Gemini (2018)
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| Theatrical Performance | ||
| Domestic Box Office | $200,340 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $11,110 | |
| Blu-ray Sales (estimated) | $59,689 | |
| Total | $70,799 | |
| OpusData ID: 284430100 More info... | ||
| Further financial details... | ||
Synopsis
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant travels across Los Angeles to unravel the mystery, she must stay one step ahead of a determined policeman and confront her own understanding of friendship, truth, and celebrity.
Metrics
| Opening Weekend: | $31,976 (16.0% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/56 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $263,012 |
Movie Details
| Domestic Releases: | March 30th, 2018 (Limited) by Neon |
| Video Release: | June 26th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for pervasive language, and a violent image. (Rating bulletin 2481 (Cert #50907), 6/21/2017) |
| Running Time: | 93 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Death of a Boss, Film Actor, Murder Mystery, Personal Assistant, Police Procedural |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Syncopated Films, Pastel, Rough House Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 48 | $31,976 | 4 | $7,994 | $31,976 | 1 | |
| Apr 6, 2018 | 33 | $75,984 | +138% | 56 | $1,357 | $123,537 | 2 |
| Apr 13, 2018 | 54 | $18,131 | -76% | 33 | $549 | $180,002 | 3 |
| Apr 20, 2018 | 68 | $8,131 | -55% | 19 | $428 | $200,340 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | - | $13,489 | 4 | $3,372 | $13,489 | 1 | ||
| Mar 31, 2018 | - | $11,497 | -15% | 4 | $2,874 | $24,986 | 2 | |
| Apr 1, 2018 | - | $6,990 | -39% | 4 | $1,748 | $31,976 | 3 | |
| Apr 2, 2018 | - | $4,166 | -40% | 4 | $1,042 | $36,142 | 4 | |
| Apr 3, 2018 | - | $4,108 | -1% | 4 | $1,027 | $40,250 | 5 | |
| Apr 4, 2018 | - | $4,806 | +17% | 4 | $1,202 | $45,056 | 6 | |
| Apr 5, 2018 | - | $2,497 | -48% | 4 | $624 | $47,553 | 7 | |
| Apr 6, 2018 | - | $27,836 | +1,015% | +106% | 56 | $497 | $75,389 | 8 |
| Apr 7, 2018 | - | $27,449 | -1% | +139% | 56 | $490 | $102,838 | 9 |
| Apr 8, 2018 | - | $20,699 | -25% | +196% | 56 | $370 | $123,537 | 10 |
| Apr 13, 2018 | - | $5,305 | -81% | 33 | $161 | $167,176 | 15 | |
| Apr 14, 2018 | - | $6,818 | +29% | -75% | 33 | $207 | $173,994 | 16 |
| Apr 15, 2018 | - | $6,008 | -12% | -71% | 33 | $182 | $180,002 | 17 |
| Apr 20, 2018 | - | $1,913 | -64% | 19 | $101 | $194,122 | 22 | |
| Apr 21, 2018 | - | $3,615 | +89% | -47% | 19 | $190 | $197,737 | 23 |
| Apr 22, 2018 | - | $2,603 | -28% | -57% | 19 | $137 | $200,340 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 48 | $47,553 | 4 | $11,888 | $47,553 | 1 | |
| Apr 6, 2018 | 33 | $114,318 | +140% | 56 | $2,041 | $161,871 | 2 |
| Apr 13, 2018 | 56 | $30,338 | -73% | 33 | $919 | $192,209 | 3 |
| Lola Kirke | ||
| Zoë Kravitz | ||
| John Cho | ||
| Ricki Lake | ||
| Greta Lee | ||
| Michelle Forbes | ||
| Nelson Franklin | ||
| Reeve Carney | ||
| Jessica Parker Kennedy | ||
| James Ransone | ||
| Todd Louiso | ||
| Marianne Rendon |
Production and Technical Credits
| Aaron Katz | Director | |
| Aaron Katz | Screenwriter | |
| Mynette Louie | Producer | |
| Sara Murphy | Producer | |
| Adele Romanski | Producer | |
| Tracy Dishman | Production Designer | |
| Aaron Katz | Editor | |
| Keegan DeWitt | Composer | |
| Andrew Reed | Director of Photography | |
| Emily Batson | Costume Designer | |
| Yesi Ramirez | Casting Director | |
| Wittney Horton | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A heinous crime tests the complex relationship between a tenacious personal assistant and her Hollywood starlet boss. As the assistant travels across Los Angeles to unravel the mystery, she must stay one step ahead of a determined policeman and confront her own understanding of friendship, truth, and celebrity.
Metrics
| Opening Weekend: | $31,976 (16.0% of total gross) |
| Legs: | 2.64 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/56 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $263,012 |
Movie Details
| Domestic Releases: | March 30th, 2018 (Limited) by Neon |
| Video Release: | June 26th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for pervasive language, and a violent image. (Rating bulletin 2481 (Cert #50907), 6/21/2017) |
| Running Time: | 93 minutes |
| Geographical setting: | Los Angeles |
| Plot point: | Death of a Boss, Film Actor, Murder Mystery, Personal Assistant, Police Procedural |
| Subgenre: | Crime Thriller |
| Source: | Original Screenplay |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Syncopated Films, Pastel, Rough House Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 48 | $31,976 | 4 | $7,994 | $31,976 | 1 | |
| Apr 6, 2018 | 33 | $75,984 | +138% | 56 | $1,357 | $123,537 | 2 |
| Apr 13, 2018 | 54 | $18,131 | -76% | 33 | $549 | $180,002 | 3 |
| Apr 20, 2018 | 68 | $8,131 | -55% | 19 | $428 | $200,340 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | - | $13,489 | 4 | $3,372 | $13,489 | 1 | ||
| Mar 31, 2018 | - | $11,497 | -15% | 4 | $2,874 | $24,986 | 2 | |
| Apr 1, 2018 | - | $6,990 | -39% | 4 | $1,748 | $31,976 | 3 | |
| Apr 2, 2018 | - | $4,166 | -40% | 4 | $1,042 | $36,142 | 4 | |
| Apr 3, 2018 | - | $4,108 | -1% | 4 | $1,027 | $40,250 | 5 | |
| Apr 4, 2018 | - | $4,806 | +17% | 4 | $1,202 | $45,056 | 6 | |
| Apr 5, 2018 | - | $2,497 | -48% | 4 | $624 | $47,553 | 7 | |
| Apr 6, 2018 | - | $27,836 | +1,015% | +106% | 56 | $497 | $75,389 | 8 |
| Apr 7, 2018 | - | $27,449 | -1% | +139% | 56 | $490 | $102,838 | 9 |
| Apr 8, 2018 | - | $20,699 | -25% | +196% | 56 | $370 | $123,537 | 10 |
| Apr 13, 2018 | - | $5,305 | -81% | 33 | $161 | $167,176 | 15 | |
| Apr 14, 2018 | - | $6,818 | +29% | -75% | 33 | $207 | $173,994 | 16 |
| Apr 15, 2018 | - | $6,008 | -12% | -71% | 33 | $182 | $180,002 | 17 |
| Apr 20, 2018 | - | $1,913 | -64% | 19 | $101 | $194,122 | 22 | |
| Apr 21, 2018 | - | $3,615 | +89% | -47% | 19 | $190 | $197,737 | 23 |
| Apr 22, 2018 | - | $2,603 | -28% | -57% | 19 | $137 | $200,340 | 24 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 30, 2018 | 48 | $47,553 | 4 | $11,888 | $47,553 | 1 | |
| Apr 6, 2018 | 33 | $114,318 | +140% | 56 | $2,041 | $161,871 | 2 |
| Apr 13, 2018 | 56 | $30,338 | -73% | 33 | $919 | $192,209 | 3 |
| Lola Kirke | ||
| Zoë Kravitz | ||
| John Cho | ||
| Ricki Lake | ||
| Greta Lee | ||
| Michelle Forbes | ||
| Nelson Franklin | ||
| Reeve Carney | ||
| Jessica Parker Kennedy | ||
| James Ransone | ||
| Todd Louiso | ||
| Marianne Rendon |
Production and Technical Credits
| Aaron Katz | Director | |
| Aaron Katz | Screenwriter | |
| Mynette Louie | Producer | |
| Sara Murphy | Producer | |
| Adele Romanski | Producer | |
| Tracy Dishman | Production Designer | |
| Aaron Katz | Editor | |
| Keegan DeWitt | Composer | |
| Andrew Reed | Director of Photography | |
| Emily Batson | Costume Designer | |
| Yesi Ramirez | Casting Director | |
| Wittney Horton | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.