Freud’s Last Session (2023)
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| Theatrical Performance | ||
| Domestic Box Office | $906,283 | Details |
| International Box Office | $2,454,116 | Details |
| Worldwide Box Office | $3,360,399 | |
| OpusData ID: 558460100 More info... | ||
| Further financial details... | ||
Synopsis
On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. LEWIS and SIGMUND FREUD converge for their own personal battle over the existence of God. FREUD’S LAST SESSION interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
Metrics
| Opening Weekend: | $36,053 (4.0% of total gross) |
| Legs: | 2.97 (domestic box office/biggest weekend) |
| Domestic Share: | 27.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/634 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $960,675 |
Movie Details
| Domestic Releases: | December 22nd, 2023 (Limited) by Sony Pictures Classics January 19th, 2024 (Expands Wide) by Sony Pictures Classics |
| International Releases: | April 18th, 2024 (Limited), released as Freud’s Last Session (По Фрейду) (Russia (CIS))
April 18th, 2024 (Limited) (Australia) May 30th, 2024 (Limited) (New Zealand) June 7th, 2024 (Limited), released as La Última Sesión de Freud (Spain) June 14th, 2024 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 20th, 2024 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic material, some bloody/violent images, sexual material and smoking. (Rating bulletin 2811 (cert #54758), 11/29/2023) |
| Running Time: | 108 minutes |
| Filming location (city or town): | London, England |
| Plot point: | Alternate History, Psychiatrist, Religious |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Historical Drama |
| Time period setting: | 1930s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | - | $36,053 | 5 | $7,211 | $36,053 | 1 | |
| Dec 29, 2023 | - | $10,878 | -70% | 5 | $2,176 | $64,780 | 2 |
| Jan 5, 2024 | - | $15,824 | +45% | 10 | $1,582 | $90,276 | 3 |
| Jan 12, 2024 | - | $53,112 | +236% | 34 | $1,562 | $152,882 | 4 |
| Jan 19, 2024 | - | $305,619 | +475% | 634 | $482 | $486,037 | 5 |
| Jan 26, 2024 | - | $75,289 | -75% | 229 | $329 | $750,894 | 6 |
| Feb 2, 2024 | - | $23,517 | -69% | 66 | $356 | $827,519 | 7 |
| Feb 9, 2024 | - | $4,169 | -82% | 13 | $321 | $848,884 | 8 |
| Feb 16, 2024 | - | $6,477 | +55% | 8 | $810 | $858,774 | 9 |
| Feb 23, 2024 | - | $3,777 | -42% | 4 | $944 | $867,061 | 10 |
| Mar 1, 2024 | - | $866 | -77% | 3 | $289 | $870,027 | 11 |
| Mar 15, 2024 | - | $1,280 | 8 | $160 | $902,638 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2023 | - | $6,850 | 5 | $1,370 | $6,850 | 4 | ||
| Dec 26, 2023 | - | $3,501 | -49% | 5 | $700 | $10,351 | 5 | |
| Dec 27, 2023 | - | $3,994 | +14% | 5 | $799 | $14,345 | 6 | |
| Dec 28, 2023 | - | $3,504 | -12% | 5 | $701 | $17,849 | 7 | |
| Jan 1, 2024 | - | $4,623 | -33% | 5 | $925 | $69,403 | 11 | |
| Jan 2, 2024 | - | $1,782 | -61% | -49% | 5 | $356 | $71,185 | 12 |
| Jan 3, 2024 | - | $1,522 | -15% | -62% | 5 | $304 | $72,707 | 13 |
| Jan 4, 2024 | - | $1,745 | +15% | -50% | 5 | $349 | $74,452 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | 32 | $53,902 | 5 | $10,780 | $53,902 | 1 | |
| Dec 29, 2023 | 39 | $20,550 | -62% | 5 | $4,110 | $74,452 | 2 |
| Jan 5, 2024 | 36 | $25,318 | +23% | 10 | $2,532 | $99,770 | 3 |
| Jan 12, 2024 | 28 | $80,648 | +219% | 10 | $8,065 | $180,418 | 4 |
| Jan 19, 2024 | 22 | $495,187 | +514% | 634 | $781 | $675,605 | 5 |
| Jan 26, 2024 | 29 | $128,397 | -74% | 229 | $561 | $804,002 | 6 |
| Feb 2, 2024 | 34 | $33,213 | -74% | 66 | $503 | $837,215 | 7 |
| Feb 9, 2024 | 52 | $7,582 | -77% | 13 | $583 | $852,297 | 8 |
| Feb 16, 2024 | 48 | $10,987 | +45% | 8 | $1,373 | $863,284 | 9 |
| Feb 23, 2024 | 54 | $5,877 | -47% | 4 | $1,469 | $869,161 | 10 |
| Mar 1, 2024 | 59 | $1,899 | -68% | 3 | $633 | $871,060 | 11 |
| Mar 8, 2024 | 39 | $30,298 | +1,495% | 107 | $283 | $901,358 | 12 |
| Mar 15, 2024 | 54 | $2,740 | -91% | 8 | $343 | $904,098 | 13 |
| Mar 22, 2024 | 60 | $2,185 | -20% | 3 | $728 | $906,283 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/18/2024 | $98,200 | 118 | 118 | 573 | $455,098 | 10/21/2024 | |||
| Italy | 11/28/2024 | $206,069 | 0 | 0 | 0 | $768,423 | 12/30/2024 | |||
| New Zealand | 5/30/2024 | $31,360 | 56 | 58 | 313 | $119,246 | 7/29/2024 | |||
| Portugal | 7/11/2024 | $13,483 | 21 | 21 | 91 | $132,095 | 10/22/2024 | |||
| Russia (CIS) | 4/18/2024 | $122,397 | 379 | 379 | 719 | $325,718 | 5/8/2024 | |||
| South Korea | 8/21/2024 | $26,446 | 72 | 72 | 96 | $69,075 | 9/5/2024 | |||
| Spain | 6/7/2024 | $80,802 | 109 | 109 | 281 | $251,306 | 7/5/2024 | |||
| United Kingdom | 6/14/2024 | $92,590 | 196 | 196 | 450 | $333,155 | 7/24/2024 | |||
| International Total | $2,454,116 | 12/30/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Hopkins | Sigmund Freud | |
| Matthew Goode | C.S. Lewis |
Production and Technical Credits
| Matt Brown | Director | |
| Mark St. Germain | Screenwriter | |
| Matt Brown | Screenwriter | |
| Mark St. Germain | Story Creator | |
| Armand Nicholi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
On the eve of the Second World War, two of the greatest minds on the twentieth century, C.S. LEWIS and SIGMUND FREUD converge for their own personal battle over the existence of God. FREUD’S LAST SESSION interweaves the lives of Freud and Lewis, past, present, and through fantasy, bursting from the confines of Freud’s study on a dynamic journey.
Metrics
| Opening Weekend: | $36,053 (4.0% of total gross) |
| Legs: | 2.97 (domestic box office/biggest weekend) |
| Domestic Share: | 27.0% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/634 max. theaters, 1.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $960,675 |
Movie Details
| Domestic Releases: | December 22nd, 2023 (Limited) by Sony Pictures Classics January 19th, 2024 (Expands Wide) by Sony Pictures Classics |
| International Releases: | April 18th, 2024 (Limited), released as Freud’s Last Session (По Фрейду) (Russia (CIS))
April 18th, 2024 (Limited) (Australia) May 30th, 2024 (Limited) (New Zealand) June 7th, 2024 (Limited), released as La Última Sesión de Freud (Spain) June 14th, 2024 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | February 20th, 2024 by Sony Pictures Home Entertainment |
| MPA Rating: | PG-13 for thematic material, some bloody/violent images, sexual material and smoking. (Rating bulletin 2811 (cert #54758), 11/29/2023) |
| Running Time: | 108 minutes |
| Filming location (city or town): | London, England |
| Plot point: | Alternate History, Psychiatrist, Religious |
| Source material: | Novel or Other Work Adapted by Author |
| Subgenre: | Historical Drama |
| Time period setting: | 1930s |
| Source: | Based on Play |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | - | $36,053 | 5 | $7,211 | $36,053 | 1 | |
| Dec 29, 2023 | - | $10,878 | -70% | 5 | $2,176 | $64,780 | 2 |
| Jan 5, 2024 | - | $15,824 | +45% | 10 | $1,582 | $90,276 | 3 |
| Jan 12, 2024 | - | $53,112 | +236% | 34 | $1,562 | $152,882 | 4 |
| Jan 19, 2024 | - | $305,619 | +475% | 634 | $482 | $486,037 | 5 |
| Jan 26, 2024 | - | $75,289 | -75% | 229 | $329 | $750,894 | 6 |
| Feb 2, 2024 | - | $23,517 | -69% | 66 | $356 | $827,519 | 7 |
| Feb 9, 2024 | - | $4,169 | -82% | 13 | $321 | $848,884 | 8 |
| Feb 16, 2024 | - | $6,477 | +55% | 8 | $810 | $858,774 | 9 |
| Feb 23, 2024 | - | $3,777 | -42% | 4 | $944 | $867,061 | 10 |
| Mar 1, 2024 | - | $866 | -77% | 3 | $289 | $870,027 | 11 |
| Mar 15, 2024 | - | $1,280 | 8 | $160 | $902,638 | 13 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2023 | - | $6,850 | 5 | $1,370 | $6,850 | 4 | ||
| Dec 26, 2023 | - | $3,501 | -49% | 5 | $700 | $10,351 | 5 | |
| Dec 27, 2023 | - | $3,994 | +14% | 5 | $799 | $14,345 | 6 | |
| Dec 28, 2023 | - | $3,504 | -12% | 5 | $701 | $17,849 | 7 | |
| Jan 1, 2024 | - | $4,623 | -33% | 5 | $925 | $69,403 | 11 | |
| Jan 2, 2024 | - | $1,782 | -61% | -49% | 5 | $356 | $71,185 | 12 |
| Jan 3, 2024 | - | $1,522 | -15% | -62% | 5 | $304 | $72,707 | 13 |
| Jan 4, 2024 | - | $1,745 | +15% | -50% | 5 | $349 | $74,452 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 22, 2023 | 32 | $53,902 | 5 | $10,780 | $53,902 | 1 | |
| Dec 29, 2023 | 39 | $20,550 | -62% | 5 | $4,110 | $74,452 | 2 |
| Jan 5, 2024 | 36 | $25,318 | +23% | 10 | $2,532 | $99,770 | 3 |
| Jan 12, 2024 | 28 | $80,648 | +219% | 10 | $8,065 | $180,418 | 4 |
| Jan 19, 2024 | 22 | $495,187 | +514% | 634 | $781 | $675,605 | 5 |
| Jan 26, 2024 | 29 | $128,397 | -74% | 229 | $561 | $804,002 | 6 |
| Feb 2, 2024 | 34 | $33,213 | -74% | 66 | $503 | $837,215 | 7 |
| Feb 9, 2024 | 52 | $7,582 | -77% | 13 | $583 | $852,297 | 8 |
| Feb 16, 2024 | 48 | $10,987 | +45% | 8 | $1,373 | $863,284 | 9 |
| Feb 23, 2024 | 54 | $5,877 | -47% | 4 | $1,469 | $869,161 | 10 |
| Mar 1, 2024 | 59 | $1,899 | -68% | 3 | $633 | $871,060 | 11 |
| Mar 8, 2024 | 39 | $30,298 | +1,495% | 107 | $283 | $901,358 | 12 |
| Mar 15, 2024 | 54 | $2,740 | -91% | 8 | $343 | $904,098 | 13 |
| Mar 22, 2024 | 60 | $2,185 | -20% | 3 | $728 | $906,283 | 14 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 4/18/2024 | $98,200 | 118 | 118 | 573 | $455,098 | 10/21/2024 | |||
| Italy | 11/28/2024 | $206,069 | 0 | 0 | 0 | $768,423 | 12/30/2024 | |||
| New Zealand | 5/30/2024 | $31,360 | 56 | 58 | 313 | $119,246 | 7/29/2024 | |||
| Portugal | 7/11/2024 | $13,483 | 21 | 21 | 91 | $132,095 | 10/22/2024 | |||
| Russia (CIS) | 4/18/2024 | $122,397 | 379 | 379 | 719 | $325,718 | 5/8/2024 | |||
| South Korea | 8/21/2024 | $26,446 | 72 | 72 | 96 | $69,075 | 9/5/2024 | |||
| Spain | 6/7/2024 | $80,802 | 109 | 109 | 281 | $251,306 | 7/5/2024 | |||
| United Kingdom | 6/14/2024 | $92,590 | 196 | 196 | 450 | $333,155 | 7/24/2024 | |||
| International Total | $2,454,116 | 12/30/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anthony Hopkins | Sigmund Freud | |
| Matthew Goode | C.S. Lewis |
Production and Technical Credits
| Matt Brown | Director | |
| Mark St. Germain | Screenwriter | |
| Matt Brown | Screenwriter | |
| Mark St. Germain | Story Creator | |
| Armand Nicholi | Story Creator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.