Freaky Tales (2025)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $2,757 | Details |
| Worldwide Box Office | $2,757 | |
| OpusData ID: 622060100 More info... | ||
| Further financial details... | ||
Synopsis
Set in 1987 Oakland, Freaky Tales is a multi-track mixtape of colorful characters — an NBA star, a corrupt cop, a female rap duo, teen punks, neo-Nazis, and a debt collector — on a collision course in a fever dream of showdowns and battles.
Metrics
Movie Details
| Domestic Releases: | April 4th, 2025 (Limited) by Lionsgate |
| International Releases: | April 18th, 2025 (Limited) (United Kingdom)
June 26th, 2025 (Limited) (Germany) |
| Video Release: | April 25th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence, language throughout including slurs, sexual content and drug use. (Rating bulletin 2806 (cert #54578), 10/25/2023) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Posthumous Release, Segments |
| Geographical setting: | California, Oakland, CA |
| Source material: | Inspired by a True Story |
| Subgenre: | Historical Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Gowanus Projections, Macro Media, Entertainment One |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/18/2025 | $2,757 | 1 | 1 | 1 | $2,757 | 4/4/2026 | |||
| International Total | $2,757 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pedro Pascal | Clint | |
| Ben Mendelsohn | the guy | |
| Jay Ellis | Sleepy Floyd |
Supporting
| Dominique Thorne | Barbie | |
| Tom Hanks | Hank | |
| Jack Champion | Lucid | |
| Normani | Entice |
Narrator
| Too Short | guy's partner / narrator |
Supporting
| Marshawn Lynch | bus driver | |
| Angus Cloud | Travis |
Production and Technical Credits
| Anna Boden | Director | |
| Ryan Fleck | Director | |
| Ryan Fleck | Screenwriter | |
| Anna Boden | Screenwriter | |
| Ryan Fleck | Producer | |
| Anna Boden | Producer | |
| Jelani Johnson | Producer | |
| Poppy Hanks | Producer | |
| Jillian Share | Executive Producer | |
| Jen Gorton | Executive Producer | |
| Charles D. King | Executive Producer | |
| James Lopez | Executive Producer | |
| Justin Bursch | Executive Producer | |
| Victor Moyers | Executive Producer | |
| Todd Anthony Shaw | Executive Producer | |
| David Weintraub | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in 1987 Oakland, Freaky Tales is a multi-track mixtape of colorful characters — an NBA star, a corrupt cop, a female rap duo, teen punks, neo-Nazis, and a debt collector — on a collision course in a fever dream of showdowns and battles.
Metrics
Movie Details
| Domestic Releases: | April 4th, 2025 (Limited) by Lionsgate |
| International Releases: | April 18th, 2025 (Limited) (United Kingdom)
June 26th, 2025 (Limited) (Germany) |
| Video Release: | April 25th, 2025 by Lionsgate Home Entertainment |
| MPA Rating: | R for strong bloody violence, language throughout including slurs, sexual content and drug use. (Rating bulletin 2806 (cert #54578), 10/25/2023) |
| Running Time: | 107 minutes |
| Cast, crew, or production detail: | Posthumous Release, Segments |
| Geographical setting: | California, Oakland, CA |
| Source material: | Inspired by a True Story |
| Subgenre: | Historical Drama |
| Time period setting: | 1980s |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Gowanus Projections, Macro Media, Entertainment One |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 4/18/2025 | $2,757 | 1 | 1 | 1 | $2,757 | 4/4/2026 | |||
| International Total | $2,757 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Pedro Pascal | Clint | |
| Ben Mendelsohn | the guy | |
| Jay Ellis | Sleepy Floyd |
Supporting
| Dominique Thorne | Barbie | |
| Tom Hanks | Hank | |
| Jack Champion | Lucid | |
| Normani | Entice |
Narrator
| Too Short | guy's partner / narrator |
Supporting
| Marshawn Lynch | bus driver | |
| Angus Cloud | Travis |
Production and Technical Credits
| Anna Boden | Director | |
| Ryan Fleck | Director | |
| Ryan Fleck | Screenwriter | |
| Anna Boden | Screenwriter | |
| Ryan Fleck | Producer | |
| Anna Boden | Producer | |
| Jelani Johnson | Producer | |
| Poppy Hanks | Producer | |
| Jillian Share | Executive Producer | |
| Jen Gorton | Executive Producer | |
| Charles D. King | Executive Producer | |
| James Lopez | Executive Producer | |
| Justin Bursch | Executive Producer | |
| Victor Moyers | Executive Producer | |
| Todd Anthony Shaw | Executive Producer | |
| David Weintraub | Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.