Flesh and Bone (1993)
| Theatrical Performance | ||
| Domestic Box Office | $9,488,998 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $124,497 | |
| Total | $124,497 | |
| OpusData ID: 38110100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,517,066 (47.6% of total gross) |
| Legs: | 2.10 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,200 opening theaters/1,200 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,922,837 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Paramount Pictures |
| Video Release: | January 5th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for language, some sexuality and a scene of intense violence. |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Plot point: | Confidence Men, Dysfunctional Family, Lone Survivor, Raised by Kidnappers, Relationships Gone Wrong, Romance |
| Social setting: | Film Noir |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mirage |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 2 | $4,517,066 | 1,200 | $3,764 | $4,517,066 | 1 | |
| Nov 12, 1993 | 10 | $1,865,017 | -59% | 1,200 | $1,554 | $7,739,938 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 2 | $5,874,921 | 1,200 | $4,896 | $5,874,921 | 1 |
Leading
| Dennis Quaid | Arlis Sweeney | |
| Meg Ryan | Kay Davies |
Supporting
| James Caan | Roy Sweeney | |
| Gwyneth Paltrow | Ginnie | |
| Scott Wilson | Elliott |
Production and Technical Credits
| Steve Kloves | Director | |
| Steve Kloves | Screenwriter | |
| Thomas Newman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,517,066 (47.6% of total gross) |
| Legs: | 2.10 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,200 opening theaters/1,200 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,922,837 |
Movie Details
| Domestic Releases: | November 5th, 1993 (Wide) by Paramount Pictures |
| Video Release: | January 5th, 2016 by Anchor Bay Home Entertainment |
| MPA Rating: | R for language, some sexuality and a scene of intense violence. |
| Running Time: | 126 minutes |
| Cast, crew, or production detail: | Posthumous Release |
| Plot point: | Confidence Men, Dysfunctional Family, Lone Survivor, Raised by Kidnappers, Relationships Gone Wrong, Romance |
| Social setting: | Film Noir |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mirage |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 2 | $4,517,066 | 1,200 | $3,764 | $4,517,066 | 1 | |
| Nov 12, 1993 | 10 | $1,865,017 | -59% | 1,200 | $1,554 | $7,739,938 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 5, 1993 | 2 | $5,874,921 | 1,200 | $4,896 | $5,874,921 | 1 |
Leading
| Dennis Quaid | Arlis Sweeney | |
| Meg Ryan | Kay Davies |
Supporting
| James Caan | Roy Sweeney | |
| Gwyneth Paltrow | Ginnie | |
| Scott Wilson | Elliott |
Production and Technical Credits
| Steve Kloves | Director | |
| Steve Kloves | Screenwriter | |
| Thomas Newman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.