The Girl in the Spider’s Web (2018)
| Theatrical Performance | ||
| Domestic Box Office | $14,828,555 | Details |
| International Box Office | $20,154,787 | Details |
| Worldwide Box Office | $34,983,342 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,327,443 | |
| Blu-ray Sales (estimated) | $1,739,118 | |
| Total | $4,066,561 | |
| OpusData ID: 284560100 More info... | ||
| Further financial details... | ||
Synopsis
Lisbeth Salander may not need the world, but the world needs Lisbeth Salander. The look. That tattoo. Those skills. That determination. The fierce vigilante star Lisbeth Salander is everything we need in a modern hero: smart, resourceful, driven by demons but not defined by them, and possessing a me-against-the-universe attitude that has been more than enough to take down abusive men, hidden killers, and anyone foolish enough to go up against her.
Metrics
| Opening Weekend: | $7,810,112 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 42.4% (domestic box office/worldwide) |
| Production Budget: | $43,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,929 opening theaters/2,929 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,467,567 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Wide) by Sony Pictures |
| International Releases: | October 25th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Sweden) October 26th, 2018 (Wide) (Poland) October 31st, 2018 (Wide), released as Millennium - Quello che non uccide (Italy) October 31st, 2018 (Wide) (Switzerland) ... Show all releases |
| Video Release: | January 22nd, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, language and some sexual content/nudity. (Rating bulletin 2551 (Cert #51437), 10/31/2018) |
| Running Time: | 117 minutes |
| Franchise: | Millennium (English) |
| Cast, crew, or production detail: | Legacy Sequel, Sequel With Lead Character Recast |
| Plot point: | Cyber Warfare, Government Corruption, Hackers, Internet, Revenge, Weapons of Mass Destruction |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cantillon Company, Yellow Bird, Scott Rudin Productions, Pascal Pictures, Columbia Pictures, Metro-Goldwyn-Mayer Pictures, Regency Enterprises, Rose Line Productions Limited, Studio Babelsberg |
| Production Countries: | United States, Sweden |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 6 | $7,810,112 | 2,929 | $2,666 | $7,810,112 | 1 | |
| Nov 16, 2018 | 9 | $2,501,616 | -68% | 2,929 | $854 | $13,292,139 | 2 |
| Nov 23, 2018 | 21 | $356,485 | -86% | 983 | $363 | $14,391,281 | 3 |
| Nov 30, 2018 | 30 | $87,605 | -75% | 196 | $447 | $14,666,252 | 4 |
| Dec 7, 2018 | 41 | $52,037 | -41% | 152 | $342 | $14,777,868 | 5 |
| Dec 14, 2018 | 45 | $20,417 | -61% | 83 | $246 | $14,828,555 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 4 | $3,037,438 | 2,929 | $1,037 | $3,037,438 | 1 | ||
| Nov 10, 2018 | 7 | $2,845,776 | -6% | 2,929 | $972 | $5,883,214 | 2 | |
| Nov 11, 2018 | 6 | $1,926,898 | -32% | 2,929 | $658 | $7,810,112 | 3 | |
| Nov 12, 2018 | 6 | $950,262 | -51% | 2,929 | $324 | $8,760,374 | 4 | |
| Nov 13, 2018 | 4 | $1,039,337 | +9% | 2,929 | $355 | $9,799,711 | 5 | |
| Nov 14, 2018 | 5 | $574,529 | -45% | 2,929 | $196 | $10,374,240 | 6 | |
| Nov 15, 2018 | 5 | $416,283 | -28% | 2,929 | $142 | $10,790,523 | 7 | |
| Nov 16, 2018 | 9 | $726,916 | +75% | -76% | 2,929 | $248 | $11,517,439 | 8 |
| Nov 17, 2018 | 9 | $1,095,058 | +51% | -62% | 2,929 | $374 | $12,612,497 | 9 |
| Nov 18, 2018 | 9 | $679,642 | -38% | -65% | 2,929 | $232 | $13,292,139 | 10 |
| Nov 19, 2018 | 10 | $265,739 | -61% | -72% | 2,929 | $91 | $13,557,878 | 11 |
| Nov 20, 2018 | 9 | $303,522 | +14% | -71% | 2,929 | $104 | $13,861,400 | 12 |
| Nov 21, 2018 | - | $83,975 | -72% | -85% | 983 | $85 | $13,945,375 | 13 |
| Nov 22, 2018 | - | $89,421 | +6% | -79% | 983 | $91 | $14,034,796 | 14 |
| Nov 23, 2018 | - | $128,615 | +44% | -82% | 983 | $131 | $14,163,411 | 15 |
| Nov 24, 2018 | - | $141,973 | +10% | -87% | 983 | $144 | $14,305,384 | 16 |
| Nov 25, 2018 | - | $85,897 | -39% | -87% | 983 | $87 | $14,391,281 | 17 |
| Nov 26, 2018 | - | $41,780 | -51% | -84% | 983 | $43 | $14,433,061 | 18 |
| Nov 27, 2018 | - | $58,935 | +41% | -81% | 983 | $60 | $14,491,996 | 19 |
| Nov 28, 2018 | - | $46,607 | -21% | -44% | 983 | $47 | $14,538,603 | 20 |
| Nov 29, 2018 | - | $40,044 | -14% | -55% | 983 | $41 | $14,578,647 | 21 |
| Nov 30, 2018 | - | $25,892 | -35% | -80% | 196 | $132 | $14,604,539 | 22 |
| Dec 1, 2018 | - | $36,351 | +40% | -74% | 196 | $185 | $14,640,890 | 23 |
| Dec 2, 2018 | - | $25,362 | -30% | -70% | 196 | $129 | $14,666,252 | 24 |
| Dec 7, 2018 | - | $15,659 | -40% | 152 | $103 | $14,741,490 | 29 | |
| Dec 8, 2018 | - | $21,859 | +40% | -40% | 152 | $144 | $14,763,349 | 30 |
| Dec 9, 2018 | - | $14,519 | -34% | -43% | 152 | $96 | $14,777,868 | 31 |
| Dec 10, 2018 | - | $7,125 | -51% | 152 | $47 | $14,784,993 | 32 | |
| Dec 11, 2018 | - | $9,348 | +31% | 152 | $62 | $14,794,341 | 33 | |
| Dec 12, 2018 | - | $7,227 | -23% | 152 | $48 | $14,801,568 | 34 | |
| Dec 13, 2018 | - | $6,570 | -9% | 152 | $43 | $14,808,138 | 35 | |
| Dec 14, 2018 | - | $6,079 | -7% | -61% | 83 | $73 | $14,814,217 | 36 |
| Dec 15, 2018 | - | $8,531 | +40% | -61% | 83 | $103 | $14,822,748 | 37 |
| Dec 16, 2018 | - | $5,807 | -32% | -60% | 83 | $70 | $14,828,555 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 6 | $10,790,523 | 2,929 | $3,684 | $10,790,523 | 1 | |
| Nov 16, 2018 | 12 | $3,244,273 | -70% | 983 | $3,300 | $14,034,796 | 2 |
| Nov 23, 2018 | 20 | $543,851 | -83% | 983 | $553 | $14,578,647 | 3 |
| Nov 30, 2018 | 29 | $147,184 | -73% | 196 | $751 | $14,725,831 | 4 |
| Dec 7, 2018 | 42 | $82,307 | -44% | 152 | $541 | $14,808,138 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/22/2018 | $29,086 | 77 | 77 | 100 | $42,213 | 12/11/2018 | |||
| Aruba | 11/8/2018 | $3,493 | 4 | 4 | 8 | $6,537 | 11/27/2018 | |||
| Australia | 11/9/2018 | $562,723 | 314 | 314 | 866 | $1,246,836 | 1/15/2019 | |||
| Austria | 11/23/2018 | $58,787 | 62 | 62 | 172 | $126,841 | 12/27/2018 | |||
| Bahrain | 11/29/2018 | $15,853 | 9 | 9 | 9 | $15,853 | 12/4/2018 | |||
| Belgium | 11/21/2018 | $68,987 | 49 | 49 | 113 | $106,455 | 12/27/2018 | |||
| Bolivia | 11/8/2018 | $8,488 | 16 | 16 | 21 | $14,942 | 11/20/2018 | |||
| Brazil | 11/8/2018 | $433,571 | 206 | 206 | 386 | $867,884 | 12/27/2018 | |||
| Bulgaria | 11/9/2018 | $15,547 | 55 | 55 | 88 | $37,654 | 2/26/2019 | |||
| Cambodia | 11/9/2018 | $10,277 | 69 | 69 | 118 | $17,698 | 12/4/2018 | |||
| Central America | 11/8/2018 | $83,258 | 123 | 123 | 172 | $140,973 | 11/28/2018 | |||
| Chile | 11/15/2018 | $32,812 | 27 | 27 | 35 | $49,250 | 12/4/2018 | |||
| Colombia | 11/8/2018 | $129,855 | 185 | 185 | 215 | $217,887 | 11/20/2018 | |||
| Croatia | 11/8/2018 | $27,148 | 43 | 43 | 89 | $65,589 | 12/4/2018 | |||
| Curacao | 11/8/2018 | $2,363 | 4 | 4 | 8 | $6,005 | 12/6/2018 | |||
| Czech Republic | 11/8/2018 | $45,752 | 104 | 104 | 166 | $78,643 | 12/4/2018 | |||
| Denmark | 11/1/2018 | $97,386 | 79 | 79 | 185 | $219,479 | 12/4/2018 | |||
| Dominican Republic | 11/8/2018 | $8,799 | 18 | 18 | 40 | $17,555 | 12/4/2018 | |||
| Ecuador | 11/9/2018 | $26,117 | 36 | 36 | 98 | $64,087 | 12/4/2018 | |||
| Egypt | 11/8/2018 | $13,061 | 19 | 19 | 30 | $20,381 | 11/20/2018 | |||
| Estonia | 11/9/2018 | $16,679 | 14 | 14 | 38 | $52,463 | 12/27/2018 | |||
| Finland | 11/9/2018 | $48,092 | 64 | 64 | 113 | $98,695 | 12/4/2018 | |||
| France | 11/14/2018 | $565,330 | 331 | 331 | 819 | $1,126,596 | 12/4/2018 | |||
| Germany | 11/22/2018 | $442,817 | 424 | 424 | 1,259 | $923,073 | 1/10/2019 | |||
| Ghana | 11/9/2018 | $1,188 | 4 | 4 | 12 | $2,927 | 12/4/2018 | |||
| Greece | 11/8/2018 | $142,744 | 119 | 119 | 192 | $285,147 | 11/27/2018 | |||
| Hong Kong | 11/22/2018 | $164,540 | 103 | 103 | 132 | $235,134 | 12/27/2018 | |||
| Hungary | 11/8/2018 | $57,411 | 52 | 62 | 182 | $141,109 | 12/11/2018 | |||
| Iceland | 11/9/2018 | $4,741 | 8 | 8 | 14 | $11,832 | 12/4/2018 | |||
| India | 11/23/2018 | $113,067 | 758 | 758 | 762 | $159,006 | 12/6/2018 | |||
| Indonesia | 11/16/2018 | $172,647 | 200 | 200 | 315 | $317,037 | 12/11/2018 | |||
| Iraq | 11/29/2018 | $5,080 | 8 | 8 | 15 | $9,066 | 12/27/2018 | |||
| Israel | 11/8/2018 | $72,874 | 32 | 32 | 73 | $146,321 | 11/27/2018 | |||
| Italy | 10/31/2018 | $400,217 | 0 | 150 | 157 | $663,293 | 12/6/2018 | |||
| Jamaica | 11/7/2018 | $0 | 0 | 2 | 2 | $22,994 | 11/28/2018 | |||
| Japan | 1/11/2019 | $208,526 | 69 | 69 | 240 | $811,100 | 3/19/2019 | |||
| Jordan | 11/29/2018 | $7,092 | 5 | 5 | 6 | $9,654 | 12/11/2018 | |||
| Kenya | 11/9/2018 | $9,204 | 19 | 19 | 39 | $20,155 | 1/10/2019 | |||
| Kuwait | 11/29/2018 | $27,212 | 11 | 11 | 14 | $41,917 | 12/11/2018 | |||
| Latvia | 11/9/2018 | $9,701 | 9 | 9 | 21 | $20,788 | 12/11/2018 | |||
| Lebanon | 11/8/2018 | $18,436 | 17 | 17 | 24 | $28,519 | 11/20/2018 | |||
| Lithuania | 11/9/2018 | $10,314 | 49 | 49 | 56 | $16,407 | 11/27/2018 | |||
| Malaysia | 11/6/2018 | $57,374 | 130 | 130 | 328 | $145,220 | 11/27/2018 | |||
| Mexico | 11/9/2018 | $672,244 | 801 | 801 | 1,021 | $1,500,024 | 12/27/2018 | |||
| Netherlands | 10/25/2018 | $225,967 | 87 | 87 | 365 | $595,974 | 12/4/2018 | |||
| New Zealand | 11/8/2018 | $93,205 | 87 | 87 | 159 | $214,136 | 12/27/2018 | |||
| Nigeria | 11/9/2018 | $11,014 | 40 | 40 | 101 | $26,396 | 12/11/2018 | |||
| Norway | 11/9/2018 | $57,349 | 163 | 163 | 240 | $109,598 | 12/4/2018 | |||
| Oman | 11/29/2018 | $9,950 | 10 | 10 | 10 | $9,951 | 12/6/2018 | |||
| Pakistan | 11/9/2018 | $3,153 | 11 | 11 | 11 | $3,153 | 1/1/2019 | |||
| Paraguay | 12/13/2018 | $2,987 | 11 | 11 | 11 | $2,987 | 12/27/2018 | |||
| Peru | 11/8/2018 | $67,136 | 75 | 75 | 82 | $99,847 | 11/20/2018 | |||
| Philippines | 11/21/2018 | $42,270 | 128 | 128 | 129 | $49,618 | 12/4/2018 | |||
| Poland | 10/26/2018 | $191,178 | 138 | 138 | 361 | $522,429 | 12/4/2018 | |||
| Portugal | 11/8/2018 | $105,539 | 72 | 72 | 197 | $221,687 | 12/11/2018 | |||
| Qatar | 11/29/2018 | $14,637 | 11 | 11 | 14 | $19,860 | 12/11/2018 | |||
| Romania | 11/9/2018 | $92,946 | 77 | 77 | 218 | $236,362 | 12/27/2018 | |||
| Russia (CIS) | 11/8/2018 | $1,326,882 | 1,138 | 1,138 | 2,965 | $2,337,335 | 12/11/2018 | |||
| Serbia and Montenegro | 11/8/2018 | $6,752 | 22 | 22 | 44 | $15,394 | 11/27/2018 | |||
| Singapore | 11/6/2018 | $89,511 | 34 | 34 | 69 | $180,250 | 12/4/2018 | |||
| Slovakia | 11/8/2018 | $24,767 | 66 | 66 | 96 | $43,771 | 12/4/2018 | |||
| Slovenia | 11/8/2018 | $6,953 | 15 | 15 | 31 | $14,611 | 12/4/2018 | |||
| South Africa | 11/9/2018 | $37,399 | 67 | 74 | 167 | $114,244 | 12/6/2018 | |||
| South Korea | 11/21/2018 | $0 | 0 | 313 | 332 | $220,006 | 12/23/2018 | |||
| Spain | 11/9/2018 | $496,810 | 338 | 338 | 989 | $1,078,510 | 1/3/2019 | |||
| Suriname | 11/8/2018 | $594 | 1 | 1 | 3 | $1,434 | 11/27/2018 | |||
| Sweden | 10/26/2018 | $226,885 | 187 | 187 | 342 | $575,316 | 12/11/2018 | |||
| Switzerland | 10/31/2018 | $2,015 | 4 | 57 | 142 | $53,629 | 4/4/2026 | |||
| Syria | 11/29/2018 | $1,355 | 1 | 1 | 1 | $1,355 | 12/4/2018 | |||
| Taiwan | 11/9/2018 | $185,692 | 90 | 90 | 219 | $388,447 | 12/4/2018 | |||
| Thailand | 11/8/2018 | $122,572 | 107 | 107 | 198 | $372,744 | 11/28/2018 | |||
| Trinidad | 11/7/2018 | $33,210 | 20 | 20 | 40 | $67,734 | 11/28/2018 | |||
| Turkey | 11/30/2018 | $60,785 | 115 | 115 | 186 | $113,690 | 12/21/2018 | |||
| Ukraine | 11/8/2018 | $202,532 | 251 | 251 | 555 | $344,673 | 12/27/2018 | |||
| United Arab Emirates | 11/29/2018 | $81,482 | 61 | 61 | 65 | $115,665 | 12/11/2018 | |||
| United Kingdom | 11/21/2018 | $713,704 | 439 | 439 | 890 | $1,383,054 | 4/4/2026 | |||
| Uruguay | 11/8/2018 | $13,703 | 18 | 18 | 47 | $32,705 | 12/27/2018 | |||
| Venezuela | 11/9/2018 | $21,295 | 57 | 57 | 129 | $73,848 | 12/11/2018 | |||
| Vietnam | 11/9/2018 | $136,305 | 205 | 205 | 340 | $249,060 | 11/27/2018 | |||
| Rest of World | $114,075 | |||||||||
| International Total | $20,154,787 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Claire Foy | Lisbeth Salander |
Supporting
| Sverrir Gudnason | Mikael Blomkvist | |
| LaKeith Stanfield* | Alona Casales | |
| Sylvia Hoeks | Camilla Salander | |
| Stephen Merchant | Frans Balder | |
| Claes Bang | Jan Holster | |
| Christopher Convery | August Balder | |
| Vicky Krieps | Erika Berger | |
| Beau Gadsdon | Young Lisbeth Salander | |
| Carlotta von Falkenhayn | Young Camilla Salander | |
| Andreja Pejic | Sofia | |
| Synnøve Macody Lund | Gabriella Grane | |
| Cameron Britton | Plague | |
| Mikael Persbrandt | Alexander Zalachenko | |
| Thomas Wingrich | Grane’s Home Security | |
| Andreas Tietz | Camilla’s Driver | |
| Paula Schramm | Malin Erikson | |
| Anja Karmanski | Landlord | |
| Pal Sverre Hagen | Ove Levin | |
| Christian Serritiello | NSA Officer | |
| Damien Murphy | Cop | |
| Asuka Tovazzi | Cop | |
| Daniel Stockhorst | Holster’s Driver | |
| Béla Gabor Lenz | Seedy Looking Punk | |
| Maddy Savage | Reporter | |
| Lea Fassbender | August’s Mother | |
| Tomas Jester | Huge Skinhead | |
| Hendrik Heutmann | Milos Meer | |
| Volkram Zschiesche | Dark Haired SAPO Agent | |
| Sonja Chan | Naked Asian Woman | |
| Felix Quinton | Camilla’s Henchman | |
| Alois Knapps | Camilla’s Henchman | |
| Wolfgang Lindner | Gabriella Grane’s Driver | |
| Sebastian Stielke | Uniformed Cop 4 | |
| Sinha Melina Gierke | Airport Employee | |
| Michael Bornhutter | Airport Policeman | |
| Oliver Juhrs | Airport Policeman | |
| Steffen Jung | Airport Policeman | |
| Christian Zagia | Detention Room Blonde Cop | |
| Amalia Holm Bjelke | Waitress |
Production and Technical Credits
| Fede Álvarez | Director | |
| Steven Knight | Screenwriter | |
| Fede Álvarez | Screenwriter | |
| Jay Basu | Screenwriter | |
| David Lagercrantz | Story based on the novel by | |
| Amy Pascal | Producer | |
| Elizabeth Cantillon | Producer | |
| Scott Rudin | Producer | |
| Eli Bush | Producer | |
| Søren Stærmose | Producer | |
| Ole Sondberg | Producer | |
| Berna Levin | Producer | |
| Line Winther Skyum Funch | Executive Producer | |
| Johannes Jensen | Executive Producer | |
| Anni Faurbye Fernandez | Executive Producer | |
| Arnon Milchan | Executive Producer | |
| Robert J. Dohrmann | Executive Producer | |
| David Fincher | Executive Producer | |
| Pedro Luque | Director of Photography | |
| Eve Stewart | Production Designer | |
| Tatiana S. Riegel | Editor | |
| Roque Banos | Composer | |
| Carlos Rosario | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Florian Hotz | Stunt Coordinator | |
| Cha-Lee Yoon | Fight Coordinator | |
| Robert J. Dohrmann | Unit Production Manager | |
| Arno Neubauer | Unit Production Manager | |
| Alexander Oakley | First Assistant Director | |
| James Manning | Second Assistant Director | |
| Zoe Liang | Second Assistant Director | |
| Henning Molfenter | Co-Producer | |
| Charlie Woebcken | Co-Producer | |
| Christoph Fisser | Co-Producer | |
| Denis Schnegg | Supervising Art Director | |
| Daniel Chour | Art Director | |
| Sabine Engelberg | Art Director | |
| Tarnia Nicol | Art Director | |
| Susannah Brough | Art Director | |
| Yesim Zolan | Set Decorator | |
| Aria Harrison | Script Supervisor | |
| Yasemin Kascioglu | Costume Supervisor | |
| Roland Winke | Sound Mixer | |
| Gerd Nefzer | Special Effects Supervisor | |
| Bernd Rautenberg | Special Effects Supervisor | |
| Klaus grosse Darrelmann | Location Manager | |
| Nikolas Korda | Unit Production Manager | |
| Nick Laurence | Second Assistant Director | |
| Lisa Hauss | Second Assistant Director | |
| Klemens Becker | Second Unit Director | |
| Klemens Becker | Second Unit Director of Photography | |
| Dan Boccoli | First Assistant Editor | |
| Pablo Prietto | Assistant Editor | |
| Kevin O'Connell | Re-recording Mixer | |
| Julian Slater | Re-recording Mixer | |
| Mandell Winter | Supervising Sound Editor | |
| Julian Slater | Supervising Sound Editor | |
| Hamilton Sterling | Sound Designer | |
| Ryan Collins | Sound Effects Editor | |
| Karen Vassar Triest* | Sound Effects Editor | |
| Robert Stambler | Sound Effects Editor | |
| Robert Esparza | Sound Effects Editor | |
| Will Digby | Sound Effects Editor | |
| Ando Johnson | Sound Effects Editor | |
| Micah Loken | Dialogue Editor | |
| Nerses Gezalyan | Foley Mixer | |
| Kyle Arzt | Re-recording Mixer | |
| Tom Y. Burns | Re-recording Mixer | |
| Tony Lamberti | Additional Sound Re-recording Mixer | |
| Jeremy B. Davis | Additional Sound Re-recording Mixer | |
| Maarten Hofmeijer | Music Editor | |
| Del Spiva | Music Editor | |
| Vanessa Garde | Additional Music | |
| Stephen Lipson | Score Mixer | |
| Maarten Hofmeijer | Score Mixer | |
| Bernd Mazagg | Score Recordist | |
| Thilo Ewers | Visual Effects Supervisor | |
| Sebastian Meszmann | Visual Effects Producer | |
| Henrik Fett | Visual Effect Senior Executive Producer | |
| Christoph Malessa | Visual Effects Executive Producer | |
| Sabrina Christoforidis | Visual Effects Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Lisbeth Salander may not need the world, but the world needs Lisbeth Salander. The look. That tattoo. Those skills. That determination. The fierce vigilante star Lisbeth Salander is everything we need in a modern hero: smart, resourceful, driven by demons but not defined by them, and possessing a me-against-the-universe attitude that has been more than enough to take down abusive men, hidden killers, and anyone foolish enough to go up against her.
Metrics
| Opening Weekend: | $7,810,112 (52.7% of total gross) |
| Legs: | 1.90 (domestic box office/biggest weekend) |
| Domestic Share: | 42.4% (domestic box office/worldwide) |
| Production Budget: | $43,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,929 opening theaters/2,929 max. theaters, 2.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $19,467,567 |
Movie Details
| Domestic Releases: | November 9th, 2018 (Wide) by Sony Pictures |
| International Releases: | October 25th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Sweden) October 26th, 2018 (Wide) (Poland) October 31st, 2018 (Wide), released as Millennium - Quello che non uccide (Italy) October 31st, 2018 (Wide) (Switzerland) ... Show all releases |
| Video Release: | January 22nd, 2019 by Sony Pictures Home Entertainment |
| MPA Rating: | R for violence, language and some sexual content/nudity. (Rating bulletin 2551 (Cert #51437), 10/31/2018) |
| Running Time: | 117 minutes |
| Franchise: | Millennium (English) |
| Cast, crew, or production detail: | Legacy Sequel, Sequel With Lead Character Recast |
| Plot point: | Cyber Warfare, Government Corruption, Hackers, Internet, Revenge, Weapons of Mass Destruction |
| Subgenre: | Action Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Cantillon Company, Yellow Bird, Scott Rudin Productions, Pascal Pictures, Columbia Pictures, Metro-Goldwyn-Mayer Pictures, Regency Enterprises, Rose Line Productions Limited, Studio Babelsberg |
| Production Countries: | United States, Sweden |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 6 | $7,810,112 | 2,929 | $2,666 | $7,810,112 | 1 | |
| Nov 16, 2018 | 9 | $2,501,616 | -68% | 2,929 | $854 | $13,292,139 | 2 |
| Nov 23, 2018 | 21 | $356,485 | -86% | 983 | $363 | $14,391,281 | 3 |
| Nov 30, 2018 | 30 | $87,605 | -75% | 196 | $447 | $14,666,252 | 4 |
| Dec 7, 2018 | 41 | $52,037 | -41% | 152 | $342 | $14,777,868 | 5 |
| Dec 14, 2018 | 45 | $20,417 | -61% | 83 | $246 | $14,828,555 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 4 | $3,037,438 | 2,929 | $1,037 | $3,037,438 | 1 | ||
| Nov 10, 2018 | 7 | $2,845,776 | -6% | 2,929 | $972 | $5,883,214 | 2 | |
| Nov 11, 2018 | 6 | $1,926,898 | -32% | 2,929 | $658 | $7,810,112 | 3 | |
| Nov 12, 2018 | 6 | $950,262 | -51% | 2,929 | $324 | $8,760,374 | 4 | |
| Nov 13, 2018 | 4 | $1,039,337 | +9% | 2,929 | $355 | $9,799,711 | 5 | |
| Nov 14, 2018 | 5 | $574,529 | -45% | 2,929 | $196 | $10,374,240 | 6 | |
| Nov 15, 2018 | 5 | $416,283 | -28% | 2,929 | $142 | $10,790,523 | 7 | |
| Nov 16, 2018 | 9 | $726,916 | +75% | -76% | 2,929 | $248 | $11,517,439 | 8 |
| Nov 17, 2018 | 9 | $1,095,058 | +51% | -62% | 2,929 | $374 | $12,612,497 | 9 |
| Nov 18, 2018 | 9 | $679,642 | -38% | -65% | 2,929 | $232 | $13,292,139 | 10 |
| Nov 19, 2018 | 10 | $265,739 | -61% | -72% | 2,929 | $91 | $13,557,878 | 11 |
| Nov 20, 2018 | 9 | $303,522 | +14% | -71% | 2,929 | $104 | $13,861,400 | 12 |
| Nov 21, 2018 | - | $83,975 | -72% | -85% | 983 | $85 | $13,945,375 | 13 |
| Nov 22, 2018 | - | $89,421 | +6% | -79% | 983 | $91 | $14,034,796 | 14 |
| Nov 23, 2018 | - | $128,615 | +44% | -82% | 983 | $131 | $14,163,411 | 15 |
| Nov 24, 2018 | - | $141,973 | +10% | -87% | 983 | $144 | $14,305,384 | 16 |
| Nov 25, 2018 | - | $85,897 | -39% | -87% | 983 | $87 | $14,391,281 | 17 |
| Nov 26, 2018 | - | $41,780 | -51% | -84% | 983 | $43 | $14,433,061 | 18 |
| Nov 27, 2018 | - | $58,935 | +41% | -81% | 983 | $60 | $14,491,996 | 19 |
| Nov 28, 2018 | - | $46,607 | -21% | -44% | 983 | $47 | $14,538,603 | 20 |
| Nov 29, 2018 | - | $40,044 | -14% | -55% | 983 | $41 | $14,578,647 | 21 |
| Nov 30, 2018 | - | $25,892 | -35% | -80% | 196 | $132 | $14,604,539 | 22 |
| Dec 1, 2018 | - | $36,351 | +40% | -74% | 196 | $185 | $14,640,890 | 23 |
| Dec 2, 2018 | - | $25,362 | -30% | -70% | 196 | $129 | $14,666,252 | 24 |
| Dec 7, 2018 | - | $15,659 | -40% | 152 | $103 | $14,741,490 | 29 | |
| Dec 8, 2018 | - | $21,859 | +40% | -40% | 152 | $144 | $14,763,349 | 30 |
| Dec 9, 2018 | - | $14,519 | -34% | -43% | 152 | $96 | $14,777,868 | 31 |
| Dec 10, 2018 | - | $7,125 | -51% | 152 | $47 | $14,784,993 | 32 | |
| Dec 11, 2018 | - | $9,348 | +31% | 152 | $62 | $14,794,341 | 33 | |
| Dec 12, 2018 | - | $7,227 | -23% | 152 | $48 | $14,801,568 | 34 | |
| Dec 13, 2018 | - | $6,570 | -9% | 152 | $43 | $14,808,138 | 35 | |
| Dec 14, 2018 | - | $6,079 | -7% | -61% | 83 | $73 | $14,814,217 | 36 |
| Dec 15, 2018 | - | $8,531 | +40% | -61% | 83 | $103 | $14,822,748 | 37 |
| Dec 16, 2018 | - | $5,807 | -32% | -60% | 83 | $70 | $14,828,555 | 38 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Nov 9, 2018 | 6 | $10,790,523 | 2,929 | $3,684 | $10,790,523 | 1 | |
| Nov 16, 2018 | 12 | $3,244,273 | -70% | 983 | $3,300 | $14,034,796 | 2 |
| Nov 23, 2018 | 20 | $543,851 | -83% | 983 | $553 | $14,578,647 | 3 |
| Nov 30, 2018 | 29 | $147,184 | -73% | 196 | $751 | $14,725,831 | 4 |
| Dec 7, 2018 | 42 | $82,307 | -44% | 152 | $541 | $14,808,138 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/22/2018 | $29,086 | 77 | 77 | 100 | $42,213 | 12/11/2018 | |||
| Aruba | 11/8/2018 | $3,493 | 4 | 4 | 8 | $6,537 | 11/27/2018 | |||
| Australia | 11/9/2018 | $562,723 | 314 | 314 | 866 | $1,246,836 | 1/15/2019 | |||
| Austria | 11/23/2018 | $58,787 | 62 | 62 | 172 | $126,841 | 12/27/2018 | |||
| Bahrain | 11/29/2018 | $15,853 | 9 | 9 | 9 | $15,853 | 12/4/2018 | |||
| Belgium | 11/21/2018 | $68,987 | 49 | 49 | 113 | $106,455 | 12/27/2018 | |||
| Bolivia | 11/8/2018 | $8,488 | 16 | 16 | 21 | $14,942 | 11/20/2018 | |||
| Brazil | 11/8/2018 | $433,571 | 206 | 206 | 386 | $867,884 | 12/27/2018 | |||
| Bulgaria | 11/9/2018 | $15,547 | 55 | 55 | 88 | $37,654 | 2/26/2019 | |||
| Cambodia | 11/9/2018 | $10,277 | 69 | 69 | 118 | $17,698 | 12/4/2018 | |||
| Central America | 11/8/2018 | $83,258 | 123 | 123 | 172 | $140,973 | 11/28/2018 | |||
| Chile | 11/15/2018 | $32,812 | 27 | 27 | 35 | $49,250 | 12/4/2018 | |||
| Colombia | 11/8/2018 | $129,855 | 185 | 185 | 215 | $217,887 | 11/20/2018 | |||
| Croatia | 11/8/2018 | $27,148 | 43 | 43 | 89 | $65,589 | 12/4/2018 | |||
| Curacao | 11/8/2018 | $2,363 | 4 | 4 | 8 | $6,005 | 12/6/2018 | |||
| Czech Republic | 11/8/2018 | $45,752 | 104 | 104 | 166 | $78,643 | 12/4/2018 | |||
| Denmark | 11/1/2018 | $97,386 | 79 | 79 | 185 | $219,479 | 12/4/2018 | |||
| Dominican Republic | 11/8/2018 | $8,799 | 18 | 18 | 40 | $17,555 | 12/4/2018 | |||
| Ecuador | 11/9/2018 | $26,117 | 36 | 36 | 98 | $64,087 | 12/4/2018 | |||
| Egypt | 11/8/2018 | $13,061 | 19 | 19 | 30 | $20,381 | 11/20/2018 | |||
| Estonia | 11/9/2018 | $16,679 | 14 | 14 | 38 | $52,463 | 12/27/2018 | |||
| Finland | 11/9/2018 | $48,092 | 64 | 64 | 113 | $98,695 | 12/4/2018 | |||
| France | 11/14/2018 | $565,330 | 331 | 331 | 819 | $1,126,596 | 12/4/2018 | |||
| Germany | 11/22/2018 | $442,817 | 424 | 424 | 1,259 | $923,073 | 1/10/2019 | |||
| Ghana | 11/9/2018 | $1,188 | 4 | 4 | 12 | $2,927 | 12/4/2018 | |||
| Greece | 11/8/2018 | $142,744 | 119 | 119 | 192 | $285,147 | 11/27/2018 | |||
| Hong Kong | 11/22/2018 | $164,540 | 103 | 103 | 132 | $235,134 | 12/27/2018 | |||
| Hungary | 11/8/2018 | $57,411 | 52 | 62 | 182 | $141,109 | 12/11/2018 | |||
| Iceland | 11/9/2018 | $4,741 | 8 | 8 | 14 | $11,832 | 12/4/2018 | |||
| India | 11/23/2018 | $113,067 | 758 | 758 | 762 | $159,006 | 12/6/2018 | |||
| Indonesia | 11/16/2018 | $172,647 | 200 | 200 | 315 | $317,037 | 12/11/2018 | |||
| Iraq | 11/29/2018 | $5,080 | 8 | 8 | 15 | $9,066 | 12/27/2018 | |||
| Israel | 11/8/2018 | $72,874 | 32 | 32 | 73 | $146,321 | 11/27/2018 | |||
| Italy | 10/31/2018 | $400,217 | 0 | 150 | 157 | $663,293 | 12/6/2018 | |||
| Jamaica | 11/7/2018 | $0 | 0 | 2 | 2 | $22,994 | 11/28/2018 | |||
| Japan | 1/11/2019 | $208,526 | 69 | 69 | 240 | $811,100 | 3/19/2019 | |||
| Jordan | 11/29/2018 | $7,092 | 5 | 5 | 6 | $9,654 | 12/11/2018 | |||
| Kenya | 11/9/2018 | $9,204 | 19 | 19 | 39 | $20,155 | 1/10/2019 | |||
| Kuwait | 11/29/2018 | $27,212 | 11 | 11 | 14 | $41,917 | 12/11/2018 | |||
| Latvia | 11/9/2018 | $9,701 | 9 | 9 | 21 | $20,788 | 12/11/2018 | |||
| Lebanon | 11/8/2018 | $18,436 | 17 | 17 | 24 | $28,519 | 11/20/2018 | |||
| Lithuania | 11/9/2018 | $10,314 | 49 | 49 | 56 | $16,407 | 11/27/2018 | |||
| Malaysia | 11/6/2018 | $57,374 | 130 | 130 | 328 | $145,220 | 11/27/2018 | |||
| Mexico | 11/9/2018 | $672,244 | 801 | 801 | 1,021 | $1,500,024 | 12/27/2018 | |||
| Netherlands | 10/25/2018 | $225,967 | 87 | 87 | 365 | $595,974 | 12/4/2018 | |||
| New Zealand | 11/8/2018 | $93,205 | 87 | 87 | 159 | $214,136 | 12/27/2018 | |||
| Nigeria | 11/9/2018 | $11,014 | 40 | 40 | 101 | $26,396 | 12/11/2018 | |||
| Norway | 11/9/2018 | $57,349 | 163 | 163 | 240 | $109,598 | 12/4/2018 | |||
| Oman | 11/29/2018 | $9,950 | 10 | 10 | 10 | $9,951 | 12/6/2018 | |||
| Pakistan | 11/9/2018 | $3,153 | 11 | 11 | 11 | $3,153 | 1/1/2019 | |||
| Paraguay | 12/13/2018 | $2,987 | 11 | 11 | 11 | $2,987 | 12/27/2018 | |||
| Peru | 11/8/2018 | $67,136 | 75 | 75 | 82 | $99,847 | 11/20/2018 | |||
| Philippines | 11/21/2018 | $42,270 | 128 | 128 | 129 | $49,618 | 12/4/2018 | |||
| Poland | 10/26/2018 | $191,178 | 138 | 138 | 361 | $522,429 | 12/4/2018 | |||
| Portugal | 11/8/2018 | $105,539 | 72 | 72 | 197 | $221,687 | 12/11/2018 | |||
| Qatar | 11/29/2018 | $14,637 | 11 | 11 | 14 | $19,860 | 12/11/2018 | |||
| Romania | 11/9/2018 | $92,946 | 77 | 77 | 218 | $236,362 | 12/27/2018 | |||
| Russia (CIS) | 11/8/2018 | $1,326,882 | 1,138 | 1,138 | 2,965 | $2,337,335 | 12/11/2018 | |||
| Serbia and Montenegro | 11/8/2018 | $6,752 | 22 | 22 | 44 | $15,394 | 11/27/2018 | |||
| Singapore | 11/6/2018 | $89,511 | 34 | 34 | 69 | $180,250 | 12/4/2018 | |||
| Slovakia | 11/8/2018 | $24,767 | 66 | 66 | 96 | $43,771 | 12/4/2018 | |||
| Slovenia | 11/8/2018 | $6,953 | 15 | 15 | 31 | $14,611 | 12/4/2018 | |||
| South Africa | 11/9/2018 | $37,399 | 67 | 74 | 167 | $114,244 | 12/6/2018 | |||
| South Korea | 11/21/2018 | $0 | 0 | 313 | 332 | $220,006 | 12/23/2018 | |||
| Spain | 11/9/2018 | $496,810 | 338 | 338 | 989 | $1,078,510 | 1/3/2019 | |||
| Suriname | 11/8/2018 | $594 | 1 | 1 | 3 | $1,434 | 11/27/2018 | |||
| Sweden | 10/26/2018 | $226,885 | 187 | 187 | 342 | $575,316 | 12/11/2018 | |||
| Switzerland | 10/31/2018 | $2,015 | 4 | 57 | 142 | $53,629 | 4/4/2026 | |||
| Syria | 11/29/2018 | $1,355 | 1 | 1 | 1 | $1,355 | 12/4/2018 | |||
| Taiwan | 11/9/2018 | $185,692 | 90 | 90 | 219 | $388,447 | 12/4/2018 | |||
| Thailand | 11/8/2018 | $122,572 | 107 | 107 | 198 | $372,744 | 11/28/2018 | |||
| Trinidad | 11/7/2018 | $33,210 | 20 | 20 | 40 | $67,734 | 11/28/2018 | |||
| Turkey | 11/30/2018 | $60,785 | 115 | 115 | 186 | $113,690 | 12/21/2018 | |||
| Ukraine | 11/8/2018 | $202,532 | 251 | 251 | 555 | $344,673 | 12/27/2018 | |||
| United Arab Emirates | 11/29/2018 | $81,482 | 61 | 61 | 65 | $115,665 | 12/11/2018 | |||
| United Kingdom | 11/21/2018 | $713,704 | 439 | 439 | 890 | $1,383,054 | 4/4/2026 | |||
| Uruguay | 11/8/2018 | $13,703 | 18 | 18 | 47 | $32,705 | 12/27/2018 | |||
| Venezuela | 11/9/2018 | $21,295 | 57 | 57 | 129 | $73,848 | 12/11/2018 | |||
| Vietnam | 11/9/2018 | $136,305 | 205 | 205 | 340 | $249,060 | 11/27/2018 | |||
| Rest of World | $114,075 | |||||||||
| International Total | $20,154,787 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Claire Foy | Lisbeth Salander |
Supporting
| Sverrir Gudnason | Mikael Blomkvist | |
| LaKeith Stanfield* | Alona Casales | |
| Sylvia Hoeks | Camilla Salander | |
| Stephen Merchant | Frans Balder | |
| Claes Bang | Jan Holster | |
| Christopher Convery | August Balder | |
| Vicky Krieps | Erika Berger | |
| Beau Gadsdon | Young Lisbeth Salander | |
| Carlotta von Falkenhayn | Young Camilla Salander | |
| Andreja Pejic | Sofia | |
| Synnøve Macody Lund | Gabriella Grane | |
| Cameron Britton | Plague | |
| Mikael Persbrandt | Alexander Zalachenko | |
| Thomas Wingrich | Grane’s Home Security | |
| Andreas Tietz | Camilla’s Driver | |
| Paula Schramm | Malin Erikson | |
| Anja Karmanski | Landlord | |
| Pal Sverre Hagen | Ove Levin | |
| Christian Serritiello | NSA Officer | |
| Damien Murphy | Cop | |
| Asuka Tovazzi | Cop | |
| Daniel Stockhorst | Holster’s Driver | |
| Béla Gabor Lenz | Seedy Looking Punk | |
| Maddy Savage | Reporter | |
| Lea Fassbender | August’s Mother | |
| Tomas Jester | Huge Skinhead | |
| Hendrik Heutmann | Milos Meer | |
| Volkram Zschiesche | Dark Haired SAPO Agent | |
| Sonja Chan | Naked Asian Woman | |
| Felix Quinton | Camilla’s Henchman | |
| Alois Knapps | Camilla’s Henchman | |
| Wolfgang Lindner | Gabriella Grane’s Driver | |
| Sebastian Stielke | Uniformed Cop 4 | |
| Sinha Melina Gierke | Airport Employee | |
| Michael Bornhutter | Airport Policeman | |
| Oliver Juhrs | Airport Policeman | |
| Steffen Jung | Airport Policeman | |
| Christian Zagia | Detention Room Blonde Cop | |
| Amalia Holm Bjelke | Waitress |
Production and Technical Credits
| Fede Álvarez | Director | |
| Steven Knight | Screenwriter | |
| Fede Álvarez | Screenwriter | |
| Jay Basu | Screenwriter | |
| David Lagercrantz | Story based on the novel by | |
| Amy Pascal | Producer | |
| Elizabeth Cantillon | Producer | |
| Scott Rudin | Producer | |
| Eli Bush | Producer | |
| Søren Stærmose | Producer | |
| Ole Sondberg | Producer | |
| Berna Levin | Producer | |
| Line Winther Skyum Funch | Executive Producer | |
| Johannes Jensen | Executive Producer | |
| Anni Faurbye Fernandez | Executive Producer | |
| Arnon Milchan | Executive Producer | |
| Robert J. Dohrmann | Executive Producer | |
| David Fincher | Executive Producer | |
| Pedro Luque | Director of Photography | |
| Eve Stewart | Production Designer | |
| Tatiana S. Riegel | Editor | |
| Roque Banos | Composer | |
| Carlos Rosario | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Florian Hotz | Stunt Coordinator | |
| Cha-Lee Yoon | Fight Coordinator | |
| Robert J. Dohrmann | Unit Production Manager | |
| Arno Neubauer | Unit Production Manager | |
| Alexander Oakley | First Assistant Director | |
| James Manning | Second Assistant Director | |
| Zoe Liang | Second Assistant Director | |
| Henning Molfenter | Co-Producer | |
| Charlie Woebcken | Co-Producer | |
| Christoph Fisser | Co-Producer | |
| Denis Schnegg | Supervising Art Director | |
| Daniel Chour | Art Director | |
| Sabine Engelberg | Art Director | |
| Tarnia Nicol | Art Director | |
| Susannah Brough | Art Director | |
| Yesim Zolan | Set Decorator | |
| Aria Harrison | Script Supervisor | |
| Yasemin Kascioglu | Costume Supervisor | |
| Roland Winke | Sound Mixer | |
| Gerd Nefzer | Special Effects Supervisor | |
| Bernd Rautenberg | Special Effects Supervisor | |
| Klaus grosse Darrelmann | Location Manager | |
| Nikolas Korda | Unit Production Manager | |
| Nick Laurence | Second Assistant Director | |
| Lisa Hauss | Second Assistant Director | |
| Klemens Becker | Second Unit Director | |
| Klemens Becker | Second Unit Director of Photography | |
| Dan Boccoli | First Assistant Editor | |
| Pablo Prietto | Assistant Editor | |
| Kevin O'Connell | Re-recording Mixer | |
| Julian Slater | Re-recording Mixer | |
| Mandell Winter | Supervising Sound Editor | |
| Julian Slater | Supervising Sound Editor | |
| Hamilton Sterling | Sound Designer | |
| Ryan Collins | Sound Effects Editor | |
| Karen Vassar Triest* | Sound Effects Editor | |
| Robert Stambler | Sound Effects Editor | |
| Robert Esparza | Sound Effects Editor | |
| Will Digby | Sound Effects Editor | |
| Ando Johnson | Sound Effects Editor | |
| Micah Loken | Dialogue Editor | |
| Nerses Gezalyan | Foley Mixer | |
| Kyle Arzt | Re-recording Mixer | |
| Tom Y. Burns | Re-recording Mixer | |
| Tony Lamberti | Additional Sound Re-recording Mixer | |
| Jeremy B. Davis | Additional Sound Re-recording Mixer | |
| Maarten Hofmeijer | Music Editor | |
| Del Spiva | Music Editor | |
| Vanessa Garde | Additional Music | |
| Stephen Lipson | Score Mixer | |
| Maarten Hofmeijer | Score Mixer | |
| Bernd Mazagg | Score Recordist | |
| Thilo Ewers | Visual Effects Supervisor | |
| Sebastian Meszmann | Visual Effects Producer | |
| Henrik Fett | Visual Effect Senior Executive Producer | |
| Christoph Malessa | Visual Effects Executive Producer | |
| Sabrina Christoforidis | Visual Effects Executive Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.