Freak Show (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $19,696 | Details |
| International Box Office | $961 | Details |
| Worldwide Box Office | $20,657 | |
| OpusData ID: 315040100 More info... | ||
| Further financial details... | ||
Synopsis
Billy Bloom is one-of-a-kind: a fabulous, glitter-bedecked, gender-bending teenager whose razor-sharp wit is matched only his by his outrageous, anything-goes fashion sense. When his glamorous mother is forced to send him to live with his straight-laced father, Billy finds himself a diva-out-of-water at his new ultra-conservative high school. Undaunted by the bullies who don't understand him, the fearless Billy sets out to make a big statement in his own inimitable way: challenging the school's reigning mean girl for the title of homecoming queen.
Metrics
| Opening Weekend: | $4,809 (24.4% of total gross) |
| Legs: | 4.00 (domestic box office/biggest weekend) |
| Domestic Share: | 95.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/9 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,858 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Limited) by IFC Films |
| International Releases: | June 22nd, 2018 (Wide) (United Kingdom) |
| Video Release: | June 5th, 2018 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Plot point: | Bullies, Coming of Age, Dysfunctional Family, LGBTQ+ |
| Social setting: | High School, Prom |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Maven Pictures, Flower Films, Bruno Wang Productions, CoMade STHLM |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 62 | $4,809 | 1 | $4,809 | $4,809 | 1 | |
| Jan 19, 2018 | 64 | $4,927 | +2% | 7 | $704 | $12,489 | 2 |
| Jan 26, 2018 | 80 | $1,641 | -67% | 8 | $205 | $16,136 | 3 |
| Feb 2, 2018 | 89 | $528 | -68% | 4 | $132 | $17,770 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 64 | $7,562 | 1 | $7,562 | $7,562 | 1 | |
| Jan 19, 2018 | 66 | $6,933 | -8% | 7 | $990 | $14,495 | 2 |
| Jan 26, 2018 | 77 | $2,747 | -60% | 9 | $305 | $17,242 | 3 |
| Feb 2, 2018 | 86 | $870 | -68% | 4 | $218 | $18,216 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 6/22/2018 | $961 | 0 | 0 | 0 | $961 | 4/4/2026 | |||
| International Total | $961 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alex J. Lawther* | Billy Bloom | |
| Abigail Breslin | Lynette | |
| AnnaSophia Robb | Blah Blah Blah | |
| Laverne Cox | Felicia Watts | |
| Bette Midler | Muv |
Supporting
| Ian Nelson | Mark ‘Flip’ Kelly | |
| Celia Weston | Florence | |
| Willa Fitzgerald | Tiffany | |
| Larry Pine | William | |
| John McEnroe | Coach Carter |
Production and Technical Credits
| Trudie Styler | Director | |
| Patrick J. Clifton | Screenwriter | |
| Beth Rigazio | Screenwriter | |
| James St. James | Story by | |
| Celine Rattray | Producer | |
| Jeffrey Coulter | Producer | |
| Bryan Rabin | Producer | |
| Trudie Styler | Producer | |
| Ember Truesdell | Producer | |
| Chris Miller | Producer | |
| Drew Barrymore | Executive Producer | |
| Nancy Juvonen | Executive Producer | |
| Maya Sanbar | Executive Producer | |
| Sawsan Asfari | Executive Producer | |
| Sir Ivan | Executive Producer | |
| Jenny Halper | Executive Producer | |
| Bruno Wang | Executive Producer | |
| Samantha Perelman | Executive Producer | |
| Bobby Sager | Executive Producer | |
| Cathleen Ihasz | Executive Producer | |
| Nicole Ihasz | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Franckie Diago | Production Designer | |
| Sarah Flack | Editor | |
| Colleen Atwood | Costume Designer | |
| Dan Romer | Composer | |
| Tracy McKnight | Music Supervisor | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Billy Bloom is one-of-a-kind: a fabulous, glitter-bedecked, gender-bending teenager whose razor-sharp wit is matched only his by his outrageous, anything-goes fashion sense. When his glamorous mother is forced to send him to live with his straight-laced father, Billy finds himself a diva-out-of-water at his new ultra-conservative high school. Undaunted by the bullies who don't understand him, the fearless Billy sets out to make a big statement in his own inimitable way: challenging the school's reigning mean girl for the title of homecoming queen.
Metrics
| Opening Weekend: | $4,809 (24.4% of total gross) |
| Legs: | 4.00 (domestic box office/biggest weekend) |
| Domestic Share: | 95.3% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/9 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $25,858 |
Movie Details
| Domestic Releases: | January 12th, 2018 (Limited) by IFC Films |
| International Releases: | June 22nd, 2018 (Wide) (United Kingdom) |
| Video Release: | June 5th, 2018 by Shout Factory |
| MPA Rating: | Not Rated |
| Running Time: | 91 minutes |
| Plot point: | Bullies, Coming of Age, Dysfunctional Family, LGBTQ+ |
| Social setting: | High School, Prom |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Maven Pictures, Flower Films, Bruno Wang Productions, CoMade STHLM |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 62 | $4,809 | 1 | $4,809 | $4,809 | 1 | |
| Jan 19, 2018 | 64 | $4,927 | +2% | 7 | $704 | $12,489 | 2 |
| Jan 26, 2018 | 80 | $1,641 | -67% | 8 | $205 | $16,136 | 3 |
| Feb 2, 2018 | 89 | $528 | -68% | 4 | $132 | $17,770 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 12, 2018 | 64 | $7,562 | 1 | $7,562 | $7,562 | 1 | |
| Jan 19, 2018 | 66 | $6,933 | -8% | 7 | $990 | $14,495 | 2 |
| Jan 26, 2018 | 77 | $2,747 | -60% | 9 | $305 | $17,242 | 3 |
| Feb 2, 2018 | 86 | $870 | -68% | 4 | $218 | $18,216 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 6/22/2018 | $961 | 0 | 0 | 0 | $961 | 4/4/2026 | |||
| International Total | $961 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Alex J. Lawther* | Billy Bloom | |
| Abigail Breslin | Lynette | |
| AnnaSophia Robb | Blah Blah Blah | |
| Laverne Cox | Felicia Watts | |
| Bette Midler | Muv |
Supporting
| Ian Nelson | Mark ‘Flip’ Kelly | |
| Celia Weston | Florence | |
| Willa Fitzgerald | Tiffany | |
| Larry Pine | William | |
| John McEnroe | Coach Carter |
Production and Technical Credits
| Trudie Styler | Director | |
| Patrick J. Clifton | Screenwriter | |
| Beth Rigazio | Screenwriter | |
| James St. James | Story by | |
| Celine Rattray | Producer | |
| Jeffrey Coulter | Producer | |
| Bryan Rabin | Producer | |
| Trudie Styler | Producer | |
| Ember Truesdell | Producer | |
| Chris Miller | Producer | |
| Drew Barrymore | Executive Producer | |
| Nancy Juvonen | Executive Producer | |
| Maya Sanbar | Executive Producer | |
| Sawsan Asfari | Executive Producer | |
| Sir Ivan | Executive Producer | |
| Jenny Halper | Executive Producer | |
| Bruno Wang | Executive Producer | |
| Samantha Perelman | Executive Producer | |
| Bobby Sager | Executive Producer | |
| Cathleen Ihasz | Executive Producer | |
| Nicole Ihasz | Executive Producer | |
| Dante Spinotti | Director of Photography | |
| Franckie Diago | Production Designer | |
| Sarah Flack | Editor | |
| Colleen Atwood | Costume Designer | |
| Dan Romer | Composer | |
| Tracy McKnight | Music Supervisor | |
| Avy Kaufman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.