The Finest Hours (2016)
| Theatrical Performance | ||
| Domestic Box Office | $27,569,558 | Details |
| International Box Office | $21,683,203 | Details |
| Worldwide Box Office | $49,252,761 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,267,169 | |
| Blu-ray Sales (estimated) | $1,987,084 | |
| Total | $5,254,253 | |
| OpusData ID: 218740100 More info... | ||
| Further financial details... | ||
Synopsis
On February 18, 1952, a massive nor’easter struck New England, pummeling towns along the Eastern seaboard and wreaking havoc on the ships caught in its deadly path, including the SS Pendleton, a T-2 oil tanker bound for Boston, which was literally ripped in half, trapping more than 30 sailors inside its rapidly-sinking stern. As the senior officer on board, first assistant engineer Ray Sybert soon realizes it is up to him to take charge of the frightened crew and inspire the men to set aside their differences and work together to ride out one of the worst storms to ever hit the East Coast. Meanwhile, as word of the disaster reaches the U.S. Coast Guard station in Chatham, Massachusetts, Warrant Officer Daniel Cluff orders a daring operation to rescue the stranded men. Despite overwhelming odds, four men, led by Coast Guard Captain Bernie Webber, set out in a wooden lifeboat with an ill-equipped engine and little, if any, means of navigation, facing frigid temperatures, 60-foot high waves and hurricane-force winds.
Metrics
| Opening Weekend: | $10,288,932 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 56.0% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,143 opening theaters/3,143 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,119,295 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Wide) by Walt Disney January 29th, 2016 (IMAX) by Walt Disney |
| International Releases: | January 27th, 2016 (Wide) (Belgium)
January 28th, 2016 (Wide) (Bolivia) January 28th, 2016 (Wide) (Cambodia) January 28th, 2016 (Wide) (Colombia) January 28th, 2016 (Wide) (Czech Republic) ... Show all releases |
| Video Release: | May 24th, 2016 by Walt Disney Home Entertainment |
| MPA Rating: | PG for intense sequences of peril. (Rating bulletin 2401 (Cert #50087), 11/25/2015) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Ensemble |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Plot point: | Disaster, On a Boat, Rescue, Extreme Weather |
| Subgenre: | Action Thriller |
| Time period setting: | 1950s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Walt Disney Pictures, Whitaker Entertainment, Red Hawk Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 4 | $10,288,932 | 3,143 | $3,274 | $10,288,932 | 1 | |
| Feb 5, 2016 | 7 | $4,826,239 | -53% | 3,143 | $1,536 | $18,491,899 | 2 |
| Feb 12, 2016 | 11 | $2,715,268 | -44% | 1,794 | $1,514 | $23,243,114 | 3 |
| Feb 19, 2016 | 16 | $1,010,546 | -63% | 946 | $1,068 | $25,473,815 | 4 |
| Feb 26, 2016 | 26 | $434,041 | -57% | 507 | $856 | $26,353,900 | 5 |
| Mar 4, 2016 | 30 | $259,970 | -40% | 218 | $1,193 | $26,766,651 | 6 |
| Mar 11, 2016 | 30 | $178,453 | -31% | 142 | $1,257 | $27,030,752 | 7 |
| Mar 18, 2016 | 33 | $178,430 | n/c | 176 | $1,014 | $27,279,548 | 8 |
| Mar 25, 2016 | 32 | $86,817 | -51% | 123 | $706 | $27,452,772 | 9 |
| Apr 1, 2016 | 44 | $52,154 | -40% | 81 | $644 | $27,550,735 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2016 | P | $375,000 | 0 | $375,000 | ||||
| Jan 29, 2016 | 2 | $3,335,087 | 3,143 | $1,061 | $3,335,087 | 1 | ||
| Jan 30, 2016 | 4 | $4,339,333 | +30% | 3,143 | $1,381 | $7,674,420 | 2 | |
| Jan 31, 2016 | 4 | $2,614,512 | -40% | 3,143 | $832 | $10,288,932 | 3 | |
| Feb 1, 2016 | 4 | $761,434 | -71% | 3,143 | $242 | $11,050,366 | 4 | |
| Feb 2, 2016 | 3 | $1,129,280 | +48% | 3,143 | $359 | $12,179,646 | 5 | |
| Feb 3, 2016 | 4 | $759,155 | -33% | 3,143 | $242 | $12,938,801 | 6 | |
| Feb 4, 2016 | 4 | $726,859 | -4% | 3,143 | $231 | $13,665,660 | 7 | |
| Feb 5, 2016 | 7 | $1,536,603 | +111% | -54% | 3,143 | $489 | $15,202,263 | 8 |
| Feb 6, 2016 | 7 | $2,514,725 | +64% | -42% | 3,143 | $800 | $17,716,988 | 9 |
| Feb 7, 2016 | 7 | $774,911 | -69% | -70% | 3,143 | $247 | $18,491,899 | 10 |
| Feb 8, 2016 | 5 | $469,335 | -39% | -38% | 3,143 | $149 | $18,961,234 | 11 |
| Feb 9, 2016 | 5 | $686,426 | +46% | -39% | 3,143 | $218 | $19,647,660 | 12 |
| Feb 10, 2016 | 5 | $462,478 | -33% | -39% | 3,143 | $147 | $20,110,138 | 13 |
| Feb 11, 2016 | 6 | $417,708 | -10% | -43% | 3,143 | $133 | $20,527,846 | 14 |
| Feb 12, 2016 | 11 | $588,492 | +41% | -62% | 1,794 | $328 | $21,116,338 | 15 |
| Feb 13, 2016 | 11 | $1,057,352 | +80% | -58% | 1,794 | $589 | $22,173,690 | 16 |
| Feb 14, 2016 | 12 | $1,069,424 | +1% | +38% | 1,794 | $596 | $23,243,114 | 17 |
| Feb 15, 2016 | 11 | $525,545 | -51% | +12% | 1,794 | $293 | $23,768,659 | 18 |
| Feb 16, 2016 | 9 | $291,417 | -45% | -58% | 1,794 | $162 | $24,060,076 | 19 |
| Feb 17, 2016 | 9 | $207,486 | -29% | -55% | 1,794 | $116 | $24,267,562 | 20 |
| Feb 18, 2016 | 9 | $195,707 | -6% | -53% | 1,794 | $109 | $24,463,269 | 21 |
| Feb 19, 2016 | - | $281,688 | +44% | -52% | 946 | $298 | $24,744,957 | 22 |
| Feb 20, 2016 | 15 | $464,833 | +65% | -56% | 946 | $491 | $25,209,790 | 23 |
| Feb 21, 2016 | - | $264,025 | -43% | -75% | 946 | $279 | $25,473,815 | 24 |
| Feb 22, 2016 | 14 | $89,208 | -66% | -83% | 946 | $94 | $25,563,023 | 25 |
| Feb 23, 2016 | 12 | $139,789 | +57% | -52% | 946 | $148 | $25,702,812 | 26 |
| Feb 24, 2016 | 12 | $120,367 | -14% | -42% | 946 | $127 | $25,823,179 | 27 |
| Feb 25, 2016 | 14 | $96,680 | -20% | -51% | 946 | $102 | $25,919,859 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 4 | $13,665,660 | 3,143 | $4,348 | $13,665,660 | 1 | |
| Feb 5, 2016 | 7 | $6,862,186 | -50% | 3,143 | $2,183 | $20,527,846 | 2 |
| Feb 12, 2016 | 11 | $3,935,423 | -43% | 1,794 | $2,194 | $24,463,269 | 3 |
| Feb 19, 2016 | 16 | $1,456,590 | -63% | 946 | $1,540 | $25,919,859 | 4 |
| Feb 26, 2016 | 25 | $586,822 | -60% | 507 | $1,157 | $26,506,681 | 5 |
| Mar 4, 2016 | 29 | $345,618 | -41% | 218 | $1,585 | $26,852,299 | 6 |
| Mar 11, 2016 | 36 | $248,819 | -28% | 142 | $1,752 | $27,101,118 | 7 |
| Mar 18, 2016 | 32 | $264,837 | +6% | 176 | $1,505 | $27,365,955 | 8 |
| Mar 25, 2016 | 32 | $132,626 | -50% | 123 | $1,078 | $27,498,581 | 9 |
| Apr 1, 2016 | 45 | $70,977 | -46% | 81 | $876 | $27,569,558 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2016 | $188,852 | 63 | 63 | 121 | $353,534 | 4/12/2016 | |||
| Australia | 3/4/2016 | $176,610 | 183 | 183 | 317 | $363,584 | 6/9/2016 | |||
| Belgium | 1/27/2016 | $55,759 | 82 | 82 | 82 | $55,759 | 6/9/2016 | |||
| Bolivia | 1/28/2016 | $44,634 | 12 | 14 | 33 | $111,022 | 12/31/2018 | |||
| Brazil | 2/18/2016 | $253,253 | 171 | 171 | 244 | $384,305 | 6/9/2016 | |||
| Bulgaria | 2/5/2016 | $37,064 | 42 | 42 | 121 | $101,092 | 2/26/2019 | |||
| Cambodia | 1/28/2016 | $18,760 | 10 | 10 | 10 | $22,962 | 12/31/2018 | |||
| Central America | 3/3/2016 | $0 | 0 | 4 | 5 | $270,169 | 3/29/2016 | |||
| Chile | 3/3/2016 | $115,071 | 69 | 69 | 76 | $160,910 | 12/31/2018 | |||
| Colombia | 1/28/2016 | $197,824 | 212 | 212 | 267 | $304,987 | 12/31/2018 | |||
| Czech Republic | 1/28/2016 | $24,234 | 64 | 64 | 64 | $24,234 | 12/31/2018 | |||
| Ecuador | 2/5/2016 | $0 | 0 | 79 | 160 | $554,575 | 12/31/2018 | |||
| Egypt | 2/3/2016 | $24,467 | 1 | 1 | 2 | $55,709 | 12/31/2018 | |||
| France | 2/24/2016 | $298,285 | 202 | 202 | 202 | $300,577 | 6/9/2016 | |||
| Germany | 3/31/2016 | $32,296 | 57 | 57 | 57 | $32,296 | 6/9/2016 | |||
| Greece | 3/17/2016 | $38,912 | 18 | 18 | 33 | $84,824 | 6/9/2016 | |||
| Hong Kong | 2/25/2016 | $620,348 | 54 | 54 | 134 | $1,196,108 | 6/9/2016 | |||
| India | 2/5/2016 | $0 | 0 | 20 | 20 | $293,008 | 6/9/2016 | |||
| Indonesia | 1/29/2016 | $728,174 | 292 | 292 | 319 | $1,611,331 | 12/31/2018 | |||
| Iraq | 2/4/2016 | $14,053 | 6 | 6 | 13 | $36,024 | 12/31/2018 | |||
| Israel | 1/28/2016 | $68,364 | 47 | 47 | 82 | $96,757 | 12/31/2018 | |||
| Italy | 3/31/2016 | $26,297 | 15 | 15 | 15 | $26,297 | 6/9/2016 | |||
| Japan | 2/27/2016 | $876,030 | 407 | 407 | 810 | $2,221,112 | 6/9/2016 | |||
| Kenya | 2/5/2016 | $0 | 0 | 18 | 18 | $21,827 | 12/31/2018 | |||
| Kuwait | 2/4/2016 | $218,195 | 14 | 14 | 47 | $837,144 | 12/31/2018 | |||
| Lebanon | 2/4/2016 | $43,581 | 10 | 10 | 25 | $183,460 | 12/31/2018 | |||
| Malaysia | 2/18/2016 | $295,151 | 120 | 120 | 355 | $628,349 | 6/9/2016 | |||
| Mexico | 2/26/2016 | $375,024 | 0 | 65 | 65 | $872,330 | 6/9/2016 | |||
| Netherlands | 1/28/2016 | $43,790 | 47 | 47 | 47 | $43,790 | 6/9/2016 | |||
| New Zealand | 2/5/2016 | $92,125 | 89 | 89 | 221 | $210,353 | 6/9/2016 | |||
| Oman | 2/4/2016 | $66,405 | 10 | 14 | 31 | $178,209 | 12/31/2018 | |||
| Peru | 1/28/2016 | $122,591 | 72 | 72 | 119 | $258,479 | 12/31/2018 | |||
| Philippines | 3/2/2016 | $161,295 | 130 | 130 | 130 | $161,295 | 12/31/2018 | |||
| Poland | 1/29/2016 | $59,929 | 0 | 0 | 0 | $120,806 | 12/31/2018 | |||
| Portugal | 2/4/2016 | $68,173 | 59 | 59 | 155 | $222,475 | 6/9/2016 | |||
| Romania | 1/29/2016 | $0 | 0 | 43 | 43 | $272,810 | 12/31/2018 | |||
| Russia (CIS) | 2/4/2016 | $1,511,811 | 981 | 981 | 2,692 | $3,195,800 | 4/4/2026 | |||
| Singapore | 2/18/2016 | $179,805 | 33 | 33 | 73 | $318,022 | 6/9/2016 | |||
| South Africa | 2/5/2016 | $0 | 0 | 75 | 75 | $154,605 | 6/9/2016 | |||
| Taiwan | 3/11/2016 | $0 | 0 | 11 | 16 | $1,158,023 | 6/9/2016 | |||
| Thailand | 1/28/2016 | $186,731 | 130 | 130 | 217 | $359,113 | 6/9/2016 | |||
| Turkey | 1/29/2016 | $106,842 | 76 | 76 | 156 | $286,093 | 2/26/2019 | |||
| Ukraine | 2/4/2016 | $155,379 | 199 | 199 | 500 | $525,342 | 12/31/2018 | |||
| United Arab Emirates | 2/4/2016 | $640,364 | 72 | 72 | 183 | $1,541,392 | 12/31/2018 | |||
| United Kingdom | 2/19/2016 | $355,197 | 424 | 424 | 733 | $723,874 | 6/9/2016 | |||
| Uruguay | 3/3/2016 | $14,641 | 8 | 8 | 15 | $23,557 | 12/31/2018 | |||
| Rest of World | $724,879 | |||||||||
| International Total | $21,683,203 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Pine | Bernie Webber |
Supporting
| Casey Affleck | Raymond Sybert | |
| Ben Foster | Richard Livesey | |
| Eric Bana | Daniel Cluff | |
| Holliday Grainger | Miriam | |
| John Ortiz | Seaman Wallace Quirey | |
| Josh Stewart | Tchuda Southerland | |
| Keiynan Lonsdale | Eldon Hanan | |
| Michael Raymond-James | Seaman D.A. Brown | |
| Kyle Gallner | Andy Fitzgerald | |
| John Magaro | Ervin Maske | |
| Graham McTavish | Frank Fauteux | |
| Beau Knapp | Mel Gouthro | |
| Abraham Benrubi | George "Tiny" Meyers | |
| Rachel Brosnahan | Bea Hansen | |
| Ben Koldyke | Donald Bangs | |
| Matthew Maher | Carl Nickerson | |
| Alexander Cook | John Stello | |
| Polly Pillsbury | Local Townsfolk | |
| Peg Saurman Holzemer | Local Townsfolk | |
| Larry Eudene | Pendleton Crew #3 Whistle Blower | |
| Gene Harrison | Pendleton Crew Member #5 | |
| Joseph Barrett | Medic | |
| Lance Norris | Fisherman |
Production and Technical Credits
| Craig Gillespie | Director | |
| Paul Tamasy | Screenwriter | |
| Scott Silver | Screenwriter | |
| Eric Johnson | Screenwriter | |
| Casey Sherman | Based on the Book by | |
| Michael J. Tougias | Based on the Book by | |
| Jim Whitaker | Producer | |
| Dorothy Aufiero | Producer | |
| Doug Merrifield | Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Michael Corenblith | Production Designer | |
| Tatiana S. Riegel | Editor | |
| Louise Frogley | Costume Designer | |
| Carter Burwell | Composer | |
| Doug Merrifield | Line Producer | |
| Robert Mazaraki | Production Supervisor | |
| Vincent Lascoumes | Assistant Director | |
| Christophe Le Chanu | Assistant Director | |
| Emma Barber | Assistant Director | |
| Chad Goyette | Assistant Director | |
| Doug Merrifield | Unit Production Manager | |
| Mindy Marin | Casting Director | |
| Kara Lipson | Additional Casting-Casting Associate | |
| Tom Williams | Sound Mixer | |
| Christine Whitaker | Associate Producer | |
| Diane Durant | Script Supervisor | |
| Dan Boccoli | Assistant Editor | |
| Jered Zalman | Assistant Editor | |
| Michael McCusker | Editor | |
| Adam Milo Smalley | Music Editor | |
| Jon Mooney | Music Editor | |
| Michael Farrow | Score Mixer | |
| William Ladd Skinner | Art Director | |
| Ravi Bansal | Art Director | |
| Sam Avila | Assistant Art Director | |
| Susan Benjamin | Set Decorator | |
| Lorrie Campbell | Set Designer | |
| Robert Johnson | Set Designer | |
| Bria Kinter | Set Designer | |
| Masako Masuda | Set Designer | |
| Richard Reynolds | Set Designer | |
| Steven Saylor | Set Designer | |
| Clint Wallace | Set Designer | |
| Robert Woodruff | Set Designer | |
| Caroline Errington | Costume Supervisor | |
| Whitney James | Make up | |
| Mary Mastro | Hairstylist | |
| Mark P. Stoeckinger | Sound Editor | |
| Alan Rankin | Sound Designer | |
| Andy Koyama | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Martyn Zub | Re-recording Mixer | |
| Todd Toon | Sound Effects Editor | |
| Tim Walston | Sound Effects Editor | |
| Stephen P. Robinson | Sound Effects Editor | |
| Albert Gasser | Sound Effects Editor | |
| Ann Scibelli | Sound Effects Editor | |
| Michele Perrone | Dialogue Editor | |
| Kevin Scott | Stunt Coordinator | |
| Kevin L. Jackson | Stunt Coordinator | |
| Kevin Hahn | Visual Effects Supervisor | |
| Seth Maury | Visual Effects Supervisor | |
| Aaron Weintraub | Visual Effects Supervisor | |
| Mark Hawker | Special Effects Supervisor | |
| Craig Tex Barnett* | Special Effects Coordinator | |
| Paul V. Molles | Visual Effects Producer | |
| Felix Crawshaw | Visual Effects Producer | |
| Veronique Messier Lauzon | Visual Effects Producer | |
| Sarah McMurdo | Visual Effects Producer | |
| Tom Goodenough | Animation Supervisor | |
| Robert Caban | Special Effects |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On February 18, 1952, a massive nor’easter struck New England, pummeling towns along the Eastern seaboard and wreaking havoc on the ships caught in its deadly path, including the SS Pendleton, a T-2 oil tanker bound for Boston, which was literally ripped in half, trapping more than 30 sailors inside its rapidly-sinking stern. As the senior officer on board, first assistant engineer Ray Sybert soon realizes it is up to him to take charge of the frightened crew and inspire the men to set aside their differences and work together to ride out one of the worst storms to ever hit the East Coast. Meanwhile, as word of the disaster reaches the U.S. Coast Guard station in Chatham, Massachusetts, Warrant Officer Daniel Cluff orders a daring operation to rescue the stranded men. Despite overwhelming odds, four men, led by Coast Guard Captain Bernie Webber, set out in a wooden lifeboat with an ill-equipped engine and little, if any, means of navigation, facing frigid temperatures, 60-foot high waves and hurricane-force winds.
Metrics
| Opening Weekend: | $10,288,932 (37.3% of total gross) |
| Legs: | 2.68 (domestic box office/biggest weekend) |
| Domestic Share: | 56.0% (domestic box office/worldwide) |
| Production Budget: | $70,000,000 (worldwide box office is 0.7 times production budget) |
| Theater counts: | 3,143 opening theaters/3,143 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $38,119,295 |
Movie Details
| Domestic Releases: | January 29th, 2016 (Wide) by Walt Disney January 29th, 2016 (IMAX) by Walt Disney |
| International Releases: | January 27th, 2016 (Wide) (Belgium)
January 28th, 2016 (Wide) (Bolivia) January 28th, 2016 (Wide) (Cambodia) January 28th, 2016 (Wide) (Colombia) January 28th, 2016 (Wide) (Czech Republic) ... Show all releases |
| Video Release: | May 24th, 2016 by Walt Disney Home Entertainment |
| MPA Rating: | PG for intense sequences of peril. (Rating bulletin 2401 (Cert #50087), 11/25/2015) |
| Running Time: | 116 minutes |
| Cast, crew, or production detail: | Ensemble |
| Film format: | 3-D, 3-D - Post-production Conversion, IMAX: DMR |
| Plot point: | Disaster, On a Boat, Rescue, Extreme Weather |
| Subgenre: | Action Thriller |
| Time period setting: | 1950s |
| Source: | Based on Real Life Events |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Walt Disney Pictures, Whitaker Entertainment, Red Hawk Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 4 | $10,288,932 | 3,143 | $3,274 | $10,288,932 | 1 | |
| Feb 5, 2016 | 7 | $4,826,239 | -53% | 3,143 | $1,536 | $18,491,899 | 2 |
| Feb 12, 2016 | 11 | $2,715,268 | -44% | 1,794 | $1,514 | $23,243,114 | 3 |
| Feb 19, 2016 | 16 | $1,010,546 | -63% | 946 | $1,068 | $25,473,815 | 4 |
| Feb 26, 2016 | 26 | $434,041 | -57% | 507 | $856 | $26,353,900 | 5 |
| Mar 4, 2016 | 30 | $259,970 | -40% | 218 | $1,193 | $26,766,651 | 6 |
| Mar 11, 2016 | 30 | $178,453 | -31% | 142 | $1,257 | $27,030,752 | 7 |
| Mar 18, 2016 | 33 | $178,430 | n/c | 176 | $1,014 | $27,279,548 | 8 |
| Mar 25, 2016 | 32 | $86,817 | -51% | 123 | $706 | $27,452,772 | 9 |
| Apr 1, 2016 | 44 | $52,154 | -40% | 81 | $644 | $27,550,735 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jan 28, 2016 | P | $375,000 | 0 | $375,000 | ||||
| Jan 29, 2016 | 2 | $3,335,087 | 3,143 | $1,061 | $3,335,087 | 1 | ||
| Jan 30, 2016 | 4 | $4,339,333 | +30% | 3,143 | $1,381 | $7,674,420 | 2 | |
| Jan 31, 2016 | 4 | $2,614,512 | -40% | 3,143 | $832 | $10,288,932 | 3 | |
| Feb 1, 2016 | 4 | $761,434 | -71% | 3,143 | $242 | $11,050,366 | 4 | |
| Feb 2, 2016 | 3 | $1,129,280 | +48% | 3,143 | $359 | $12,179,646 | 5 | |
| Feb 3, 2016 | 4 | $759,155 | -33% | 3,143 | $242 | $12,938,801 | 6 | |
| Feb 4, 2016 | 4 | $726,859 | -4% | 3,143 | $231 | $13,665,660 | 7 | |
| Feb 5, 2016 | 7 | $1,536,603 | +111% | -54% | 3,143 | $489 | $15,202,263 | 8 |
| Feb 6, 2016 | 7 | $2,514,725 | +64% | -42% | 3,143 | $800 | $17,716,988 | 9 |
| Feb 7, 2016 | 7 | $774,911 | -69% | -70% | 3,143 | $247 | $18,491,899 | 10 |
| Feb 8, 2016 | 5 | $469,335 | -39% | -38% | 3,143 | $149 | $18,961,234 | 11 |
| Feb 9, 2016 | 5 | $686,426 | +46% | -39% | 3,143 | $218 | $19,647,660 | 12 |
| Feb 10, 2016 | 5 | $462,478 | -33% | -39% | 3,143 | $147 | $20,110,138 | 13 |
| Feb 11, 2016 | 6 | $417,708 | -10% | -43% | 3,143 | $133 | $20,527,846 | 14 |
| Feb 12, 2016 | 11 | $588,492 | +41% | -62% | 1,794 | $328 | $21,116,338 | 15 |
| Feb 13, 2016 | 11 | $1,057,352 | +80% | -58% | 1,794 | $589 | $22,173,690 | 16 |
| Feb 14, 2016 | 12 | $1,069,424 | +1% | +38% | 1,794 | $596 | $23,243,114 | 17 |
| Feb 15, 2016 | 11 | $525,545 | -51% | +12% | 1,794 | $293 | $23,768,659 | 18 |
| Feb 16, 2016 | 9 | $291,417 | -45% | -58% | 1,794 | $162 | $24,060,076 | 19 |
| Feb 17, 2016 | 9 | $207,486 | -29% | -55% | 1,794 | $116 | $24,267,562 | 20 |
| Feb 18, 2016 | 9 | $195,707 | -6% | -53% | 1,794 | $109 | $24,463,269 | 21 |
| Feb 19, 2016 | - | $281,688 | +44% | -52% | 946 | $298 | $24,744,957 | 22 |
| Feb 20, 2016 | 15 | $464,833 | +65% | -56% | 946 | $491 | $25,209,790 | 23 |
| Feb 21, 2016 | - | $264,025 | -43% | -75% | 946 | $279 | $25,473,815 | 24 |
| Feb 22, 2016 | 14 | $89,208 | -66% | -83% | 946 | $94 | $25,563,023 | 25 |
| Feb 23, 2016 | 12 | $139,789 | +57% | -52% | 946 | $148 | $25,702,812 | 26 |
| Feb 24, 2016 | 12 | $120,367 | -14% | -42% | 946 | $127 | $25,823,179 | 27 |
| Feb 25, 2016 | 14 | $96,680 | -20% | -51% | 946 | $102 | $25,919,859 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 29, 2016 | 4 | $13,665,660 | 3,143 | $4,348 | $13,665,660 | 1 | |
| Feb 5, 2016 | 7 | $6,862,186 | -50% | 3,143 | $2,183 | $20,527,846 | 2 |
| Feb 12, 2016 | 11 | $3,935,423 | -43% | 1,794 | $2,194 | $24,463,269 | 3 |
| Feb 19, 2016 | 16 | $1,456,590 | -63% | 946 | $1,540 | $25,919,859 | 4 |
| Feb 26, 2016 | 25 | $586,822 | -60% | 507 | $1,157 | $26,506,681 | 5 |
| Mar 4, 2016 | 29 | $345,618 | -41% | 218 | $1,585 | $26,852,299 | 6 |
| Mar 11, 2016 | 36 | $248,819 | -28% | 142 | $1,752 | $27,101,118 | 7 |
| Mar 18, 2016 | 32 | $264,837 | +6% | 176 | $1,505 | $27,365,955 | 8 |
| Mar 25, 2016 | 32 | $132,626 | -50% | 123 | $1,078 | $27,498,581 | 9 |
| Apr 1, 2016 | 45 | $70,977 | -46% | 81 | $876 | $27,569,558 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/3/2016 | $188,852 | 63 | 63 | 121 | $353,534 | 4/12/2016 | |||
| Australia | 3/4/2016 | $176,610 | 183 | 183 | 317 | $363,584 | 6/9/2016 | |||
| Belgium | 1/27/2016 | $55,759 | 82 | 82 | 82 | $55,759 | 6/9/2016 | |||
| Bolivia | 1/28/2016 | $44,634 | 12 | 14 | 33 | $111,022 | 12/31/2018 | |||
| Brazil | 2/18/2016 | $253,253 | 171 | 171 | 244 | $384,305 | 6/9/2016 | |||
| Bulgaria | 2/5/2016 | $37,064 | 42 | 42 | 121 | $101,092 | 2/26/2019 | |||
| Cambodia | 1/28/2016 | $18,760 | 10 | 10 | 10 | $22,962 | 12/31/2018 | |||
| Central America | 3/3/2016 | $0 | 0 | 4 | 5 | $270,169 | 3/29/2016 | |||
| Chile | 3/3/2016 | $115,071 | 69 | 69 | 76 | $160,910 | 12/31/2018 | |||
| Colombia | 1/28/2016 | $197,824 | 212 | 212 | 267 | $304,987 | 12/31/2018 | |||
| Czech Republic | 1/28/2016 | $24,234 | 64 | 64 | 64 | $24,234 | 12/31/2018 | |||
| Ecuador | 2/5/2016 | $0 | 0 | 79 | 160 | $554,575 | 12/31/2018 | |||
| Egypt | 2/3/2016 | $24,467 | 1 | 1 | 2 | $55,709 | 12/31/2018 | |||
| France | 2/24/2016 | $298,285 | 202 | 202 | 202 | $300,577 | 6/9/2016 | |||
| Germany | 3/31/2016 | $32,296 | 57 | 57 | 57 | $32,296 | 6/9/2016 | |||
| Greece | 3/17/2016 | $38,912 | 18 | 18 | 33 | $84,824 | 6/9/2016 | |||
| Hong Kong | 2/25/2016 | $620,348 | 54 | 54 | 134 | $1,196,108 | 6/9/2016 | |||
| India | 2/5/2016 | $0 | 0 | 20 | 20 | $293,008 | 6/9/2016 | |||
| Indonesia | 1/29/2016 | $728,174 | 292 | 292 | 319 | $1,611,331 | 12/31/2018 | |||
| Iraq | 2/4/2016 | $14,053 | 6 | 6 | 13 | $36,024 | 12/31/2018 | |||
| Israel | 1/28/2016 | $68,364 | 47 | 47 | 82 | $96,757 | 12/31/2018 | |||
| Italy | 3/31/2016 | $26,297 | 15 | 15 | 15 | $26,297 | 6/9/2016 | |||
| Japan | 2/27/2016 | $876,030 | 407 | 407 | 810 | $2,221,112 | 6/9/2016 | |||
| Kenya | 2/5/2016 | $0 | 0 | 18 | 18 | $21,827 | 12/31/2018 | |||
| Kuwait | 2/4/2016 | $218,195 | 14 | 14 | 47 | $837,144 | 12/31/2018 | |||
| Lebanon | 2/4/2016 | $43,581 | 10 | 10 | 25 | $183,460 | 12/31/2018 | |||
| Malaysia | 2/18/2016 | $295,151 | 120 | 120 | 355 | $628,349 | 6/9/2016 | |||
| Mexico | 2/26/2016 | $375,024 | 0 | 65 | 65 | $872,330 | 6/9/2016 | |||
| Netherlands | 1/28/2016 | $43,790 | 47 | 47 | 47 | $43,790 | 6/9/2016 | |||
| New Zealand | 2/5/2016 | $92,125 | 89 | 89 | 221 | $210,353 | 6/9/2016 | |||
| Oman | 2/4/2016 | $66,405 | 10 | 14 | 31 | $178,209 | 12/31/2018 | |||
| Peru | 1/28/2016 | $122,591 | 72 | 72 | 119 | $258,479 | 12/31/2018 | |||
| Philippines | 3/2/2016 | $161,295 | 130 | 130 | 130 | $161,295 | 12/31/2018 | |||
| Poland | 1/29/2016 | $59,929 | 0 | 0 | 0 | $120,806 | 12/31/2018 | |||
| Portugal | 2/4/2016 | $68,173 | 59 | 59 | 155 | $222,475 | 6/9/2016 | |||
| Romania | 1/29/2016 | $0 | 0 | 43 | 43 | $272,810 | 12/31/2018 | |||
| Russia (CIS) | 2/4/2016 | $1,511,811 | 981 | 981 | 2,692 | $3,195,800 | 4/4/2026 | |||
| Singapore | 2/18/2016 | $179,805 | 33 | 33 | 73 | $318,022 | 6/9/2016 | |||
| South Africa | 2/5/2016 | $0 | 0 | 75 | 75 | $154,605 | 6/9/2016 | |||
| Taiwan | 3/11/2016 | $0 | 0 | 11 | 16 | $1,158,023 | 6/9/2016 | |||
| Thailand | 1/28/2016 | $186,731 | 130 | 130 | 217 | $359,113 | 6/9/2016 | |||
| Turkey | 1/29/2016 | $106,842 | 76 | 76 | 156 | $286,093 | 2/26/2019 | |||
| Ukraine | 2/4/2016 | $155,379 | 199 | 199 | 500 | $525,342 | 12/31/2018 | |||
| United Arab Emirates | 2/4/2016 | $640,364 | 72 | 72 | 183 | $1,541,392 | 12/31/2018 | |||
| United Kingdom | 2/19/2016 | $355,197 | 424 | 424 | 733 | $723,874 | 6/9/2016 | |||
| Uruguay | 3/3/2016 | $14,641 | 8 | 8 | 15 | $23,557 | 12/31/2018 | |||
| Rest of World | $724,879 | |||||||||
| International Total | $21,683,203 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Chris Pine | Bernie Webber |
Supporting
| Casey Affleck | Raymond Sybert | |
| Ben Foster | Richard Livesey | |
| Eric Bana | Daniel Cluff | |
| Holliday Grainger | Miriam | |
| John Ortiz | Seaman Wallace Quirey | |
| Josh Stewart | Tchuda Southerland | |
| Keiynan Lonsdale | Eldon Hanan | |
| Michael Raymond-James | Seaman D.A. Brown | |
| Kyle Gallner | Andy Fitzgerald | |
| John Magaro | Ervin Maske | |
| Graham McTavish | Frank Fauteux | |
| Beau Knapp | Mel Gouthro | |
| Abraham Benrubi | George "Tiny" Meyers | |
| Rachel Brosnahan | Bea Hansen | |
| Ben Koldyke | Donald Bangs | |
| Matthew Maher | Carl Nickerson | |
| Alexander Cook | John Stello | |
| Polly Pillsbury | Local Townsfolk | |
| Peg Saurman Holzemer | Local Townsfolk | |
| Larry Eudene | Pendleton Crew #3 Whistle Blower | |
| Gene Harrison | Pendleton Crew Member #5 | |
| Joseph Barrett | Medic | |
| Lance Norris | Fisherman |
Production and Technical Credits
| Craig Gillespie | Director | |
| Paul Tamasy | Screenwriter | |
| Scott Silver | Screenwriter | |
| Eric Johnson | Screenwriter | |
| Casey Sherman | Based on the Book by | |
| Michael J. Tougias | Based on the Book by | |
| Jim Whitaker | Producer | |
| Dorothy Aufiero | Producer | |
| Doug Merrifield | Executive Producer | |
| Javier Aguirresarobe | Director of Photography | |
| Michael Corenblith | Production Designer | |
| Tatiana S. Riegel | Editor | |
| Louise Frogley | Costume Designer | |
| Carter Burwell | Composer | |
| Doug Merrifield | Line Producer | |
| Robert Mazaraki | Production Supervisor | |
| Vincent Lascoumes | Assistant Director | |
| Christophe Le Chanu | Assistant Director | |
| Emma Barber | Assistant Director | |
| Chad Goyette | Assistant Director | |
| Doug Merrifield | Unit Production Manager | |
| Mindy Marin | Casting Director | |
| Kara Lipson | Additional Casting-Casting Associate | |
| Tom Williams | Sound Mixer | |
| Christine Whitaker | Associate Producer | |
| Diane Durant | Script Supervisor | |
| Dan Boccoli | Assistant Editor | |
| Jered Zalman | Assistant Editor | |
| Michael McCusker | Editor | |
| Adam Milo Smalley | Music Editor | |
| Jon Mooney | Music Editor | |
| Michael Farrow | Score Mixer | |
| William Ladd Skinner | Art Director | |
| Ravi Bansal | Art Director | |
| Sam Avila | Assistant Art Director | |
| Susan Benjamin | Set Decorator | |
| Lorrie Campbell | Set Designer | |
| Robert Johnson | Set Designer | |
| Bria Kinter | Set Designer | |
| Masako Masuda | Set Designer | |
| Richard Reynolds | Set Designer | |
| Steven Saylor | Set Designer | |
| Clint Wallace | Set Designer | |
| Robert Woodruff | Set Designer | |
| Caroline Errington | Costume Supervisor | |
| Whitney James | Make up | |
| Mary Mastro | Hairstylist | |
| Mark P. Stoeckinger | Sound Editor | |
| Alan Rankin | Sound Designer | |
| Andy Koyama | Re-recording Mixer | |
| Dean A. Zupancic | Re-recording Mixer | |
| Martyn Zub | Re-recording Mixer | |
| Todd Toon | Sound Effects Editor | |
| Tim Walston | Sound Effects Editor | |
| Stephen P. Robinson | Sound Effects Editor | |
| Albert Gasser | Sound Effects Editor | |
| Ann Scibelli | Sound Effects Editor | |
| Michele Perrone | Dialogue Editor | |
| Kevin Scott | Stunt Coordinator | |
| Kevin L. Jackson | Stunt Coordinator | |
| Kevin Hahn | Visual Effects Supervisor | |
| Seth Maury | Visual Effects Supervisor | |
| Aaron Weintraub | Visual Effects Supervisor | |
| Mark Hawker | Special Effects Supervisor | |
| Craig Tex Barnett* | Special Effects Coordinator | |
| Paul V. Molles | Visual Effects Producer | |
| Felix Crawshaw | Visual Effects Producer | |
| Veronique Messier Lauzon | Visual Effects Producer | |
| Sarah McMurdo | Visual Effects Producer | |
| Tom Goodenough | Animation Supervisor | |
| Robert Caban | Special Effects |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.