The Feeling That the Time for Doing Something Has Passed (2024)
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| Theatrical Performance | ||
| Domestic Box Office | $82,083 | Details |
| OpusData ID: 654180100 More info... | ||
| Further financial details... | ||
Synopsis
The film follows a 30-something New York woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
Metrics
| Opening Weekend: | $14,113 (17.2% of total gross) |
| Legs: | 4.06 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/37 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,806 |
Movie Details
| Domestic Releases: | April 26th, 2024 (Limited) by Magnolia Pictures |
| International Releases: | May 8th, 2024 (Limited), released as La Vie Selon Ann (France)
June 27th, 2024 (Limited), released as Aquela sensação que o tempo de fazer algo passou (Brazil) December 12th, 2024 (Limited), released as Dieses Gefühl, dass die Zeit, etwas zu tun, vorbei ist (Germany) |
| Running Time: | 87 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | - | $14,113 | 2 | $7,057 | $14,113 | 1 | |
| May 3, 2024 | - | $10,103 | -28% | 4 | $2,526 | $30,831 | 2 |
| May 10, 2024 | - | $20,202 | +100% | 37 | $546 | $57,163 | 3 |
| May 17, 2024 | - | $3,718 | -82% | 16 | $232 | $71,045 | 4 |
| May 24, 2024 | - | $764 | -79% | 5 | $153 | $75,450 | 5 |
| May 31, 2024 | - | $803 | +5% | 6 | $134 | $77,690 | 6 |
| Jun 7, 2024 | - | $2,213 | +176% | 3 | $738 | $80,512 | 7 |
| Jun 14, 2024 | - | $359 | -84% | 2 | $180 | $81,435 | 8 |
| Jun 21, 2024 | - | $189 | -47% | 2 | $95 | $82,047 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 37 | $20,728 | 2 | $10,364 | $20,728 | 1 | |
| May 3, 2024 | 42 | $16,233 | -22% | 4 | $4,058 | $36,961 | 2 |
| May 10, 2024 | 34 | $30,366 | +87% | 36 | $844 | $67,327 | 3 |
| May 17, 2024 | 38 | $7,359 | -76% | 17 | $433 | $74,686 | 4 |
| May 24, 2024 | 46 | $2,201 | -70% | 5 | $440 | $76,887 | 5 |
| May 31, 2024 | 50 | $1,412 | -36% | 7 | $202 | $78,299 | 6 |
| Jun 7, 2024 | 43 | $2,777 | +97% | 3 | $926 | $81,076 | 7 |
| Jun 14, 2024 | 59 | $782 | -72% | 2 | $391 | $81,858 | 8 |
| Jun 21, 2024 | 68 | $225 | -71% | 2 | $113 | $82,083 | 9 |
Leading
| Joanna Arnow |
Supporting
| Babak Tafti | ||
| Scott Cohen | ||
| Alysia Reiner | ||
| Barbara Weiserbs | ||
| David Arnow | ||
| Michael Cyril Creighton | ||
| Peter Vack | ||
| Armand Reiser | ||
| Ronda Swindell |
Production and Technical Credits
| Joanna Arnow | Director | |
| Joanna Arnow | Screenwriter | |
| Graham Swon | Producer | |
| Pierce Varous | Producer | |
| Sean Baker | Executive Producer | |
| Robert Mirels | Executive Producer | |
| Adam Mirels | Executive Producer | |
| Grace Sloan | Production Designer | |
| Joanna Arnow | Editor | |
| Robinson Senpauroca | Composer | |
| Barton Cortright | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The film follows a 30-something New York woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
Metrics
| Opening Weekend: | $14,113 (17.2% of total gross) |
| Legs: | 4.06 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/37 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $86,806 |
Movie Details
| Domestic Releases: | April 26th, 2024 (Limited) by Magnolia Pictures |
| International Releases: | May 8th, 2024 (Limited), released as La Vie Selon Ann (France)
June 27th, 2024 (Limited), released as Aquela sensação que o tempo de fazer algo passou (Brazil) December 12th, 2024 (Limited), released as Dieses Gefühl, dass die Zeit, etwas zu tun, vorbei ist (Germany) |
| Running Time: | 87 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | - | $14,113 | 2 | $7,057 | $14,113 | 1 | |
| May 3, 2024 | - | $10,103 | -28% | 4 | $2,526 | $30,831 | 2 |
| May 10, 2024 | - | $20,202 | +100% | 37 | $546 | $57,163 | 3 |
| May 17, 2024 | - | $3,718 | -82% | 16 | $232 | $71,045 | 4 |
| May 24, 2024 | - | $764 | -79% | 5 | $153 | $75,450 | 5 |
| May 31, 2024 | - | $803 | +5% | 6 | $134 | $77,690 | 6 |
| Jun 7, 2024 | - | $2,213 | +176% | 3 | $738 | $80,512 | 7 |
| Jun 14, 2024 | - | $359 | -84% | 2 | $180 | $81,435 | 8 |
| Jun 21, 2024 | - | $189 | -47% | 2 | $95 | $82,047 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 26, 2024 | 37 | $20,728 | 2 | $10,364 | $20,728 | 1 | |
| May 3, 2024 | 42 | $16,233 | -22% | 4 | $4,058 | $36,961 | 2 |
| May 10, 2024 | 34 | $30,366 | +87% | 36 | $844 | $67,327 | 3 |
| May 17, 2024 | 38 | $7,359 | -76% | 17 | $433 | $74,686 | 4 |
| May 24, 2024 | 46 | $2,201 | -70% | 5 | $440 | $76,887 | 5 |
| May 31, 2024 | 50 | $1,412 | -36% | 7 | $202 | $78,299 | 6 |
| Jun 7, 2024 | 43 | $2,777 | +97% | 3 | $926 | $81,076 | 7 |
| Jun 14, 2024 | 59 | $782 | -72% | 2 | $391 | $81,858 | 8 |
| Jun 21, 2024 | 68 | $225 | -71% | 2 | $113 | $82,083 | 9 |
Leading
| Joanna Arnow |
Supporting
| Babak Tafti | ||
| Scott Cohen | ||
| Alysia Reiner | ||
| Barbara Weiserbs | ||
| David Arnow | ||
| Michael Cyril Creighton | ||
| Peter Vack | ||
| Armand Reiser | ||
| Ronda Swindell |
Production and Technical Credits
| Joanna Arnow | Director | |
| Joanna Arnow | Screenwriter | |
| Graham Swon | Producer | |
| Pierce Varous | Producer | |
| Sean Baker | Executive Producer | |
| Robert Mirels | Executive Producer | |
| Adam Mirels | Executive Producer | |
| Grace Sloan | Production Designer | |
| Joanna Arnow | Editor | |
| Robinson Senpauroca | Composer | |
| Barton Cortright | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.