The Forbidden Room (2015)
| Theatrical Performance | ||
| Domestic Box Office | $34,404 | Details |
| International Box Office | $13,660 | Details |
| Worldwide Box Office | $48,064 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $57,268 | |
| Blu-ray Sales (estimated) | $85,537 | |
| Total | $142,805 | |
| OpusData ID: 221100100 More info... | ||
| Further financial details... | ||
Synopsis
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
Metrics
| Legs: | 49.43 (domestic box office/biggest weekend) |
| Domestic Share: | 71.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $48,713 |
Movie Details
| Domestic Releases: | October 7th, 2015 (Limited) by Kino Lorber |
| International Releases: | December 11th, 2015 (Wide) (United Kingdom) |
| Video Release: | March 8th, 2016 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Ensemble, Same Actor, Multiple Roles, Segments |
| Plot point: | Faulty Memory, Kidnap, Non-Chronological, Rescue, Story within a Story, Trains, Underwater |
| Social setting: | Submarine |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Phi Films, Buffalo Gal Pictures, NFB |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 94 | $696 | 1 | $696 | $32,856 | 20 | |
| Mar 4, 2016 | 95 | $473 | 1 | $473 | $34,043 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 114 | $1,295 | 1 | $1,295 | $1,295 | 1 | |
| Oct 9, 2015 | 75 | $8,106 | +526% | 2 | $4,053 | $9,401 | 2 |
| Oct 16, 2015 | 83 | $7,458 | -8% | 4 | $1,865 | $16,859 | 3 |
| Oct 23, 2015 | 97 | $565 | -92% | 2 | $283 | $17,424 | 4 |
| Oct 30, 2015 | 92 | $2,674 | +373% | 2 | $1,337 | $20,098 | 5 |
| Nov 6, 2015 | 107 | $872 | -67% | 3 | $291 | $20,970 | 6 |
| Nov 13, 2015 | 100 | $2,100 | +141% | 3 | $700 | $23,070 | 7 |
| Nov 27, 2015 | 77 | $2,445 | 2 | $1,223 | $25,515 | 9 | |
| Dec 4, 2015 | 73 | $4,961 | +103% | 5 | $992 | $30,476 | 10 |
| Dec 18, 2015 | 70 | $1,258 | 3 | $419 | $31,734 | 12 | |
| Feb 5, 2016 | 90 | $426 | 1 | $426 | $32,160 | 19 | |
| Feb 19, 2016 | 94 | $1,410 | 1 | $1,410 | $33,570 | 21 | |
| Mar 4, 2016 | 102 | $834 | 2 | $417 | $34,404 | 23 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/11/2015 | $13,660 | 8 | 8 | 8 | $13,660 | 12/16/2015 | |||
| International Total | $13,660 | 12/16/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Roy Dupuis | Cesare | |
| Clara Furey | Margot |
Leading
| Louis Negin | Marv / Smithy / Mars / Organizer / Mr. Lanyon |
Supporting
| Mathieu Amalric | Thadeusz M. / Ostler | |
| Geraldine Chaplin | The Master Passion / Nursemaid / Aunt Chance | |
| Amira Casar | Mrs. M. | |
| Charlotte Rampling | The Ostler's Mother | |
| Karine Vanasse | Florence Labadie | |
| Jacques Nolot | Bent / Minister of the Interior | |
| Udo Kier | Count Yugh / The Butler / The Dead Father / Guard / Pharmacist | |
| Sophie Desmarais | Dr. Warren | |
| Maria de Medeiros | The Blind Mother / Clotilde | |
| Caroline Dhavernas | Gong |
Production and Technical Credits
| Guy Maddin | Director | |
| Evan Johnson | Co-Director | |
| Guy Maddin | Screenwriter | |
| Evan Johnson | Screenwriter | |
| Robert Kotyk | Screenwriter | |
| John Ashbery | Screenwriter-Additional Writer | |
| Kim Morgan | Screenwriter-Additional Writer | |
| Kim Morgan | Editor-Story Editor | |
| Phoebe Greenberg | Producer | |
| Penny Mancuso | Producer | |
| Phyllis Laing | Producer | |
| David Christensen | Producer | |
| Jean Du Toit | Producer-Supervising Producer | |
| Emmanuelle Heroux | Producer-Supervising Producer | |
| Liz Jarvis | Producer-Supervising Producer | |
| Stéphanie Weber-Biron | Director of Photography | |
| Ben Kasulke* | Director of Photography-Paris | |
| John Gurdebeke | Editor | |
| Galen Johnson | Production Designer | |
| Brigitte Henry | Set Designer | |
| Chris Lavis | Set Designer | |
| Maciek Szczerbowski | Set Designer | |
| Elodie Mard | Costume Designer | |
| Yso South | Costume Designer | |
| Julie Charland | Costume Designer | |
| Simon Plouffe | Sound Mixer | |
| David Rose | Sound Mixer | |
| John Gurdebeke | Costume Designer | |
| Vincent Riendeau | Sound Mixer | |
| Gavin Fernandes | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
Metrics
| Legs: | 49.43 (domestic box office/biggest weekend) |
| Domestic Share: | 71.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $48,713 |
Movie Details
| Domestic Releases: | October 7th, 2015 (Limited) by Kino Lorber |
| International Releases: | December 11th, 2015 (Wide) (United Kingdom) |
| Video Release: | March 8th, 2016 by Kino Lorber |
| MPA Rating: | Not Rated |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Ensemble, Same Actor, Multiple Roles, Segments |
| Plot point: | Faulty Memory, Kidnap, Non-Chronological, Rescue, Story within a Story, Trains, Underwater |
| Social setting: | Submarine |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | Phi Films, Buffalo Gal Pictures, NFB |
| Production Countries: | Canada |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 19, 2016 | 94 | $696 | 1 | $696 | $32,856 | 20 | |
| Mar 4, 2016 | 95 | $473 | 1 | $473 | $34,043 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 2, 2015 | 114 | $1,295 | 1 | $1,295 | $1,295 | 1 | |
| Oct 9, 2015 | 75 | $8,106 | +526% | 2 | $4,053 | $9,401 | 2 |
| Oct 16, 2015 | 83 | $7,458 | -8% | 4 | $1,865 | $16,859 | 3 |
| Oct 23, 2015 | 97 | $565 | -92% | 2 | $283 | $17,424 | 4 |
| Oct 30, 2015 | 92 | $2,674 | +373% | 2 | $1,337 | $20,098 | 5 |
| Nov 6, 2015 | 107 | $872 | -67% | 3 | $291 | $20,970 | 6 |
| Nov 13, 2015 | 100 | $2,100 | +141% | 3 | $700 | $23,070 | 7 |
| Nov 27, 2015 | 77 | $2,445 | 2 | $1,223 | $25,515 | 9 | |
| Dec 4, 2015 | 73 | $4,961 | +103% | 5 | $992 | $30,476 | 10 |
| Dec 18, 2015 | 70 | $1,258 | 3 | $419 | $31,734 | 12 | |
| Feb 5, 2016 | 90 | $426 | 1 | $426 | $32,160 | 19 | |
| Feb 19, 2016 | 94 | $1,410 | 1 | $1,410 | $33,570 | 21 | |
| Mar 4, 2016 | 102 | $834 | 2 | $417 | $34,404 | 23 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 12/11/2015 | $13,660 | 8 | 8 | 8 | $13,660 | 12/16/2015 | |||
| International Total | $13,660 | 12/16/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Roy Dupuis | Cesare | |
| Clara Furey | Margot |
Leading
| Louis Negin | Marv / Smithy / Mars / Organizer / Mr. Lanyon |
Supporting
| Mathieu Amalric | Thadeusz M. / Ostler | |
| Geraldine Chaplin | The Master Passion / Nursemaid / Aunt Chance | |
| Amira Casar | Mrs. M. | |
| Charlotte Rampling | The Ostler's Mother | |
| Karine Vanasse | Florence Labadie | |
| Jacques Nolot | Bent / Minister of the Interior | |
| Udo Kier | Count Yugh / The Butler / The Dead Father / Guard / Pharmacist | |
| Sophie Desmarais | Dr. Warren | |
| Maria de Medeiros | The Blind Mother / Clotilde | |
| Caroline Dhavernas | Gong |
Production and Technical Credits
| Guy Maddin | Director | |
| Evan Johnson | Co-Director | |
| Guy Maddin | Screenwriter | |
| Evan Johnson | Screenwriter | |
| Robert Kotyk | Screenwriter | |
| John Ashbery | Screenwriter-Additional Writer | |
| Kim Morgan | Screenwriter-Additional Writer | |
| Kim Morgan | Editor-Story Editor | |
| Phoebe Greenberg | Producer | |
| Penny Mancuso | Producer | |
| Phyllis Laing | Producer | |
| David Christensen | Producer | |
| Jean Du Toit | Producer-Supervising Producer | |
| Emmanuelle Heroux | Producer-Supervising Producer | |
| Liz Jarvis | Producer-Supervising Producer | |
| Stéphanie Weber-Biron | Director of Photography | |
| Ben Kasulke* | Director of Photography-Paris | |
| John Gurdebeke | Editor | |
| Galen Johnson | Production Designer | |
| Brigitte Henry | Set Designer | |
| Chris Lavis | Set Designer | |
| Maciek Szczerbowski | Set Designer | |
| Elodie Mard | Costume Designer | |
| Yso South | Costume Designer | |
| Julie Charland | Costume Designer | |
| Simon Plouffe | Sound Mixer | |
| David Rose | Sound Mixer | |
| John Gurdebeke | Costume Designer | |
| Vincent Riendeau | Sound Mixer | |
| Gavin Fernandes | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.