Die Fremde (2010)
| Theatrical Performance | ||
| Domestic Box Office | $19,631 | Details |
| International Box Office | $47,396 | Details |
| Worldwide Box Office | $67,027 | |
| OpusData ID: 153700100 More info... | ||
| Further financial details... | ||
Synopsis
German-born Umay flees from her oppressive marriage in Istanbul, taking her young son Cem with her. She hopes to find a better life with her family in Berlin, but her unexpected arrival creates intense conflict. Her family is trapped in their conventions. They are torn between their love for her and the traditional values of their community. Ultimately, they decide to return Cem to his father in Turkey. To keep her son, Umay is forced to move again. She finds the inner strength to build a new life for herself and Cem, but her need for her family's love drives her to a series of ill-fated attempts at reconciliation. What Umay doesn't realize is just how deep the wounds are and how dangerous her struggle for self-determination has become…
Metrics
| Opening Weekend: | $6,018 (30.7% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 29.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,613 |
Movie Details
| Domestic Releases: | January 28th, 2011 (Limited) by Olive Films, released as When We Leave |
| International Releases: | May 21st, 2010 (Wide) (Turkey) |
| MPA Rating: | Not Rated |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Foreign Language |
| Plot point: | Culture Clash, Dysfunctional Family |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Independent Artists Filmproduktion, WDR, RBB, Arte |
| Production Countries: | Germany |
| Languages: | German, Turkish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2011 | 66 | $6,018 | 2 | $3,009 | $6,018 | 1 | |
| Feb 4, 2011 | 70 | $4,732 | -21% | 2 | $2,366 | $13,356 | 2 |
| Feb 11, 2011 | 92 | $1,440 | -70% | 1 | $1,440 | $14,128 | 3 |
| Feb 18, 2011 | 79 | $4,028 | +180% | 1 | $4,028 | $18,918 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 72 | $713 | 1 | $713 | $19,631 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2011 | 64 | $8,624 | 2 | $4,312 | $8,624 | 1 | |
| Feb 4, 2011 | 77 | $4,064 | -53% | 2 | $2,032 | $12,688 | 2 |
| Feb 11, 2011 | 88 | $2,202 | -46% | 1 | $2,202 | $14,890 | 3 |
| Feb 18, 2011 | 82 | $4,741 | +115% | 1 | $4,741 | $19,631 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Turkey | 5/21/2010 | $0 | 0 | 1 | 1 | $47,396 | 12/31/2018 | |||
| International Total | $47,396 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sibel Kekilli | Umay |
Supporting
| Settar Tanriogen | Kader | |
| Derya Alabora | Halime | |
| Florian Lukas | Stipe | |
| Tamer Yigit | Mehmet | |
| Serhad Can | Acar | |
| Almila Bagriacik | Rana | |
| Alwara Hoefels | Atife | |
| Nursel Kose | Gul | |
| Nizam Schiller | Cem | |
| Ufuk Bayraktar | Kemal | |
| Marlon Pulat | Duran |
Production and Technical Credits
| Feo Aladag | Producer | |
| Zuli Aladag | Producer | |
| Feo Aladag | Director | |
| Feo Aladag | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
German-born Umay flees from her oppressive marriage in Istanbul, taking her young son Cem with her. She hopes to find a better life with her family in Berlin, but her unexpected arrival creates intense conflict. Her family is trapped in their conventions. They are torn between their love for her and the traditional values of their community. Ultimately, they decide to return Cem to his father in Turkey. To keep her son, Umay is forced to move again. She finds the inner strength to build a new life for herself and Cem, but her need for her family's love drives her to a series of ill-fated attempts at reconciliation. What Umay doesn't realize is just how deep the wounds are and how dangerous her struggle for self-determination has become…
Metrics
| Opening Weekend: | $6,018 (30.7% of total gross) |
| Legs: | 3.26 (domestic box office/biggest weekend) |
| Domestic Share: | 29.3% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/2 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $29,613 |
Movie Details
| Domestic Releases: | January 28th, 2011 (Limited) by Olive Films, released as When We Leave |
| International Releases: | May 21st, 2010 (Wide) (Turkey) |
| MPA Rating: | Not Rated |
| Running Time: | 120 minutes |
| Cast, crew, or production detail: | Foreign Language |
| Plot point: | Culture Clash, Dysfunctional Family |
| Source material: | Inspired by a True Story |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Independent Artists Filmproduktion, WDR, RBB, Arte |
| Production Countries: | Germany |
| Languages: | German, Turkish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2011 | 66 | $6,018 | 2 | $3,009 | $6,018 | 1 | |
| Feb 4, 2011 | 70 | $4,732 | -21% | 2 | $2,366 | $13,356 | 2 |
| Feb 11, 2011 | 92 | $1,440 | -70% | 1 | $1,440 | $14,128 | 3 |
| Feb 18, 2011 | 79 | $4,028 | +180% | 1 | $4,028 | $18,918 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 21, 2011 | 72 | $713 | 1 | $713 | $19,631 | 25 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 28, 2011 | 64 | $8,624 | 2 | $4,312 | $8,624 | 1 | |
| Feb 4, 2011 | 77 | $4,064 | -53% | 2 | $2,032 | $12,688 | 2 |
| Feb 11, 2011 | 88 | $2,202 | -46% | 1 | $2,202 | $14,890 | 3 |
| Feb 18, 2011 | 82 | $4,741 | +115% | 1 | $4,741 | $19,631 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Turkey | 5/21/2010 | $0 | 0 | 1 | 1 | $47,396 | 12/31/2018 | |||
| International Total | $47,396 | 12/31/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Sibel Kekilli | Umay |
Supporting
| Settar Tanriogen | Kader | |
| Derya Alabora | Halime | |
| Florian Lukas | Stipe | |
| Tamer Yigit | Mehmet | |
| Serhad Can | Acar | |
| Almila Bagriacik | Rana | |
| Alwara Hoefels | Atife | |
| Nursel Kose | Gul | |
| Nizam Schiller | Cem | |
| Ufuk Bayraktar | Kemal | |
| Marlon Pulat | Duran |
Production and Technical Credits
| Feo Aladag | Producer | |
| Zuli Aladag | Producer | |
| Feo Aladag | Director | |
| Feo Aladag | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.