Freeway (1996)
| Theatrical Performance | ||
| Domestic Box Office | $295,493 | Details |
| OpusData ID: 99880100 More info... | ||
| Further financial details... | ||
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 0.1 times production budget) |
| Infl. Adj. Dom. BO | $756,107 |
Movie Details
| Domestic Releases: | August 23rd, 1996 (Wide) by Roxie Releasing |
| MPA Rating: | R for strong lurid violence and sexual dialogue, some sexual situations, drug content and language. |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Amanda Plummer | Ramona | |
| Kiefer Sutherland | Bob Wolverton | |
| Dan Hedaya | Detective Wallace |
Leading
| Reese Witherspoon | Vanessa Lutz |
| Brittany Murphy | Rhonda | |
| James Russo | Frank Quinn | |
| Brooke Shields | Mimi Wolverton |
Production and Technical Credits
| Danny Elfman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $3,000,000 (worldwide box office is 0.1 times production budget) |
| Infl. Adj. Dom. BO | $756,107 |
Movie Details
| Domestic Releases: | August 23rd, 1996 (Wide) by Roxie Releasing |
| MPA Rating: | R for strong lurid violence and sexual dialogue, some sexual situations, drug content and language. |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Amanda Plummer | Ramona | |
| Kiefer Sutherland | Bob Wolverton | |
| Dan Hedaya | Detective Wallace |
Leading
| Reese Witherspoon | Vanessa Lutz |
| Brittany Murphy | Rhonda | |
| James Russo | Frank Quinn | |
| Brooke Shields | Mimi Wolverton |
Production and Technical Credits
| Danny Elfman | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.