Le Fidèle (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $52,951 | Details |
| International Box Office | $348,478 | Details |
| Worldwide Box Office | $401,429 | |
| OpusData ID: 281820100 More info... | ||
| Further financial details... | ||
Synopsis
When gangster, Gino meets fearless racing driver, Bénédicte it’s love at first sight—passionate, unconditional, fiery. But Gino hides a secret, one that can endanger his own life and the lives of those around him. Gino and Bénédicte are forced to fight against fate, reason, and their own weaknesses to save their love.
Metrics
| Opening Weekend: | $710 (1.3% of total gross) |
| Legs: | 3.00 (domestic box office/biggest weekend) |
| Domestic Share: | 13.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/48 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,423 |
Movie Details
| Domestic Releases: | November 21st, 2017 (Limited) by Mongrel Media (Canada)
May 4th, 2018 (Limited) by Neon, released as Racer and the Jailbird |
| International Releases: | November 3rd, 2017 (Wide) (Netherlands)
November 3rd, 2017 (Wide) (France) November 21st, 2017 (Limited) (Canada) December 1st, 2017 (Wide) (Russia (CIS)) March 9th, 2018 (Wide), released as Fidelidade Sem Limite (Portugal) ... Show all releases |
| MPA Rating: | R for some strong sexuality, nudity, violence, and for language. (Rating bulletin 2522 (Cert #51547), 4/11/2018) |
| Running Time: | 130 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Auto Racing, Death of a Girlfriend / Boyfriend, Female Athlete in a Male Dominated Sport, Heist, Love at First Sight, Prison Break, Romance, Woman in a Male Dominated Profession |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Savage Film, Stone Angels, Wallimage, Kaap Holland Film, Canal Plus, OCS., Telenet, VTM, Kinepolis Film Distribution , VAF, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Wallonie , Screen Flanders, La Region De Bruxelles-Capitale, Tax Shelter du Gouvernemant Federal , The Netherlands Film Fund, Eurimages, Programme Europe Creative-Media De L'Union Europeenne |
| Production Countries: | Belgium, France |
| Languages: | French, Flemish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 2017 | 79 | $710 | 3 | $237 | $15,618 | 1 | |
| Dec 1, 2017 | 98 | $63 | -91% | 2 | $32 | $16,274 | 2 |
| May 4, 2018 | 79 | $2,513 | 2 | $1,257 | $18,942 | 24 | |
| May 11, 2018 | 56 | $17,650 | +602% | 48 | $368 | $38,992 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 17, 2017 | 68 | $9,025 | 5 | $1,805 | $9,025 | 1 | |
| Nov 24, 2017 | 84 | $1,091 | -88% | 2 | $546 | $16,211 | 2 |
| Dec 1, 2017 | 96 | $218 | -80% | 2 | $109 | $16,429 | 3 |
| May 4, 2018 | 77 | $4,913 | 2 | $2,457 | $21,342 | 25 | |
| May 11, 2018 | 54 | $31,609 | +543% | 48 | $659 | $52,951 | 26 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/3/2017 | $210,751 | 0 | 0 | 0 | $210,751 | 6/28/2018 | |||
| Netherlands | 11/3/2017 | $27,708 | 29 | 29 | 56 | $79,619 | 11/13/2017 | |||
| Portugal | 3/9/2018 | $1,787 | 3 | 3 | 3 | $1,787 | 3/14/2018 | |||
| Russia (CIS) | 12/1/2017 | $21,479 | 0 | 0 | 0 | $38,631 | 1/1/2019 | |||
| United Kingdom | 7/13/2018 | $17,690 | 14 | 14 | 14 | $17,690 | 4/4/2026 | |||
| International Total | $348,478 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthias Schoenaerts | Gino ’Gigi’ Vanoirbeek | |
| Adele Exarchopoulos | Bénédicte ’Bibi’ Delhany |
Supporting
| Eric De Staercke | Freddy Delhany | |
| Jean-Benoit Ugeux | Serge Flamand | |
| Nabil Missoumi | Younes Bouhkris | |
| Thomas Coumans | Bernard ’Nardo’ Delhany | |
| Nathalie Van Tongelen | Sandra | |
| Kerem Can | Benze | |
| Sam Louwyck | Prison Manager | |
| Fabien Magry | Eric Lejeune |
Production and Technical Credits
| Michael R. Roskam | Director | |
| Thomas Bidegain | Screenwriter | |
| Noe Debre | Screenwriter | |
| Michael R. Roskam | Screenwriter | |
| Bart Van Langendonck | Producer | |
| Pierre-Ange Le Pogam | Producer | |
| Peter Bouckaert | Producer | |
| Maarten Swart | Producer | |
| Alain Dessauvage | Editor | |
| Raf Keunen | Composer | |
| Nicolas Karakatsanis | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When gangster, Gino meets fearless racing driver, Bénédicte it’s love at first sight—passionate, unconditional, fiery. But Gino hides a secret, one that can endanger his own life and the lives of those around him. Gino and Bénédicte are forced to fight against fate, reason, and their own weaknesses to save their love.
Metrics
| Opening Weekend: | $710 (1.3% of total gross) |
| Legs: | 3.00 (domestic box office/biggest weekend) |
| Domestic Share: | 13.2% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/48 max. theaters, 1.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $91,423 |
Movie Details
| Domestic Releases: | November 21st, 2017 (Limited) by Mongrel Media (Canada)
May 4th, 2018 (Limited) by Neon, released as Racer and the Jailbird |
| International Releases: | November 3rd, 2017 (Wide) (Netherlands)
November 3rd, 2017 (Wide) (France) November 21st, 2017 (Limited) (Canada) December 1st, 2017 (Wide) (Russia (CIS)) March 9th, 2018 (Wide), released as Fidelidade Sem Limite (Portugal) ... Show all releases |
| MPA Rating: | R for some strong sexuality, nudity, violence, and for language. (Rating bulletin 2522 (Cert #51547), 4/11/2018) |
| Running Time: | 130 minutes |
| Cast, crew, or production detail: | Intertitle |
| Plot point: | Auto Racing, Death of a Girlfriend / Boyfriend, Female Athlete in a Male Dominated Sport, Heist, Love at First Sight, Prison Break, Romance, Woman in a Male Dominated Profession |
| Social setting: | Organized Crime |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Savage Film, Stone Angels, Wallimage, Kaap Holland Film, Canal Plus, OCS., Telenet, VTM, Kinepolis Film Distribution , VAF, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Wallonie , Screen Flanders, La Region De Bruxelles-Capitale, Tax Shelter du Gouvernemant Federal , The Netherlands Film Fund, Eurimages, Programme Europe Creative-Media De L'Union Europeenne |
| Production Countries: | Belgium, France |
| Languages: | French, Flemish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 24, 2017 | 79 | $710 | 3 | $237 | $15,618 | 1 | |
| Dec 1, 2017 | 98 | $63 | -91% | 2 | $32 | $16,274 | 2 |
| May 4, 2018 | 79 | $2,513 | 2 | $1,257 | $18,942 | 24 | |
| May 11, 2018 | 56 | $17,650 | +602% | 48 | $368 | $38,992 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 17, 2017 | 68 | $9,025 | 5 | $1,805 | $9,025 | 1 | |
| Nov 24, 2017 | 84 | $1,091 | -88% | 2 | $546 | $16,211 | 2 |
| Dec 1, 2017 | 96 | $218 | -80% | 2 | $109 | $16,429 | 3 |
| May 4, 2018 | 77 | $4,913 | 2 | $2,457 | $21,342 | 25 | |
| May 11, 2018 | 54 | $31,609 | +543% | 48 | $659 | $52,951 | 26 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| France | 11/3/2017 | $210,751 | 0 | 0 | 0 | $210,751 | 6/28/2018 | |||
| Netherlands | 11/3/2017 | $27,708 | 29 | 29 | 56 | $79,619 | 11/13/2017 | |||
| Portugal | 3/9/2018 | $1,787 | 3 | 3 | 3 | $1,787 | 3/14/2018 | |||
| Russia (CIS) | 12/1/2017 | $21,479 | 0 | 0 | 0 | $38,631 | 1/1/2019 | |||
| United Kingdom | 7/13/2018 | $17,690 | 14 | 14 | 14 | $17,690 | 4/4/2026 | |||
| International Total | $348,478 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Matthias Schoenaerts | Gino ’Gigi’ Vanoirbeek | |
| Adele Exarchopoulos | Bénédicte ’Bibi’ Delhany |
Supporting
| Eric De Staercke | Freddy Delhany | |
| Jean-Benoit Ugeux | Serge Flamand | |
| Nabil Missoumi | Younes Bouhkris | |
| Thomas Coumans | Bernard ’Nardo’ Delhany | |
| Nathalie Van Tongelen | Sandra | |
| Kerem Can | Benze | |
| Sam Louwyck | Prison Manager | |
| Fabien Magry | Eric Lejeune |
Production and Technical Credits
| Michael R. Roskam | Director | |
| Thomas Bidegain | Screenwriter | |
| Noe Debre | Screenwriter | |
| Michael R. Roskam | Screenwriter | |
| Bart Van Langendonck | Producer | |
| Pierre-Ange Le Pogam | Producer | |
| Peter Bouckaert | Producer | |
| Maarten Swart | Producer | |
| Alain Dessauvage | Editor | |
| Raf Keunen | Composer | |
| Nicolas Karakatsanis | Cinematographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.