Fort Apache, The Bronx (1981)
| Theatrical Performance | ||
| Domestic Box Office | $29,200,000 | Details |
| International Box Office | $36,000,000 | |
| Worldwide Box Office | $65,200,000 | |
| OpusData ID: 19160100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 44.8% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $118,795,682 |
Movie Details
| Domestic Releases: | 1981 (Wide) by 20th Century Fox |
| MPA Rating: | R |
| Running Time: | 125 minutes |
| Geographical setting: | New York City, The Bronx |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Danny Aiello | Morgan | |
| Pam Grier | Charlotte | |
| Edward Asner | Connolly | |
| Donald Petrie | White rookie | |
| Paul Gleason | Detective | |
| Ken Wahl | Corelli |
Leading
| Paul Newman | Murphy |
Production and Technical Credits
| Daniel Petrie | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 44.8% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $118,795,682 |
Movie Details
| Domestic Releases: | 1981 (Wide) by 20th Century Fox |
| MPA Rating: | R |
| Running Time: | 125 minutes |
| Geographical setting: | New York City, The Bronx |
| Subgenre: | Crime Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
| Danny Aiello | Morgan | |
| Pam Grier | Charlotte | |
| Edward Asner | Connolly | |
| Donald Petrie | White rookie | |
| Paul Gleason | Detective | |
| Ken Wahl | Corelli |
Leading
| Paul Newman | Murphy |
Production and Technical Credits
| Daniel Petrie | Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.