Future World (2018)
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| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| International Box Office | $165,924 | Details |
| Worldwide Box Office | $165,924 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $212,333 | |
| Blu-ray Sales (estimated) | $728,811 | |
| Total | $941,144 | |
| OpusData ID: 320700100 More info... | ||
| Further financial details... | ||
Synopsis
Inside a desert oasis, a queen lays dying as her son Prince travels across barren waste lands to find a near-mythical medicine to save her life. After evading violent raiders on motorbikes led by the Warlord and his enforcer, Prince meets Ash, the Warlord’s robot sex companion-assassin who’s in search of her own soul. As Prince is captured by the Druglord, the Warlord's forces roar in—and Prince fights to save the remnants of humanity.
Metrics
Movie Details
| Domestic Releases: | May 25th, 2018 (Limited) by Lionsgate Premiere |
| International Releases: | June 14th, 2018 (Wide), released as МИР БУДУЩЕГО (Russia (CIS))
July 13th, 2018 (Wide), released as Ateities pasaulis (Lithuania) |
| Video Release: | May 25th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence, sexual content/nudity, language and drug use. (Rating bulletin 2516 (Cert #51486), 2/28/2018) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Gangs, Robot, Royalty, Terminal Illness |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Dystopia, Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Black Sparrow Films, Ambi Media Group, 513 Films , The Fyzz Facility, Lionsgate Premiere, Grindstone Entertainment Group |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 7/13/2018 | $4,054 | 71 | 71 | 75 | $7,218 | 8/15/2018 | |||
| Russia (CIS) | 6/14/2018 | $55,019 | 430 | 430 | 710 | $106,553 | 2/26/2019 | |||
| Rest of World | $52,153 | |||||||||
| International Total | $165,924 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| James Franco | The Warlord | |
| Suki Waterhouse | Ash | |
| Jeffrey Wahlberg | Prince | |
| Margarita Levieva | Lei | |
| Snoop Dogg | Love Lord | |
| Twin Shadow* | Ratcatcher | |
| Method Man | Tattooed Face | |
| Lucy Liu* | The Queen | |
| Milla Jovovich | The Druglord |
Supporting
| Scott Haze | Gutter |
Production and Technical Credits
| James Franco | Director | |
| Bruce Thierry Cheung | Director | |
| Bruce Thierry Cheung | Screenwriter | |
| Jeremy Craig Cheung | Screenwriter | |
| Jay Davis | Screenwriter | |
| Scott Reed | Producer | |
| Andrea Iervolino | Producer | |
| Monika Bacardi | Producer | |
| Vince Jolivette | Producer | |
| Jay Davis | Producer | |
| Luca Matrundola | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| Robert Jones | Executive Producer | |
| Julien Favre | Executive Producer | |
| Jean-Alexandre Luciani | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Alex Freitas | Editor | |
| Peter Nalli | Visual Effects Supervisor | |
| Toydrum* | Composer | |
| Eve McCarney | Production Designer | |
| David Page | Costume Designer | |
| Stanton Barrett | Stunt Coordinator | |
| Cynthia Huffman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Inside a desert oasis, a queen lays dying as her son Prince travels across barren waste lands to find a near-mythical medicine to save her life. After evading violent raiders on motorbikes led by the Warlord and his enforcer, Prince meets Ash, the Warlord’s robot sex companion-assassin who’s in search of her own soul. As Prince is captured by the Druglord, the Warlord's forces roar in—and Prince fights to save the remnants of humanity.
Metrics
Movie Details
| Domestic Releases: | May 25th, 2018 (Limited) by Lionsgate Premiere |
| International Releases: | June 14th, 2018 (Wide), released as МИР БУДУЩЕГО (Russia (CIS))
July 13th, 2018 (Wide), released as Ateities pasaulis (Lithuania) |
| Video Release: | May 25th, 2018 by Lionsgate Home Entertainment |
| MPA Rating: | R for violence, sexual content/nudity, language and drug use. (Rating bulletin 2516 (Cert #51486), 2/28/2018) |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Directing Yourself |
| Plot point: | Gangs, Robot, Royalty, Terminal Illness |
| Release detail: | Early / Simultaneous Video-on-Demand release |
| Social setting: | Dystopia, Post Apocalypse |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Black Sparrow Films, Ambi Media Group, 513 Films , The Fyzz Facility, Lionsgate Premiere, Grindstone Entertainment Group |
| Production Countries: | United States |
| Languages: | English |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Lithuania | 7/13/2018 | $4,054 | 71 | 71 | 75 | $7,218 | 8/15/2018 | |||
| Russia (CIS) | 6/14/2018 | $55,019 | 430 | 430 | 710 | $106,553 | 2/26/2019 | |||
| Rest of World | $52,153 | |||||||||
| International Total | $165,924 | 2/26/2019 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| James Franco | The Warlord | |
| Suki Waterhouse | Ash | |
| Jeffrey Wahlberg | Prince | |
| Margarita Levieva | Lei | |
| Snoop Dogg | Love Lord | |
| Twin Shadow* | Ratcatcher | |
| Method Man | Tattooed Face | |
| Lucy Liu* | The Queen | |
| Milla Jovovich | The Druglord |
Supporting
| Scott Haze | Gutter |
Production and Technical Credits
| James Franco | Director | |
| Bruce Thierry Cheung | Director | |
| Bruce Thierry Cheung | Screenwriter | |
| Jeremy Craig Cheung | Screenwriter | |
| Jay Davis | Screenwriter | |
| Scott Reed | Producer | |
| Andrea Iervolino | Producer | |
| Monika Bacardi | Producer | |
| Vince Jolivette | Producer | |
| Jay Davis | Producer | |
| Luca Matrundola | Executive Producer | |
| Barry Brooker | Executive Producer | |
| Stan Wertlieb | Executive Producer | |
| Wayne Marc Godfrey | Executive Producer | |
| Robert Jones | Executive Producer | |
| Julien Favre | Executive Producer | |
| Jean-Alexandre Luciani | Executive Producer | |
| Peter Zeitlinger | Director of Photography | |
| Alex Freitas | Editor | |
| Peter Nalli | Visual Effects Supervisor | |
| Toydrum* | Composer | |
| Eve McCarney | Production Designer | |
| David Page | Costume Designer | |
| Stanton Barrett | Stunt Coordinator | |
| Cynthia Huffman | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.