Girls Like Girls (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $2,735,660 | Details |
| OpusData ID: 752220100 More info... | ||
| Further financial details... | ||
Synopsis
A heartfelt coming-of-age story set over the course of one sun-drenched summer, where new-girl-in-town Coley falls in love for the first time while learning to accept herself along the way.
Metrics
| Opening Weekend: | $1,511,430 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 504 opening theaters/511 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,735,660 |
Movie Details
| Domestic Releases: | June 19th, 2026 (Limited) by Focus Features |
| MPA Rating: | R for teen alcohol and drug use, and some language. (Rating bulletin 2925 (cert #55408), 2/25/2026) |
| Running Time: | 94 minutes |
| Filming location (state or county): | British Columbia, Canada |
| Plot point: | First Love, Young Child Dealing with the Death of a Parent |
| Social setting: | Summer Vacation |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 2000s |
| Source: | Based on Song |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Marc Platt Productions, Buzzfeed, CR8IV DNA |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 11 | $1,511,430 | 504 | $2,999 | $1,511,430 | 1 | |
| Jun 26, 2026 | - | $319,275 | -79% | 511 | $625 | $2,479,800 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 10 | $922,655 | 504 | $1,831 | $922,655 | 1 | ||
| Jun 20, 2026 | 13 | $393,285 | -57% | 504 | $780 | $1,315,940 | 2 | |
| Jun 21, 2026 | 14 | $195,490 | -50% | 504 | $388 | $1,511,430 | 3 | |
| Jun 22, 2026 | 11 | $188,630 | -4% | 504 | $374 | $1,700,060 | 4 | |
| Jun 23, 2026 | 11 | $213,705 | +13% | 504 | $424 | $1,913,765 | 5 | |
| Jun 24, 2026 | 11 | $156,895 | -27% | 504 | $311 | $2,070,660 | 6 | |
| Jun 25, 2026 | - | $89,865 | -43% | 504 | $178 | $2,160,525 | 7 | |
| Jun 26, 2026 | - | $103,590 | +15% | -89% | 511 | $203 | $2,264,115 | 8 |
| Jun 27, 2026 | - | $113,880 | +10% | -71% | 511 | $223 | $2,377,995 | 9 |
| Jun 28, 2026 | - | $101,805 | -11% | -48% | 511 | $199 | $2,479,800 | 10 |
| Jun 29, 2026 | - | $65,295 | -36% | -65% | 511 | $128 | $2,545,095 | 11 |
| Jun 30, 2026 | - | $85,385 | +31% | -60% | 511 | $167 | $2,630,480 | 12 |
| Jul 1, 2026 | - | $60,405 | -29% | -61% | 511 | $118 | $2,690,885 | 13 |
| Jul 2, 2026 | - | $44,775 | -26% | -50% | 511 | $88 | $2,735,660 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 11 | $2,160,525 | 504 | $4,287 | $2,160,525 | 1 | |
| Jun 26, 2026 | - | $575,135 | -73% | 511 | $1,126 | $2,735,660 | 2 |
Leading
| Maya da Costa | Coley | |
| Myra Molloy | Sonya |
Supporting
| Zach Braff | Curtis | |
| Levon Hawke | Trenton | |
| Alozie Larose | Alex | |
| Sierra Sidwell | Sj | |
| Hunter Dillon | Goose | |
| Sophia Carriere | Brooke | |
| Alexa Mareka | Blake | |
| Maya Ford | Tracy | |
| Remy Marthaller | Emma | |
| Kareem Malcolm | Kendrick | |
| Olly Atkins | Tye | |
| Sunghee Lapell | Manager | |
| Kendra Hesketh | Cashier |
Production and Technical Credits
| Hayley Kiyoko | Director | |
| Hayley Kiyoko | Screenwriter | |
| Stefanie Scott | Screenwriter | |
| Hayley Kiyoko | Story by | |
| Chloe Okuno | Story by | |
| Marc Platt | Producer | |
| Adam Siegel | Producer | |
| Michael Philip | Producer | |
| Jason Moring | Producer | |
| Richard Alan Reid* | Producer | |
| Katie McNicol | Producer | |
| Dee Best | Producer | |
| Sonja Tsypin | Director of Photography | |
| Lindsey Moran | Production Designer | |
| Christine Armstrong | Editor | |
| Sabine Hoffman | Editor | |
| Kelli Dunsmore | Costume Designer | |
| Jessica Rose Weiss* | Composer | |
| Rob Lowry | Music Supervisor | |
| Megan Bayliss | Casting Director | |
| Rebecca Davidson | Casting Director | |
| Karen Redford | Production Manager | |
| Sandra Mayo | First Assistant Director | |
| Nina Bournival | Second Assistant Director | |
| Christopher Campbell-Orrock | Co-Producer | |
| Samantha Sadoff | Associate Producer | |
| Marla Vazquez | Associate Producer | |
| Fabienne Leys | Associate Producer | |
| Heather McKay | Associate Producer | |
| Bradley M. Goodman | Post-Production Supervisor | |
| Rick Pearce | Stunt Coordinator | |
| Heidi Ford | Stunt Coordinator | |
| Olga Devuyst | Art Director | |
| Adrian Traquair | Set Decorator | |
| David Hechenberger | Sound Mixer | |
| Ashley Monti | First Assistant Editor | |
| Louis Armistead | First Assistant Editor | |
| Peter Vandergrient | Special Effects Coordinator | |
| Shauna Carveth | Make up | |
| Lisa Burke | Hairstylist | |
| Jacob Wideman | Location Manager | |
| Timothy Green | Script Supervisor | |
| Sam Crossley | Choreography | |
| Sam Linder | Line Producer | |
| Karina Bagoumian | Production Manager | |
| Claire Cardona | Production Designer | |
| Kendall Barron | Supervising Sound Editor | |
| Kendall Barron | Re-recording Mixer | |
| John Wong | Sound Designer | |
| Kelsey Sheridan | Foley Editor | |
| Jeremy Zussman | Foley Recordist | |
| Michelle Leduc | Sound and ADR Editor | |
| James Anthony Young | Visual Effects Supervisor | |
| Julia Graff | Music Editor | |
| Alex Brinkley | Additional Music | |
| Eva Reista | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A heartfelt coming-of-age story set over the course of one sun-drenched summer, where new-girl-in-town Coley falls in love for the first time while learning to accept herself along the way.
Metrics
| Opening Weekend: | $1,511,430 (55.2% of total gross) |
| Legs: | 1.81 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 504 opening theaters/511 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,735,660 |
Movie Details
| Domestic Releases: | June 19th, 2026 (Limited) by Focus Features |
| MPA Rating: | R for teen alcohol and drug use, and some language. (Rating bulletin 2925 (cert #55408), 2/25/2026) |
| Running Time: | 94 minutes |
| Filming location (state or county): | British Columbia, Canada |
| Plot point: | First Love, Young Child Dealing with the Death of a Parent |
| Social setting: | Summer Vacation |
| Subgenre: | Coming-of-Age Drama |
| Time period setting: | 2000s |
| Source: | Based on Song |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Focus Features, Marc Platt Productions, Buzzfeed, CR8IV DNA |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 11 | $1,511,430 | 504 | $2,999 | $1,511,430 | 1 | |
| Jun 26, 2026 | - | $319,275 | -79% | 511 | $625 | $2,479,800 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 10 | $922,655 | 504 | $1,831 | $922,655 | 1 | ||
| Jun 20, 2026 | 13 | $393,285 | -57% | 504 | $780 | $1,315,940 | 2 | |
| Jun 21, 2026 | 14 | $195,490 | -50% | 504 | $388 | $1,511,430 | 3 | |
| Jun 22, 2026 | 11 | $188,630 | -4% | 504 | $374 | $1,700,060 | 4 | |
| Jun 23, 2026 | 11 | $213,705 | +13% | 504 | $424 | $1,913,765 | 5 | |
| Jun 24, 2026 | 11 | $156,895 | -27% | 504 | $311 | $2,070,660 | 6 | |
| Jun 25, 2026 | - | $89,865 | -43% | 504 | $178 | $2,160,525 | 7 | |
| Jun 26, 2026 | - | $103,590 | +15% | -89% | 511 | $203 | $2,264,115 | 8 |
| Jun 27, 2026 | - | $113,880 | +10% | -71% | 511 | $223 | $2,377,995 | 9 |
| Jun 28, 2026 | - | $101,805 | -11% | -48% | 511 | $199 | $2,479,800 | 10 |
| Jun 29, 2026 | - | $65,295 | -36% | -65% | 511 | $128 | $2,545,095 | 11 |
| Jun 30, 2026 | - | $85,385 | +31% | -60% | 511 | $167 | $2,630,480 | 12 |
| Jul 1, 2026 | - | $60,405 | -29% | -61% | 511 | $118 | $2,690,885 | 13 |
| Jul 2, 2026 | - | $44,775 | -26% | -50% | 511 | $88 | $2,735,660 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 19, 2026 | 11 | $2,160,525 | 504 | $4,287 | $2,160,525 | 1 | |
| Jun 26, 2026 | - | $575,135 | -73% | 511 | $1,126 | $2,735,660 | 2 |
Leading
| Maya da Costa | Coley | |
| Myra Molloy | Sonya |
Supporting
| Zach Braff | Curtis | |
| Levon Hawke | Trenton | |
| Alozie Larose | Alex | |
| Sierra Sidwell | Sj | |
| Hunter Dillon | Goose | |
| Sophia Carriere | Brooke | |
| Alexa Mareka | Blake | |
| Maya Ford | Tracy | |
| Remy Marthaller | Emma | |
| Kareem Malcolm | Kendrick | |
| Olly Atkins | Tye | |
| Sunghee Lapell | Manager | |
| Kendra Hesketh | Cashier |
Production and Technical Credits
| Hayley Kiyoko | Director | |
| Hayley Kiyoko | Screenwriter | |
| Stefanie Scott | Screenwriter | |
| Hayley Kiyoko | Story by | |
| Chloe Okuno | Story by | |
| Marc Platt | Producer | |
| Adam Siegel | Producer | |
| Michael Philip | Producer | |
| Jason Moring | Producer | |
| Richard Alan Reid* | Producer | |
| Katie McNicol | Producer | |
| Dee Best | Producer | |
| Sonja Tsypin | Director of Photography | |
| Lindsey Moran | Production Designer | |
| Christine Armstrong | Editor | |
| Sabine Hoffman | Editor | |
| Kelli Dunsmore | Costume Designer | |
| Jessica Rose Weiss* | Composer | |
| Rob Lowry | Music Supervisor | |
| Megan Bayliss | Casting Director | |
| Rebecca Davidson | Casting Director | |
| Karen Redford | Production Manager | |
| Sandra Mayo | First Assistant Director | |
| Nina Bournival | Second Assistant Director | |
| Christopher Campbell-Orrock | Co-Producer | |
| Samantha Sadoff | Associate Producer | |
| Marla Vazquez | Associate Producer | |
| Fabienne Leys | Associate Producer | |
| Heather McKay | Associate Producer | |
| Bradley M. Goodman | Post-Production Supervisor | |
| Rick Pearce | Stunt Coordinator | |
| Heidi Ford | Stunt Coordinator | |
| Olga Devuyst | Art Director | |
| Adrian Traquair | Set Decorator | |
| David Hechenberger | Sound Mixer | |
| Ashley Monti | First Assistant Editor | |
| Louis Armistead | First Assistant Editor | |
| Peter Vandergrient | Special Effects Coordinator | |
| Shauna Carveth | Make up | |
| Lisa Burke | Hairstylist | |
| Jacob Wideman | Location Manager | |
| Timothy Green | Script Supervisor | |
| Sam Crossley | Choreography | |
| Sam Linder | Line Producer | |
| Karina Bagoumian | Production Manager | |
| Claire Cardona | Production Designer | |
| Kendall Barron | Supervising Sound Editor | |
| Kendall Barron | Re-recording Mixer | |
| John Wong | Sound Designer | |
| Kelsey Sheridan | Foley Editor | |
| Jeremy Zussman | Foley Recordist | |
| Michelle Leduc | Sound and ADR Editor | |
| James Anthony Young | Visual Effects Supervisor | |
| Julia Graff | Music Editor | |
| Alex Brinkley | Additional Music | |
| Eva Reista | Score Mixer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.