The Forecaster (2015)
| Theatrical Performance | ||
| Domestic Box Office | $10,172 | Details |
| International Box Office | $250 | Details |
| Worldwide Box Office | $10,422 | |
| OpusData ID: 228020100 More info... | ||
| Further financial details... | ||
Synopsis
Martin Armstrong, once a U.S. based trillion dollar financial advisor, developed a computer model based on the number pi and other cyclical theories to predict economic turning points with eerie accuracy. In the early 80's he established his financial forecasting and advising company Princeton Economics International. People from all over the world were using his forecasts.
Metrics
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $14,436 |
Movie Details
| Domestic Releases: | March 17th, 2015 (Limited) by Autlook Films |
| International Releases: | October 16th, 2015 (Wide) (Austria) |
| Video Release: | November 10th, 2015 by Random Media |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Conspiracy Theory, FBI, White Collar Crime |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Filmperspektive GmbH, Eikon Berlin, TV Plus Hannover, Arte, NDR, Medienboard Berlin-Brandenburg |
| Production Countries: | Germany, United States |
| Languages: | English, Russian |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 81 | $6,160 | 1 | $6,160 | $6,160 | 3 | |
| Apr 3, 2015 | 85 | $3,472 | -44% | 1 | $3,472 | $9,632 | 4 |
| Apr 10, 2015 | 113 | $540 | -84% | 1 | $540 | $10,172 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 10/16/2015 | $250 | 1 | 1 | 1 | $250 | 10/20/2015 | |||
| International Total | $250 | 10/20/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Martin Arthur Armstrong | Himself |
Interviewee
| Larry Edelson | Himself | |
| Neill MacPherson | Himself | |
| Nigel Kirwan | Himself | |
| Thomas Sjoblom | Himself | |
| Vicky Armstrong | Herself | |
| Mike Campbell | Himself |
Production and Technical Credits
| Marcus Vetter | Director | |
| Karin Steinberger | Co-Director | |
| Ulli Pfau | Producer | |
| Michael Heiks | Producer | |
| Marcus Vetter | Producer | |
| Marcus Vetter | Editor | |
| Sven Kaiser | Composer | |
| Georg Zengerling | Director of Photography | |
| Jonathan Schorr | Sound Mixer | |
| Michele Gentile | Art Director | |
| Anne Walser | Associate Producer | |
| Ulf Meyer | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Martin Armstrong, once a U.S. based trillion dollar financial advisor, developed a computer model based on the number pi and other cyclical theories to predict economic turning points with eerie accuracy. In the early 80's he established his financial forecasting and advising company Princeton Economics International. People from all over the world were using his forecasts.
Metrics
| Domestic Share: | 97.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $14,436 |
Movie Details
| Domestic Releases: | March 17th, 2015 (Limited) by Autlook Films |
| International Releases: | October 16th, 2015 (Wide) (Austria) |
| Video Release: | November 10th, 2015 by Random Media |
| MPA Rating: | Not Rated |
| Running Time: | 100 minutes |
| Plot point: | Conspiracy Theory, FBI, White Collar Crime |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Filmperspektive GmbH, Eikon Berlin, TV Plus Hannover, Arte, NDR, Medienboard Berlin-Brandenburg |
| Production Countries: | Germany, United States |
| Languages: | English, Russian |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 27, 2015 | 81 | $6,160 | 1 | $6,160 | $6,160 | 3 | |
| Apr 3, 2015 | 85 | $3,472 | -44% | 1 | $3,472 | $9,632 | 4 |
| Apr 10, 2015 | 113 | $540 | -84% | 1 | $540 | $10,172 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 10/16/2015 | $250 | 1 | 1 | 1 | $250 | 10/20/2015 | |||
| International Total | $250 | 10/20/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Martin Arthur Armstrong | Himself |
Interviewee
| Larry Edelson | Himself | |
| Neill MacPherson | Himself | |
| Nigel Kirwan | Himself | |
| Thomas Sjoblom | Himself | |
| Vicky Armstrong | Herself | |
| Mike Campbell | Himself |
Production and Technical Credits
| Marcus Vetter | Director | |
| Karin Steinberger | Co-Director | |
| Ulli Pfau | Producer | |
| Michael Heiks | Producer | |
| Marcus Vetter | Producer | |
| Marcus Vetter | Editor | |
| Sven Kaiser | Composer | |
| Georg Zengerling | Director of Photography | |
| Jonathan Schorr | Sound Mixer | |
| Michele Gentile | Art Director | |
| Anne Walser | Associate Producer | |
| Ulf Meyer | Associate Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.