Get a Job (2016)
| Theatrical Performance | ||
| Domestic Box Office | n/a | |
| OpusData ID: 182120100 More info... | ||
| Further financial details... | ||
Synopsis
Life after college graduation is not exactly going as planned for Will and Jillian who find themselves lost in a sea of increasingly strange jobs. But with help from their family, friends and coworkers they soon discover that the most important adventures are the ones that we don’t see coming.
Metrics
Movie Details
| Domestic Releases: | March 25th, 2016 (Limited) by Lionsgate Premiere |
| Video Release: | March 25th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for crude and sexual content, nudity, drug use and language. (Rating bulletin 2242, 9/26/2012) |
| Running Time: | 82 minutes |
| Plot point: | Fired, Money Troubles, Recent College Graduate, Romance |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Double Feature Films, CBS Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Miles Teller | Will Davis | |
| Anna Kendrick | Jillian Stewart |
Supporting
| Alison Brie | Tanya Sellers | |
| Marcia Gay Harden | Katherine Dunn | |
| Bryan Cranston | Roger Davis | |
| Brandon T. Jackson | Luke | |
| Nicholas Braun | Charlie | |
| Christopher Mintz-Plasse | Ethan | |
| Jorge Garcia | Fernando the Janitor | |
| Bruce Davison | Lawrence Wilheimer | |
| Parker Contreras | Sam | |
| Mimi Gianopulos | Cammy | |
| Jay Pharoah | Skeezy D | |
| Ethan Dizon | Kwan | |
| Greg Germann | Fernando the Accountant | |
| John C. McGinley | Diller | |
| Aaron Hill | Jason | |
| Chester Tam | Hunter | |
| Ravi Patel | Wick | |
| Michael C. Mahon | Braddock | |
| Seth Morris | Lon Zimmet | |
| David Carey Foster | James Gentry | |
| Marc Maron | Motel Manager | |
| Jeryl Prescott Sales | Assistant Principal | |
| Jackie Benoit | Old Woman at Motel | |
| John Cho | Brian Bender | |
| Cameron Richardson | Tara the Stripper | |
| Murray Gershenz | Old Man at Motel | |
| Jamie Denbo | Sam's Mom | |
| Nik Tyler | Coffee Shop Customer | |
| Jack Knight | Man in Bathroom | |
| Michael Mantell | Tom Wilson | |
| Sean O'Bryan | Alan Fredricks (Wilheimer Client Video) | |
| Maximiliano Hernández | Businessman (Wilheimer Client Video) | |
| Tara Inden | Businesswoman (Wilheimer Client Video) |
Production and Technical Credits
| Dylan Kidd | Director | |
| Kyle Pennekamp | Screenwriter | |
| Scott Turpel | Screenwriter | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Tracy McGrath | Executive Producer | |
| Josh Rothstein | Executive Producer | |
| David Hennings | Director of Photography | |
| Marcia Hinds | Production Designer | |
| Jeff Betancourt | Editor | |
| Christine Wadi | Costume Designer | |
| Christian Moder | Composer | |
| Sarah Halley Finn | Casting Director | |
| Wade Allen | Stunt Coordinator | |
| Gabriela Vazquez | Unit Production Manager | |
| Stephen Hagen | First Assistant Director | |
| Johnny Recher | Second Assistant Director | |
| Jason Zev Cohen | Art Director | |
| Cindy Coburn | Set Decorator | |
| Bo Johnson | Set Designer | |
| Robin McMullen | Costume Supervisor | |
| Tina Roesler Kerwin | Make up | |
| Kelly Muldoon | Hairstylist | |
| Scott Peterson | Script Supervisor | |
| Steven A. Morrow | Sound Mixer | |
| Ron Bolanowski | Special Effects Supervisor | |
| Julian Andraus | First Assistant Editor | |
| Tom Pilla | Assistant Editor | |
| Brandon Barbosa | Assistant Editor | |
| Henry Auerbach | Supervising Sound Editor | |
| Ryan Collins | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| Liz Lawson | Music Supervisor | |
| Danny Zook | Music Supervisor | |
| Todd Sullivan | Music Supervisor | |
| Shie Rozow | Music Editor | |
| Kerry Brown | Music Editor | |
| Nick Sena | Additional Music | |
| Eric Broucek | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Life after college graduation is not exactly going as planned for Will and Jillian who find themselves lost in a sea of increasingly strange jobs. But with help from their family, friends and coworkers they soon discover that the most important adventures are the ones that we don’t see coming.
Metrics
Movie Details
| Domestic Releases: | March 25th, 2016 (Limited) by Lionsgate Premiere |
| Video Release: | March 25th, 2016 by Lionsgate Home Entertainment |
| MPA Rating: | R for crude and sexual content, nudity, drug use and language. (Rating bulletin 2242, 9/26/2012) |
| Running Time: | 82 minutes |
| Plot point: | Fired, Money Troubles, Recent College Graduate, Romance |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Double Feature Films, CBS Films |
| Production Countries: | United States |
| Languages: | English |
Leading
| Miles Teller | Will Davis | |
| Anna Kendrick | Jillian Stewart |
Supporting
| Alison Brie | Tanya Sellers | |
| Marcia Gay Harden | Katherine Dunn | |
| Bryan Cranston | Roger Davis | |
| Brandon T. Jackson | Luke | |
| Nicholas Braun | Charlie | |
| Christopher Mintz-Plasse | Ethan | |
| Jorge Garcia | Fernando the Janitor | |
| Bruce Davison | Lawrence Wilheimer | |
| Parker Contreras | Sam | |
| Mimi Gianopulos | Cammy | |
| Jay Pharoah | Skeezy D | |
| Ethan Dizon | Kwan | |
| Greg Germann | Fernando the Accountant | |
| John C. McGinley | Diller | |
| Aaron Hill | Jason | |
| Chester Tam | Hunter | |
| Ravi Patel | Wick | |
| Michael C. Mahon | Braddock | |
| Seth Morris | Lon Zimmet | |
| David Carey Foster | James Gentry | |
| Marc Maron | Motel Manager | |
| Jeryl Prescott Sales | Assistant Principal | |
| Jackie Benoit | Old Woman at Motel | |
| John Cho | Brian Bender | |
| Cameron Richardson | Tara the Stripper | |
| Murray Gershenz | Old Man at Motel | |
| Jamie Denbo | Sam's Mom | |
| Nik Tyler | Coffee Shop Customer | |
| Jack Knight | Man in Bathroom | |
| Michael Mantell | Tom Wilson | |
| Sean O'Bryan | Alan Fredricks (Wilheimer Client Video) | |
| Maximiliano Hernández | Businessman (Wilheimer Client Video) | |
| Tara Inden | Businesswoman (Wilheimer Client Video) |
Production and Technical Credits
| Dylan Kidd | Director | |
| Kyle Pennekamp | Screenwriter | |
| Scott Turpel | Screenwriter | |
| Michael Shamberg | Producer | |
| Stacey Sher | Producer | |
| Tracy McGrath | Executive Producer | |
| Josh Rothstein | Executive Producer | |
| David Hennings | Director of Photography | |
| Marcia Hinds | Production Designer | |
| Jeff Betancourt | Editor | |
| Christine Wadi | Costume Designer | |
| Christian Moder | Composer | |
| Sarah Halley Finn | Casting Director | |
| Wade Allen | Stunt Coordinator | |
| Gabriela Vazquez | Unit Production Manager | |
| Stephen Hagen | First Assistant Director | |
| Johnny Recher | Second Assistant Director | |
| Jason Zev Cohen | Art Director | |
| Cindy Coburn | Set Decorator | |
| Bo Johnson | Set Designer | |
| Robin McMullen | Costume Supervisor | |
| Tina Roesler Kerwin | Make up | |
| Kelly Muldoon | Hairstylist | |
| Scott Peterson | Script Supervisor | |
| Steven A. Morrow | Sound Mixer | |
| Ron Bolanowski | Special Effects Supervisor | |
| Julian Andraus | First Assistant Editor | |
| Tom Pilla | Assistant Editor | |
| Brandon Barbosa | Assistant Editor | |
| Henry Auerbach | Supervising Sound Editor | |
| Ryan Collins | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| Liz Lawson | Music Supervisor | |
| Danny Zook | Music Supervisor | |
| Todd Sullivan | Music Supervisor | |
| Shie Rozow | Music Editor | |
| Kerry Brown | Music Editor | |
| Nick Sena | Additional Music | |
| Eric Broucek | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.