Frankie (2019)
-(2019).jpg)
| Theatrical Performance | ||
| Domestic Box Office | $167,169 | Details |
| International Box Office | $541,370 | Details |
| Worldwide Box Office | $708,539 | |
| OpusData ID: 408300100 More info... | ||
| Further financial details... | ||
Synopsis
Unfolding over the course of a late summer’s day in the fabled resort town of Sintra, Portugal, the film follows three generations who have gathered for a vacation organized by the family matriarch. In this fairy tale setting, husbands and wives, parents and children, friends and lovers, stirred by their romantic impulses—discover the cracks between them, as well as unexpected depth of feeling.
Metrics
| Opening Weekend: | $19,435 (11.6% of total gross) |
| Legs: | 6.70 (domestic box office/biggest weekend) |
| Domestic Share: | 23.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/117 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $218,270 |
Movie Details
| Domestic Releases: | October 25th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | August 28th, 2019 (Wide) (France)
November 29th, 2019 (Wide) (Argentina) December 13th, 2019 (Wide) (Portugal) March 13th, 2020 (Wide) (Mexico) May 28th, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 18th, 2020 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for brief strong language and some sexual material. (Rating bulletin 2594 (Cert #52362), 9/4/2019) |
| Running Time: | 100 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SBS Productions, O Som e a Furia, Beluga Tree, Proximus, RTP |
| Production Countries: | France, Portugal, Belgium |
| Languages: | English, French, Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 25, 2019 | 43 | $19,435 | 4 | $4,859 | $19,435 | 1 | |
| Nov 1, 2019 | 37 | $24,938 | +28% | 11 | $2,267 | $51,040 | 2 |
| Nov 8, 2019 | 42 | $24,227 | -3% | 22 | $1,101 | $86,094 | 3 |
| Nov 15, 2019 | 53 | $8,101 | -67% | 15 | $540 | $105,920 | 4 |
| Nov 22, 2019 | 44 | $17,835 | +120% | 33 | $540 | $129,588 | 5 |
| Nov 29, 2019 | 53 | $6,626 | -63% | 16 | $414 | $142,718 | 6 |
| Dec 6, 2019 | 52 | $6,274 | -5% | 29 | $216 | $152,160 | 7 |
| Dec 13, 2019 | 57 | $4,407 | -30% | 117 | $38 | $161,375 | 8 |
| Dec 20, 2019 | 61 | $657 | -85% | 3 | $219 | $167,169 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 25, 2019 | 45 | $26,102 | 4 | $6,526 | $26,102 | 1 | |
| Nov 1, 2019 | 40 | $35,765 | +37% | 11 | $3,251 | $61,867 | 2 |
| Nov 8, 2019 | 41 | $35,952 | +1% | 22 | $1,634 | $97,819 | 3 |
| Nov 15, 2019 | 55 | $13,934 | -61% | 15 | $929 | $111,753 | 4 |
| Nov 22, 2019 | 49 | $24,339 | +75% | 33 | $738 | $136,092 | 5 |
| Nov 29, 2019 | 51 | $9,794 | -60% | 16 | $612 | $145,886 | 6 |
| Dec 6, 2019 | 50 | $11,082 | +13% | 29 | $382 | $156,968 | 7 |
| Dec 13, 2019 | 51 | $9,544 | -14% | 117 | $82 | $166,512 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/29/2019 | $10,442 | 30 | 30 | 30 | $14,961 | 1/3/2020 | |||
| France | 8/28/2019 | $233,687 | 195 | 211 | 590 | $486,589 | 9/26/2019 | |||
| Portugal | 12/13/2019 | $8,064 | 9 | 9 | 23 | $22,374 | 10/19/2022 | |||
| United Kingdom | 5/28/2021 | $17,446 | 39 | 39 | 39 | $17,446 | 6/2/2021 | |||
| International Total | $541,370 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Huppert | Frankie |
Supporting
| Brendan Gleeson | Jimmy | |
| Marisa Tomei | Ilene | |
| Jérémie Renier | Paul | |
| Pascal Greggory | Michel | |
| Ariyon Bakare | Ian | |
| Vinette Robinson | Sylvia | |
| Greg Kinnear | Gary | |
| Sennia Nanua | Maya Andoh | |
| Carloto Cotta | Tiago |
Production and Technical Credits
| Ira Sachs | Director | |
| Ira Sachs | Screenwriter | |
| Mauricio Zacharias | Screenwriter | |
| Said Ben Said | Producer | |
| Michel Merkt | Producer | |
| Luis Urbano | Co-Producer | |
| Sandro Aguilar | Co-Producer | |
| Diana Elbaum | Co-Producer | |
| Rui Pocas | Cinematographer | |
| Sophie Reine | Editor | |
| Vasco Pimentel | Sound Designer | |
| Fred Demolder | Sound Designer | |
| Cyril Holtz | Sound Designer | |
| Silvia Grabowski | Production Designer | |
| Silvia Grabowski | Costume Designer | |
| Dickon Hinchliffe | Composer | |
| Marianne Germain | Production Manager | |
| Angela Sequeira | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Unfolding over the course of a late summer’s day in the fabled resort town of Sintra, Portugal, the film follows three generations who have gathered for a vacation organized by the family matriarch. In this fairy tale setting, husbands and wives, parents and children, friends and lovers, stirred by their romantic impulses—discover the cracks between them, as well as unexpected depth of feeling.
Metrics
| Opening Weekend: | $19,435 (11.6% of total gross) |
| Legs: | 6.70 (domestic box office/biggest weekend) |
| Domestic Share: | 23.6% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/117 max. theaters, 2.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $218,270 |
Movie Details
| Domestic Releases: | October 25th, 2019 (Limited) by Sony Pictures Classics |
| International Releases: | August 28th, 2019 (Wide) (France)
November 29th, 2019 (Wide) (Argentina) December 13th, 2019 (Wide) (Portugal) March 13th, 2020 (Wide) (Mexico) May 28th, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 18th, 2020 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for brief strong language and some sexual material. (Rating bulletin 2594 (Cert #52362), 9/4/2019) |
| Running Time: | 100 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | SBS Productions, O Som e a Furia, Beluga Tree, Proximus, RTP |
| Production Countries: | France, Portugal, Belgium |
| Languages: | English, French, Portuguese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 25, 2019 | 43 | $19,435 | 4 | $4,859 | $19,435 | 1 | |
| Nov 1, 2019 | 37 | $24,938 | +28% | 11 | $2,267 | $51,040 | 2 |
| Nov 8, 2019 | 42 | $24,227 | -3% | 22 | $1,101 | $86,094 | 3 |
| Nov 15, 2019 | 53 | $8,101 | -67% | 15 | $540 | $105,920 | 4 |
| Nov 22, 2019 | 44 | $17,835 | +120% | 33 | $540 | $129,588 | 5 |
| Nov 29, 2019 | 53 | $6,626 | -63% | 16 | $414 | $142,718 | 6 |
| Dec 6, 2019 | 52 | $6,274 | -5% | 29 | $216 | $152,160 | 7 |
| Dec 13, 2019 | 57 | $4,407 | -30% | 117 | $38 | $161,375 | 8 |
| Dec 20, 2019 | 61 | $657 | -85% | 3 | $219 | $167,169 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 25, 2019 | 45 | $26,102 | 4 | $6,526 | $26,102 | 1 | |
| Nov 1, 2019 | 40 | $35,765 | +37% | 11 | $3,251 | $61,867 | 2 |
| Nov 8, 2019 | 41 | $35,952 | +1% | 22 | $1,634 | $97,819 | 3 |
| Nov 15, 2019 | 55 | $13,934 | -61% | 15 | $929 | $111,753 | 4 |
| Nov 22, 2019 | 49 | $24,339 | +75% | 33 | $738 | $136,092 | 5 |
| Nov 29, 2019 | 51 | $9,794 | -60% | 16 | $612 | $145,886 | 6 |
| Dec 6, 2019 | 50 | $11,082 | +13% | 29 | $382 | $156,968 | 7 |
| Dec 13, 2019 | 51 | $9,544 | -14% | 117 | $82 | $166,512 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/29/2019 | $10,442 | 30 | 30 | 30 | $14,961 | 1/3/2020 | |||
| France | 8/28/2019 | $233,687 | 195 | 211 | 590 | $486,589 | 9/26/2019 | |||
| Portugal | 12/13/2019 | $8,064 | 9 | 9 | 23 | $22,374 | 10/19/2022 | |||
| United Kingdom | 5/28/2021 | $17,446 | 39 | 39 | 39 | $17,446 | 6/2/2021 | |||
| International Total | $541,370 | 10/19/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Isabelle Huppert | Frankie |
Supporting
| Brendan Gleeson | Jimmy | |
| Marisa Tomei | Ilene | |
| Jérémie Renier | Paul | |
| Pascal Greggory | Michel | |
| Ariyon Bakare | Ian | |
| Vinette Robinson | Sylvia | |
| Greg Kinnear | Gary | |
| Sennia Nanua | Maya Andoh | |
| Carloto Cotta | Tiago |
Production and Technical Credits
| Ira Sachs | Director | |
| Ira Sachs | Screenwriter | |
| Mauricio Zacharias | Screenwriter | |
| Said Ben Said | Producer | |
| Michel Merkt | Producer | |
| Luis Urbano | Co-Producer | |
| Sandro Aguilar | Co-Producer | |
| Diana Elbaum | Co-Producer | |
| Rui Pocas | Cinematographer | |
| Sophie Reine | Editor | |
| Vasco Pimentel | Sound Designer | |
| Fred Demolder | Sound Designer | |
| Cyril Holtz | Sound Designer | |
| Silvia Grabowski | Production Designer | |
| Silvia Grabowski | Costume Designer | |
| Dickon Hinchliffe | Composer | |
| Marianne Germain | Production Manager | |
| Angela Sequeira | First Assistant Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.