Finding Emily (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $1,541,870 | Details |
| International Box Office | $1,518,360 | Details |
| Worldwide Box Office | $3,060,230 | |
| OpusData ID: 767020100 More info... | ||
| Further financial details... | ||
Synopsis
When a lovesick musician is given the wrong number for his dream girl, he teams up with a driven psychology student to find her. Together, they spark a hilarious campus-wide frenzy that tests their own hearts and ambitions along the way.
Metrics
| Opening Weekend: | $708,905 (46.0% of total gross) |
| Legs: | 2.18 (domestic box office/biggest weekend) |
| Domestic Share: | 50.4% (domestic box office/worldwide) |
| Theater counts: | 681 opening theaters/681 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,541,870 |
Movie Details
| Domestic Releases: | August 28th, 2026 (Wide) by Focus Features |
| International Releases: | May 21st, 2026 (Wide) (Australia)
May 21st, 2026 (Wide) (New Zealand) May 22nd, 2026 (Wide) (United Kingdom) May 28th, 2026 (Wide) (Austria) May 28th, 2026 (Limited) (Netherlands) ... Show all releases |
| MPA Rating: | PG-13 for sexual references, language, some crude material and drug references. (Rating bulletin 2940 (cert #55211), 6/10/2026) |
| Running Time: | 110 minutes |
| Geographical setting: | England |
| Plot point: | Relationships Gone Wrong, Research Scientist, Romance, Songwriter |
| Social setting: | College |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Focus Features, Parkville Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | - | $708,905 | 681 | $1,041 | $708,905 | 1 | |
| Sep 4, 2026 | - | $258,645 | -64% | 586 | $441 | $1,359,480 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | - | $299,160 | 681 | $439 | $299,160 | 1 | ||
| Aug 29, 2026 | - | $231,040 | -23% | 681 | $339 | $530,200 | 2 | |
| Aug 30, 2026 | - | $178,705 | -23% | 681 | $262 | $708,905 | 3 | |
| Aug 31, 2026 | - | $90,195 | -50% | 681 | $132 | $799,100 | 4 | |
| Sep 1, 2026 | - | $145,255 | +61% | 681 | $213 | $944,355 | 5 | |
| Sep 2, 2026 | - | $96,445 | -34% | 681 | $142 | $1,040,800 | 6 | |
| Sep 3, 2026 | - | $60,035 | -38% | 681 | $88 | $1,100,835 | 7 | |
| Sep 4, 2026 | - | $63,455 | +6% | -79% | 586 | $108 | $1,164,290 | 8 |
| Sep 5, 2026 | - | $96,365 | +52% | -58% | 586 | $164 | $1,260,655 | 9 |
| Sep 6, 2026 | - | $98,825 | +3% | -45% | 586 | $169 | $1,359,480 | 10 |
| Sep 7, 2026 | - | $95,480 | -3% | +6% | 586 | $163 | $1,454,960 | 11 |
| Sep 8, 2026 | - | $43,210 | -55% | -70% | 586 | $74 | $1,498,170 | 12 |
| Sep 9, 2026 | - | $30,290 | -30% | -69% | 586 | $52 | $1,528,460 | 13 |
| Sep 10, 2026 | - | $13,410 | -56% | -78% | 586 | $23 | $1,541,870 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | 12 | $1,100,835 | 681 | $1,616 | $1,100,835 | 1 | |
| Sep 4, 2026 | 19 | $441,035 | -60% | 586 | $753 | $1,541,870 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/21/2026 | $109,320 | 211 | 211 | 0 | $251,788 | 8/24/2026 | |||
| Netherlands | 5/28/2026 | $61,850 | 90 | 90 | 274 | $322,720 | 8/1/2026 | |||
| New Zealand | 5/21/2026 | $17,221 | 74 | 74 | 0 | $56,349 | 7/22/2026 | |||
| United Kingdom | 5/22/2026 | $285,919 | 470 | 470 | 831 | $837,763 | 6/17/2026 | |||
| Rest of World | $49,740 | |||||||||
| International Total | $1,518,360 | 8/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Angourie Rice | Emily Raines | |
| Spike Fearn | Owen Brompton |
Supporting
| Minnie Driver | Dean Watkinson | |
| Ella Maisy Purvis | Meg | |
| Timothy Innes | Tristan | |
| Nadia Parkes | Laura Lewis | |
| Cora Kirk | Anna | |
| Sadie Soverall | Fairy Emily | |
| Prasanna Puwanarajah | Professor Westlake | |
| Jack Riddiford | Matt | |
| Yali Topol Margalith | Emily Palmer | |
| Kat Ronney | Emily Thewlis | |
| Amber Grappy | Rhea | |
| Fiona Allen | Receptionist | |
| Faye Campbell | Emily Dixon | |
| Anthony J. Abraham | Kyle | |
| Carl Blakeley | AJ | |
| Trudy Akobeng | Emily Horsefield | |
| Toby Rothwell | Caretaker | |
| Hannah Greensmith | Female Romeo | |
| Tash Major | Emily Potts | |
| Scarlett-Mai Grant | Emily Cousins | |
| Julia Rogers | Emily Weston | |
| Dalu Thebe | Dr. Abaje | |
| Emily Ash | Amy | |
| Thomas Derbyshire | Bottle Opener Guy | |
| Isabella Laughland | Freya | |
| Jelani D’Aguilar | Student Jace | |
| Ellie Henry | Thesis Subject 1 | |
| Billie Hindle | Thesis Subject 2 | |
| Sam Cartwright | Thesis Subject 3 | |
| Samuel Heron | Random Guy | |
| Aaron Shaw | Bartender 1 | |
| Annie Moxon | Bartender 2 | |
| Gigi | Bartender 3 | |
| Hunter King | Bartender 4 | |
| Anna Phylactic | Drag Performer | |
| Lotty Marsh | Emily Jani | |
| Yasmin Paige | Emily Hassan | |
| Kat Kitchener | Emily Webber | |
| Herin Seo | Emily Hwang | |
| Sibusisiwe Nyoni | Emily Traore | |
| Alexandra Finnie | Emily Gregor | |
| Lois Mackie | Emily Santis | |
| Matthew McDonnell | Male Juliet | |
| Michael Barker | Male Nurse/Callum | |
| Caitlin Townend | Female Mercutio | |
| Peter Rugman | Student Tommy | |
| Amy Chung | Student Nat | |
| Joe Henry-Evans | Student Dom | |
| Julia Bisby | Dr. Jones | |
| Jill Stanford | Crabby Egg and Cress Woman | |
| Dean Taylor | Crabby Egg and Cress Man | |
| Zahra Mailk | Libby | |
| Ruby Ablett | Cheryl | |
| Nathan Foad | Jaded Nathan | |
| Claude Johnson | Influencer | |
| Kyron Hamilton | Influencer | |
| Javell Lynton Carty | Influencer | |
| Audrey Indome | Influencer | |
| Tolani Shoneye | Influencer | |
| Marcus Williams | Influencer | |
| Alex Stuart | Influencer | |
| Jake Schroeder | Influencer | |
| Harry Trevaldwyn | Influencer | |
| Kyrah Gray | Influencer | |
| Charli Howard | Influencer | |
| Richie McDonald | Bouncer | |
| Jake Cooke | Club Promoter | |
| Joseph Evans | W.H. Lung Lead Singer | |
| Charles Humphreys | Louis | |
| Jade Butterfield | Drunk Girl | |
| Kara Lynch | Drunk Girl | |
| Josh Pugh | Music Store Manager | |
| Stephen Whitfield | Pub Manager | |
| Tom Ogden | Blossoms Lead Singer | |
| Rokeebat Agaba | Student Jess |
Production and Technical Credits
| Alicia MacDonald | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Olivier Kaempfer | Producer | |
| Rachel Hirons | Screenwriter | |
| Angela Moneke | Executive Producer | |
| Thea Paulett | Executive Producer | |
| Douglas Cox | Co-Producer | |
| Rachel Clark | Director of Photography | |
| Bobbie Cousins | Production Designer | |
| Phil Hignett | Editor | |
| Sara Hassan | Costume Designer | |
| Janet Horsfield | Make-up and Hair Designer | |
| Morgan Kibby | Composer | |
| Iain Cooke | Music Supervisor | |
| Aisha Bywaters | Casting Director | |
| Stephanie Carey | Stunt Coordinator | |
| Gary Kane | Stunt Coordinator | |
| Andrew Merchant | Stunt Coordinator | |
| Cecilia Frugiuele | Executive Producer | |
| Claire O’Neill | Associate Producer | |
| Adam Pursey | Unit Production Manager | |
| Mark Challenor | First Assistant Director | |
| Shelley Lankovits | First Assistant Director | |
| Bruno Tormos | Second Assistant Director | |
| Steve Walker | Script Supervisor | |
| Verity Wislocki | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a lovesick musician is given the wrong number for his dream girl, he teams up with a driven psychology student to find her. Together, they spark a hilarious campus-wide frenzy that tests their own hearts and ambitions along the way.
Metrics
| Opening Weekend: | $708,905 (46.0% of total gross) |
| Legs: | 2.18 (domestic box office/biggest weekend) |
| Domestic Share: | 50.4% (domestic box office/worldwide) |
| Theater counts: | 681 opening theaters/681 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,541,870 |
Movie Details
| Domestic Releases: | August 28th, 2026 (Wide) by Focus Features |
| International Releases: | May 21st, 2026 (Wide) (Australia)
May 21st, 2026 (Wide) (New Zealand) May 22nd, 2026 (Wide) (United Kingdom) May 28th, 2026 (Wide) (Austria) May 28th, 2026 (Limited) (Netherlands) ... Show all releases |
| MPA Rating: | PG-13 for sexual references, language, some crude material and drug references. (Rating bulletin 2940 (cert #55211), 6/10/2026) |
| Running Time: | 110 minutes |
| Geographical setting: | England |
| Plot point: | Relationships Gone Wrong, Research Scientist, Romance, Songwriter |
| Social setting: | College |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Focus Features, Parkville Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | - | $708,905 | 681 | $1,041 | $708,905 | 1 | |
| Sep 4, 2026 | - | $258,645 | -64% | 586 | $441 | $1,359,480 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | - | $299,160 | 681 | $439 | $299,160 | 1 | ||
| Aug 29, 2026 | - | $231,040 | -23% | 681 | $339 | $530,200 | 2 | |
| Aug 30, 2026 | - | $178,705 | -23% | 681 | $262 | $708,905 | 3 | |
| Aug 31, 2026 | - | $90,195 | -50% | 681 | $132 | $799,100 | 4 | |
| Sep 1, 2026 | - | $145,255 | +61% | 681 | $213 | $944,355 | 5 | |
| Sep 2, 2026 | - | $96,445 | -34% | 681 | $142 | $1,040,800 | 6 | |
| Sep 3, 2026 | - | $60,035 | -38% | 681 | $88 | $1,100,835 | 7 | |
| Sep 4, 2026 | - | $63,455 | +6% | -79% | 586 | $108 | $1,164,290 | 8 |
| Sep 5, 2026 | - | $96,365 | +52% | -58% | 586 | $164 | $1,260,655 | 9 |
| Sep 6, 2026 | - | $98,825 | +3% | -45% | 586 | $169 | $1,359,480 | 10 |
| Sep 7, 2026 | - | $95,480 | -3% | +6% | 586 | $163 | $1,454,960 | 11 |
| Sep 8, 2026 | - | $43,210 | -55% | -70% | 586 | $74 | $1,498,170 | 12 |
| Sep 9, 2026 | - | $30,290 | -30% | -69% | 586 | $52 | $1,528,460 | 13 |
| Sep 10, 2026 | - | $13,410 | -56% | -78% | 586 | $23 | $1,541,870 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 28, 2026 | 12 | $1,100,835 | 681 | $1,616 | $1,100,835 | 1 | |
| Sep 4, 2026 | 19 | $441,035 | -60% | 586 | $753 | $1,541,870 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 5/21/2026 | $109,320 | 211 | 211 | 0 | $251,788 | 8/24/2026 | |||
| Netherlands | 5/28/2026 | $61,850 | 90 | 90 | 274 | $322,720 | 8/1/2026 | |||
| New Zealand | 5/21/2026 | $17,221 | 74 | 74 | 0 | $56,349 | 7/22/2026 | |||
| United Kingdom | 5/22/2026 | $285,919 | 470 | 470 | 831 | $837,763 | 6/17/2026 | |||
| Rest of World | $49,740 | |||||||||
| International Total | $1,518,360 | 8/24/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Angourie Rice | Emily Raines | |
| Spike Fearn | Owen Brompton |
Supporting
| Minnie Driver | Dean Watkinson | |
| Ella Maisy Purvis | Meg | |
| Timothy Innes | Tristan | |
| Nadia Parkes | Laura Lewis | |
| Cora Kirk | Anna | |
| Sadie Soverall | Fairy Emily | |
| Prasanna Puwanarajah | Professor Westlake | |
| Jack Riddiford | Matt | |
| Yali Topol Margalith | Emily Palmer | |
| Kat Ronney | Emily Thewlis | |
| Amber Grappy | Rhea | |
| Fiona Allen | Receptionist | |
| Faye Campbell | Emily Dixon | |
| Anthony J. Abraham | Kyle | |
| Carl Blakeley | AJ | |
| Trudy Akobeng | Emily Horsefield | |
| Toby Rothwell | Caretaker | |
| Hannah Greensmith | Female Romeo | |
| Tash Major | Emily Potts | |
| Scarlett-Mai Grant | Emily Cousins | |
| Julia Rogers | Emily Weston | |
| Dalu Thebe | Dr. Abaje | |
| Emily Ash | Amy | |
| Thomas Derbyshire | Bottle Opener Guy | |
| Isabella Laughland | Freya | |
| Jelani D’Aguilar | Student Jace | |
| Ellie Henry | Thesis Subject 1 | |
| Billie Hindle | Thesis Subject 2 | |
| Sam Cartwright | Thesis Subject 3 | |
| Samuel Heron | Random Guy | |
| Aaron Shaw | Bartender 1 | |
| Annie Moxon | Bartender 2 | |
| Gigi | Bartender 3 | |
| Hunter King | Bartender 4 | |
| Anna Phylactic | Drag Performer | |
| Lotty Marsh | Emily Jani | |
| Yasmin Paige | Emily Hassan | |
| Kat Kitchener | Emily Webber | |
| Herin Seo | Emily Hwang | |
| Sibusisiwe Nyoni | Emily Traore | |
| Alexandra Finnie | Emily Gregor | |
| Lois Mackie | Emily Santis | |
| Matthew McDonnell | Male Juliet | |
| Michael Barker | Male Nurse/Callum | |
| Caitlin Townend | Female Mercutio | |
| Peter Rugman | Student Tommy | |
| Amy Chung | Student Nat | |
| Joe Henry-Evans | Student Dom | |
| Julia Bisby | Dr. Jones | |
| Jill Stanford | Crabby Egg and Cress Woman | |
| Dean Taylor | Crabby Egg and Cress Man | |
| Zahra Mailk | Libby | |
| Ruby Ablett | Cheryl | |
| Nathan Foad | Jaded Nathan | |
| Claude Johnson | Influencer | |
| Kyron Hamilton | Influencer | |
| Javell Lynton Carty | Influencer | |
| Audrey Indome | Influencer | |
| Tolani Shoneye | Influencer | |
| Marcus Williams | Influencer | |
| Alex Stuart | Influencer | |
| Jake Schroeder | Influencer | |
| Harry Trevaldwyn | Influencer | |
| Kyrah Gray | Influencer | |
| Charli Howard | Influencer | |
| Richie McDonald | Bouncer | |
| Jake Cooke | Club Promoter | |
| Joseph Evans | W.H. Lung Lead Singer | |
| Charles Humphreys | Louis | |
| Jade Butterfield | Drunk Girl | |
| Kara Lynch | Drunk Girl | |
| Josh Pugh | Music Store Manager | |
| Stephen Whitfield | Pub Manager | |
| Tom Ogden | Blossoms Lead Singer | |
| Rokeebat Agaba | Student Jess |
Production and Technical Credits
| Alicia MacDonald | Director | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Olivier Kaempfer | Producer | |
| Rachel Hirons | Screenwriter | |
| Angela Moneke | Executive Producer | |
| Thea Paulett | Executive Producer | |
| Douglas Cox | Co-Producer | |
| Rachel Clark | Director of Photography | |
| Bobbie Cousins | Production Designer | |
| Phil Hignett | Editor | |
| Sara Hassan | Costume Designer | |
| Janet Horsfield | Make-up and Hair Designer | |
| Morgan Kibby | Composer | |
| Iain Cooke | Music Supervisor | |
| Aisha Bywaters | Casting Director | |
| Stephanie Carey | Stunt Coordinator | |
| Gary Kane | Stunt Coordinator | |
| Andrew Merchant | Stunt Coordinator | |
| Cecilia Frugiuele | Executive Producer | |
| Claire O’Neill | Associate Producer | |
| Adam Pursey | Unit Production Manager | |
| Mark Challenor | First Assistant Director | |
| Shelley Lankovits | First Assistant Director | |
| Bruno Tormos | Second Assistant Director | |
| Steve Walker | Script Supervisor | |
| Verity Wislocki | Post-Production Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.