Fools Rush In (1997)
| Theatrical Performance | ||
| Domestic Box Office | $29,299,524 | Details |
| OpusData ID: 19140100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $9,714,940 (33.2% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,674 opening theaters/1,701 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $72,195,553 |
Movie Details
| Domestic Releases: | February 14th, 1997 (Wide) by Sony Pictures |
| Video Release: | January 20th, 1998 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sensuality and brief language |
| Running Time: | 109 minutes |
| Geographical setting: | Las Vegas |
| Plot point: | Cross-Culture Romance, Dysfunctional Family, Eloping, In-Laws / Future In-Laws, One Night Stand, Relationships Gone Wrong, Romance, Unexpected Pregnancy |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1997 | 5 | $9,714,940 | 1,674 | $5,803 | $9,714,940 | 1 | |
| Feb 21, 1997 | 6 | $5,511,620 | -43% | 1,701 | $3,240 | $16,557,802 | 2 |
| Feb 28, 1997 | 8 | $3,603,175 | -35% | 1,701 | $2,118 | $21,420,383 | 3 |
| Mar 7, 1997 | 11 | $2,302,017 | -36% | 1,701 | $1,353 | $24,587,877 | 4 |
| Mar 14, 1997 | 16 | $1,476,404 | -36% | 1,263 | $1,169 | $26,827,223 | 5 |
| Mar 21, 1997 | 19 | $752,266 | -49% | 748 | $1,006 | $28,010,273 | 6 |
| Mar 28, 1997 | 35 | $178,097 | -76% | 283 | $629 | $28,444,671 | 7 |
| Apr 4, 1997 | 48 | $73,570 | -59% | 178 | $413 | $28,553,945 | 8 |
| May 16, 1997 | 35 | $76,405 | 455 | $168 | $28,747,419 | 14 | |
| May 23, 1997 | 48 | $56,811 | -26% | 232 | $245 | $28,820,639 | 15 |
| May 30, 1997 | 52 | $30,526 | -46% | 195 | $157 | $28,863,662 | 16 |
| Jun 6, 1997 | 41 | $51,102 | +67% | 153 | $334 | $28,928,097 | 17 |
| Jun 13, 1997 | 46 | $47,558 | -7% | 75 | $634 | $29,001,168 | 18 |
| Jun 20, 1997 | 43 | $43,722 | -8% | 57 | $767 | $29,083,801 | 19 |
| Jun 27, 1997 | 37 | $40,719 | -7% | 48 | $848 | $29,166,527 | 20 |
| Jul 4, 1997 | 36 | $41,538 | +2% | 46 | $903 | $29,243,598 | 21 |
| Jul 11, 1997 | 54 | $19,337 | -53% | 19 | $1,018 | $29,291,566 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1997 | 5 | $11,046,182 | 1,674 | $6,599 | $11,046,182 | 1 | |
| Feb 21, 1997 | 6 | $6,771,026 | -39% | 1,701 | $3,981 | $17,817,208 | 2 |
| Feb 28, 1997 | 8 | $4,468,652 | -34% | 1,701 | $2,627 | $22,285,860 | 3 |
| Mar 7, 1997 | 10 | $3,064,959 | -31% | 1,701 | $1,802 | $25,350,819 | 4 |
| Mar 14, 1997 | 17 | $1,907,188 | -38% | 1,263 | $1,510 | $27,258,007 | 5 |
| Mar 21, 1997 | 20 | $1,008,567 | -47% | 748 | $1,348 | $28,266,574 | 6 |
| Mar 28, 1997 | 39 | $213,801 | -79% | 283 | $755 | $28,480,375 | 7 |
| May 16, 1997 | 42 | $92,814 | 455 | $204 | $28,763,828 | 14 | |
| May 23, 1997 | 47 | $69,308 | -25% | 232 | $299 | $28,833,136 | 15 |
| May 30, 1997 | 52 | $43,859 | -37% | 195 | $225 | $28,876,995 | 16 |
| Jun 6, 1997 | 42 | $76,615 | +75% | 153 | $501 | $28,953,610 | 17 |
| Jun 13, 1997 | 40 | $86,469 | +13% | 75 | $1,153 | $29,040,079 | 18 |
| Jun 20, 1997 | 39 | $85,729 | -1% | 57 | $1,504 | $29,125,808 | 19 |
| Jun 27, 1997 | 37 | $76,252 | -11% | 48 | $1,589 | $29,202,060 | 20 |
| Jul 4, 1997 | 35 | $70,169 | -8% | 46 | $1,525 | $29,272,229 | 21 |
Leading
| Matthew Perry | Alex Whitman | |
| Salma Hayek | Isabel Fuentes |
Supporting
| Jill Clayburgh | Nan Whitman |
Production and Technical Credits
| Andy Tennant | Director | |
| Katherine Reback | Screenwriter | |
| Joan Taylor | Story Creator | |
| Katherine Reback | Story Creator | |
| Doug Draizin | Producer | |
| Michael McDonnell | Producer | |
| Robbie Greenberg | Cinematographer | |
| Roger Bondelli | Editor | |
| Alan Silvestri | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $9,714,940 (33.2% of total gross) |
| Legs: | 3.02 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,674 opening theaters/1,701 max. theaters, 6.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $72,195,553 |
Movie Details
| Domestic Releases: | February 14th, 1997 (Wide) by Sony Pictures |
| Video Release: | January 20th, 1998 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for sensuality and brief language |
| Running Time: | 109 minutes |
| Geographical setting: | Las Vegas |
| Plot point: | Cross-Culture Romance, Dysfunctional Family, Eloping, In-Laws / Future In-Laws, One Night Stand, Relationships Gone Wrong, Romance, Unexpected Pregnancy |
| Subgenre: | Romantic Comedy |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1997 | 5 | $9,714,940 | 1,674 | $5,803 | $9,714,940 | 1 | |
| Feb 21, 1997 | 6 | $5,511,620 | -43% | 1,701 | $3,240 | $16,557,802 | 2 |
| Feb 28, 1997 | 8 | $3,603,175 | -35% | 1,701 | $2,118 | $21,420,383 | 3 |
| Mar 7, 1997 | 11 | $2,302,017 | -36% | 1,701 | $1,353 | $24,587,877 | 4 |
| Mar 14, 1997 | 16 | $1,476,404 | -36% | 1,263 | $1,169 | $26,827,223 | 5 |
| Mar 21, 1997 | 19 | $752,266 | -49% | 748 | $1,006 | $28,010,273 | 6 |
| Mar 28, 1997 | 35 | $178,097 | -76% | 283 | $629 | $28,444,671 | 7 |
| Apr 4, 1997 | 48 | $73,570 | -59% | 178 | $413 | $28,553,945 | 8 |
| May 16, 1997 | 35 | $76,405 | 455 | $168 | $28,747,419 | 14 | |
| May 23, 1997 | 48 | $56,811 | -26% | 232 | $245 | $28,820,639 | 15 |
| May 30, 1997 | 52 | $30,526 | -46% | 195 | $157 | $28,863,662 | 16 |
| Jun 6, 1997 | 41 | $51,102 | +67% | 153 | $334 | $28,928,097 | 17 |
| Jun 13, 1997 | 46 | $47,558 | -7% | 75 | $634 | $29,001,168 | 18 |
| Jun 20, 1997 | 43 | $43,722 | -8% | 57 | $767 | $29,083,801 | 19 |
| Jun 27, 1997 | 37 | $40,719 | -7% | 48 | $848 | $29,166,527 | 20 |
| Jul 4, 1997 | 36 | $41,538 | +2% | 46 | $903 | $29,243,598 | 21 |
| Jul 11, 1997 | 54 | $19,337 | -53% | 19 | $1,018 | $29,291,566 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 14, 1997 | 5 | $11,046,182 | 1,674 | $6,599 | $11,046,182 | 1 | |
| Feb 21, 1997 | 6 | $6,771,026 | -39% | 1,701 | $3,981 | $17,817,208 | 2 |
| Feb 28, 1997 | 8 | $4,468,652 | -34% | 1,701 | $2,627 | $22,285,860 | 3 |
| Mar 7, 1997 | 10 | $3,064,959 | -31% | 1,701 | $1,802 | $25,350,819 | 4 |
| Mar 14, 1997 | 17 | $1,907,188 | -38% | 1,263 | $1,510 | $27,258,007 | 5 |
| Mar 21, 1997 | 20 | $1,008,567 | -47% | 748 | $1,348 | $28,266,574 | 6 |
| Mar 28, 1997 | 39 | $213,801 | -79% | 283 | $755 | $28,480,375 | 7 |
| May 16, 1997 | 42 | $92,814 | 455 | $204 | $28,763,828 | 14 | |
| May 23, 1997 | 47 | $69,308 | -25% | 232 | $299 | $28,833,136 | 15 |
| May 30, 1997 | 52 | $43,859 | -37% | 195 | $225 | $28,876,995 | 16 |
| Jun 6, 1997 | 42 | $76,615 | +75% | 153 | $501 | $28,953,610 | 17 |
| Jun 13, 1997 | 40 | $86,469 | +13% | 75 | $1,153 | $29,040,079 | 18 |
| Jun 20, 1997 | 39 | $85,729 | -1% | 57 | $1,504 | $29,125,808 | 19 |
| Jun 27, 1997 | 37 | $76,252 | -11% | 48 | $1,589 | $29,202,060 | 20 |
| Jul 4, 1997 | 35 | $70,169 | -8% | 46 | $1,525 | $29,272,229 | 21 |
Leading
| Matthew Perry | Alex Whitman | |
| Salma Hayek | Isabel Fuentes |
Supporting
| Jill Clayburgh | Nan Whitman |
Production and Technical Credits
| Andy Tennant | Director | |
| Katherine Reback | Screenwriter | |
| Joan Taylor | Story Creator | |
| Katherine Reback | Story Creator | |
| Doug Draizin | Producer | |
| Michael McDonnell | Producer | |
| Robbie Greenberg | Cinematographer | |
| Roger Bondelli | Editor | |
| Alan Silvestri | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.