Fight or Flight (2025)
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| Theatrical Performance | ||
| Domestic Box Office | $3,522,025 | Details |
| International Box Office | $593,360 | Details |
| Worldwide Box Office | $4,115,385 | |
| OpusData ID: 692540100 More info... | ||
| Further financial details... | ||
Synopsis
Exiled American agent Lucas Reyes is given one last chance to redeem himself — the assignment is to track down and identify a mysterious, international high-value asset known only as The Ghost on a flight from Bangkok to San Francisco. Complicating matters, the plane is filled with assassins from around the world who are assigned to kill them both. The pair must work together in a fight for their lives. At 37,000 feet, the stakes have never been higher.
Metrics
| Opening Weekend: | $2,002,081 (56.8% of total gross) |
| Legs: | 1.76 (domestic box office/biggest weekend) |
| Domestic Share: | 85.6% (domestic box office/worldwide) |
| Theater counts: | 2,153 opening theaters/2,153 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,522,025 |
Movie Details
| Domestic Releases: | May 9th, 2025 (Wide) by Vertical Entertainment |
| International Releases: | April 3rd, 2025 (Wide) (Croatia)
April 17th, 2025 (Limited), released as Fight or Flight (Рейс навылет) (Russia (CIS)) May 2nd, 2025 (Wide) (South Africa) June 13th, 2025 (Limited), released as Fight or Flight (Sicarios en el aire) (Spain) July 4th, 2025 (Limited), released as Ölümcül Uçuş (Turkey) ... Show all releases |
| Video Release: | June 17th, 2025 by Vertical Entertainment |
| MPA Rating: | R for strong bloody violence, language throughout and some drug material. (Rating bulletin 2883 (cert #55491), 4/30/2025) |
| Running Time: | 101 minutes |
| Filming location (country): | Hungary |
| Plot point: | Corporate Malfeasance, Hackers, Hitmen, Martial Arts, Out of Retirement, Surprise Twist, Whistleblowers |
| Social setting: | In a Plane |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 7 | $2,002,081 | 2,153 | $930 | $2,002,081 | 1 | |
| May 16, 2025 | - | $510,272 | -75% | 1,672 | $305 | $3,235,186 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 8, 2025 | P | $550,000 | 0 | $550,000 | ||||
| May 9, 2025 | 6 | $1,000,730 | 2,153 | $465 | $1,000,730 | 1 | ||
| May 10, 2025 | 8 | $545,417 | -45% | 2,153 | $253 | $1,546,147 | 2 | |
| May 11, 2025 | 8 | $455,934 | -16% | 2,153 | $212 | $2,002,081 | 3 | |
| May 12, 2025 | 8 | $172,213 | -62% | 2,153 | $80 | $2,174,294 | 4 | |
| May 13, 2025 | 8 | $291,566 | +69% | 2,153 | $135 | $2,465,860 | 5 | |
| May 14, 2025 | 8 | $153,237 | -47% | 2,153 | $71 | $2,619,097 | 6 | |
| May 15, 2025 | 8 | $105,817 | -31% | 2,153 | $49 | $2,724,914 | 7 | |
| May 16, 2025 | 12 | $139,112 | +31% | -86% | 1,672 | $83 | $2,864,026 | 8 |
| May 17, 2025 | - | $215,814 | +55% | -60% | 1,672 | $129 | $3,079,840 | 9 |
| May 18, 2025 | - | $155,346 | -28% | -66% | 1,672 | $93 | $3,235,186 | 10 |
| May 19, 2025 | - | $71,180 | -54% | -59% | 1,672 | $43 | $3,306,366 | 11 |
| May 20, 2025 | - | $121,417 | +71% | -58% | 1,672 | $73 | $3,427,783 | 12 |
| May 21, 2025 | - | $72,585 | -40% | -53% | 1,672 | $43 | $3,500,368 | 13 |
| May 22, 2025 | - | $21,657 | -70% | -80% | 1,672 | $13 | $3,522,025 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 8 | $2,724,914 | 2,153 | $1,266 | $2,724,914 | 1 | |
| May 16, 2025 | 12 | $797,111 | -71% | 1,672 | $477 | $3,522,025 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/4/2025 | $75,832 | 191 | 191 | 0 | $131,685 | 4/6/2026 | |||
| Croatia | 4/3/2025 | $9,736 | 46 | 46 | 85 | $30,476 | 4/4/2026 | |||
| New Zealand | 9/4/2025 | $12,481 | 58 | 58 | 0 | $26,999 | 4/4/2026 | |||
| Portugal | 10/30/2025 | $11,477 | 19 | 19 | 0 | $15,536 | 4/4/2026 | |||
| Russia (CIS) | 4/17/2025 | $182,058 | 1,191 | 1,191 | 2,280 | $351,484 | 4/4/2026 | |||
| Spain | 6/13/2025 | $20,871 | 119 | 119 | 89 | $23,677 | 4/4/2026 | |||
| Turkey | 7/4/2025 | $7,454 | 105 | 105 | 109 | $13,503 | 4/4/2026 | |||
| International Total | $593,360 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Josh Hartnett | Lucas Reyes | |
| Charithra Chandran | Isha Mandhal |
Supporting
| Katee Sackhoff | Katherine Brunt | |
| Julian Kostov | Aaron Hunter | |
| Marko Zaror | Chayenne | |
| JuJu Chan | Master Lian |
Production and Technical Credits
| James Madigan | Director | |
| Brooks McLaren | Screenwriter | |
| D.J. Cotrona | Screenwriter | |
| Basil Iwanyk | Producer | |
| Erica Lee | Producer | |
| Christopher Milburn | Producer | |
| Tai Duncan | Producer | |
| Matt Flannery | Cinematographer | |
| Ben Mills | Editor | |
| Paul Saunderson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Exiled American agent Lucas Reyes is given one last chance to redeem himself — the assignment is to track down and identify a mysterious, international high-value asset known only as The Ghost on a flight from Bangkok to San Francisco. Complicating matters, the plane is filled with assassins from around the world who are assigned to kill them both. The pair must work together in a fight for their lives. At 37,000 feet, the stakes have never been higher.
Metrics
| Opening Weekend: | $2,002,081 (56.8% of total gross) |
| Legs: | 1.76 (domestic box office/biggest weekend) |
| Domestic Share: | 85.6% (domestic box office/worldwide) |
| Theater counts: | 2,153 opening theaters/2,153 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $3,522,025 |
Movie Details
| Domestic Releases: | May 9th, 2025 (Wide) by Vertical Entertainment |
| International Releases: | April 3rd, 2025 (Wide) (Croatia)
April 17th, 2025 (Limited), released as Fight or Flight (Рейс навылет) (Russia (CIS)) May 2nd, 2025 (Wide) (South Africa) June 13th, 2025 (Limited), released as Fight or Flight (Sicarios en el aire) (Spain) July 4th, 2025 (Limited), released as Ölümcül Uçuş (Turkey) ... Show all releases |
| Video Release: | June 17th, 2025 by Vertical Entertainment |
| MPA Rating: | R for strong bloody violence, language throughout and some drug material. (Rating bulletin 2883 (cert #55491), 4/30/2025) |
| Running Time: | 101 minutes |
| Filming location (country): | Hungary |
| Plot point: | Corporate Malfeasance, Hackers, Hitmen, Martial Arts, Out of Retirement, Surprise Twist, Whistleblowers |
| Social setting: | In a Plane |
| Subgenre: | Action Comedy |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 7 | $2,002,081 | 2,153 | $930 | $2,002,081 | 1 | |
| May 16, 2025 | - | $510,272 | -75% | 1,672 | $305 | $3,235,186 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| May 8, 2025 | P | $550,000 | 0 | $550,000 | ||||
| May 9, 2025 | 6 | $1,000,730 | 2,153 | $465 | $1,000,730 | 1 | ||
| May 10, 2025 | 8 | $545,417 | -45% | 2,153 | $253 | $1,546,147 | 2 | |
| May 11, 2025 | 8 | $455,934 | -16% | 2,153 | $212 | $2,002,081 | 3 | |
| May 12, 2025 | 8 | $172,213 | -62% | 2,153 | $80 | $2,174,294 | 4 | |
| May 13, 2025 | 8 | $291,566 | +69% | 2,153 | $135 | $2,465,860 | 5 | |
| May 14, 2025 | 8 | $153,237 | -47% | 2,153 | $71 | $2,619,097 | 6 | |
| May 15, 2025 | 8 | $105,817 | -31% | 2,153 | $49 | $2,724,914 | 7 | |
| May 16, 2025 | 12 | $139,112 | +31% | -86% | 1,672 | $83 | $2,864,026 | 8 |
| May 17, 2025 | - | $215,814 | +55% | -60% | 1,672 | $129 | $3,079,840 | 9 |
| May 18, 2025 | - | $155,346 | -28% | -66% | 1,672 | $93 | $3,235,186 | 10 |
| May 19, 2025 | - | $71,180 | -54% | -59% | 1,672 | $43 | $3,306,366 | 11 |
| May 20, 2025 | - | $121,417 | +71% | -58% | 1,672 | $73 | $3,427,783 | 12 |
| May 21, 2025 | - | $72,585 | -40% | -53% | 1,672 | $43 | $3,500,368 | 13 |
| May 22, 2025 | - | $21,657 | -70% | -80% | 1,672 | $13 | $3,522,025 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 9, 2025 | 8 | $2,724,914 | 2,153 | $1,266 | $2,724,914 | 1 | |
| May 16, 2025 | 12 | $797,111 | -71% | 1,672 | $477 | $3,522,025 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/4/2025 | $75,832 | 191 | 191 | 0 | $131,685 | 4/6/2026 | |||
| Croatia | 4/3/2025 | $9,736 | 46 | 46 | 85 | $30,476 | 4/4/2026 | |||
| New Zealand | 9/4/2025 | $12,481 | 58 | 58 | 0 | $26,999 | 4/4/2026 | |||
| Portugal | 10/30/2025 | $11,477 | 19 | 19 | 0 | $15,536 | 4/4/2026 | |||
| Russia (CIS) | 4/17/2025 | $182,058 | 1,191 | 1,191 | 2,280 | $351,484 | 4/4/2026 | |||
| Spain | 6/13/2025 | $20,871 | 119 | 119 | 89 | $23,677 | 4/4/2026 | |||
| Turkey | 7/4/2025 | $7,454 | 105 | 105 | 109 | $13,503 | 4/4/2026 | |||
| International Total | $593,360 | 4/6/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Josh Hartnett | Lucas Reyes | |
| Charithra Chandran | Isha Mandhal |
Supporting
| Katee Sackhoff | Katherine Brunt | |
| Julian Kostov | Aaron Hunter | |
| Marko Zaror | Chayenne | |
| JuJu Chan | Master Lian |
Production and Technical Credits
| James Madigan | Director | |
| Brooks McLaren | Screenwriter | |
| D.J. Cotrona | Screenwriter | |
| Basil Iwanyk | Producer | |
| Erica Lee | Producer | |
| Christopher Milburn | Producer | |
| Tai Duncan | Producer | |
| Matt Flannery | Cinematographer | |
| Ben Mills | Editor | |
| Paul Saunderson | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.