The Front Runner (2018)
| Theatrical Performance | ||
| Domestic Box Office | $1,994,179 | Details |
| International Box Office | $1,239,783 | Details |
| Worldwide Box Office | $3,233,962 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $210,730 | |
| Blu-ray Sales (estimated) | $87,608 | |
| Total | $298,338 | |
| OpusData ID: 306510100 More info... | ||
| Further financial details... | ||
Synopsis
A film about the rise and fall of Senator Hart, who captured the imagination of young voters and was considered the overwhelming front runner for the 1988 Democratic presidential nomination when his campaign was sidelined by the story of an extramarital relationship with Donna Rice. As tabloid journalism and political journalism merged for the first time, Senator Hart was forced to drop out of the race—events that left a profound and lasting impact on American politics and the world stage.
Metrics
| Opening Weekend: | $51,543 (2.6% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 61.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/807 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,618,044 |
Movie Details
| Domestic Releases: | November 6th, 2018 (Limited) by Sony Pictures November 21st, 2018 (Expands Wide) by Sony Pictures |
| International Releases: | November 23rd, 2018 (Wide) (Sweden)
December 6th, 2018 (Wide) (Greece) January 11th, 2019 (Limited) (United Kingdom) January 16th, 2019 (Wide) (France) January 17th, 2019 (Wide) (Germany) ... Show all releases |
| Video Release: | February 12th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2540 (Cert #51619), 8/15/2018) |
| Running Time: | 113 minutes |
| Plot point: | Infidelity, Politicians, Scandal, Tabloid Journalism |
| Social setting: | Political Campaign |
| Subgenre: | Political Drama |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Right of Way Films, Bron Studios, Creative Wealth Media Finance, Columbia Pictures, Stage 6 Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 39 | $51,543 | 4 | $12,886 | $71,742 | 1 | |
| Nov 16, 2018 | 34 | $75,364 | +46% | 22 | $3,426 | $166,533 | 2 |
| Nov 23, 2018 | 16 | $632,139 | +739% | 807 | $783 | $1,072,662 | 3 |
| Nov 30, 2018 | 20 | $273,622 | -57% | 807 | $339 | $1,630,940 | 4 |
| Dec 7, 2018 | 30 | $109,428 | -60% | 409 | $268 | $1,913,855 | 5 |
| Dec 14, 2018 | 52 | $9,887 | -91% | 53 | $187 | $1,994,179 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 6, 2018 | - | $6,849 | 4 | $1,712 | $6,849 | 1 | ||
| Nov 7, 2018 | - | $6,243 | -9% | 4 | $1,561 | $13,092 | 2 | |
| Nov 8, 2018 | - | $7,107 | +14% | 4 | $1,777 | $20,199 | 3 | |
| Nov 9, 2018 | - | $11,188 | +57% | 4 | $2,797 | $31,387 | 4 | |
| Nov 10, 2018 | - | $26,119 | +133% | 4 | $6,530 | $57,506 | 5 | |
| Nov 11, 2018 | - | $14,236 | -45% | 4 | $3,559 | $71,742 | 6 | |
| Nov 12, 2018 | - | $6,282 | -56% | 4 | $1,571 | $78,024 | 7 | |
| Nov 13, 2018 | - | $3,848 | -39% | -44% | 4 | $962 | $81,872 | 8 |
| Nov 14, 2018 | - | $5,466 | +42% | -12% | 4 | $1,367 | $87,338 | 9 |
| Nov 15, 2018 | - | $3,831 | -30% | -46% | 4 | $958 | $91,169 | 10 |
| Nov 16, 2018 | - | $21,034 | +449% | +88% | 22 | $956 | $112,203 | 11 |
| Nov 17, 2018 | - | $30,048 | +43% | +15% | 22 | $1,366 | $142,251 | 12 |
| Nov 18, 2018 | - | $24,282 | -19% | +71% | 22 | $1,104 | $166,533 | 13 |
| Nov 19, 2018 | - | $8,728 | -64% | +39% | 22 | $397 | $175,261 | 14 |
| Nov 20, 2018 | - | $9,302 | +7% | +142% | 22 | $423 | $184,563 | 15 |
| Nov 21, 2018 | 15 | $155,038 | +1,567% | +2,736% | 807 | $192 | $339,601 | 16 |
| Nov 22, 2018 | - | $100,922 | -35% | +2,534% | 807 | $125 | $440,523 | 17 |
| Nov 23, 2018 | - | $232,894 | +131% | +1,007% | 807 | $289 | $673,417 | 18 |
| Nov 24, 2018 | - | $245,364 | +5% | +717% | 807 | $304 | $918,781 | 19 |
| Nov 25, 2018 | - | $153,881 | -37% | +534% | 807 | $191 | $1,072,662 | 20 |
| Nov 26, 2018 | 14 | $67,108 | -56% | +669% | 807 | $83 | $1,139,770 | 21 |
| Nov 27, 2018 | 14 | $90,263 | +35% | +870% | 807 | $112 | $1,230,033 | 22 |
| Nov 28, 2018 | 15 | $66,351 | -26% | -57% | 807 | $82 | $1,296,384 | 23 |
| Nov 29, 2018 | 15 | $60,934 | -8% | -40% | 807 | $76 | $1,357,318 | 24 |
| Nov 30, 2018 | - | $85,380 | +40% | -63% | 807 | $106 | $1,442,698 | 25 |
| Dec 1, 2018 | - | $112,896 | +32% | -54% | 807 | $140 | $1,555,594 | 26 |
| Dec 2, 2018 | - | $75,346 | -33% | -51% | 807 | $93 | $1,630,940 | 27 |
| Dec 3, 2018 | - | $37,691 | -50% | -44% | 807 | $47 | $1,668,631 | 28 |
| Dec 4, 2018 | - | $60,393 | +60% | -33% | 807 | $75 | $1,729,024 | 29 |
| Dec 5, 2018 | - | $37,365 | -38% | -44% | 807 | $46 | $1,766,389 | 30 |
| Dec 6, 2018 | - | $38,038 | +2% | -38% | 807 | $47 | $1,804,427 | 31 |
| Dec 7, 2018 | - | $32,493 | -15% | -62% | 409 | $79 | $1,836,920 | 32 |
| Dec 8, 2018 | - | $45,265 | +39% | -60% | 409 | $111 | $1,882,185 | 33 |
| Dec 9, 2018 | - | $31,670 | -30% | -58% | 409 | $77 | $1,913,855 | 34 |
| Dec 10, 2018 | - | $17,147 | -46% | -55% | 409 | $42 | $1,931,002 | 35 |
| Dec 11, 2018 | - | $23,161 | +35% | -62% | 409 | $57 | $1,954,163 | 36 |
| Dec 12, 2018 | - | $16,233 | -30% | -57% | 409 | $40 | $1,970,396 | 37 |
| Dec 13, 2018 | - | $13,896 | -14% | -63% | 409 | $34 | $1,984,292 | 38 |
| Dec 14, 2018 | - | $2,491 | -82% | -92% | 53 | $47 | $1,986,783 | 39 |
| Dec 15, 2018 | - | $3,919 | +57% | -91% | 53 | $74 | $1,990,702 | 40 |
| Dec 16, 2018 | - | $3,477 | -11% | -89% | 53 | $66 | $1,994,179 | 41 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 56 | $20,199 | 4 | $5,050 | $20,199 | 1 | |
| Nov 9, 2018 | 39 | $70,970 | +251% | 4 | $17,743 | $91,169 | 2 |
| Nov 16, 2018 | 25 | $349,354 | +392% | 807 | $433 | $440,523 | 3 |
| Nov 23, 2018 | 16 | $916,795 | +162% | 807 | $1,136 | $1,357,318 | 4 |
| Nov 30, 2018 | 19 | $447,109 | -51% | 807 | $554 | $1,804,427 | 5 |
| Dec 7, 2018 | 31 | $179,865 | -60% | 409 | $440 | $1,984,292 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/1/2019 | $80,719 | 59 | 59 | 165 | $214,666 | 4/10/2019 | |||
| France | 1/16/2019 | $70,282 | 68 | 68 | 95 | $98,567 | 1/29/2019 | |||
| Germany | 1/17/2019 | $19,464 | 110 | 110 | 176 | $36,119 | 2/20/2019 | |||
| Greece | 12/6/2018 | $17,463 | 38 | 38 | 43 | $44,700 | 12/27/2018 | |||
| Italy | 2/21/2019 | $44,625 | 62 | 62 | 83 | $75,473 | 5/23/2019 | |||
| Japan | 2/1/2019 | $106,742 | 84 | 84 | 236 | $391,849 | 4/16/2019 | |||
| Netherlands | 3/7/2019 | $10,303 | 24 | 24 | 57 | $33,004 | 3/26/2019 | |||
| New Zealand | 2/6/2019 | $2,494 | 7 | 7 | 15 | $6,546 | 2/26/2019 | |||
| South Africa | 3/29/2019 | $0 | 0 | 7 | 7 | $8,989 | 4/10/2019 | |||
| Spain | 2/15/2019 | $38,159 | 41 | 41 | 70 | $67,573 | 3/5/2019 | |||
| Sweden | 11/23/2018 | $4,369 | 18 | 18 | 21 | $8,520 | 12/4/2018 | |||
| Thailand | 1/31/2019 | $429 | 1 | 2 | 7 | $1,380 | 3/26/2019 | |||
| United Kingdom | 1/11/2019 | $112,564 | 142 | 142 | 193 | $210,119 | 3/5/2019 | |||
| Rest of World | $42,278 | |||||||||
| International Total | $1,239,783 | 5/23/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hugh Jackman | Gary Hart |
Supporting
| Vera Farmiga | Lee Hart | |
| J.K. Simmons | Bill Dixon | |
| Alfred Molina | Ben Bradlee | |
| Mamoudou Athie | A.J. Parker | |
| Josh Brener | Doug Wilson | |
| Bill Burr | Pete Murphy | |
| Oliver Cooper | Joe Trippi | |
| Chris Coy | Kevin Sweeney | |
| Kaitlyn Dever | Andrea Hart | |
| Tommy Dewey | John Emerson | |
| Molly Ephraim | Irene Kelly | |
| Spencer Garrett | Bob Woodward | |
| Ari Graynor | Ann Devroy | |
| Toby Huss | Billy Broadhurst | |
| Mike Judge | Jim Dunn | |
| Alex Karpovsky | Mike Stratton | |
| Jennifer Landon | Ann McDaniel | |
| John Bedford Lloyd | David Broder | |
| Mark O'Brien | Billy Shore | |
| Sara Paxton | Donna Rice | |
| Kevin Pollak | Bob Martindale | |
| Steve Zissis | Tom Fielder | |
| Jenna Kanell | Ginny Terzano | |
| R.J. Brown | Bill Martin | |
| Steve Coulter | Bob Kaiser | |
| Nyasha Hatendi | Roy Valentine | |
| Margo Moorer | Miami Assistant Editor | |
| Kenneth Nance Jr | Herald Reporter | |
| Courtney Ford | Lynn Armandt | |
| Rachel Walters | Dana Weems | |
| Randy Havens | Alan Weinberg | |
| Joe Chrest | Ira Wyman | |
| Mike Lawrence | Mike Shanahan | |
| Lee Armstrong | Jack Germond | |
| Jonny Pasvolsky | Steve Dunleavy | |
| Jeff Witzke | Mike Ritchie | |
| Evan Castelloe | John Hart | |
| Stephanie Allynne | SF TV Producer | |
| Daniel Kang | SF Engineer | |
| Evan Kelly | SF Field Reporter 1 | |
| Joe Washington | SF Field Reporter 2 | |
| Jon Meacham | Georgetown Moderator | |
| Lucius Baston | DC Cab Driver | |
| Patricia French | Disco Waitress | |
| Victor McCay | Waldorf Emcee | |
| Scott Deal | Male Co-Correspondent | |
| Carrie Walrond | Female Co-Correspondent | |
| Joanne Clendining | NY Reporter | |
| Tony Scott | Telecom Engineer | |
| Christen C. Orr | Autograph Seeker | |
| David Allen Dillon | Diner Waiter | |
| Cristina Figarola | Miani Shouter 1 | |
| Kristopher Charles | Miami Shouter 2 | |
| Jason Edwards | Miami Shouter 2 | |
| Gara Coffey | Flight Attendant | |
| Monica Mears | Campaign Reporter | |
| Kendrick Cross | Chairmaker |
Cameo
| Matt Bai | Rumba Reporter |
Supporting
| Ryan Davenport | Angry Woodsman | |
| Collin Sutton | Hunter 1 | |
| Bart Hansard | Hunter 2 | |
| Deadra Moore | Hunter 3 | |
| Chuck Tedder | Hunter 4 | |
| Adam Drescher | Hunter 5 |
Production and Technical Credits
| Jason Reitman | Director | |
| Matt Bai | Screenwriter | |
| Jay Carson | Screenwriter | |
| Jason Reitman | Screenwriter | |
| Matt Bai | Story based on the book ‘All The Truth is Out’ by | |
| Jason Reitman | Producer | |
| Helen Estabrook | Producer | |
| Aaron L. Gilbert | Producer | |
| Matt Bai | Executive Producer | |
| Jay Carson | Executive Producer | |
| Michael Beugg | Executive Producer | |
| Jason Blumenfeld | Executive Producer | |
| George C. Wolfe | Executive Producer | |
| Steven Thibault | Executive Producer | |
| Brenda Gilbert | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazayeri | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Chris Conover | Executive Producer | |
| Edward Carpezzi | Executive Producer | |
| Eric Steelberg | Director of Photography | |
| Steve Saklad | Production Designer | |
| Stefan Grube | Editor | |
| Danny Glicker | Costume Designer | |
| Rob Simonsen | Composer | |
| John Papsidera | Casting Director | |
| Michael Beugg | Unit Production Manager | |
| Jason Blumenfeld | First Assistant Director | |
| Chris O’ Hara | Second Assistant Director | |
| Anjay Nagpal | Co-Executive Producer | |
| Andria Spring | Co-Executive Producer | |
| David Davoli | Co-Executive Producer | |
| Garrick Dion | Co-Executive Producer | |
| Matthias Mellinghaus | Co-Producer | |
| Erica Mills | Associate Producer | |
| Tamara Gagarin | Post-Production Supervisor | |
| Tricia Halloran | Music Supervisor | |
| Chris Jenkins | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Perry Robertson | Supervising Sound Editor | |
| Scott Sanders | Supervising Sound Editor | |
| Daniel Stevens | Stunt Coordinator | |
| Nate Orloff | Additional Editor | |
| Bryan Yaconelli | Unit Production Manager | |
| Steven A. Morrow | Sound Mixer | |
| Cameron Beasley | Art Director | |
| Valerie Zielonka | Costume Supervisor | |
| Melinda Sanders | Set Decorator | |
| Michael White | Hairstylist | |
| Lawrence Davis | Hairstylist | |
| Felicity Bowring | Make up | |
| Ann Marie Hurley | Make up | |
| Wendy Bell | Make up | |
| David Fletcher | Special Effects Coordinator | |
| Suzanne C. Swindle | Script Supervisor | |
| John Latenser | Supervising Location Manager | |
| Kerry Blackman | First Assistant Editor | |
| Zachary Rosenblatt | Second Assistant Editor | |
| Kevin A. Zimmerman | Dialogue Editor | |
| Sebastian Sheeman Visconti | Sound Editor | |
| Jacob McNaughton | Foley Mixer | |
| Nick South | Music Editor | |
| Stan Neff | Score Mixer | |
| Chris LeDoux | Visual Effects Executive Producer | |
| Chris LeDoux | Visual Effects Supervisor | |
| Wes Dorough | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A film about the rise and fall of Senator Hart, who captured the imagination of young voters and was considered the overwhelming front runner for the 1988 Democratic presidential nomination when his campaign was sidelined by the story of an extramarital relationship with Donna Rice. As tabloid journalism and political journalism merged for the first time, Senator Hart was forced to drop out of the race—events that left a profound and lasting impact on American politics and the world stage.
Metrics
| Opening Weekend: | $51,543 (2.6% of total gross) |
| Legs: | 3.15 (domestic box office/biggest weekend) |
| Domestic Share: | 61.7% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/807 max. theaters, 2.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,618,044 |
Movie Details
| Domestic Releases: | November 6th, 2018 (Limited) by Sony Pictures November 21st, 2018 (Expands Wide) by Sony Pictures |
| International Releases: | November 23rd, 2018 (Wide) (Sweden)
December 6th, 2018 (Wide) (Greece) January 11th, 2019 (Limited) (United Kingdom) January 16th, 2019 (Wide) (France) January 17th, 2019 (Wide) (Germany) ... Show all releases |
| Video Release: | February 12th, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for language including some sexual references. (Rating bulletin 2540 (Cert #51619), 8/15/2018) |
| Running Time: | 113 minutes |
| Plot point: | Infidelity, Politicians, Scandal, Tabloid Journalism |
| Social setting: | Political Campaign |
| Subgenre: | Political Drama |
| Time period setting: | 1980s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Right of Way Films, Bron Studios, Creative Wealth Media Finance, Columbia Pictures, Stage 6 Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 39 | $51,543 | 4 | $12,886 | $71,742 | 1 | |
| Nov 16, 2018 | 34 | $75,364 | +46% | 22 | $3,426 | $166,533 | 2 |
| Nov 23, 2018 | 16 | $632,139 | +739% | 807 | $783 | $1,072,662 | 3 |
| Nov 30, 2018 | 20 | $273,622 | -57% | 807 | $339 | $1,630,940 | 4 |
| Dec 7, 2018 | 30 | $109,428 | -60% | 409 | $268 | $1,913,855 | 5 |
| Dec 14, 2018 | 52 | $9,887 | -91% | 53 | $187 | $1,994,179 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 6, 2018 | - | $6,849 | 4 | $1,712 | $6,849 | 1 | ||
| Nov 7, 2018 | - | $6,243 | -9% | 4 | $1,561 | $13,092 | 2 | |
| Nov 8, 2018 | - | $7,107 | +14% | 4 | $1,777 | $20,199 | 3 | |
| Nov 9, 2018 | - | $11,188 | +57% | 4 | $2,797 | $31,387 | 4 | |
| Nov 10, 2018 | - | $26,119 | +133% | 4 | $6,530 | $57,506 | 5 | |
| Nov 11, 2018 | - | $14,236 | -45% | 4 | $3,559 | $71,742 | 6 | |
| Nov 12, 2018 | - | $6,282 | -56% | 4 | $1,571 | $78,024 | 7 | |
| Nov 13, 2018 | - | $3,848 | -39% | -44% | 4 | $962 | $81,872 | 8 |
| Nov 14, 2018 | - | $5,466 | +42% | -12% | 4 | $1,367 | $87,338 | 9 |
| Nov 15, 2018 | - | $3,831 | -30% | -46% | 4 | $958 | $91,169 | 10 |
| Nov 16, 2018 | - | $21,034 | +449% | +88% | 22 | $956 | $112,203 | 11 |
| Nov 17, 2018 | - | $30,048 | +43% | +15% | 22 | $1,366 | $142,251 | 12 |
| Nov 18, 2018 | - | $24,282 | -19% | +71% | 22 | $1,104 | $166,533 | 13 |
| Nov 19, 2018 | - | $8,728 | -64% | +39% | 22 | $397 | $175,261 | 14 |
| Nov 20, 2018 | - | $9,302 | +7% | +142% | 22 | $423 | $184,563 | 15 |
| Nov 21, 2018 | 15 | $155,038 | +1,567% | +2,736% | 807 | $192 | $339,601 | 16 |
| Nov 22, 2018 | - | $100,922 | -35% | +2,534% | 807 | $125 | $440,523 | 17 |
| Nov 23, 2018 | - | $232,894 | +131% | +1,007% | 807 | $289 | $673,417 | 18 |
| Nov 24, 2018 | - | $245,364 | +5% | +717% | 807 | $304 | $918,781 | 19 |
| Nov 25, 2018 | - | $153,881 | -37% | +534% | 807 | $191 | $1,072,662 | 20 |
| Nov 26, 2018 | 14 | $67,108 | -56% | +669% | 807 | $83 | $1,139,770 | 21 |
| Nov 27, 2018 | 14 | $90,263 | +35% | +870% | 807 | $112 | $1,230,033 | 22 |
| Nov 28, 2018 | 15 | $66,351 | -26% | -57% | 807 | $82 | $1,296,384 | 23 |
| Nov 29, 2018 | 15 | $60,934 | -8% | -40% | 807 | $76 | $1,357,318 | 24 |
| Nov 30, 2018 | - | $85,380 | +40% | -63% | 807 | $106 | $1,442,698 | 25 |
| Dec 1, 2018 | - | $112,896 | +32% | -54% | 807 | $140 | $1,555,594 | 26 |
| Dec 2, 2018 | - | $75,346 | -33% | -51% | 807 | $93 | $1,630,940 | 27 |
| Dec 3, 2018 | - | $37,691 | -50% | -44% | 807 | $47 | $1,668,631 | 28 |
| Dec 4, 2018 | - | $60,393 | +60% | -33% | 807 | $75 | $1,729,024 | 29 |
| Dec 5, 2018 | - | $37,365 | -38% | -44% | 807 | $46 | $1,766,389 | 30 |
| Dec 6, 2018 | - | $38,038 | +2% | -38% | 807 | $47 | $1,804,427 | 31 |
| Dec 7, 2018 | - | $32,493 | -15% | -62% | 409 | $79 | $1,836,920 | 32 |
| Dec 8, 2018 | - | $45,265 | +39% | -60% | 409 | $111 | $1,882,185 | 33 |
| Dec 9, 2018 | - | $31,670 | -30% | -58% | 409 | $77 | $1,913,855 | 34 |
| Dec 10, 2018 | - | $17,147 | -46% | -55% | 409 | $42 | $1,931,002 | 35 |
| Dec 11, 2018 | - | $23,161 | +35% | -62% | 409 | $57 | $1,954,163 | 36 |
| Dec 12, 2018 | - | $16,233 | -30% | -57% | 409 | $40 | $1,970,396 | 37 |
| Dec 13, 2018 | - | $13,896 | -14% | -63% | 409 | $34 | $1,984,292 | 38 |
| Dec 14, 2018 | - | $2,491 | -82% | -92% | 53 | $47 | $1,986,783 | 39 |
| Dec 15, 2018 | - | $3,919 | +57% | -91% | 53 | $74 | $1,990,702 | 40 |
| Dec 16, 2018 | - | $3,477 | -11% | -89% | 53 | $66 | $1,994,179 | 41 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 2, 2018 | 56 | $20,199 | 4 | $5,050 | $20,199 | 1 | |
| Nov 9, 2018 | 39 | $70,970 | +251% | 4 | $17,743 | $91,169 | 2 |
| Nov 16, 2018 | 25 | $349,354 | +392% | 807 | $433 | $440,523 | 3 |
| Nov 23, 2018 | 16 | $916,795 | +162% | 807 | $1,136 | $1,357,318 | 4 |
| Nov 30, 2018 | 19 | $447,109 | -51% | 807 | $554 | $1,804,427 | 5 |
| Dec 7, 2018 | 31 | $179,865 | -60% | 409 | $440 | $1,984,292 | 6 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 2/1/2019 | $80,719 | 59 | 59 | 165 | $214,666 | 4/10/2019 | |||
| France | 1/16/2019 | $70,282 | 68 | 68 | 95 | $98,567 | 1/29/2019 | |||
| Germany | 1/17/2019 | $19,464 | 110 | 110 | 176 | $36,119 | 2/20/2019 | |||
| Greece | 12/6/2018 | $17,463 | 38 | 38 | 43 | $44,700 | 12/27/2018 | |||
| Italy | 2/21/2019 | $44,625 | 62 | 62 | 83 | $75,473 | 5/23/2019 | |||
| Japan | 2/1/2019 | $106,742 | 84 | 84 | 236 | $391,849 | 4/16/2019 | |||
| Netherlands | 3/7/2019 | $10,303 | 24 | 24 | 57 | $33,004 | 3/26/2019 | |||
| New Zealand | 2/6/2019 | $2,494 | 7 | 7 | 15 | $6,546 | 2/26/2019 | |||
| South Africa | 3/29/2019 | $0 | 0 | 7 | 7 | $8,989 | 4/10/2019 | |||
| Spain | 2/15/2019 | $38,159 | 41 | 41 | 70 | $67,573 | 3/5/2019 | |||
| Sweden | 11/23/2018 | $4,369 | 18 | 18 | 21 | $8,520 | 12/4/2018 | |||
| Thailand | 1/31/2019 | $429 | 1 | 2 | 7 | $1,380 | 3/26/2019 | |||
| United Kingdom | 1/11/2019 | $112,564 | 142 | 142 | 193 | $210,119 | 3/5/2019 | |||
| Rest of World | $42,278 | |||||||||
| International Total | $1,239,783 | 5/23/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Hugh Jackman | Gary Hart |
Supporting
| Vera Farmiga | Lee Hart | |
| J.K. Simmons | Bill Dixon | |
| Alfred Molina | Ben Bradlee | |
| Mamoudou Athie | A.J. Parker | |
| Josh Brener | Doug Wilson | |
| Bill Burr | Pete Murphy | |
| Oliver Cooper | Joe Trippi | |
| Chris Coy | Kevin Sweeney | |
| Kaitlyn Dever | Andrea Hart | |
| Tommy Dewey | John Emerson | |
| Molly Ephraim | Irene Kelly | |
| Spencer Garrett | Bob Woodward | |
| Ari Graynor | Ann Devroy | |
| Toby Huss | Billy Broadhurst | |
| Mike Judge | Jim Dunn | |
| Alex Karpovsky | Mike Stratton | |
| Jennifer Landon | Ann McDaniel | |
| John Bedford Lloyd | David Broder | |
| Mark O'Brien | Billy Shore | |
| Sara Paxton | Donna Rice | |
| Kevin Pollak | Bob Martindale | |
| Steve Zissis | Tom Fielder | |
| Jenna Kanell | Ginny Terzano | |
| R.J. Brown | Bill Martin | |
| Steve Coulter | Bob Kaiser | |
| Nyasha Hatendi | Roy Valentine | |
| Margo Moorer | Miami Assistant Editor | |
| Kenneth Nance Jr | Herald Reporter | |
| Courtney Ford | Lynn Armandt | |
| Rachel Walters | Dana Weems | |
| Randy Havens | Alan Weinberg | |
| Joe Chrest | Ira Wyman | |
| Mike Lawrence | Mike Shanahan | |
| Lee Armstrong | Jack Germond | |
| Jonny Pasvolsky | Steve Dunleavy | |
| Jeff Witzke | Mike Ritchie | |
| Evan Castelloe | John Hart | |
| Stephanie Allynne | SF TV Producer | |
| Daniel Kang | SF Engineer | |
| Evan Kelly | SF Field Reporter 1 | |
| Joe Washington | SF Field Reporter 2 | |
| Jon Meacham | Georgetown Moderator | |
| Lucius Baston | DC Cab Driver | |
| Patricia French | Disco Waitress | |
| Victor McCay | Waldorf Emcee | |
| Scott Deal | Male Co-Correspondent | |
| Carrie Walrond | Female Co-Correspondent | |
| Joanne Clendining | NY Reporter | |
| Tony Scott | Telecom Engineer | |
| Christen C. Orr | Autograph Seeker | |
| David Allen Dillon | Diner Waiter | |
| Cristina Figarola | Miani Shouter 1 | |
| Kristopher Charles | Miami Shouter 2 | |
| Jason Edwards | Miami Shouter 2 | |
| Gara Coffey | Flight Attendant | |
| Monica Mears | Campaign Reporter | |
| Kendrick Cross | Chairmaker |
Cameo
| Matt Bai | Rumba Reporter |
Supporting
| Ryan Davenport | Angry Woodsman | |
| Collin Sutton | Hunter 1 | |
| Bart Hansard | Hunter 2 | |
| Deadra Moore | Hunter 3 | |
| Chuck Tedder | Hunter 4 | |
| Adam Drescher | Hunter 5 |
Production and Technical Credits
| Jason Reitman | Director | |
| Matt Bai | Screenwriter | |
| Jay Carson | Screenwriter | |
| Jason Reitman | Screenwriter | |
| Matt Bai | Story based on the book ‘All The Truth is Out’ by | |
| Jason Reitman | Producer | |
| Helen Estabrook | Producer | |
| Aaron L. Gilbert | Producer | |
| Matt Bai | Executive Producer | |
| Jay Carson | Executive Producer | |
| Michael Beugg | Executive Producer | |
| Jason Blumenfeld | Executive Producer | |
| George C. Wolfe | Executive Producer | |
| Steven Thibault | Executive Producer | |
| Brenda Gilbert | Executive Producer | |
| David Gendron | Executive Producer | |
| Ali Jazayeri | Executive Producer | |
| Jason Cloth | Executive Producer | |
| Chris Conover | Executive Producer | |
| Edward Carpezzi | Executive Producer | |
| Eric Steelberg | Director of Photography | |
| Steve Saklad | Production Designer | |
| Stefan Grube | Editor | |
| Danny Glicker | Costume Designer | |
| Rob Simonsen | Composer | |
| John Papsidera | Casting Director | |
| Michael Beugg | Unit Production Manager | |
| Jason Blumenfeld | First Assistant Director | |
| Chris O’ Hara | Second Assistant Director | |
| Anjay Nagpal | Co-Executive Producer | |
| Andria Spring | Co-Executive Producer | |
| David Davoli | Co-Executive Producer | |
| Garrick Dion | Co-Executive Producer | |
| Matthias Mellinghaus | Co-Producer | |
| Erica Mills | Associate Producer | |
| Tamara Gagarin | Post-Production Supervisor | |
| Tricia Halloran | Music Supervisor | |
| Chris Jenkins | Re-recording Mixer | |
| Jeremy Peirson | Re-recording Mixer | |
| Perry Robertson | Supervising Sound Editor | |
| Scott Sanders | Supervising Sound Editor | |
| Daniel Stevens | Stunt Coordinator | |
| Nate Orloff | Additional Editor | |
| Bryan Yaconelli | Unit Production Manager | |
| Steven A. Morrow | Sound Mixer | |
| Cameron Beasley | Art Director | |
| Valerie Zielonka | Costume Supervisor | |
| Melinda Sanders | Set Decorator | |
| Michael White | Hairstylist | |
| Lawrence Davis | Hairstylist | |
| Felicity Bowring | Make up | |
| Ann Marie Hurley | Make up | |
| Wendy Bell | Make up | |
| David Fletcher | Special Effects Coordinator | |
| Suzanne C. Swindle | Script Supervisor | |
| John Latenser | Supervising Location Manager | |
| Kerry Blackman | First Assistant Editor | |
| Zachary Rosenblatt | Second Assistant Editor | |
| Kevin A. Zimmerman | Dialogue Editor | |
| Sebastian Sheeman Visconti | Sound Editor | |
| Jacob McNaughton | Foley Mixer | |
| Nick South | Music Editor | |
| Stan Neff | Score Mixer | |
| Chris LeDoux | Visual Effects Executive Producer | |
| Chris LeDoux | Visual Effects Supervisor | |
| Wes Dorough | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.