From the Vine (2020)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $379,923 | Details |
| Worldwide Box Office | $379,923 | |
| OpusData ID: 468570100 More info... | ||
| Further financial details... | ||
Synopsis
Mark Gentile, an attorney and automotive company executive, travels to Italy after a major humiliation in business. He returns to the tiny village of Acerenza, visiting the vineyard where he grew up and finds it in a state of disrepair. Mark gets an idea to bring the overgrown property back to life and start producing wine again. Mark convinces various denizens of Acerenza, each with their own comedic personality, to aid him in this seemingly impractical effort, promising everyone a share in the business if it is successful. Concerned about his sudden and lengthy trip, Mark is joined by his wife Marina, and his twenty-something daughter, Laura, who’s purpose is lost. But when Mark gets a serious offer to run another company, he abruptly packs up and heads home, leaving his daughter to run the winery, something she never planned to do as a career. Laura is furious with Mark, but then learns that his choice will ultimately benefit the vineyard and bring true prosperity to Acerenza.
Metrics
Movie Details
| Domestic Releases: | October 9th, 2020 (Limited) by Samuel Goldwyn Films |
| International Releases: | January 14th, 2021 (Wide) (New Zealand)
June 17th, 2021 (Limited) (Australia) July 1st, 2021 (Wide) (Russia (CIS)) July 15th, 2021 (Wide) (South Korea) September 10th, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | October 9th, 2020 by Samuel Goldwyn |
| Running Time: | 97 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mythic International Entertainment Production, Farpoint Films, Pointmedia Italia SRL, Ontario Creates |
| Production Countries: | Italy, Canada |
| Languages: | Italian, English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2021 | $27,918 | 38 | 38 | 288 | $242,730 | 10/20/2022 | |||
| New Zealand | 1/14/2021 | $15,205 | 25 | 39 | 235 | $92,957 | 11/28/2022 | |||
| Russia (CIS) | 7/1/2021 | $0 | 0 | 2 | 5 | $7,957 | 10/20/2022 | |||
| South Korea | 7/15/2021 | $9,251 | 34 | 34 | 84 | $35,211 | 8/26/2021 | |||
| United Kingdom | 9/10/2021 | $1,068 | 3 | 3 | 3 | $1,068 | 4/4/2026 | |||
| International Total | $379,923 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joe Pantoliano | Mark Gentile |
Supporting
| Paula Brancati | Laura Gentile | |
| Marco Leonardi | Luca | |
| Wendy Crewson | Marina Gentile | |
| Tony Nardi | Cancellara | |
| Rita del Piano | Amelia | |
| Kevin Hanchard | John | |
| Franco Lo Presti | ||
| Sonia Dhillon Tully | Barbara Cavendish |
Production and Technical Credits
| Sean Cisterna | Director | |
| Ken Cancellara | Story based on the novel “Finding Marco” by | |
| Willem Wennekers | Screenwriter | |
| Sean Cisterna | Producer | |
| Francesco Papa | Producer | |
| Kyle Bornais | Producer | |
| Paula Brancati | Producer | |
| Ken Cancellara | Executive Producer | |
| Marissa Schwartz | Costume Designer | |
| Andrew Wall | Editor | |
| Francesco Morettini | Composer | |
| Scott McClellan | Director of Photography | |
| Michael Perlmutter | Music Supervisor | |
| Alfonso Rastelli | Production Designer | |
| Larissa Mair | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Mark Gentile, an attorney and automotive company executive, travels to Italy after a major humiliation in business. He returns to the tiny village of Acerenza, visiting the vineyard where he grew up and finds it in a state of disrepair. Mark gets an idea to bring the overgrown property back to life and start producing wine again. Mark convinces various denizens of Acerenza, each with their own comedic personality, to aid him in this seemingly impractical effort, promising everyone a share in the business if it is successful. Concerned about his sudden and lengthy trip, Mark is joined by his wife Marina, and his twenty-something daughter, Laura, who’s purpose is lost. But when Mark gets a serious offer to run another company, he abruptly packs up and heads home, leaving his daughter to run the winery, something she never planned to do as a career. Laura is furious with Mark, but then learns that his choice will ultimately benefit the vineyard and bring true prosperity to Acerenza.
Metrics
Movie Details
| Domestic Releases: | October 9th, 2020 (Limited) by Samuel Goldwyn Films |
| International Releases: | January 14th, 2021 (Wide) (New Zealand)
June 17th, 2021 (Limited) (Australia) July 1st, 2021 (Wide) (Russia (CIS)) July 15th, 2021 (Wide) (South Korea) September 10th, 2021 (Limited) (United Kingdom) ... Show all releases |
| Video Release: | October 9th, 2020 by Samuel Goldwyn |
| Running Time: | 97 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Mythic International Entertainment Production, Farpoint Films, Pointmedia Italia SRL, Ontario Creates |
| Production Countries: | Italy, Canada |
| Languages: | Italian, English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2021 | $27,918 | 38 | 38 | 288 | $242,730 | 10/20/2022 | |||
| New Zealand | 1/14/2021 | $15,205 | 25 | 39 | 235 | $92,957 | 11/28/2022 | |||
| Russia (CIS) | 7/1/2021 | $0 | 0 | 2 | 5 | $7,957 | 10/20/2022 | |||
| South Korea | 7/15/2021 | $9,251 | 34 | 34 | 84 | $35,211 | 8/26/2021 | |||
| United Kingdom | 9/10/2021 | $1,068 | 3 | 3 | 3 | $1,068 | 4/4/2026 | |||
| International Total | $379,923 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Joe Pantoliano | Mark Gentile |
Supporting
| Paula Brancati | Laura Gentile | |
| Marco Leonardi | Luca | |
| Wendy Crewson | Marina Gentile | |
| Tony Nardi | Cancellara | |
| Rita del Piano | Amelia | |
| Kevin Hanchard | John | |
| Franco Lo Presti | ||
| Sonia Dhillon Tully | Barbara Cavendish |
Production and Technical Credits
| Sean Cisterna | Director | |
| Ken Cancellara | Story based on the novel “Finding Marco” by | |
| Willem Wennekers | Screenwriter | |
| Sean Cisterna | Producer | |
| Francesco Papa | Producer | |
| Kyle Bornais | Producer | |
| Paula Brancati | Producer | |
| Ken Cancellara | Executive Producer | |
| Marissa Schwartz | Costume Designer | |
| Andrew Wall | Editor | |
| Francesco Morettini | Composer | |
| Scott McClellan | Director of Photography | |
| Michael Perlmutter | Music Supervisor | |
| Alfonso Rastelli | Production Designer | |
| Larissa Mair | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.