 | -41% | 1,598 | $1,897 | $16,439,895 | 3 |
| May 3, 1996 | 13 | $1,606,375 | -47% | 1,230 | $1,306 | $18,046,270 | 4 |
| May 10, 1996 | 16 | $811,965 | -49% | 867 | $937 | $18,858,235 | 5 |
| May 17, 1996 | 20 | $567,095 | -30% | 646 | $878 | $19,425,330 | 6 |
| May 24, 1996 | 24 | $355,065 | -37% | 349 | $1,017 | $19,780,395 | 7 |
| May 31, 1996 | 24 | $282,395 | -20% | 276 | $1,023 | $20,062,790 | 8 |
| Jun 7, 1996 | 22 | $326,275 | +16% | 304 | $1,073 | $20,389,065 | 9 |
Leading
| Mark Wahlberg | David McCall | |
| Reese Witherspoon | Nicole Walker |
Supporting
| Amy Brenneman | Laura Walker | |
| William L. Petersen | Steve Walker | |
| Alyssa Milano | Margo Masse |
Production and Technical Credits
| James Foley | Director | |
| Christopher Crowe | Screenwriter | |
| Brian Grazer | Producer | |
| Thomas Kloss | Cinematographer | |
| David Brenner | Editor | |
| Carter Burwell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $6,312,240 (30.5% of total gross) |
| Legs: | 3.28 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,484 opening theaters/1,615 max. theaters, 5.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $52,953,884 |
Movie Details
| Domestic Releases: | April 12th, 1996 (Wide) by Universal |
| Video Release: | May 6th, 2014 by Universal Home Entertainment |
| MPA Rating: | R for strong graphic violence and terror, sexuality, language and drug use |
| Running Time: | 96 minutes |
| Plot point: | Death of a Best Friend, Death of a Pet, Home Invasion, Obsession, Revenge, Sex Crimes, Stalker |
| Subgenre: | Erotic Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 1996 | 4 | $6,312,240 | 1,484 | $4,254 | $6,312,240 | 1 | |
| Apr 19, 1996 | 5 | $3,924,465 | -38% | 1,615 | $2,430 | $12,206,385 | 2 |
| Apr 26, 1996 | 9 | $2,349,060 | -40% | 1,598 | $1,470 | $15,757,395 | 3 |
| May 3, 1996 | 13 | $1,223,850 | -48% | 1,230 | $995 | $17,663,745 | 4 |
| May 10, 1996 | 15 | $602,565 | -51% | 867 | $695 | $18,648,835 | 5 |
| May 17, 1996 | 20 | $439,280 | -27% | 646 | $680 | $19,297,515 | 6 |
| May 24, 1996 | 24 | $284,435 | -35% | 349 | $815 | $19,709,765 | 7 |
| May 31, 1996 | 24 | $193,205 | -32% | 276 | $700 | $19,973,600 | 8 |
| Jun 7, 1996 | 22 | $194,560 | +1% | 304 | $640 | $20,257,350 | 9 |
| Jun 14, 1996 | 25 | $139,690 | -28% | 229 | $610 | $20,528,755 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 12, 1996 | 3 | $8,281,920 | 1,484 | $5,581 | $8,281,920 | 1 | |
| Apr 19, 1996 | 4 | $5,126,415 | -38% | 1,615 | $3,174 | $13,408,335 | 2 |
| Apr 26, 1996 | 9 | $3,031,560 | -41% | 1,598 | $1,897 | $16,439,895 | 3 |
| May 3, 1996 | 13 | $1,606,375 | -47% | 1,230 | $1,306 | $18,046,270 | 4 |
| May 10, 1996 | 16 | $811,965 | -49% | 867 | $937 | $18,858,235 | 5 |
| May 17, 1996 | 20 | $567,095 | -30% | 646 | $878 | $19,425,330 | 6 |
| May 24, 1996 | 24 | $355,065 | -37% | 349 | $1,017 | $19,780,395 | 7 |
| May 31, 1996 | 24 | $282,395 | -20% | 276 | $1,023 | $20,062,790 | 8 |
| Jun 7, 1996 | 22 | $326,275 | +16% | 304 | $1,073 | $20,389,065 | 9 |
Leading
| Mark Wahlberg | David McCall | |
| Reese Witherspoon | Nicole Walker |
Supporting
| Amy Brenneman | Laura Walker | |
| William L. Petersen | Steve Walker | |
| Alyssa Milano | Margo Masse |
Production and Technical Credits
| James Foley | Director | |
| Christopher Crowe | Screenwriter | |
| Brian Grazer | Producer | |
| Thomas Kloss | Cinematographer | |
| David Brenner | Editor | |
| Carter Burwell | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.