Film Stars Don’t Die in Liverpool (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $1,024,266 | Details |
| International Box Office | $2,883,474 | Details |
| Worldwide Box Office | $3,907,740 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $49,077 | |
| Total | $49,077 | |
| OpusData ID: 300590100 More info... | ||
| Further financial details... | ||
Synopsis
A film that follows the relationship between Peter Turner and the eccentric Gloria Grahame in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Metrics
| Opening Weekend: | $45,192 (4.4% of total gross) |
| Legs: | 7.24 (domestic box office/biggest weekend) |
| Domestic Share: | 26.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/107 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,345,619 |
Movie Details
| Domestic Releases: | December 29th, 2017 (Oscar Qualifying Run) by Sony Pictures Classics |
| International Releases: | November 17th, 2017 (Wide), released as Film Stars Don't Die in Liverpool (United Kingdom)
February 9th, 2018 (Wide), released as Film Stars Don't Die In Liverpool (Australia) February 9th, 2018 (Wide), released as As Estrelas Não Morrem em Liverpool (Portugal) March 2nd, 2018 (Wide), released as Film Stars Don't Die in Liverpool (New Zealand) March 9th, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 24th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some sexual content and brief nudity. (Rating bulletin 2499 (Cert #51290), 10/25/2017) |
| Running Time: | 106 minutes |
| Geographical setting: | England |
| Plot point: | Biography, Film Actor, May / December Romance, Romance |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Eon Productions, IM Global, Lionsgate, Synchronistic Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 37 | $45,192 | 4 | $11,298 | $45,192 | 1 | |
| Jan 5, 2018 | 42 | $22,866 | -49% | 4 | $5,717 | $82,300 | 2 |
| Jan 12, 2018 | 38 | $42,120 | +84% | 9 | $4,680 | $139,236 | 3 |
| Jan 19, 2018 | 41 | $35,255 | -16% | 16 | $2,203 | $190,829 | 4 |
| Jan 26, 2018 | 41 | $34,229 | -3% | 19 | $1,802 | $246,262 | 5 |
| Feb 2, 2018 | 37 | $51,614 | +51% | 34 | $1,518 | $311,842 | 6 |
| Feb 9, 2018 | 42 | $56,956 | +10% | 39 | $1,460 | $392,690 | 7 |
| Feb 16, 2018 | 37 | $141,423 | +148% | 107 | $1,322 | $564,877 | 8 |
| Feb 23, 2018 | 46 | $74,979 | -47% | 102 | $735 | $700,851 | 9 |
| Mar 2, 2018 | 50 | $29,946 | -60% | 53 | $565 | $772,478 | 10 |
| Mar 9, 2018 | 54 | $21,061 | -30% | 41 | $514 | $810,406 | 11 |
| Mar 16, 2018 | 58 | $12,816 | -39% | 38 | $337 | $841,716 | 12 |
| Mar 23, 2018 | 59 | $17,721 | +38% | 29 | $611 | $870,309 | 13 |
| Mar 30, 2018 | 53 | $20,815 | +17% | 24 | $867 | $903,829 | 14 |
| Apr 6, 2018 | 53 | $21,151 | +2% | 25 | $846 | $937,288 | 15 |
| Apr 13, 2018 | 50 | $22,934 | +8% | 24 | $956 | $973,182 | 16 |
| Apr 20, 2018 | 50 | $24,062 | +5% | 25 | $962 | $1,013,833 | 17 |
| Apr 27, 2018 | 60 | $10,433 | -57% | 6 | $1,739 | $1,024,266 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 39 | $59,434 | 4 | $14,859 | $59,434 | 1 | |
| Jan 5, 2018 | 42 | $37,682 | -37% | 4 | $9,421 | $97,116 | 2 |
| Jan 12, 2018 | 38 | $58,458 | +55% | 9 | $6,495 | $155,574 | 3 |
| Jan 19, 2018 | 40 | $56,459 | -3% | 16 | $3,529 | $212,033 | 4 |
| Jan 26, 2018 | 41 | $48,195 | -15% | 19 | $2,537 | $260,228 | 5 |
| Feb 2, 2018 | 38 | $75,506 | +57% | 34 | $2,221 | $335,734 | 6 |
| Feb 9, 2018 | 41 | $87,720 | +16% | 39 | $2,249 | $423,454 | 7 |
| Feb 16, 2018 | 37 | $202,418 | +131% | 107 | $1,892 | $625,872 | 8 |
| Feb 23, 2018 | 44 | $116,660 | -42% | 102 | $1,144 | $742,532 | 9 |
| Mar 2, 2018 | 50 | $46,813 | -60% | 53 | $883 | $789,345 | 10 |
| Mar 9, 2018 | 55 | $39,555 | -16% | 41 | $965 | $828,900 | 11 |
| Mar 16, 2018 | 58 | $23,688 | -40% | 38 | $623 | $852,588 | 12 |
| Mar 23, 2018 | 59 | $30,426 | +28% | 29 | $1,049 | $883,014 | 13 |
| Mar 30, 2018 | 52 | $33,123 | +9% | 24 | $1,380 | $916,137 | 14 |
| Apr 6, 2018 | 52 | $34,111 | +3% | 24 | $1,421 | $950,248 | 15 |
| Apr 13, 2018 | 47 | $39,523 | +16% | 24 | $1,647 | $989,771 | 16 |
| Apr 20, 2018 | 56 | $24,062 | -39% | 25 | $962 | $1,013,833 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/27/2018 | $41,791 | 0 | 0 | 0 | $58,174 | 1/1/2019 | |||
| Australia | 2/9/2018 | $26,400 | 1 | 111 | 561 | $347,212 | 4/30/2018 | |||
| Germany | 4/5/2018 | $0 | 0 | 59 | 85 | $86,074 | 5/15/2018 | |||
| Netherlands | 3/9/2018 | $30,907 | 31 | 33 | 96 | $146,617 | 3/27/2018 | |||
| New Zealand | 3/2/2018 | $30,501 | 47 | 47 | 229 | $148,325 | 4/23/2018 | |||
| Portugal | 2/9/2018 | $19,513 | 21 | 21 | 48 | $54,316 | 6/20/2018 | |||
| South Korea | 10/25/2018 | $4,816 | 3 | 35 | 59 | $64,779 | 4/4/2026 | |||
| Spain | 5/18/2018 | $141,500 | 117 | 118 | 328 | $393,796 | 6/7/2018 | |||
| Turkey | 4/20/2018 | $0 | 0 | 28 | 56 | $17,083 | 1/1/2019 | |||
| United Kingdom | 11/17/2017 | $312,465 | 150 | 151 | 585 | $1,567,098 | 3/28/2018 | |||
| International Total | $2,883,474 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annette Bening | Gloria Grahame | |
| Jamie Bell | Peter Turner | |
| Julie Walters | Bella Turner |
Supporting
| Kenneth Cranham | Joe Snr | |
| Jodie McNee | Jessie | |
| Stephen Graham | Joe Jr. | |
| Joanna Brookes | Didi | |
| Pete Lee Wilson | Barman | |
| Jay Villiers | Georgie | |
| Marina Bye | PR Person | |
| Vanessa Redgrave | Jean | |
| Frances Barber | Joy | |
| Pandora Colin | Surgeon | |
| Alexander Arnold | Anaesthetist | |
| Gemma Oaten | Patient | |
| Leanne Best | Eileen | |
| Bentley Kalu | NY Cab Driver | |
| Tim Ahern | Doctor Grace | |
| Peter Turner | Jack | |
| Tom Brittney | Tim |
Production and Technical Credits
| Paul McGuigan | Director | |
| Matt Greenhalgh | Screenwriter | |
| Peter Turner | Based on the Book “Film Stars Don’t Die in Liverpool” by | |
| Barbara Broccoli | Producer | |
| Colin Vaines | Producer | |
| Stuart Ford | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Paul McGuigan | Executive Producer | |
| Michael G. Wilson | Executive Producer | |
| Andrew Noakes | Associate Producer | |
| David Pope | Associate Producer | |
| Gregg Wilson | Associate Producer | |
| Andrew Noble | Co-Producer | |
| Urszula Pontikos* | Director of Photography | |
| Eve Stewart | Production Designer | |
| Nick Emerson | Editor | |
| Jany Temime | Costume Designer | |
| J. Ralph | Music By | |
| Elvis Costello | Original Song “You Shouldn’t Look At Me That Way” Written and Performed by | |
| Paul Davies | Supervising Sound Editor | |
| Debbie McWilliams | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A film that follows the relationship between Peter Turner and the eccentric Gloria Grahame in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Metrics
| Opening Weekend: | $45,192 (4.4% of total gross) |
| Legs: | 7.24 (domestic box office/biggest weekend) |
| Domestic Share: | 26.2% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/107 max. theaters, 5.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,345,619 |
Movie Details
| Domestic Releases: | December 29th, 2017 (Oscar Qualifying Run) by Sony Pictures Classics |
| International Releases: | November 17th, 2017 (Wide), released as Film Stars Don't Die in Liverpool (United Kingdom)
February 9th, 2018 (Wide), released as Film Stars Don't Die In Liverpool (Australia) February 9th, 2018 (Wide), released as As Estrelas Não Morrem em Liverpool (Portugal) March 2nd, 2018 (Wide), released as Film Stars Don't Die in Liverpool (New Zealand) March 9th, 2018 (Wide) (Netherlands) ... Show all releases |
| Video Release: | April 24th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some sexual content and brief nudity. (Rating bulletin 2499 (Cert #51290), 10/25/2017) |
| Running Time: | 106 minutes |
| Geographical setting: | England |
| Plot point: | Biography, Film Actor, May / December Romance, Romance |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Eon Productions, IM Global, Lionsgate, Synchronistic Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 37 | $45,192 | 4 | $11,298 | $45,192 | 1 | |
| Jan 5, 2018 | 42 | $22,866 | -49% | 4 | $5,717 | $82,300 | 2 |
| Jan 12, 2018 | 38 | $42,120 | +84% | 9 | $4,680 | $139,236 | 3 |
| Jan 19, 2018 | 41 | $35,255 | -16% | 16 | $2,203 | $190,829 | 4 |
| Jan 26, 2018 | 41 | $34,229 | -3% | 19 | $1,802 | $246,262 | 5 |
| Feb 2, 2018 | 37 | $51,614 | +51% | 34 | $1,518 | $311,842 | 6 |
| Feb 9, 2018 | 42 | $56,956 | +10% | 39 | $1,460 | $392,690 | 7 |
| Feb 16, 2018 | 37 | $141,423 | +148% | 107 | $1,322 | $564,877 | 8 |
| Feb 23, 2018 | 46 | $74,979 | -47% | 102 | $735 | $700,851 | 9 |
| Mar 2, 2018 | 50 | $29,946 | -60% | 53 | $565 | $772,478 | 10 |
| Mar 9, 2018 | 54 | $21,061 | -30% | 41 | $514 | $810,406 | 11 |
| Mar 16, 2018 | 58 | $12,816 | -39% | 38 | $337 | $841,716 | 12 |
| Mar 23, 2018 | 59 | $17,721 | +38% | 29 | $611 | $870,309 | 13 |
| Mar 30, 2018 | 53 | $20,815 | +17% | 24 | $867 | $903,829 | 14 |
| Apr 6, 2018 | 53 | $21,151 | +2% | 25 | $846 | $937,288 | 15 |
| Apr 13, 2018 | 50 | $22,934 | +8% | 24 | $956 | $973,182 | 16 |
| Apr 20, 2018 | 50 | $24,062 | +5% | 25 | $962 | $1,013,833 | 17 |
| Apr 27, 2018 | 60 | $10,433 | -57% | 6 | $1,739 | $1,024,266 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 29, 2017 | 39 | $59,434 | 4 | $14,859 | $59,434 | 1 | |
| Jan 5, 2018 | 42 | $37,682 | -37% | 4 | $9,421 | $97,116 | 2 |
| Jan 12, 2018 | 38 | $58,458 | +55% | 9 | $6,495 | $155,574 | 3 |
| Jan 19, 2018 | 40 | $56,459 | -3% | 16 | $3,529 | $212,033 | 4 |
| Jan 26, 2018 | 41 | $48,195 | -15% | 19 | $2,537 | $260,228 | 5 |
| Feb 2, 2018 | 38 | $75,506 | +57% | 34 | $2,221 | $335,734 | 6 |
| Feb 9, 2018 | 41 | $87,720 | +16% | 39 | $2,249 | $423,454 | 7 |
| Feb 16, 2018 | 37 | $202,418 | +131% | 107 | $1,892 | $625,872 | 8 |
| Feb 23, 2018 | 44 | $116,660 | -42% | 102 | $1,144 | $742,532 | 9 |
| Mar 2, 2018 | 50 | $46,813 | -60% | 53 | $883 | $789,345 | 10 |
| Mar 9, 2018 | 55 | $39,555 | -16% | 41 | $965 | $828,900 | 11 |
| Mar 16, 2018 | 58 | $23,688 | -40% | 38 | $623 | $852,588 | 12 |
| Mar 23, 2018 | 59 | $30,426 | +28% | 29 | $1,049 | $883,014 | 13 |
| Mar 30, 2018 | 52 | $33,123 | +9% | 24 | $1,380 | $916,137 | 14 |
| Apr 6, 2018 | 52 | $34,111 | +3% | 24 | $1,421 | $950,248 | 15 |
| Apr 13, 2018 | 47 | $39,523 | +16% | 24 | $1,647 | $989,771 | 16 |
| Apr 20, 2018 | 56 | $24,062 | -39% | 25 | $962 | $1,013,833 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 4/27/2018 | $41,791 | 0 | 0 | 0 | $58,174 | 1/1/2019 | |||
| Australia | 2/9/2018 | $26,400 | 1 | 111 | 561 | $347,212 | 4/30/2018 | |||
| Germany | 4/5/2018 | $0 | 0 | 59 | 85 | $86,074 | 5/15/2018 | |||
| Netherlands | 3/9/2018 | $30,907 | 31 | 33 | 96 | $146,617 | 3/27/2018 | |||
| New Zealand | 3/2/2018 | $30,501 | 47 | 47 | 229 | $148,325 | 4/23/2018 | |||
| Portugal | 2/9/2018 | $19,513 | 21 | 21 | 48 | $54,316 | 6/20/2018 | |||
| South Korea | 10/25/2018 | $4,816 | 3 | 35 | 59 | $64,779 | 4/4/2026 | |||
| Spain | 5/18/2018 | $141,500 | 117 | 118 | 328 | $393,796 | 6/7/2018 | |||
| Turkey | 4/20/2018 | $0 | 0 | 28 | 56 | $17,083 | 1/1/2019 | |||
| United Kingdom | 11/17/2017 | $312,465 | 150 | 151 | 585 | $1,567,098 | 3/28/2018 | |||
| International Total | $2,883,474 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Annette Bening | Gloria Grahame | |
| Jamie Bell | Peter Turner | |
| Julie Walters | Bella Turner |
Supporting
| Kenneth Cranham | Joe Snr | |
| Jodie McNee | Jessie | |
| Stephen Graham | Joe Jr. | |
| Joanna Brookes | Didi | |
| Pete Lee Wilson | Barman | |
| Jay Villiers | Georgie | |
| Marina Bye | PR Person | |
| Vanessa Redgrave | Jean | |
| Frances Barber | Joy | |
| Pandora Colin | Surgeon | |
| Alexander Arnold | Anaesthetist | |
| Gemma Oaten | Patient | |
| Leanne Best | Eileen | |
| Bentley Kalu | NY Cab Driver | |
| Tim Ahern | Doctor Grace | |
| Peter Turner | Jack | |
| Tom Brittney | Tim |
Production and Technical Credits
| Paul McGuigan | Director | |
| Matt Greenhalgh | Screenwriter | |
| Peter Turner | Based on the Book “Film Stars Don’t Die in Liverpool” by | |
| Barbara Broccoli | Producer | |
| Colin Vaines | Producer | |
| Stuart Ford | Executive Producer | |
| Zygi Kamasa | Executive Producer | |
| Paul McGuigan | Executive Producer | |
| Michael G. Wilson | Executive Producer | |
| Andrew Noakes | Associate Producer | |
| David Pope | Associate Producer | |
| Gregg Wilson | Associate Producer | |
| Andrew Noble | Co-Producer | |
| Urszula Pontikos* | Director of Photography | |
| Eve Stewart | Production Designer | |
| Nick Emerson | Editor | |
| Jany Temime | Costume Designer | |
| J. Ralph | Music By | |
| Elvis Costello | Original Song “You Shouldn’t Look At Me That Way” Written and Performed by | |
| Paul Davies | Supervising Sound Editor | |
| Debbie McWilliams | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.