Funny Face (1957)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $652 | Details |
| Worldwide Box Office | $652 | |
| Domestic Physical Disc Sales | ||
| Blu-ray Sales (estimated) | $291,759 | |
| Total | $291,759 | |
| OpusData ID: 205880100 More info... | ||
| Further financial details... | ||
Metrics
Movie Details
| Domestic Releases: | February 13th, 1957 (Limited) |
| International Releases: | December 25th, 1957 (Limited), released as Cinderela em Paris (Portugal)
October 10th, 2024 (Limited), released as Cinderela em Paris (Portugal) |
| Video Release: | April 10th, 2001 by Paramount Home Video |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 12/25/1957 | $0 | 0 | 1 | 1 | $652 | 10/14/2024 | |||
| International Total | $652 | 10/14/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Audrey Hepburn | Jo Stockton | |
| Fred Astaire | Dick Avery |
Supporting
| Kay Thompson | Maggie Prescott | |
| Michel Auclair | Professor Emile Flostre | |
| Robert Flemying | Paul Duval | |
| Ruta Lee | Lettie | |
| Suzy Parker | Specialty Dancer | |
| Virginia Gibson | Babs | |
| Iphigenie Castiglioni | Armande | |
| Sue England | Laura |
Production and Technical Credits
| Stanley Donen | Director | |
| Leonard Gershe | Screenwriter | |
| Roger Edens | Producer | |
| Frank Bracht | Editor | |
| Adolph Deutsch | Composer | |
| Ray June | Director of Photography | |
| Hal Pereira | Art Director | |
| George W. Davis | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
Movie Details
| Domestic Releases: | February 13th, 1957 (Limited) |
| International Releases: | December 25th, 1957 (Limited), released as Cinderela em Paris (Portugal)
October 10th, 2024 (Limited), released as Cinderela em Paris (Portugal) |
| Video Release: | April 10th, 2001 by Paramount Home Video |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Source: | Original Screenplay |
| Genre: | Musical |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 12/25/1957 | $0 | 0 | 1 | 1 | $652 | 10/14/2024 | |||
| International Total | $652 | 10/14/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Audrey Hepburn | Jo Stockton | |
| Fred Astaire | Dick Avery |
Supporting
| Kay Thompson | Maggie Prescott | |
| Michel Auclair | Professor Emile Flostre | |
| Robert Flemying | Paul Duval | |
| Ruta Lee | Lettie | |
| Suzy Parker | Specialty Dancer | |
| Virginia Gibson | Babs | |
| Iphigenie Castiglioni | Armande | |
| Sue England | Laura |
Production and Technical Credits
| Stanley Donen | Director | |
| Leonard Gershe | Screenwriter | |
| Roger Edens | Producer | |
| Frank Bracht | Editor | |
| Adolph Deutsch | Composer | |
| Ray June | Director of Photography | |
| Hal Pereira | Art Director | |
| George W. Davis | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.