Final Portrait (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $460,859 | Details |
| International Box Office | $1,264,982 | Details |
| Worldwide Box Office | $1,725,841 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $20,031 | |
| Total | $20,031 | |
| OpusData ID: 296780100 More info... | ||
| Further financial details... | ||
Synopsis
In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. Final Portrait is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity.
Metrics
| Opening Weekend: | $25,472 (5.5% of total gross) |
| Legs: | 6.31 (domestic box office/biggest weekend) |
| Domestic Share: | 26.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/100 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $605,032 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | August 18th, 2017 (Wide), released as Son Portre (Turkey)
August 18th, 2017 (Wide) (United Kingdom) September 29th, 2017 (Wide) (Australia) October 6th, 2017 (Wide) (New Zealand) December 8th, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | July 31st, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some sexual references and nudity. (Rating bulletin 2484 (Cert #51137), 7/12/2017) |
| Running Time: | 90 minutes |
| Geographical setting: | Paris |
| Plot point: | Artists, Critic, Writing and Writers |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Riverstone Pictures, HanWay Films, Potboiler Productions, Olive Productions, Arsam Intl., Lowsun Productions |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 56 | $25,472 | 3 | $8,491 | $25,472 | 1 | |
| Mar 30, 2018 | 46 | $32,428 | +27% | 9 | $3,603 | $70,058 | 2 |
| Apr 6, 2018 | 37 | $54,243 | +67% | 21 | $2,583 | $140,399 | 3 |
| Apr 13, 2018 | 39 | $39,909 | -26% | 32 | $1,247 | $201,366 | 4 |
| Apr 20, 2018 | 34 | $73,078 | +83% | 100 | $731 | $294,457 | 5 |
| Apr 27, 2018 | 39 | $37,999 | -48% | 69 | $551 | $375,100 | 6 |
| May 4, 2018 | 49 | $19,548 | -49% | 40 | $489 | $417,880 | 7 |
| May 11, 2018 | 62 | $12,345 | -37% | 24 | $514 | $443,225 | 8 |
| May 18, 2018 | 77 | $4,222 | -66% | 14 | $302 | $453,123 | 9 |
| May 25, 2018 | 92 | $1,239 | -71% | 7 | $177 | $455,475 | 10 |
| Jun 1, 2018 | 83 | $1,972 | +59% | 4 | $493 | $457,952 | 11 |
| Jun 8, 2018 | 81 | $1,263 | -36% | 3 | $421 | $459,676 | 12 |
| Jun 15, 2018 | 83 | $602 | -52% | 4 | $151 | $460,859 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 57 | $37,630 | 3 | $12,543 | $37,630 | 1 | |
| Mar 30, 2018 | 46 | $48,526 | +29% | 9 | $5,392 | $86,156 | 2 |
| Apr 6, 2018 | 38 | $75,301 | +55% | 21 | $3,586 | $161,457 | 3 |
| Apr 13, 2018 | 39 | $59,922 | -20% | 32 | $1,873 | $221,379 | 4 |
| Apr 20, 2018 | 33 | $115,722 | +93% | 100 | $1,157 | $337,101 | 5 |
| Apr 27, 2018 | 38 | $61,231 | -47% | 69 | $887 | $398,332 | 6 |
| May 4, 2018 | 48 | $32,548 | -47% | 40 | $814 | $430,880 | 7 |
| May 11, 2018 | 63 | $18,021 | -45% | 24 | $751 | $448,901 | 8 |
| May 18, 2018 | 82 | $5,335 | -70% | 14 | $381 | $454,236 | 9 |
| May 25, 2018 | 94 | $1,744 | -67% | 7 | $249 | $455,980 | 10 |
| Jun 1, 2018 | 86 | $2,433 | +40% | 4 | $608 | $458,413 | 11 |
| Jun 8, 2018 | 83 | $1,844 | -24% | 3 | $615 | $460,257 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/29/2017 | $1,267 | 4 | 52 | 330 | $457,927 | 2/12/2018 | |||
| France | 6/8/2018 | $55,825 | 0 | 0 | 0 | $55,825 | 6/15/2018 | |||
| Netherlands | 12/8/2017 | $20,173 | 31 | 31 | 62 | $49,641 | 12/20/2017 | |||
| New Zealand | 10/6/2017 | $12,427 | 12 | 14 | 47 | $41,657 | 11/6/2017 | |||
| Portugal | 3/16/2018 | $10,055 | 10 | 10 | 24 | $23,123 | 4/3/2018 | |||
| Russia (CIS) | 1/12/2018 | $24,969 | 54 | 54 | 55 | $51,334 | 1/8/2019 | |||
| South Korea | 9/18/2018 | $0 | 0 | 55 | 125 | $127,475 | 10/26/2018 | |||
| Spain | 12/29/2017 | $29,025 | 42 | 42 | 68 | $78,500 | 1/12/2018 | |||
| Turkey | 8/18/2017 | $4,648 | 13 | 13 | 13 | $16,661 | 2/26/2019 | |||
| United Kingdom | 8/18/2017 | $104,081 | 59 | 59 | 167 | $362,839 | 10/25/2017 | |||
| International Total | $1,264,982 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Geoffrey Rush | Alberto Giacometti | |
| Armie Hammer | James Lord |
Supporting
| Clémence Poésy | Caroline | |
| Tony Shalhoub | Diego Giacometti | |
| Sylvie Testud | Annette Giacometti | |
| James Faulkner | Pierre Matisse | |
| Kerry Shale | Claude Martineau | |
| Annabel Mullion | Anne-Marie Frenaud | |
| Tim Dreisden | Cafe Waiter | |
| Takatsuna Mukai | Annette’s Lover |
Production and Technical Credits
| Stanley Tucci | Director | |
| Stanley Tucci | Screenwriter | |
| James Lord | Story based on “A Giacometti Portrait” by | |
| Gail Egan | Producer | |
| Nik Bower | Producer | |
| Ilann Girard | Producer | |
| Deepak Nayar | Executive Producer | |
| Fred Hogge | Executive Producer | |
| Ted Blumberg | Executive Producer | |
| Michael S. Constable* | Line Producer | |
| Danny Cohen | Director of Photography | |
| James Merifield | Production Designer | |
| Camilla Toniolo | Editor | |
| Evan Lurie | Composer | |
| Liza Bracey | Costume Designer | |
| Nina Gold | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. Final Portrait is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity.
Metrics
| Opening Weekend: | $25,472 (5.5% of total gross) |
| Legs: | 6.31 (domestic box office/biggest weekend) |
| Domestic Share: | 26.7% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/100 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $605,032 |
Movie Details
| Domestic Releases: | March 23rd, 2018 (Limited) by Sony Pictures Classics |
| International Releases: | August 18th, 2017 (Wide), released as Son Portre (Turkey)
August 18th, 2017 (Wide) (United Kingdom) September 29th, 2017 (Wide) (Australia) October 6th, 2017 (Wide) (New Zealand) December 8th, 2017 (Wide) (Netherlands) ... Show all releases |
| Video Release: | July 31st, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language, some sexual references and nudity. (Rating bulletin 2484 (Cert #51137), 7/12/2017) |
| Running Time: | 90 minutes |
| Geographical setting: | Paris |
| Plot point: | Artists, Critic, Writing and Writers |
| Time period setting: | 1960s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Riverstone Pictures, HanWay Films, Potboiler Productions, Olive Productions, Arsam Intl., Lowsun Productions |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 56 | $25,472 | 3 | $8,491 | $25,472 | 1 | |
| Mar 30, 2018 | 46 | $32,428 | +27% | 9 | $3,603 | $70,058 | 2 |
| Apr 6, 2018 | 37 | $54,243 | +67% | 21 | $2,583 | $140,399 | 3 |
| Apr 13, 2018 | 39 | $39,909 | -26% | 32 | $1,247 | $201,366 | 4 |
| Apr 20, 2018 | 34 | $73,078 | +83% | 100 | $731 | $294,457 | 5 |
| Apr 27, 2018 | 39 | $37,999 | -48% | 69 | $551 | $375,100 | 6 |
| May 4, 2018 | 49 | $19,548 | -49% | 40 | $489 | $417,880 | 7 |
| May 11, 2018 | 62 | $12,345 | -37% | 24 | $514 | $443,225 | 8 |
| May 18, 2018 | 77 | $4,222 | -66% | 14 | $302 | $453,123 | 9 |
| May 25, 2018 | 92 | $1,239 | -71% | 7 | $177 | $455,475 | 10 |
| Jun 1, 2018 | 83 | $1,972 | +59% | 4 | $493 | $457,952 | 11 |
| Jun 8, 2018 | 81 | $1,263 | -36% | 3 | $421 | $459,676 | 12 |
| Jun 15, 2018 | 83 | $602 | -52% | 4 | $151 | $460,859 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 23, 2018 | 57 | $37,630 | 3 | $12,543 | $37,630 | 1 | |
| Mar 30, 2018 | 46 | $48,526 | +29% | 9 | $5,392 | $86,156 | 2 |
| Apr 6, 2018 | 38 | $75,301 | +55% | 21 | $3,586 | $161,457 | 3 |
| Apr 13, 2018 | 39 | $59,922 | -20% | 32 | $1,873 | $221,379 | 4 |
| Apr 20, 2018 | 33 | $115,722 | +93% | 100 | $1,157 | $337,101 | 5 |
| Apr 27, 2018 | 38 | $61,231 | -47% | 69 | $887 | $398,332 | 6 |
| May 4, 2018 | 48 | $32,548 | -47% | 40 | $814 | $430,880 | 7 |
| May 11, 2018 | 63 | $18,021 | -45% | 24 | $751 | $448,901 | 8 |
| May 18, 2018 | 82 | $5,335 | -70% | 14 | $381 | $454,236 | 9 |
| May 25, 2018 | 94 | $1,744 | -67% | 7 | $249 | $455,980 | 10 |
| Jun 1, 2018 | 86 | $2,433 | +40% | 4 | $608 | $458,413 | 11 |
| Jun 8, 2018 | 83 | $1,844 | -24% | 3 | $615 | $460,257 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/29/2017 | $1,267 | 4 | 52 | 330 | $457,927 | 2/12/2018 | |||
| France | 6/8/2018 | $55,825 | 0 | 0 | 0 | $55,825 | 6/15/2018 | |||
| Netherlands | 12/8/2017 | $20,173 | 31 | 31 | 62 | $49,641 | 12/20/2017 | |||
| New Zealand | 10/6/2017 | $12,427 | 12 | 14 | 47 | $41,657 | 11/6/2017 | |||
| Portugal | 3/16/2018 | $10,055 | 10 | 10 | 24 | $23,123 | 4/3/2018 | |||
| Russia (CIS) | 1/12/2018 | $24,969 | 54 | 54 | 55 | $51,334 | 1/8/2019 | |||
| South Korea | 9/18/2018 | $0 | 0 | 55 | 125 | $127,475 | 10/26/2018 | |||
| Spain | 12/29/2017 | $29,025 | 42 | 42 | 68 | $78,500 | 1/12/2018 | |||
| Turkey | 8/18/2017 | $4,648 | 13 | 13 | 13 | $16,661 | 2/26/2019 | |||
| United Kingdom | 8/18/2017 | $104,081 | 59 | 59 | 167 | $362,839 | 10/25/2017 | |||
| International Total | $1,264,982 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Geoffrey Rush | Alberto Giacometti | |
| Armie Hammer | James Lord |
Supporting
| Clémence Poésy | Caroline | |
| Tony Shalhoub | Diego Giacometti | |
| Sylvie Testud | Annette Giacometti | |
| James Faulkner | Pierre Matisse | |
| Kerry Shale | Claude Martineau | |
| Annabel Mullion | Anne-Marie Frenaud | |
| Tim Dreisden | Cafe Waiter | |
| Takatsuna Mukai | Annette’s Lover |
Production and Technical Credits
| Stanley Tucci | Director | |
| Stanley Tucci | Screenwriter | |
| James Lord | Story based on “A Giacometti Portrait” by | |
| Gail Egan | Producer | |
| Nik Bower | Producer | |
| Ilann Girard | Producer | |
| Deepak Nayar | Executive Producer | |
| Fred Hogge | Executive Producer | |
| Ted Blumberg | Executive Producer | |
| Michael S. Constable* | Line Producer | |
| Danny Cohen | Director of Photography | |
| James Merifield | Production Designer | |
| Camilla Toniolo | Editor | |
| Evan Lurie | Composer | |
| Liza Bracey | Costume Designer | |
| Nina Gold | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.