From Dusk Till Dawn (1996)
| Theatrical Performance | ||
| Domestic Box Office | $25,728,961 | Details |
| International Box Office | $7,387 | Details |
| Worldwide Box Office | $25,736,348 | |
| OpusData ID: 20990100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $10,240,805 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,004 opening theaters/2,007 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,835,861 |
Movie Details
| Domestic Releases: | January 19th, 1996 (Wide) by Miramax/Dimension |
| International Releases: | December 8th, 2016 (Wide) (New Zealand)
December 9th, 2016 (Limited), released as From Dusk Till Dawn (20th Anniversary) (Australia) May 2nd, 2024 (Limited) (Australia) |
| Video Release: | September 30th, 1997 by Dimension Home |
| MPA Rating: | R for strong violence and gore, language and nudity. |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | Surprise Twist, Vampire |
| Subgenre: | Action Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | A Band Apart, Los Hooligans |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 1996 | 1 | $10,240,805 | 2,004 | $5,110 | $10,240,805 | 1 | |
| Jan 26, 1996 | 3 | $4,851,921 | -53% | 2,007 | $2,417 | $18,050,133 | 2 |
| Feb 2, 1996 | 8 | $2,478,318 | -49% | 1,664 | $1,489 | $21,164,146 | 3 |
| Feb 9, 1996 | 14 | $1,118,852 | -55% | 1,049 | $1,067 | $23,493,239 | 4 |
| Feb 16, 1996 | 27 | $484,794 | -57% | 361 | $1,343 | $24,442,489 | 5 |
| Feb 23, 1996 | 35 | $164,402 | -66% | 157 | $1,047 | $24,715,258 | 6 |
| Mar 1, 1996 | 40 | $118,507 | -28% | 143 | $829 | $24,877,084 | 7 |
| Mar 8, 1996 | 51 | $59,738 | -50% | 102 | $586 | $24,975,890 | 8 |
| Mar 29, 1996 | 46 | $77,149 | 139 | $555 | $25,193,270 | 11 | |
| Apr 26, 1996 | 35 | $83,329 | 234 | $356 | $25,521,611 | 15 | |
| May 3, 1996 | 43 | $69,155 | -17% | 191 | $362 | $25,647,530 | 16 |
| May 10, 1996 | 48 | $48,385 | -30% | 140 | $346 | $25,728,961 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 1996 | 1 | $13,198,212 | 2,004 | $6,586 | $13,198,212 | 1 | |
| Jan 26, 1996 | 4 | $5,487,616 | -58% | 2,007 | $2,734 | $18,685,828 | 2 |
| Feb 2, 1996 | 9 | $3,688,559 | -33% | 1,664 | $2,217 | $22,374,387 | 3 |
| Feb 9, 1996 | 15 | $1,583,308 | -57% | 1,049 | $1,509 | $23,957,695 | 4 |
| Feb 16, 1996 | 28 | $593,161 | -63% | 361 | $1,643 | $24,550,856 | 5 |
| Feb 23, 1996 | 36 | $207,721 | -65% | 157 | $1,323 | $24,758,577 | 6 |
| Mar 1, 1996 | 41 | $157,575 | -24% | 143 | $1,102 | $24,916,152 | 7 |
| Apr 26, 1996 | 32 | $140,093 | 234 | $599 | $25,578,375 | 15 | |
| May 3, 1996 | 39 | $102,201 | -27% | 191 | $535 | $25,680,576 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/9/2016 | $4,025 | 14 | 2 | 48 | $7,319 | 8/3/2026 | |||
| New Zealand | 12/8/2016 | $0 | 0 | 1 | 1 | $68 | 11/16/2020 | |||
| International Total | $7,387 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Harvey Keitel | Jacob Fuller |
Leading
| George Clooney | Seth Gecko |
Supporting
| Quentin Tarantino | Richard Gecko | |
| Juliette Lewis | Kate Fuller | |
| Cheech Marin | Border Guard / Chet Pussy / Carlos | |
| Fred Williamson | Frost | |
| Salma Hayek | Satanico Pandemonium | |
| Michael Parks | Texas Ranger Earl McGraw |
Cameo
| Kelly Preston | Newcaster Kelly Houge |
Supporting
| Tom Savini | Sex Machine | |
| John Saxon | FBI Agent Stanley Chase | |
| Danny Trejo | Razor Charlie | |
| Ernest Liu | Scott Fuller | |
| John Hawkes | Pete Bottoms | |
| Marc Lawrence | Old Timer | |
| Heidi McNeal | Red-headed Hostage | |
| Aimee Graham | Blonde Hostage | |
| Brenda Hillhouse | Hostage Gloria | |
| Gino Crognale | Mouth Bitch Victim | |
| Cristos | Danny | |
| Mike Moroff | Manny |
Production and Technical Credits
| Robert Rodriguez | Director | |
| Quentin Tarantino | Screenwriter | |
| Robert Kurtzman | Story Creator | |
| Meir Teper | Producer | |
| Lawrence Bender | Executive Producer | |
| Robert Rodriguez | Executive Producer | |
| Quentin Tarantino | Executive Producer | |
| Cecilia Montiel | Production Designer | |
| Robert Rodriguez | Supervising Film Editor | |
| Graeme Revell | Composer | |
| Guillermo Navarro | Director of Photography | |
| Paul Hellerman | Co-Producer | |
| Elizabeth Avellan | Co-Producer | |
| Robert Kurtzman | Co-Producer | |
| John Esposito | Co-Producer | |
| Doug Aarniokoski | Assistant Director | |
| Paul Hellerman | Production Manager | |
| Mayne Berke | Art Director | |
| Felipe Fernandez del Paso | Set Decorator | |
| Daniel A. Fort | Visual Effects Supervisor | |
| Diana Dru Botsford | Visual Effects Supervisor | |
| Graciela Mazon | Costume Designer | |
| Jacqueline Aronson | Costume Supervisor | |
| Mark Ulano | Sound Mixer | |
| Sergio Reyes | Re-recording Mixer | |
| B. Tennyson II Sebastian | Re-recording Mixer | |
| Robert Rodriguez | Re-recording Mixer | |
| Thomas Gerard | Re-recording Mixer | |
| Dean Beville | Supervising Sound Editor | |
| Gregory Hedgepath | Sound Editor | |
| Charles Ewing Smith | Sound Editor | |
| Charles Maynes | Sound Editor | |
| Patricio Libenson | Sound Editor | |
| Allan Bromberg | Sound Editor | |
| Joshua Winget* | Music Editor | |
| Robert Kurtzman | Special Make-up Effects | |
| Johanna Ray | Casting Director | |
| Elaine J. Huzzar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $10,240,805 (39.8% of total gross) |
| Legs: | 2.51 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $20,000,000 (worldwide box office is 1.3 times production budget) |
| Theater counts: | 2,004 opening theaters/2,007 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $65,835,861 |
Movie Details
| Domestic Releases: | January 19th, 1996 (Wide) by Miramax/Dimension |
| International Releases: | December 8th, 2016 (Wide) (New Zealand)
December 9th, 2016 (Limited), released as From Dusk Till Dawn (20th Anniversary) (Australia) May 2nd, 2024 (Limited) (Australia) |
| Video Release: | September 30th, 1997 by Dimension Home |
| MPA Rating: | R for strong violence and gore, language and nudity. |
| Running Time: | 108 minutes |
| Cast, crew, or production detail: | Same Actor, Multiple Roles |
| Plot point: | Surprise Twist, Vampire |
| Subgenre: | Action Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Fantasy |
| Production/Financing Companies: | A Band Apart, Los Hooligans |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 1996 | 1 | $10,240,805 | 2,004 | $5,110 | $10,240,805 | 1 | |
| Jan 26, 1996 | 3 | $4,851,921 | -53% | 2,007 | $2,417 | $18,050,133 | 2 |
| Feb 2, 1996 | 8 | $2,478,318 | -49% | 1,664 | $1,489 | $21,164,146 | 3 |
| Feb 9, 1996 | 14 | $1,118,852 | -55% | 1,049 | $1,067 | $23,493,239 | 4 |
| Feb 16, 1996 | 27 | $484,794 | -57% | 361 | $1,343 | $24,442,489 | 5 |
| Feb 23, 1996 | 35 | $164,402 | -66% | 157 | $1,047 | $24,715,258 | 6 |
| Mar 1, 1996 | 40 | $118,507 | -28% | 143 | $829 | $24,877,084 | 7 |
| Mar 8, 1996 | 51 | $59,738 | -50% | 102 | $586 | $24,975,890 | 8 |
| Mar 29, 1996 | 46 | $77,149 | 139 | $555 | $25,193,270 | 11 | |
| Apr 26, 1996 | 35 | $83,329 | 234 | $356 | $25,521,611 | 15 | |
| May 3, 1996 | 43 | $69,155 | -17% | 191 | $362 | $25,647,530 | 16 |
| May 10, 1996 | 48 | $48,385 | -30% | 140 | $346 | $25,728,961 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jan 19, 1996 | 1 | $13,198,212 | 2,004 | $6,586 | $13,198,212 | 1 | |
| Jan 26, 1996 | 4 | $5,487,616 | -58% | 2,007 | $2,734 | $18,685,828 | 2 |
| Feb 2, 1996 | 9 | $3,688,559 | -33% | 1,664 | $2,217 | $22,374,387 | 3 |
| Feb 9, 1996 | 15 | $1,583,308 | -57% | 1,049 | $1,509 | $23,957,695 | 4 |
| Feb 16, 1996 | 28 | $593,161 | -63% | 361 | $1,643 | $24,550,856 | 5 |
| Feb 23, 1996 | 36 | $207,721 | -65% | 157 | $1,323 | $24,758,577 | 6 |
| Mar 1, 1996 | 41 | $157,575 | -24% | 143 | $1,102 | $24,916,152 | 7 |
| Apr 26, 1996 | 32 | $140,093 | 234 | $599 | $25,578,375 | 15 | |
| May 3, 1996 | 39 | $102,201 | -27% | 191 | $535 | $25,680,576 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/9/2016 | $4,025 | 14 | 2 | 48 | $7,319 | 8/3/2026 | |||
| New Zealand | 12/8/2016 | $0 | 0 | 1 | 1 | $68 | 11/16/2020 | |||
| International Total | $7,387 | 8/3/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Supporting
| Harvey Keitel | Jacob Fuller |
Leading
| George Clooney | Seth Gecko |
Supporting
| Quentin Tarantino | Richard Gecko | |
| Juliette Lewis | Kate Fuller | |
| Cheech Marin | Border Guard / Chet Pussy / Carlos | |
| Fred Williamson | Frost | |
| Salma Hayek | Satanico Pandemonium | |
| Michael Parks | Texas Ranger Earl McGraw |
Cameo
| Kelly Preston | Newcaster Kelly Houge |
Supporting
| Tom Savini | Sex Machine | |
| John Saxon | FBI Agent Stanley Chase | |
| Danny Trejo | Razor Charlie | |
| Ernest Liu | Scott Fuller | |
| John Hawkes | Pete Bottoms | |
| Marc Lawrence | Old Timer | |
| Heidi McNeal | Red-headed Hostage | |
| Aimee Graham | Blonde Hostage | |
| Brenda Hillhouse | Hostage Gloria | |
| Gino Crognale | Mouth Bitch Victim | |
| Cristos | Danny | |
| Mike Moroff | Manny |
Production and Technical Credits
| Robert Rodriguez | Director | |
| Quentin Tarantino | Screenwriter | |
| Robert Kurtzman | Story Creator | |
| Meir Teper | Producer | |
| Lawrence Bender | Executive Producer | |
| Robert Rodriguez | Executive Producer | |
| Quentin Tarantino | Executive Producer | |
| Cecilia Montiel | Production Designer | |
| Robert Rodriguez | Supervising Film Editor | |
| Graeme Revell | Composer | |
| Guillermo Navarro | Director of Photography | |
| Paul Hellerman | Co-Producer | |
| Elizabeth Avellan | Co-Producer | |
| Robert Kurtzman | Co-Producer | |
| John Esposito | Co-Producer | |
| Doug Aarniokoski | Assistant Director | |
| Paul Hellerman | Production Manager | |
| Mayne Berke | Art Director | |
| Felipe Fernandez del Paso | Set Decorator | |
| Daniel A. Fort | Visual Effects Supervisor | |
| Diana Dru Botsford | Visual Effects Supervisor | |
| Graciela Mazon | Costume Designer | |
| Jacqueline Aronson | Costume Supervisor | |
| Mark Ulano | Sound Mixer | |
| Sergio Reyes | Re-recording Mixer | |
| B. Tennyson II Sebastian | Re-recording Mixer | |
| Robert Rodriguez | Re-recording Mixer | |
| Thomas Gerard | Re-recording Mixer | |
| Dean Beville | Supervising Sound Editor | |
| Gregory Hedgepath | Sound Editor | |
| Charles Ewing Smith | Sound Editor | |
| Charles Maynes | Sound Editor | |
| Patricio Libenson | Sound Editor | |
| Allan Bromberg | Sound Editor | |
| Joshua Winget* | Music Editor | |
| Robert Kurtzman | Special Make-up Effects | |
| Johanna Ray | Casting Director | |
| Elaine J. Huzzar | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.