Frankenstein (1994)
| Theatrical Performance | ||
| Domestic Box Office | $22,006,296 | Details |
| International Box Office | $90,000,000 | |
| Worldwide Box Office | $112,006,296 | |
| OpusData ID: 23600100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $11,212,889 (51.0% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 2,177 opening theaters/2,177 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,002,747 |
Movie Details
| Domestic Releases: | November 4th, 1994 (Wide) by Sony Pictures |
| Video Release: | July 28th, 1998 by Sony Pictures Home Entertainment |
| MPA Rating: | R for horrific images |
| Running Time: | 123 minutes |
| Plot point: | Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Human Experimentation, Mad Scientist, Medical Crimes, Monster, Non-Chronological, Romance |
| Subgenre: | Gothic Horror |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States, United Kingdom, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 1994 | 2 | $11,212,889 | 2,177 | $5,151 | $11,212,889 | 1 | |
| Nov 11, 1994 | 5 | $3,721,480 | -67% | 2,177 | $1,709 | $17,924,332 | 2 |
| Nov 18, 1994 | 11 | $1,512,800 | -59% | 2,154 | $702 | $20,305,124 | 3 |
| Nov 25, 1994 | 17 | $615,833 | -59% | 805 | $765 | $21,473,111 | 4 |
| Dec 2, 1994 | 22 | $225,109 | -63% | 450 | $500 | $21,867,191 | 5 |
| Dec 9, 1994 | 44 | $41,633 | -82% | 176 | $237 | $21,969,492 | 6 |
| Dec 16, 1994 | 48 | $28,026 | -33% | 90 | $311 | $22,006,296 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 1994 | 2 | $14,202,852 | 2,177 | $6,524 | $14,202,852 | 1 | |
| Nov 11, 1994 | 5 | $4,589,472 | -68% | 2,177 | $2,108 | $18,792,324 | 2 |
| Nov 18, 1994 | 11 | $2,064,954 | -55% | 2,154 | $959 | $20,857,278 | 3 |
| Nov 25, 1994 | 17 | $784,804 | -62% | 805 | $975 | $21,642,082 | 4 |
| Dec 2, 1994 | 23 | $285,777 | -64% | 450 | $635 | $21,927,859 | 5 |
| Dec 9, 1994 | 43 | $50,411 | -82% | 176 | $286 | $21,978,270 | 6 |
Leading
| Robert De Niro | The Creature | |
| Kenneth Branagh | Victor Frankenstein |
Supporting
| Tom Hulce | Henry Clerval | |
| Helena Bonham Carter | Elizabeth | |
| Aidan Quinn | Captain Robert Walton | |
| Ian Holm | Baron Frankenstein | |
| John Cleese | Mentor, Dr. Waldeman | |
| Richard Briers | Grandfather | |
| Robert Hardy | Professor Krempe | |
| Cherie Lunghi | Victor's Mother | |
| Celia Imrie | Mrs. Moritz | |
| Trevyn McDowell | Justine | |
| Gerard Horan | Claude | |
| Mark Hadfield | Felix | |
| Joanna Roth | Marie | |
| Sasha Hanau | Maggie | |
| Joseph England | Thomas | |
| Alfred Bell | Landlord | |
| Richard Clifford | Minister | |
| George Asprey | Policeman | |
| Richard Booneville | Schiller | |
| Ryan M. Smith | William | |
| Charles Wyn-Davies | Young William | |
| Rory Jennings | Young Victor | |
| Christina Cuttall | Young Justine | |
| Hannah Taylor-Gordon | Young Elizabeth | |
| Susan Field | Frau Brach | |
| Jimmy Yuill | Grigori | |
| Chris Barnes | Ship's Crew | |
| Shaun Prendergrast | Ship's Crew | |
| Tom Wright | Ship's Crew | |
| David Kennedy | Ship's Crew | |
| Paul Gregory | Ship's Crew | |
| Chris Hollis | Ship's Crew | |
| Robin Lloyd | Ship's Crew | |
| Alex Lowe | Ship's Crew | |
| Graham Loughridge | Ship's Crew | |
| Simon Cox | Ship's Crew | |
| Robert Hines | Simon Cox (Ship's Crew). Robert Hines (Ship's Crew | |
| Lonnie James | Rough Woman | |
| Jenny Galloway | Vendor's Wife | |
| Peter Jonfield | Rough Man | |
| Edward Jewesbury | City Official | |
| Siobhan Redmond | Midwife | |
| Francine Morgan | Assistant Midwife | |
| Sue Long | Woman in Labor | |
| Angus Wright | Guard | |
| Michael Gould | Stablehand | |
| Max Gold | Servant | |
| Abigail Reynolds | Mansion Staff | |
| Theresa Fresson | Mansion Staff | |
| Mark Inman | Mansion Staff | |
| Dudi Appleton | Mansion Staff | |
| Meriel Schofield | Mansion Staff |
Production and Technical Credits
| Kenneth Branagh | Director | |
| Francis Ford Coppola | Producer | |
| James V. Hart | Producer | |
| John Veitch | Producer | |
| Steph Lady | Screenwriter | |
| Frank Darabont | Screenwriter | |
| Mary Shelley | Based on the novel by | |
| Fred Fuchs | Executive Producer | |
| Kenneth Branagh | Co-Producer | |
| David Parfitt | Co-Producer | |
| Roger Pratt | Cinematographer | |
| Tim Harvey | Production Designer | |
| Andrew Marucs | Editor | |
| James Acheson | Costume Designer | |
| Patrick Doyle | Composer | |
| David Barron | Associate Producer | |
| Robert De Niro | Associate Producer | |
| Jeff Kleeman | Associate Producer | |
| Chris Newman | Assistant Director | |
| Andrew Marcus | Second Unit Director | |
| David Barron | Unit Production Manager | |
| Martin Childs | Supervising Art Director | |
| John Fenner | Art Director | |
| Desmond Crowe | Art Director | |
| Roger Lanser | Secon Unit Photography | |
| Richard Pointing | Costume Supervisor | |
| Ivan Sharrock | Sound Mixer | |
| Chris Munro | Sound Mixer | |
| Robin O'Donoghue | Re-recording Mixer | |
| Dominic Lester | Re-recording Mixer | |
| Campbell Askew | Supervising Sound Editor | |
| Colin Miller | Sound Effects Editor | |
| Robert Gavin | Dialogue Editor | |
| Bill Trent | Dialogue Editor | |
| Roy Prendergast | Music Editor | |
| Gerard McCann | Music Editor | |
| Paul Engelen | Makeup (Key) | |
| Carol Hemming | Hairstylist (Designer) | |
| Paolo Mantini | Hairstylist (Key) | |
| Maggie Rodford | Music Supervisor | |
| Priscilla John | Casting | |
| Sallie Anne Hard* | Third Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $11,212,889 (51.0% of total gross) |
| Legs: | 1.96 (domestic box office/biggest weekend) |
| Domestic Share: | 19.6% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 2.5 times production budget) |
| Theater counts: | 2,177 opening theaters/2,177 max. theaters, 3.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,002,747 |
Movie Details
| Domestic Releases: | November 4th, 1994 (Wide) by Sony Pictures |
| Video Release: | July 28th, 1998 by Sony Pictures Home Entertainment |
| MPA Rating: | R for horrific images |
| Running Time: | 123 minutes |
| Plot point: | Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Human Experimentation, Mad Scientist, Medical Crimes, Monster, Non-Chronological, Romance |
| Subgenre: | Gothic Horror |
| Time period setting: | 1700s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Horror |
| Production Method: | Live Action |
| Production/Financing Companies: | Tri-Star Pictures |
| Production Countries: | United States, United Kingdom, Japan |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 1994 | 2 | $11,212,889 | 2,177 | $5,151 | $11,212,889 | 1 | |
| Nov 11, 1994 | 5 | $3,721,480 | -67% | 2,177 | $1,709 | $17,924,332 | 2 |
| Nov 18, 1994 | 11 | $1,512,800 | -59% | 2,154 | $702 | $20,305,124 | 3 |
| Nov 25, 1994 | 17 | $615,833 | -59% | 805 | $765 | $21,473,111 | 4 |
| Dec 2, 1994 | 22 | $225,109 | -63% | 450 | $500 | $21,867,191 | 5 |
| Dec 9, 1994 | 44 | $41,633 | -82% | 176 | $237 | $21,969,492 | 6 |
| Dec 16, 1994 | 48 | $28,026 | -33% | 90 | $311 | $22,006,296 | 7 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 4, 1994 | 2 | $14,202,852 | 2,177 | $6,524 | $14,202,852 | 1 | |
| Nov 11, 1994 | 5 | $4,589,472 | -68% | 2,177 | $2,108 | $18,792,324 | 2 |
| Nov 18, 1994 | 11 | $2,064,954 | -55% | 2,154 | $959 | $20,857,278 | 3 |
| Nov 25, 1994 | 17 | $784,804 | -62% | 805 | $975 | $21,642,082 | 4 |
| Dec 2, 1994 | 23 | $285,777 | -64% | 450 | $635 | $21,927,859 | 5 |
| Dec 9, 1994 | 43 | $50,411 | -82% | 176 | $286 | $21,978,270 | 6 |
Leading
| Robert De Niro | The Creature | |
| Kenneth Branagh | Victor Frankenstein |
Supporting
| Tom Hulce | Henry Clerval | |
| Helena Bonham Carter | Elizabeth | |
| Aidan Quinn | Captain Robert Walton | |
| Ian Holm | Baron Frankenstein | |
| John Cleese | Mentor, Dr. Waldeman | |
| Richard Briers | Grandfather | |
| Robert Hardy | Professor Krempe | |
| Cherie Lunghi | Victor's Mother | |
| Celia Imrie | Mrs. Moritz | |
| Trevyn McDowell | Justine | |
| Gerard Horan | Claude | |
| Mark Hadfield | Felix | |
| Joanna Roth | Marie | |
| Sasha Hanau | Maggie | |
| Joseph England | Thomas | |
| Alfred Bell | Landlord | |
| Richard Clifford | Minister | |
| George Asprey | Policeman | |
| Richard Booneville | Schiller | |
| Ryan M. Smith | William | |
| Charles Wyn-Davies | Young William | |
| Rory Jennings | Young Victor | |
| Christina Cuttall | Young Justine | |
| Hannah Taylor-Gordon | Young Elizabeth | |
| Susan Field | Frau Brach | |
| Jimmy Yuill | Grigori | |
| Chris Barnes | Ship's Crew | |
| Shaun Prendergrast | Ship's Crew | |
| Tom Wright | Ship's Crew | |
| David Kennedy | Ship's Crew | |
| Paul Gregory | Ship's Crew | |
| Chris Hollis | Ship's Crew | |
| Robin Lloyd | Ship's Crew | |
| Alex Lowe | Ship's Crew | |
| Graham Loughridge | Ship's Crew | |
| Simon Cox | Ship's Crew | |
| Robert Hines | Simon Cox (Ship's Crew). Robert Hines (Ship's Crew | |
| Lonnie James | Rough Woman | |
| Jenny Galloway | Vendor's Wife | |
| Peter Jonfield | Rough Man | |
| Edward Jewesbury | City Official | |
| Siobhan Redmond | Midwife | |
| Francine Morgan | Assistant Midwife | |
| Sue Long | Woman in Labor | |
| Angus Wright | Guard | |
| Michael Gould | Stablehand | |
| Max Gold | Servant | |
| Abigail Reynolds | Mansion Staff | |
| Theresa Fresson | Mansion Staff | |
| Mark Inman | Mansion Staff | |
| Dudi Appleton | Mansion Staff | |
| Meriel Schofield | Mansion Staff |
Production and Technical Credits
| Kenneth Branagh | Director | |
| Francis Ford Coppola | Producer | |
| James V. Hart | Producer | |
| John Veitch | Producer | |
| Steph Lady | Screenwriter | |
| Frank Darabont | Screenwriter | |
| Mary Shelley | Based on the novel by | |
| Fred Fuchs | Executive Producer | |
| Kenneth Branagh | Co-Producer | |
| David Parfitt | Co-Producer | |
| Roger Pratt | Cinematographer | |
| Tim Harvey | Production Designer | |
| Andrew Marucs | Editor | |
| James Acheson | Costume Designer | |
| Patrick Doyle | Composer | |
| David Barron | Associate Producer | |
| Robert De Niro | Associate Producer | |
| Jeff Kleeman | Associate Producer | |
| Chris Newman | Assistant Director | |
| Andrew Marcus | Second Unit Director | |
| David Barron | Unit Production Manager | |
| Martin Childs | Supervising Art Director | |
| John Fenner | Art Director | |
| Desmond Crowe | Art Director | |
| Roger Lanser | Secon Unit Photography | |
| Richard Pointing | Costume Supervisor | |
| Ivan Sharrock | Sound Mixer | |
| Chris Munro | Sound Mixer | |
| Robin O'Donoghue | Re-recording Mixer | |
| Dominic Lester | Re-recording Mixer | |
| Campbell Askew | Supervising Sound Editor | |
| Colin Miller | Sound Effects Editor | |
| Robert Gavin | Dialogue Editor | |
| Bill Trent | Dialogue Editor | |
| Roy Prendergast | Music Editor | |
| Gerard McCann | Music Editor | |
| Paul Engelen | Makeup (Key) | |
| Carol Hemming | Hairstylist (Designer) | |
| Paolo Mantini | Hairstylist (Key) | |
| Maggie Rodford | Music Supervisor | |
| Priscilla John | Casting | |
| Sallie Anne Hard* | Third Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.