Gimme Danger (2016)
| Theatrical Performance | ||
| Domestic Box Office | $440,627 | Details |
| International Box Office | $521,284 | Details |
| Worldwide Box Office | $961,911 | |
| OpusData ID: 267680100 More info... | ||
| Further financial details... | ||
Synopsis
Emerging from Ann Arbor Michigan amidst a counter cultural revolution, The Stooges’ powerful and aggressive style of rock-n-roll blew a crater in the musical landscape of the late 1960s. Assaulting audiences with a blend of rock, blues, R&B, and free jazz, the band planted the seeds for what would be called punk and alternative rock in the decades that followed. The film chronicles the story of The Stooges, one of the greatest rock-n-roll bands of all time. It presents the context of the Stooges emergence musically, culturally, politically, historically, and relates their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Metrics
| Opening Weekend: | $44,725 (10.2% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 45.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/71 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $609,242 |
Movie Details
| Domestic Releases: | October 28th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | November 18th, 2016 (Wide) (United Kingdom)
November 18th, 2016 (Wide) (Portugal) November 25th, 2016 (Wide) (Spain) November 25th, 2016 (Wide) (Russia (CIS)) December 23rd, 2016 (Wide) (Australia) ... Show all releases |
| Video Release: | January 31st, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for drug content and language. (Rating bulletin 2445 (Cert #50569), 10/5/2016) |
| Running Time: | 108 minutes |
| Plot point: | Musicians |
| Social setting: | Punk Rock |
| Subgenre: | Rockumentary |
| Time period setting: | 1960s |
| Source: | Based on Musical Group |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, Low Mind Films, Better Wide |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2016 | 48 | $44,725 | 3 | $14,908 | $44,725 | 1 | |
| Nov 4, 2016 | 31 | $126,113 | +182% | 68 | $1,855 | $181,342 | 2 |
| Nov 11, 2016 | 39 | $65,435 | -48% | 67 | $977 | $307,300 | 3 |
| Nov 18, 2016 | 50 | $23,704 | -64% | 32 | $741 | $370,798 | 4 |
| Nov 25, 2016 | 52 | $15,344 | -35% | 18 | $852 | $399,640 | 5 |
| Dec 2, 2016 | 58 | $8,066 | -47% | 17 | $474 | $417,800 | 6 |
| Dec 9, 2016 | 57 | $6,295 | -22% | 10 | $630 | $431,212 | 7 |
| Dec 16, 2016 | 59 | $2,686 | -57% | 3 | $895 | $438,391 | 8 |
| Dec 23, 2016 | 70 | $45 | -98% | 2 | $23 | $439,748 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2016 | 46 | $55,229 | 3 | $18,410 | $55,229 | 1 | |
| Nov 4, 2016 | 30 | $186,636 | +238% | 71 | $2,629 | $241,865 | 2 |
| Nov 11, 2016 | 39 | $105,229 | -44% | 69 | $1,525 | $347,094 | 3 |
| Nov 18, 2016 | 53 | $37,202 | -65% | 34 | $1,094 | $384,296 | 4 |
| Nov 25, 2016 | 52 | $25,438 | -32% | 22 | $1,156 | $409,734 | 5 |
| Dec 2, 2016 | 56 | $15,183 | -40% | 22 | $690 | $424,917 | 6 |
| Dec 9, 2016 | 58 | $10,788 | -29% | 13 | $830 | $435,705 | 7 |
| Dec 16, 2016 | 70 | $3,998 | -63% | 3 | $1,333 | $439,703 | 8 |
| Dec 23, 2016 | 77 | $924 | -77% | 2 | $462 | $440,627 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/23/2016 | $0 | 0 | 3 | 9 | $17,207 | 2/13/2017 | |||
| France | 2/3/2017 | $131,754 | 0 | 0 | 0 | $412,700 | 6/26/2018 | |||
| Portugal | 11/18/2016 | $1,416 | 2 | 2 | 3 | $2,699 | 12/1/2016 | |||
| Russia (CIS) | 11/25/2016 | $0 | 0 | 16 | 26 | $16,646 | 11/15/2018 | |||
| Spain | 11/25/2016 | $5,173 | 11 | 11 | 11 | $5,173 | 12/2/2016 | |||
| United Kingdom | 11/18/2016 | $41,356 | 14 | 14 | 14 | $66,859 | 9/8/2018 | |||
| International Total | $521,284 | 11/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Jim Osterberg* | Himself / The Stooges | |
| Ron Asheton | Himself / The Stooges | |
| Scott Asheton | Himself / The Stooges | |
| James Williamson | Himself / The Stooges | |
| Steve Mackay | Himself / The Stooges | |
| Mike Watt | Himself / The Stooges |
Interviewee
| Kathy Asheton | Herself | |
| Danny Fields | Himself |
Production and Technical Credits
| Jim Jarmusch | Director | |
| Jim Jarmusch | Screenwriter | |
| Carter Logan | Producer | |
| Fernando Sulichin | Producer | |
| Rob Wilson | Producer | |
| Serge Lobo | Executive Producer | |
| Jose Ibanez | Executive Producer | |
| Jon Kilik | Executive Producer | |
| Tom Krueger | Director of Photography | |
| Affonso Goncalves | Editor | |
| Adam Kurnitz | Editor | |
| James Kerr | Animation | |
| Robert Hein | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Emerging from Ann Arbor Michigan amidst a counter cultural revolution, The Stooges’ powerful and aggressive style of rock-n-roll blew a crater in the musical landscape of the late 1960s. Assaulting audiences with a blend of rock, blues, R&B, and free jazz, the band planted the seeds for what would be called punk and alternative rock in the decades that followed. The film chronicles the story of The Stooges, one of the greatest rock-n-roll bands of all time. It presents the context of the Stooges emergence musically, culturally, politically, historically, and relates their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
Metrics
| Opening Weekend: | $44,725 (10.2% of total gross) |
| Legs: | 3.49 (domestic box office/biggest weekend) |
| Domestic Share: | 45.8% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/71 max. theaters, 3.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $609,242 |
Movie Details
| Domestic Releases: | October 28th, 2016 (Limited) by Magnolia Pictures |
| International Releases: | November 18th, 2016 (Wide) (United Kingdom)
November 18th, 2016 (Wide) (Portugal) November 25th, 2016 (Wide) (Spain) November 25th, 2016 (Wide) (Russia (CIS)) December 23rd, 2016 (Wide) (Australia) ... Show all releases |
| Video Release: | January 31st, 2016 by Magnolia Home Entertainment |
| MPA Rating: | R for drug content and language. (Rating bulletin 2445 (Cert #50569), 10/5/2016) |
| Running Time: | 108 minutes |
| Plot point: | Musicians |
| Social setting: | Punk Rock |
| Subgenre: | Rockumentary |
| Time period setting: | 1960s |
| Source: | Based on Musical Group |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, Low Mind Films, Better Wide |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2016 | 48 | $44,725 | 3 | $14,908 | $44,725 | 1 | |
| Nov 4, 2016 | 31 | $126,113 | +182% | 68 | $1,855 | $181,342 | 2 |
| Nov 11, 2016 | 39 | $65,435 | -48% | 67 | $977 | $307,300 | 3 |
| Nov 18, 2016 | 50 | $23,704 | -64% | 32 | $741 | $370,798 | 4 |
| Nov 25, 2016 | 52 | $15,344 | -35% | 18 | $852 | $399,640 | 5 |
| Dec 2, 2016 | 58 | $8,066 | -47% | 17 | $474 | $417,800 | 6 |
| Dec 9, 2016 | 57 | $6,295 | -22% | 10 | $630 | $431,212 | 7 |
| Dec 16, 2016 | 59 | $2,686 | -57% | 3 | $895 | $438,391 | 8 |
| Dec 23, 2016 | 70 | $45 | -98% | 2 | $23 | $439,748 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 28, 2016 | 46 | $55,229 | 3 | $18,410 | $55,229 | 1 | |
| Nov 4, 2016 | 30 | $186,636 | +238% | 71 | $2,629 | $241,865 | 2 |
| Nov 11, 2016 | 39 | $105,229 | -44% | 69 | $1,525 | $347,094 | 3 |
| Nov 18, 2016 | 53 | $37,202 | -65% | 34 | $1,094 | $384,296 | 4 |
| Nov 25, 2016 | 52 | $25,438 | -32% | 22 | $1,156 | $409,734 | 5 |
| Dec 2, 2016 | 56 | $15,183 | -40% | 22 | $690 | $424,917 | 6 |
| Dec 9, 2016 | 58 | $10,788 | -29% | 13 | $830 | $435,705 | 7 |
| Dec 16, 2016 | 70 | $3,998 | -63% | 3 | $1,333 | $439,703 | 8 |
| Dec 23, 2016 | 77 | $924 | -77% | 2 | $462 | $440,627 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/23/2016 | $0 | 0 | 3 | 9 | $17,207 | 2/13/2017 | |||
| France | 2/3/2017 | $131,754 | 0 | 0 | 0 | $412,700 | 6/26/2018 | |||
| Portugal | 11/18/2016 | $1,416 | 2 | 2 | 3 | $2,699 | 12/1/2016 | |||
| Russia (CIS) | 11/25/2016 | $0 | 0 | 16 | 26 | $16,646 | 11/15/2018 | |||
| Spain | 11/25/2016 | $5,173 | 11 | 11 | 11 | $5,173 | 12/2/2016 | |||
| United Kingdom | 11/18/2016 | $41,356 | 14 | 14 | 14 | $66,859 | 9/8/2018 | |||
| International Total | $521,284 | 11/15/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Jim Osterberg* | Himself / The Stooges | |
| Ron Asheton | Himself / The Stooges | |
| Scott Asheton | Himself / The Stooges | |
| James Williamson | Himself / The Stooges | |
| Steve Mackay | Himself / The Stooges | |
| Mike Watt | Himself / The Stooges |
Interviewee
| Kathy Asheton | Herself | |
| Danny Fields | Himself |
Production and Technical Credits
| Jim Jarmusch | Director | |
| Jim Jarmusch | Screenwriter | |
| Carter Logan | Producer | |
| Fernando Sulichin | Producer | |
| Rob Wilson | Producer | |
| Serge Lobo | Executive Producer | |
| Jose Ibanez | Executive Producer | |
| Jon Kilik | Executive Producer | |
| Tom Krueger | Director of Photography | |
| Affonso Goncalves | Editor | |
| Adam Kurnitz | Editor | |
| James Kerr | Animation | |
| Robert Hein | Sound Designer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.