Freddy’s Dead: The Final Nightmare (1991)
| Theatrical Performance | ||
| Domestic Box Office | $34,872,033 | Details |
| OpusData ID: 16310100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $12,966,525 (37.2% of total gross) |
| Legs: | 2.69 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 7.0 times production budget) |
| Theater counts: | 1,862 opening theaters/1,862 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $93,682,347 |
Movie Details
| Domestic Releases: | September 13th, 1991 (Wide) by New Line |
| Video Release: | August 12th, 1997 by New Line Home Video |
| MPA Rating: | R for horror violence, and for language and drug content. |
| Running Time: | 89 minutes |
| Franchise: | Nightmare on Elm Street |
| Film format: | 3-D - Shot in 3-D |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 1991 | 1 | $12,966,525 | 1,862 | $6,964 | $12,966,525 | 1 | |
| Sep 20, 1991 | 1 | $6,626,378 | -49% | 1,860 | $3,563 | $22,164,988 | 2 |
| Sep 27, 1991 | 4 | $3,422,098 | -48% | 1,860 | $1,840 | $26,896,857 | 3 |
| Oct 4, 1991 | 8 | $1,831,782 | -46% | 1,660 | $1,103 | $29,534,726 | 4 |
| Oct 11, 1991 | 10 | $1,212,544 | -34% | 1,255 | $966 | $31,222,884 | 5 |
| Nov 15, 1991 | 35 | $127,405 | 230 | $554 | $34,015,591 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 1991 | 1 | $15,538,610 | 1,862 | $8,345 | $15,538,610 | 1 | |
| Sep 20, 1991 | 1 | $7,936,149 | -49% | 1,860 | $4,267 | $23,474,759 | 2 |
| Sep 27, 1991 | 4 | $4,228,185 | -47% | 1,860 | $2,273 | $27,702,944 | 3 |
| Oct 4, 1991 | 7 | $2,307,396 | -45% | 1,660 | $1,390 | $30,010,340 | 4 |
Leading
| Robert Englund | Freddy Krueger |
Supporting
| Lisa Zane | Maggie | |
| Shon Greenblatt | John | |
| Lezlie Deane | Tracy | |
| Yaphet Kotto | Doc | |
| Ricky Dean Logan | Carlos | |
| Breckin Meyer | Spencer | |
| Roseanne Arnold | Childless Woman | |
| Tom Arnold | Childless Man | |
| Elinor Donahue | Orphanage Woman | |
| Oprah Noodlemantra | Teenager | |
| Cassandra Rachel Friel | Little Maggie | |
| David Dunard | Kelly | |
| Marilyn Rockafellow | Maggie's Mother | |
| Virginia Peters | Woman on Plane | |
| Stella Hall | Stewardess | |
| Lyndsey Fields | Loretta Krueger | |
| Angelina Estrada | Carlos' Mother | |
| Peter Spellos | Tracy's Father | |
| Toby Sexton | Teen Freddy | |
| Chason Schirmer | Young Freddy | |
| Michael McNab | Spencer's Father | |
| Matthew Faison | Springwood Teacher | |
| Vic Watterson | Police Officer | |
| Carlease Burke | Police Officer | |
| L.E. Moko | Ticket Seller | |
| Warren Harrington | Cop in Shelter | |
| Mel Scott-Thomas | Security Guard | |
| Jonathan Mazur | Angry Boy |
Production and Technical Credits
| Rachel Talalay | Director | |
| Robert Shaye | Producer | |
| Aron Warner | Producer | |
| Michael De Luca | Screenwriter | |
| Rachel Talalay | Story Creator | |
| Wes Craven | Character Creator | |
| Michael De Luca | Executive Producer | |
| Bonnie Greenberg | Music Supervisor | |
| Jill Meyers | Music Supervisor | |
| Brian May | Composer | |
| Declan Quinn | Director of Photography | |
| C.J. Strawn | Production Designer | |
| Janice Hampton | Editor | |
| Michael Knue | Associate Producer | |
| Michael Knue | Second Unit Director | |
| Mike Topoozian | Assistant Director | |
| Patricia Whitcher | Unit Production Manager | |
| James R. Barrows | Art Director | |
| Rebecca Carriaga | Set Decorator | |
| Phil Parmet | Second Unit Camera | |
| Nanrose Buchman | Costume Designer | |
| C. Parker Poole | Costume Supervisor | |
| Erica Huggins | Additional Editor | |
| Mark Weingarten | Sound Mixer | |
| Timothy A. Hoggart | Re-recording Mixer | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Robert Appere | Re-recording Mixer | |
| Walter A. Gest | Re-recording Mixer | |
| Greg G. Best | Re-recording Mixer | |
| Hari Ryatt | Supervising Sound Editor | |
| Bruce Stubblefield | Supervising Sound Editor | |
| Richard Burton | Sound Effects Editor | |
| Andre Bacha | Sound Effects Editor | |
| Edward Fassl | Sound Effects Editor | |
| Jeff Clark | Sound Effects Editor | |
| Maciek Malish | Sound Effects Editor | |
| Jennifer Hortin | Dialogue Editor | |
| Christine Danelski | Dialogue Editor | |
| H.L. Hicks | Dialogue Editor | |
| Suzanne Parker Sanders | Make-up and Hair Designer | |
| John Carl Buechler | Special Make-up Effects | |
| Rodd Matsui | Special Make-up Effects | |
| Jane Jenkins | Casting Director | |
| Janet Hirshenson | Casting Director | |
| Roger Mussenden | Casting Director | |
| Dan Bradley | Stunt Coordinator | |
| Jon Johnson | Special Sound Effects |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $12,966,525 (37.2% of total gross) |
| Legs: | 2.69 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $5,000,000 (worldwide box office is 7.0 times production budget) |
| Theater counts: | 1,862 opening theaters/1,862 max. theaters, 4.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $93,682,347 |
Movie Details
| Domestic Releases: | September 13th, 1991 (Wide) by New Line |
| Video Release: | August 12th, 1997 by New Line Home Video |
| MPA Rating: | R for horror violence, and for language and drug content. |
| Running Time: | 89 minutes |
| Franchise: | Nightmare on Elm Street |
| Film format: | 3-D - Shot in 3-D |
| Subgenre: | Slasher Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 1991 | 1 | $12,966,525 | 1,862 | $6,964 | $12,966,525 | 1 | |
| Sep 20, 1991 | 1 | $6,626,378 | -49% | 1,860 | $3,563 | $22,164,988 | 2 |
| Sep 27, 1991 | 4 | $3,422,098 | -48% | 1,860 | $1,840 | $26,896,857 | 3 |
| Oct 4, 1991 | 8 | $1,831,782 | -46% | 1,660 | $1,103 | $29,534,726 | 4 |
| Oct 11, 1991 | 10 | $1,212,544 | -34% | 1,255 | $966 | $31,222,884 | 5 |
| Nov 15, 1991 | 35 | $127,405 | 230 | $554 | $34,015,591 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 13, 1991 | 1 | $15,538,610 | 1,862 | $8,345 | $15,538,610 | 1 | |
| Sep 20, 1991 | 1 | $7,936,149 | -49% | 1,860 | $4,267 | $23,474,759 | 2 |
| Sep 27, 1991 | 4 | $4,228,185 | -47% | 1,860 | $2,273 | $27,702,944 | 3 |
| Oct 4, 1991 | 7 | $2,307,396 | -45% | 1,660 | $1,390 | $30,010,340 | 4 |
Leading
| Robert Englund | Freddy Krueger |
Supporting
| Lisa Zane | Maggie | |
| Shon Greenblatt | John | |
| Lezlie Deane | Tracy | |
| Yaphet Kotto | Doc | |
| Ricky Dean Logan | Carlos | |
| Breckin Meyer | Spencer | |
| Roseanne Arnold | Childless Woman | |
| Tom Arnold | Childless Man | |
| Elinor Donahue | Orphanage Woman | |
| Oprah Noodlemantra | Teenager | |
| Cassandra Rachel Friel | Little Maggie | |
| David Dunard | Kelly | |
| Marilyn Rockafellow | Maggie's Mother | |
| Virginia Peters | Woman on Plane | |
| Stella Hall | Stewardess | |
| Lyndsey Fields | Loretta Krueger | |
| Angelina Estrada | Carlos' Mother | |
| Peter Spellos | Tracy's Father | |
| Toby Sexton | Teen Freddy | |
| Chason Schirmer | Young Freddy | |
| Michael McNab | Spencer's Father | |
| Matthew Faison | Springwood Teacher | |
| Vic Watterson | Police Officer | |
| Carlease Burke | Police Officer | |
| L.E. Moko | Ticket Seller | |
| Warren Harrington | Cop in Shelter | |
| Mel Scott-Thomas | Security Guard | |
| Jonathan Mazur | Angry Boy |
Production and Technical Credits
| Rachel Talalay | Director | |
| Robert Shaye | Producer | |
| Aron Warner | Producer | |
| Michael De Luca | Screenwriter | |
| Rachel Talalay | Story Creator | |
| Wes Craven | Character Creator | |
| Michael De Luca | Executive Producer | |
| Bonnie Greenberg | Music Supervisor | |
| Jill Meyers | Music Supervisor | |
| Brian May | Composer | |
| Declan Quinn | Director of Photography | |
| C.J. Strawn | Production Designer | |
| Janice Hampton | Editor | |
| Michael Knue | Associate Producer | |
| Michael Knue | Second Unit Director | |
| Mike Topoozian | Assistant Director | |
| Patricia Whitcher | Unit Production Manager | |
| James R. Barrows | Art Director | |
| Rebecca Carriaga | Set Decorator | |
| Phil Parmet | Second Unit Camera | |
| Nanrose Buchman | Costume Designer | |
| C. Parker Poole | Costume Supervisor | |
| Erica Huggins | Additional Editor | |
| Mark Weingarten | Sound Mixer | |
| Timothy A. Hoggart | Re-recording Mixer | |
| Jeffrey J. Haboush | Re-recording Mixer | |
| Robert Appere | Re-recording Mixer | |
| Walter A. Gest | Re-recording Mixer | |
| Greg G. Best | Re-recording Mixer | |
| Hari Ryatt | Supervising Sound Editor | |
| Bruce Stubblefield | Supervising Sound Editor | |
| Richard Burton | Sound Effects Editor | |
| Andre Bacha | Sound Effects Editor | |
| Edward Fassl | Sound Effects Editor | |
| Jeff Clark | Sound Effects Editor | |
| Maciek Malish | Sound Effects Editor | |
| Jennifer Hortin | Dialogue Editor | |
| Christine Danelski | Dialogue Editor | |
| H.L. Hicks | Dialogue Editor | |
| Suzanne Parker Sanders | Make-up and Hair Designer | |
| John Carl Buechler | Special Make-up Effects | |
| Rodd Matsui | Special Make-up Effects | |
| Jane Jenkins | Casting Director | |
| Janet Hirshenson | Casting Director | |
| Roger Mussenden | Casting Director | |
| Dan Bradley | Stunt Coordinator | |
| Jon Johnson | Special Sound Effects |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.