Fin de siglo (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $51,212 | Details |
| International Box Office | $36,781 | Details |
| Worldwide Box Office | $87,993 | |
| OpusData ID: 408340100 More info... | ||
| Further financial details... | ||
Synopsis
When Ocho, a 30-something Argentine poet on vacation in Barcelona, spots Javi, a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other’s histories—and maybe even their destinies?
Metrics
| Opening Weekend: | $10,398 (20.3% of total gross) |
| Legs: | 4.93 (domestic box office/biggest weekend) |
| Domestic Share: | 58.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $66,868 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Limited) by Cinema Guild, released as End of the Century |
| International Releases: | February 6th, 2020 (Wide) (Argentina)
February 21st, 2020 (Wide), released as End of the Century (United Kingdom) December 24th, 2020 (Limited), released as End of the Century (Australia) |
| MPA Rating: | Not Rated Unrated |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cinema Guild |
| Production Countries: | Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 58 | $10,398 | 1 | $10,398 | $10,398 | 1 | |
| Aug 23, 2019 | 70 | $2,424 | -77% | 1 | $2,424 | $17,250 | 2 |
| Aug 30, 2019 | 74 | $1,626 | -33% | 1 | $1,626 | $20,272 | 3 |
| Sep 6, 2019 | 72 | $2,087 | +28% | 3 | $696 | $23,503 | 4 |
| Sep 13, 2019 | 80 | $2,593 | +24% | 1 | $2,593 | $27,776 | 5 |
| Sep 20, 2019 | 71 | $3,804 | +47% | 5 | $761 | $33,057 | 6 |
| Oct 4, 2019 | 68 | $3,251 | 4 | $813 | $38,642 | 8 | |
| Oct 11, 2019 | 69 | $1,991 | -39% | 3 | $664 | $42,461 | 9 |
| Oct 18, 2019 | 65 | $3,535 | +78% | 6 | $589 | $47,500 | 10 |
| Oct 25, 2019 | 75 | $1,551 | -56% | 3 | $517 | $51,212 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 58 | $14,826 | 1 | $14,826 | $14,826 | 1 | |
| Aug 23, 2019 | 69 | $3,820 | -74% | 1 | $3,820 | $18,646 | 2 |
| Aug 30, 2019 | 74 | $2,770 | -27% | 1 | $2,770 | $21,416 | 3 |
| Sep 6, 2019 | 69 | $3,767 | +36% | 3 | $1,256 | $25,183 | 4 |
| Sep 13, 2019 | 81 | $4,070 | +8% | 1 | $4,070 | $29,253 | 5 |
| Sep 20, 2019 | 72 | $6,138 | +51% | 4 | $1,535 | $35,391 | 6 |
| Oct 4, 2019 | 67 | $5,079 | 3 | $1,693 | $40,470 | 8 | |
| Oct 11, 2019 | 67 | $3,495 | -31% | 3 | $1,165 | $43,965 | 9 |
| Oct 18, 2019 | 66 | $5,696 | +63% | 6 | $949 | $49,661 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/6/2020 | $0 | 0 | 2 | 4 | $913 | 3/19/2020 | |||
| Australia | 12/24/2020 | $2,580 | 5 | 5 | 25 | $23,478 | 4/13/2021 | |||
| United Kingdom | 2/21/2020 | $12,390 | 7 | 7 | 7 | $12,390 | 2/26/2020 | |||
| International Total | $36,781 | 4/13/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Juan Barberini | Ocho | |
| Ramon Pujol | Javi |
Supporting
| Mia Maestro | Sonia | |
| Mariano López Seoane | Passerby | |
| Helen Celia Castro-Wood | Oona |
Production and Technical Credits
| Lucio Castro | Director | |
| Lucio Castro | Screenwriter | |
| Lucio Castro | Producer | |
| Joanne Lee | Producer | |
| Josh Wood | Producer | |
| Lucio Castro | Editor | |
| Bernat Mestres | Director of Photography | |
| Robert Lombardo | Composer | |
| Robert Lombardo | Sound Designer | |
| María La Greca | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Ocho, a 30-something Argentine poet on vacation in Barcelona, spots Javi, a Spaniard from Berlin, from the balcony of his Airbnb, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are these two merely beautiful strangers in a foreign city or are they part of each other’s histories—and maybe even their destinies?
Metrics
| Opening Weekend: | $10,398 (20.3% of total gross) |
| Legs: | 4.93 (domestic box office/biggest weekend) |
| Domestic Share: | 58.2% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/6 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $66,868 |
Movie Details
| Domestic Releases: | August 16th, 2019 (Limited) by Cinema Guild, released as End of the Century |
| International Releases: | February 6th, 2020 (Wide) (Argentina)
February 21st, 2020 (Wide), released as End of the Century (United Kingdom) December 24th, 2020 (Limited), released as End of the Century (Australia) |
| MPA Rating: | Not Rated Unrated |
| Running Time: | 84 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cinema Guild |
| Production Countries: | Argentina |
| Languages: | Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 58 | $10,398 | 1 | $10,398 | $10,398 | 1 | |
| Aug 23, 2019 | 70 | $2,424 | -77% | 1 | $2,424 | $17,250 | 2 |
| Aug 30, 2019 | 74 | $1,626 | -33% | 1 | $1,626 | $20,272 | 3 |
| Sep 6, 2019 | 72 | $2,087 | +28% | 3 | $696 | $23,503 | 4 |
| Sep 13, 2019 | 80 | $2,593 | +24% | 1 | $2,593 | $27,776 | 5 |
| Sep 20, 2019 | 71 | $3,804 | +47% | 5 | $761 | $33,057 | 6 |
| Oct 4, 2019 | 68 | $3,251 | 4 | $813 | $38,642 | 8 | |
| Oct 11, 2019 | 69 | $1,991 | -39% | 3 | $664 | $42,461 | 9 |
| Oct 18, 2019 | 65 | $3,535 | +78% | 6 | $589 | $47,500 | 10 |
| Oct 25, 2019 | 75 | $1,551 | -56% | 3 | $517 | $51,212 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 16, 2019 | 58 | $14,826 | 1 | $14,826 | $14,826 | 1 | |
| Aug 23, 2019 | 69 | $3,820 | -74% | 1 | $3,820 | $18,646 | 2 |
| Aug 30, 2019 | 74 | $2,770 | -27% | 1 | $2,770 | $21,416 | 3 |
| Sep 6, 2019 | 69 | $3,767 | +36% | 3 | $1,256 | $25,183 | 4 |
| Sep 13, 2019 | 81 | $4,070 | +8% | 1 | $4,070 | $29,253 | 5 |
| Sep 20, 2019 | 72 | $6,138 | +51% | 4 | $1,535 | $35,391 | 6 |
| Oct 4, 2019 | 67 | $5,079 | 3 | $1,693 | $40,470 | 8 | |
| Oct 11, 2019 | 67 | $3,495 | -31% | 3 | $1,165 | $43,965 | 9 |
| Oct 18, 2019 | 66 | $5,696 | +63% | 6 | $949 | $49,661 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/6/2020 | $0 | 0 | 2 | 4 | $913 | 3/19/2020 | |||
| Australia | 12/24/2020 | $2,580 | 5 | 5 | 25 | $23,478 | 4/13/2021 | |||
| United Kingdom | 2/21/2020 | $12,390 | 7 | 7 | 7 | $12,390 | 2/26/2020 | |||
| International Total | $36,781 | 4/13/2021 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Juan Barberini | Ocho | |
| Ramon Pujol | Javi |
Supporting
| Mia Maestro | Sonia | |
| Mariano López Seoane | Passerby | |
| Helen Celia Castro-Wood | Oona |
Production and Technical Credits
| Lucio Castro | Director | |
| Lucio Castro | Screenwriter | |
| Lucio Castro | Producer | |
| Joanne Lee | Producer | |
| Josh Wood | Producer | |
| Lucio Castro | Editor | |
| Bernat Mestres | Director of Photography | |
| Robert Lombardo | Composer | |
| Robert Lombardo | Sound Designer | |
| María La Greca | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.